Grolsch Literally Puts 400 Bottles of Beer on a Wall to Mark the Brand's Quadricentennial

How does Grolsch beer celebrate its own 400th birthday? By hiring street-art collective Graffiti Lite to create an outdoor 3D installation from 400 swing-top Grolsch bottles.

Don’t worry, there’s more to it than *just* bottles. See, the bottles are secured to a larger mural, of a bottle, in East London. And, they’re covered with every variety of kitschy street art known to man, including “guerrilla gardening,” “yarn bombing,” and, good ol’ fashioned spray-painting.

Technically, it’s not guerrilla gardening if said gardeners were invited to plant on a site that isn’t abandoned, or considered private property. But misuse of activist terminology aside, this is a neat idea for a mural. If it’s not too late to add something to it, though, the brand should consider a public bulletin saying that anyone who starts singing “400 Bottles of Beer on the Wall” upon seeing it will be forced to wear a dunce cap for the next 400 years. 

More photos after the jump.

(Via Design Taxi)



Man Makes Insane Cheese Sculpture to Honor His Chutney in Branston's Latest Ad

This commercial takes the concept of artisanal cheese to a whole new level—and it’s not even trying to sell cheese.

In an amusing 30-second spot for Branston Chutney, Mcgarrybowen channels a classic scene from Steven Spielberg’s Close Encounters of the Third Kind. But instead of Richard Dreyfuss shaping an alien-inspired, mashed-potato sculpture, it’s some guy who’s not Richard Dreyfuss topping off his own intricately-carved fromage masterpiece, with a cracker and schmear of chutney.

Three new Branston flavors: Mediterranean Tomato, Caramelized Onion and Orchard Fruit, apparently served as muse to the spot’s hero (Extraterrestrials, as far as we know, didn’t enter into the equation).

“Whatever you make, make it special,” the voiceover says. The ad, titled “Chutney Mountain,” certainly embodies that spirit, in a slightly unhinged kind of way. It’s not as sweet as Branston’s “The Apologist” from a few years back, but some viewers might find it less sappy, and possibly more memorable. Of course, there’s also the likelihood everyone who watches it will end up just craving cheese over chutney.

CREDITS

Brand: Branston Chutney
Agency: Mcgarrybowen
Client: Mizkan Europe
Campaign Managers: Lorna Kimberley, Victoria Adams
Executive Creative Directors: Paul Jordan, Angus Macadam
Creative Team: Will Grave, Yury Vorobev
Planning: Kevin Chesters, Nicole Kirkland, Rhonwen Lally
Business Director: Robbie Black
Account Director: Susan Lawlor
Account Manager: Nicole Avery
Producers: Abbi Tarrant, Charlotte Stirrup
Production Co.: Rogue
Director: Sam Brown
Producer: Kate Hitchings
Post-production: The Mill
Audio: GCRS
Media Planning: UM London
Food Stylist: Clare Ferguson



The Internet Is United in Despising Starbucks' 'Race Together' Cup Campaign

Starbucks is encouraging its baristas to write the words “Race Together” on cups to get customers talking about racial issue. The idea started internally when about 2,000 Starbuckians attended a forum to talk about Ferguson, Mo., but surely no one foresaw the shit storm that would erupt when it went public.

This isn’t the coffee company’s first time at the social cause rodeo. It’s taken on guns and gay rights gamely, with applause from its largely liberal audience. But somehow, the clumsy nature of reducing a serious, impossibly complex national conversation to a hashtag on a coffee cup has united Twitter users of all races in roundly denouncing the attempt.

Entrepreneur points out that the campaign puts an unfair burden on the baristas. And let’s be frank, they maybe aren’t being given the resources and information to hold an informed, nuanced discussion of the topic when a customer walks in and asks their feels on the subject of cultural appropriation, and by the way, do they find it awkward that ordering a black coffee or a flat white espresso will now have an extra layer of uncomfortable meaning?

More than a few people are suggesting Starbucks needs to first have a serious conversation with itself about race—more diversity in leadership, a serious look at where they are and aren’t putting their stores (interestingly, there are no Starbucks actually in the town of Ferguson), and of course, fair trade for all their coffee growers.

Starbucks, for its part, claimed that broaching the topic is worth a little discomfort. But that was right before vp of communications Corey duBrowa deleted his Twitter account because attacks were distracting from a “respectful conversation.”

The important thing is that Starbucks has finally united Americans in a conversation about how much they don’t want to have a conversation about race—at least, not before they have their coffee.



Kevin Bacon Does Ads for Eggs, Because What Goes Better With Eggs Than Bacon?

Kevin Bacon has traded off the whole “six degrees” things in ads for years. Now it’s time to put the Bacon to work.

And that he does in an amusing if obvious campaign from Grey New York promoting eggs on behalf of the American Egg Board. Because after all, nobody knows eggs better than bacon. Or Bacon.

The online video gets surprisingly suggestive, as Kevin puts up with some heavy flirting from a married woman who discovers him just lying on her counter one day. And the spot doesn’t tire of puns, even though Kevin claims not to enjoy them.

He does enjoy his eggs, however.

“With a last name like Bacon, I’m the obvious choice, and I’m excited to be a part of the new Incredible Edible Egg campaign,” Bacon says in a statement. “I like the creativity behind the idea, and I’ve always been a big fan of eggs. They’re a nutritional powerhouse and I never get tired of them because there are so many ways you can eat them.”

Per-capita egg consumption grew to 260 in 2014, an increase of more than a dozen over the last five years, according to the USDA. The celebrity ad campaign is designed to keep that momentum going.

“Kevin Bacon brings real star power to the world of eggs and we think consumers are going to love this clever new version of bacon and eggs,” says Kevin Burkum, the American Egg Board’s svp of marketing. “And there’s no better time to talk about eggs with consumption at its highest level in three decades and Easter right around the corner.”

See the print ad below.

CREDITS
Client: American Egg Board
Spot: “Side of Kevin”
Agency: Grey New York
Chief Creative Officer: Tor Myhren (Global) / Andreas Dahlqvist (New York)
Creative Directors: Ari Halper (Executive Creative Director), Steve Krauss (Executive Creative Director), Brad Mancuso, Susan LaScala Wood
Art Directors: Jay Hunt / Pete Gosselin, Matt DeCoste
Copywriters: Jay Hunt / Pete Gosselin
Agency Producer: Perry Kornblum
Production Company (location): Moxie Pictures (LA)
Director: Martin Granger
Director of Photography: Alar Kivilo
Editor (person & company): Alex Cohan / Vision Post
Music/Sound Design (person & company): Matt Baker / Vision Post
Principal Talent: Kevin Bacon, Geneva Carr, Jeff Wiens



Carlsberg Makes the Most NFSW Ad Ever, Along With a Few Other Gems

Carlsberg doesn’t do things half-ass. If the Danish brewer is going to do something, it will make it the best in the world—at least, according to three new ads that admit that might not actually be true at all.

The campaign, by 72andSunny in Amsterdam and the new Copenhagen office of New York’s MacGuffin Films, imagines what would happen if Carlsberg made erotic dramas, sang karaoke or taught language courses. In each, it would excel—”probably,” the ads say.

The campaign marks the return of the famous “If Carlsberg Did” theme after an absence of four years. “Carlsberg beer is made by natural, unique ingredients, and MacGuffin have helped us make these come to life in a refreshing and indulging way. Hereby, the beer itself is put on a pedestal, just where we think it should be. Probably,” says Carlsberg director of strategy and innovation Didrik Fjeldstad.

See the other spots below.

CREDITS
Client: Carlsberg
Spot: “If Carlsberg Did”
Agency: 72andSunny Amsterdam
Production Company: MacGuffin Films New York
Director: Nick Fuglestad
Exe. Producer: Sam Wool



1840s Prospectors Find the Mother Lode of Liquid Gold in CP+B's First Velveeta Ad

Kraft has changed how it defines consumers who eat Velveeta, from age and gender (millennial males) to mind-set (fun people who like to indulge). As such, new ads for Velveeta Shells & Cheese feature a broadly appealing pair of prospectors from the 19th century instead of a cool dude who sells remote-control helicopters at a mall.

In one TV ad breaking today, the bearded prospectors, one older and one younger, marvel at the “liquid gold” they’re eating, and the young one asks the oldster how he found it. Then what looks like a campfire conversation in the woods pulls back to reveal a whole different scene entirely.

Future spots will also find humor in the odd placement of frontiersmen in a modern supermarket. The campaign also includes online ads, social media marketing and a new wrinkle for the brand, radio ads, said Tiphanie Maronta, a senior brand manager at Kraft.

The ads are the first for Velveeta from Crispin Porter + Bogusky, which inherited the brand from Wieden + Kennedy in an agency consolidation late last year. 



Jägermeister Takes Handcrafted to Next Level With Three Incredible Wooden Works of Art

We’ve seen plenty of ad campaigns that have handcrafted elements meant to evoke some handcrafted aspect of the product. (Patron tequila’s ads from 2013 were particularly lovely.) But Deutsch New York takes things up a notch in this beautiful work for Jägermeister.

The agency got artists Olivia Knapp, Yeahhh! Studios and DKNG Studios to create three unique wooden works of art corresponding to the brand’s three pillars—heritage, ingredients and process. Each piece was constructed in 56 separate parts that fit together like a puzzle—representing the 56 different ingredients (roots, fruits, herbs and spices) that go into Jägermeister.

The art works, weighed up to 250 pounds, were then photographed for use as ads—out-of-home, painted wallscapes, rich media, print, mobile and social media. The campaign is called “56 Parts. Best as One.”

Check out a ton of the art below.

 
—”Cheers” by Yeaaah Studio

 
—”Fount” by Olivia Knapp

 
—”The Process” by DKNG

CREDITS
Client: Sidney Frank Importing Co., Inc./Jägermeister
Deutsch New York:
Chief Creative Officer: Kerry Keenan
Executive Creative Director: Menno Kluin
Associate Creative Directors: Sean Lee, Luke Hughett
Copywriter: Brian Alexander
Art Director: Katrina Mustakas
Design & Typography: Juan Carlos Pagan, Brian Gartside
Interactive Design Director: Aliza Adam
Interactive Designer: Alex Miller
Experience Design: Anna Farrell
Art Buyer: Ali Asplund
Director of Creative Operations: John Bongiovanni
Senior Studio Artist: Tom Eberhart
Print Producer: Melissa Betancur
Retouching: James Cullinane
Director of Integrated Production: Joe Calabrese
Director of Digital Production: Suzanne Molinaro
Digital Producers: Josh Deitel, Katie Miller
Digital Developer: Patrick Batey
Senior Motion Designer: Matthew Severin
Motion Designers: John McLaughlin, Aaron Epstein
Director of Photography: Owen Levelle
Producer: Joe Pernice
Editors: Bryan Reisberg, Chris Pensiero
Asst. Editor: Drew Bolton
Senior Project Manager: Marea Grossman
Production Company: Remote Control Productions, NY
Photographer: Andrew Myers, Adam Coleman (BTS)
Photo Assistant: Scott Burry, Landon Speers
Digital Tech: Adrien Potier
Fabrication Company: Bednark Studios, Brooklyn, NY
Artists: Olivia Knapp, DKNG Studios, Yeaaah! Studio
Additional Deutsch Credits:
EVP, Group Account Director: Talia Handler
Account Director: Kristen Rincavage, Michelle Ziff



Oreo Gets 10 Artists to Produce Beautifully Dreamy Outdoor Illustrations

The “Play with OREO” campaign, which launched in January, continues this month with a lovely new set of out-of-home ads featuring groovy illustrations from 10 artists.

The artists were given words to play off—functional ones like “dunk” and “twist,” as well as more emotional ones like “dream” and “wonder”—and asked to come up with a scene that brings those words to life. The only requirement was that the scene include a character with the Oreo cookie wafer as the face/head.

The ads will run outdoors in New York City, Los Angeles and Indianapolis and shared through Oreo social channels starting this week. The featured artists are Shotopop, Jeff Soto, Ryan Todd, McBess, Andrew Bannecker, Geoff McFetridge, Andy Rementer, Alex Trochut, Craig and Karl and Brosmind.

See all the ads below, along with credits.

CREDITS
Client: OREO, Mondelez International, Inc.
Advertising: The Martin Agency
Public Relations: Weber Shandwick
Social: 360i
Media Buying: MediaVest

Client Credits:
VP, Global Biscuit Category Jason Levine
VP, Brand Strategy and Communications Jill Baskin
Senior Director, OREO & Chips Ahoy! Janda Lukin
OREO Global Brand Manager Flavio Ackel
OREO Sr Associate Brand Manager Kerri McCarthy

Agency Credits:
Chief Creative Officer: Joe Alexander
SVP/Executive Creative Director: Jorge Calleja
VP/Creative Director: Magnus Hierta
VP/Creative Director David Muhlenfeld
VP/Associate Creative Director/Design: Chris Peel
Associate Designer: William Godwin
Senior Studio Artist: Matt Wieringo
VP/Group Planning Director: John Gibson
Strategic Planner: Gigi Jordan
EVP/Worldwide Acct Director: John Campbell
SVP/Group Acct Director: Darren Foot
VP/Account Director: Leslie Hodgin
VP/Account Director: Britta Dougherty
Account Supervisor: Molly Holmes
Account Coordinator: James Salusky
EVP/Managing Director Production & Development: Steve Humble
Senior Art Producer: Anya Mills
Senior Print Producer: Paul Martin
Junior Print Producer: Jamie Parker
Group Project Management Supervisor: Giao Roever
Business Affairs Supervisor: Juanita McInteer

Illustrators:

—Bernstein Andruilli
Shotopop
Jeff Soto
Ryan Todd
McBess
Andrew Bannecker
Geoff McFetridge

—Big Active
Andy Rementer

—Levine Leavitt
Alex Trochut
Craig and Karl
Brosmind



Mentos Pack a Seriously Fresh Punch in This Hilarious Ad with a Perfect Twist Ending

This ad from BBH London for Mentos NOWMints is amazingly funny—perfectly paced, surprising, silly, and close enough to making sense that it actually serves the brand, especially because it’s so memorable.

It also sends up fresh-breath kissing clichés. Right from the start, the subtly awkward acting hints that a twist is coming, but it’s not clear exactly what until the payload hits … and it really doesn’t disappoint.

And while cute animals, as a rule—and in ads—may not be particularly fresh, this one definitely gets pretty rude with the driver. Loverboy can be happy he wasn’t the one to catch it, though hopefully the product doesn’t actually taste like rabbit, too.

The spot positions NOWMints as “little moments of pleasure.” The spot will air only in Italy, though of course it’s online for the rest of the world to enjoy, too.

CREDITS
Client: Mentos NOWMints
Agency: BBH London
BBH Creative Team: Shelley Smoler & Raphael Basckin
BBH Creative Director: Gary McCreadie & Wesley hawes, Shelley Smoler & Raphael Basckin
BBH Strategist: Jamie Watson
BBH Strategy Director: Ben Shaw
BBH Business Lead: Carly Herman
BBH Team Director: Tom Woodhead
BBH Team Manager: Francois d’Espagnac
BBH Producer: Natalie Parish
BBH Assistant Producer: Sarah Cooper
Production Company: Blink
Director: Benji Weinstein
Executive Producer: James Bland
Producer: Patrick Craig
DoP: Simon Richards
Post Production: The Mill
Editor/Editing House: Max / Stitch
Sound: Sam Ashwell / 750mph



Coca-Cola Celebrates Its Iconic Bottle's 100th Birthday With 15 New Ads

It’s the 100th anniversary of Coca-Cola’s classic glass bottle, and the soda brand is celebrating hard—with 14 new global ads in different styles.

The first might be best described as a super-diverse high-five stop-action hand party, shot by pop photographer David LaChappelle. Human paws of all colors, ages, types and garnishments inch toward each other, craving meaning, and connection, and presumably Coca-Cola, while a soundtrack about loving together reaches fever pitch in the background.

Naturally, in the end, all those lonely hands find their true purpose in life—coming together to pay homage to the shape of a Coca-Cola bottle.

In a second spot, Coke’s life actually flashes before its eyes. It had its first kiss in 1915, with Adrien Brody’s great-grandfather apparently, before seducing a stern young journalist during the anti-Vietnam War protests in the 1960s, and then proceeding to hang around for every good thing that’s ever happened, including break-dancing, bikinis, oceans, marriage proposals, Santa Claus, pool parties, street soccer and lots of young, beautiful people making eyes at each other.

And here’s a third spot that tells a tall tale—most of it animated—about the creation of the Coca-Cola bottle. There’s not much truth in advertising in this one.

There are still more ads on the Coke’s YouTube page, and the High Museum of Art in Atlanta has even mounted a whole exhibit, The Coca-Cola Bottle: An American Icon at 100.

See the 12 other ads below.



Gripping Powerade Spot With Derrick Rose Includes First Ad Narration by Tupac Shakur

In this inspirational ad from Wieden + Kennedy for Powerade, a boy who represents a young Derrick Rose rides through the south side of Chicago to a voiceover by Tupac Shakur—the late rapper’s first-ever narration of a commercial.

“You see, you wouldn’t ask why the rose that grew from the concrete had damaged petals,” Shakur says. “On the contrary, we would all celebrate its tenacity. We would all love its will to reach the sun. Well, we are the roses. This is the concrete. These are my damaged petals. Don’t ask me why. Ask me how.”

The bike ride from the south side to the United Center reflects Rose’s journey from the streets of Englewood, through adversity, to the NBA. The scenes then change to the present day, with the recently injured Bulls point guard drinking a Powerade courtside. Copy flashes, “We’re all just a kid from somewhere,” and the spot ends with a Rose wearing a “Just a kid from Chicago” sweatshirt.

The #powerthrough hashtag seems poignant in light of Rose’s recent injuries. And of course, using lines from “The Rose That Grew Through Concrete” is almost too lovely and perfect.

CREDITS
Client: Powerade
Agency: Wieden + Kennedy
Production Company: Smuggler
Director: Jaron Albertin



Do Competing Bottled Water Brands Actually Taste Different? Rhett & Link Find Out

Rhett & Link will slake your thirst for goofy, brand-inspired comedy in the “Ultimate Water Taste Test,” a wonderfully wet episode of their “Good Mythical Morning” YouTube show.

The guys, best known for their brilliantly bad local commercials, compete against each other to identify seven varieties of water. They sample five brands: Dasani, Evian, Fiji, Smart Water and Blk Water. (“It’s not from a river in Alabama,” Rhett quips, but infused with fulvic powder, “whatever that is.”) There’s also pond water from Echo Park in Los Angeles and H2O straight from the tap.

The duo don a dual-action water-tasting apparatus—basically hardhats and two hoses for drinking—that actually connects their heads, making them look, Link notes, “like two construction workers talked into doing some kind of scuba trust exercise.”

Once the blind water taste test begins, the snark pours forth.

“It’s got a flowed-down-through-snow-in-the-Alps kind of a feel to it.”
“There’s an elevation in this taste—this is from up high, not from down below.”
“Tastes like clouds.”
“I can taste vapor distillation.”
“If somebody’s selling this, they need to stop immediately.”

You’ll have to watch the 15-minute segment—streaming rapidly toward 1 million YouTube views in just two days—to see how many of the seven they correctly identify. Be sure to hang in for the refreshingly honest “Neither Water” spoof commercial at the end, which drives home the point that, when you’re truly parched, branding doesn’t matter.



Jose Cuervo Mixes a Margarita in Space and Parachutes It Back to Earth

Brands are obsessed with space, getting to space, and anything that’s been to space. This week, it was Jose Cuervo’s chance to boldly go where no tequila brand had gone before—and hopefully make it home safely.

In honor of National Margarita Day last Sunday, Cuervo and its agency, McCann New York—using aerospace technology and GPS tracking—launched a container of margarita ingredients heavenward, hoping to mix a cocktail in space and parachute it back to Earth.

See how that went in this video:

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The agency teamed up with independent space program JP Aerospace, along with scientists who led the Phoenix Mission to Mars, to build and launch the spacecraft. The launch site was Pinal County Park, about an hour north of Tucson, Ariz.

Severe buffeting of winds at high altitude shook the margarita, and the extreme cold froze it. When the capsule reached about 100,000 feet into space, the weather balloons shattered and the capsule parachuted down.

The margarita landed in a ravine 100 miles from the launch site. It reportedly tasted good.



Sonic's Weird Drink Flavors Come to Life as Strangely Riveting Mouth Cartoons

Sonic is pretty serious about playing with its food.

A new campaign from Goodby, Silverstein & Partners transforms actors’ mouths into zany little characters using face paint, à la makeup artist Lauren Jenkinson‘s renditions of classic cartoon characters.

The illustrations are great more or less across the board, even if some of the writing and delivery—the self-destructive robot, the melodramatic doctor, the angst-ridden teenager—might try a little too hard to be funny.

The better monologues turn the corner on relatable bits of truth—like a Southern belle who scrambles to save face after it turns out she’s not so refined after all—or on straight-up charming silliness—like a hammy yeti, idiotic octopus or behind-the-times groundhog.

The best moments, though, come from the more subtle facial cues, like when a chin twitch becomes a boxer pumping his pecs, or a soul patch finds new life as chest hair (in what might be the most perfect equivalence ever).

Then again, that all might just be a matter of taste—promoting the fast-food chain’s various drink flavors is, after all, kind of the point. But seriously, just try to keep your brain from imploding when Abraham Lincoln cracks a pun about a Leonardo DiCaprio movie.

CREDITS
Client: Sonic
Campaign “Sipsters”
Agency: Goodby Silverstein & Partners

Creative
Executive Creative Director/Partner: Margaret Johnson
ACD/Writer: Jon Wolanske
ACD/Art Director/Designer: Kevin Koller
Copywriter: Justin Ralph

Account Services & Strategy
Group Account Director: Leslie Barrett
Account Director: Jenna Duboe
Assistant Account Manager: Olivia Mullen
Business Affairs Managers: Chrissy Shearer, Jane Regan
Senior Communication Strategist: John-James Richardson

Production
Director of Broadcast Production: Tod Puckett
Broadcast Producer: Melissa Nagy
Production Company: eLevel Films (Goodby Silverstein & Partners)
Director: Claude Shade/Jon Wolanske
Director of Photography: Brett Simms
Executive Producer: PJ Koll
Line Producer: Genevieve Giraudo
Production Manager: Haley Klarfield
Make-up Artists: Sarah Coy, Victor Cembelin, Sophie Smith and Monica Bishop

Postproduction
eLevel Films (Goodby Silverstein & Partners)
Editor: Quinn Motika
Executive Producer: PJ Koll
Post Producer: Samantha Liss
Telecine: Nathan Shipley
Online: Kyle Westbrook
Audio Mix/Sound Design: Nic DeMatteo, Jody Scott, Jon Shamieh
Music: APM Music
End Title Design: Kevin Koller

 



Snickers Turned Marcia Brady Into Danny Trejo on 'Hungerlapse' Billboard, Too

BBDO New York’s “Brady Bunch” Super Bowl campaign for Snickers had a great out-of-home teaser element that not too people saw—but now you can, as video of it was posted Tuesday to the brand’s YouTube page.

The teaser video with Danny Trejo brushing his hair in the mirror rolled out online on Jan. 21. But the billboard campaign began way earlier—back in the first week of the year. By Jan. 9, people were already taking photos of the hand-painted New York City board (originally just showing Marcia Brady) and posting them online, tagged #WhatsUpWithMarcia.
 

 
Over a period of a few weeks, painters slowly transformed sweet Marcia into surly Danny. Check out that process in the new video here:

The video isn’t just a recap of the creative, either. Rather, it kicks off a new U.S. promotion. A spokesperson with Mars Chocolate North America tells us that fans can visit EatA.Snickers.com and show the brand (in photos or videos) who they are when they’re hungry—for a chance to win cash prizes and a YouTube takeover for a day.



This Agency's Weekly 'Clean the Fridge' Emails Are a Thing of Beauty

No workplace email gets trashed faster than a mass reminder to clean out the company refrigerator. Heck, I wouldn’t even bother to open one. (Such an email, I mean. The fridge—I’d open that, sure. I’ve got to stow my Limburger-onion hoagies someplace.)

At Boston agency Allen & Gerritsen, however, the weekly “Clean the fridge” emails are savored like delicacies thanks to facilities associate Mike Boston, who also happens to be a local hip-hop artist. Each Friday, Boston (yes, it’s his name and where he lives, deal with it) cooks up a sweet confection of pop-culture references, employee/client riffs and in-jokes designed to remind staff to remove their leftovers from the premises.

His couplets blow the doors off the fridge:
“Chickens go from so sad to so mad, it’s so bad
Clucking ’round the ham like a nomad with no dad.”

And they expose moldy (nay, “fuzzy”) dregs to the masses:
“Those cuddly-wuddly eyes! How could I deny you?
Spoon-fed with hummus love.
Where in the fridge’d they hide you?”

Tasty puns are on the menu:
“Clean your spoon wisely.
Fork you and have a knife day!”

As are some appetizing free verse reminders:
“Please claim your food in the refrigerators or label it.
This is the one time it’s ok to put a label on things.”

Lest anyone think Boston is just a bard of the break room, he’s begun to put his stamp on the agency’s creative product, writing and recording a track for the Boston Celtics’ “Green Runs Deep” campaign.

Check out a few of his full emails below. Dude’s rhymes are fresh. Even if the food isn’t.

Photo: Indi Samarajiva/Flickr



Coca-Cola Spreads Happiness Online With the First Emoji Web Addresses

Coca-Cola hasn’t had much luck making the Internet a happier place lately, but maybe this will help—a fun campaign from Coca-Cola Puerto Rico that puts smiley-face emojis right in the brand’s web addresses.

The brand registered URLs for every emoji that conveys happiness. Entering any of these happy icons into a mobile web browser, along with the .ws suffix, leads users to Coca-­Cola Puerto Rico’s website.

Why .ws, which is actually the domain suffix for Samoa?

“Emojis are not accepted on domains such as .com, .net, and .org,” DDB Puerto Rico says. “After doing some research on domains that do accept emojis, we opted to go with the .ws because the letters could stand for ‘We smile’ and hence seemed most relevant to the brand.”

For now, all the emoji URLs lead to a special landing page, Emoticoke.com, where consumers can sign up for a chance to get emoji web addresses of their very own. The campaign is being supported by traditional media, including outdoor.

“The vast majority of our audience now visits our website via a mobile device. And since emojis have become a kind of second language for Coke’s younger consumers, we felt this was a great opportunity to connect on a deeper level with our most important demographic,” says Alejandro Gómez, president of Coca-Cola Puerto Rico.



This Pizza Brand's Outdoor Ads Are Hard to Notice, and That's the Point

Making out-of-home ads that are hard for people to see sounds like a terrible idea. But Daiya Foods does just that with clever ad placements in a new campaign that plays off the line, “It’s easier to notice this ad than notice our pizza is dairy-free.”

Some ads are running where few people look (like on top of a bus), while others are almost too small to see (tiny stickers on benches, crosswalk lights, elevator panels, phone kiosks and more) or go by too fast to read (taxi tops).

The campaign, by TDA_Boulder, extends to digital and print, including full-page ads with tiny 2¼-by-¼-inch headlines in magazines such as Cooking Light, Every Day with Rachel Ray, Fitness, Health and Food Network Magazine.

CREDITS
Client: Daiya Foods
Agency: TDA_Boulder
AD: Austin O’Connor
CW: Dan Colburn
CD: Jeremy Seibold
ECD: Jonathan Schoenberg



Ad Campaign Hilariously Wants to 'Save the Bros' From the Junk in Protein Shakes

You probably didn’t know bros were an endangered species.

Dairy brand Organic Valley is out with “Save the Bros,” a mock PSA asking for help weaning musclebound dudes from conventional protein shakes in favor of the company’s new Organic Fuel product—which it’s touting as free of “artificial flavoring, sweeteners, GMOs, toxic pesticides, antibiotics or artificial hormones often found in other ‘health’ products.”

The two-minute, tongue-in-cheek video, created by Humanaut, stakes out its position early, opening with the smirkingly ambiguous claim, “Bros are pretty amazing,” before proceeding to make a slew of other dubious arguments. One woman actually worries to the camera that in a world without bros, no one “would make comments about your physique that aren’t appropriate, but still appreciated.”

In other words, for an ad that, at moments, panders to its target by trolling everyone else, it’s pretty funny—deftly sending up cheesy public-service tropes, while also largely poking fun at the consumers it’s trying to woo. Ultimately, everyone is treated to images of bros doing yoga, bros looking at eggplants like they’re aliens (because, let’s be real, they are), bros meditating on mountaintops, and bros making pottery, as part of bros’ efforts to better themselves. 

There’s also an accompanying website that hawks “Save the Bros” paraphernalia, like T-shirts and duffel bags, and obviously, tank tops and trucker hats. (They might want to do a slightly tighter job of filtering the Instagram posts it pulls in by hashtag—on Monday night, one screenshot of an iChat, under #brolife, read, “Life is like a penis; it is simple, soft, and relaxed. Then women make it hard.”)

Luckily, you can rest assured that even if you don’t share the ad, the bros will be fine.

CREDITS
Client: Organic Valley
Product: Organic Fuel
Campaign: “Save the Bros”
Agency: Humanaut
Creative Adviser: Alex Bogusky
Creative Director: David Littlejohn
Associate Creative Director: Mike Cessario
Copywriter: David Littlejohn / Mike Cessario
Art Director: Stephanie Gelabert / Sean Davis
Production Company: Fancy Rhino, Chattanooga, TN
Director: Daniel Jacobs
Producer: Katie Nelson
Director Of Photography: Annie Huntington
Editor: Tyler Beasley
Production Designer: Chad Harris
Music Company: Skypunch Studios
Composer: Carl Cadwell



Red Velvet Oreos Are a Delightfully Awkward Aphrodisiac in Quirky Valentine Cartoons

If regular Oreos don’t already put you in the mood for love, maybe try the cookie’s new Red Velvet flavor. The limited-edition Valentine’s Day product stars in a new animated campaign from 360i, and is presented as an awkward aphrodisiac for strangers.

The effects of Red Velvet Oreos might include a woman who looks kind of like a middle-aged Daria sliding her grip up a bus pole to touch the hand of the rocker hunk next to her. (In fact, the whole aesthetic seems inspired by ’90s MTV cartoons.) And let’s just say the dude is not moving his mitt away, either.

Irresistible cookie romance could also strike at the checkout counter, or 35,000 feet above sea level (because someone couldn’t resist a nod to the Mile High Club). In other words, Red Velvet Oreos are like the Axe of cookies. (Its advertising is just—appropriately—quirkier and more subtle than most of the body spray’s.)

There are six spots in total, with a new one rolling out each day this week. The brand says they’re meant for people who aren’t psyched about Valentine’s Day. That makes some sense, because while Red Velvet Oreos might be a dubious gift, it’s perfectly appropriate to shame-eat a pack while sitting alone at home watching rom-com marathons while everyone else is paired off and having a good time out on the town.

And whether or not Red Velvet Oreos will actually get you laid, one thing is for sure—more people should carry fanny packs with cookies in them.

CREDITS
Client: Oreo
Senior Associate Brand Manager: Kerri McCarthy
Senior Associate Brand Manager: Elise Burditt
Senior Brand Manager: Lauryn McDonough
North America Director: Janda Lukin

Agency: 360i
Chief Creative Officer: Pierre Lipton
Group Account Director: Sandra Ciconte
Group Creative Directors: Aaron Mosher, David Yankelewitz
Art Director: Kelsie Kaufman
Copywriter: Jessy Cole
Associate Producer: Ethan Brooks
Senior Producer: Amanda Kwan
Account Director: Josh Lenze
Senior Strategist: Maggie Walsh
Account Manager: Megan Falcone
Community Manager: Sarah Wanger
Community Supervisor: Namrata Patel

Production Company: Shadowmachine (LA) http://www.shadowmachine.com
Executive Producers: Alex Bulkley, Corey Campodonico
Director/Producer: Jed Hathaway
Lead Animator: Sapphire Sandalo
Animator: Iana Kushchenko
Animator: Sean Nadeau
Character Designer: Matt Garofalo
Background Designer: Emilio Santoyo
Storyboard Artist: James Gibson
Animatic Editor: Peter Keahey
Sound Design: Pendulum Music (Ryan Franks, Scott Nickoley
Commercial Rep: Honky Dory (Gisela Limberg, Ali Tiedrich)