CP+B Poaches W+K ECD to Run LA Creative

kevin jones

Today in More CP+B News, the agency’s Los Angeles office has found its newest executive creative director in Wieden+Kennedy veteran Kevin Jones.

Jones will lead all creative efforts at the office moving forward, and he brings more than two decades’ worth of experience to the role. He spent approximately ten years in different positions within the W+K organization, beginning his career as a writer there and advancing to directorial roles at W+K and Hal Riney while performing freelance creative work for other major shops like Goodby and Publicis.

Jones held the ECD position at W+K Portland since 2009 before accepting CP+B’s offer, and his name appears atop much of the agency’s recent work for auto clients like Chrysler and Dodge as well as Target, Nike and T-Mobile.

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CP+B Appoints Jason De Turris CSO

Jason De Turris

CP+B announced the appointment of Jason De Turris, previously vice president, executive planning director, as its chief strategy officer. In the new role, De Turris will relocate to Hong Kong and oversee strategy on the Infiniti account, which the agency recently won AOR duties for following a review launched in the summer. He will also help open CP+B’s Hong Kong office and be responsible for building “the CP+B culture and brand throughout Asia” while still acting as a strategic leader across CP+B’s offices. CP+B said in a press release that it will appoint a new head of planning in North America in the near future.

While at CP+B, De Turris has worked with brands such as Xbox One, Grey Poupon, Best Buy, and Hotels.com. He previously served as senior planner at Ogilvy & Mather and Deutsch and as a planning director at JWT. Back in 2011, he also spent five months as a professor of strategic communications at Columbia University. (more…)

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Producer Rupert Samuel Rejoins CP+B

rupert samuelYesterday we broke the news that veteran producer Rupert Samuel would be leaving his position at goodness Mfg., but we couldn’t confirm which agency had signed him. Now we know: Samuel will rejoin the CP+B team after seven years away in the role of executive director of content production.

Many credit Samuel with developing the standard integrated production model during his original decade-long stint at CP+B, and with his re-hire the shop looks to recapture the glory that led one source to tell us that “I have never worked at a better agency” than CP+B in the early 2000s. Samuel confirms that sentiment in the release, writing:

“CP+B is literally family to me. I couldn’t be more excited to be headed back to where it all started and be re-united with the agency and everyone there.”

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CP+B Lays Out ‘The Rules of Underwear Giving’ for Fruit of the Loom

Ever wonder who it is and is not okay to give underwear to as a holiday present? Well, CP+B has got you covered in its new holiday spot for Fruit of the Loom, entitled “The Rules of Underwear Giving.”

“There are some people you should give underwear to this holiday,” the spot begins, showing a couple appreciatively exchanging pairs of Fruit of the Loom, both far happier than anyone has ever been to receive underwear. “And there are some people you shouldn’t,” the ad goes on, showing a disgruntled mailman shaking his head. The tongue-in-cheek formula continues for the remainder of the 30-second broadcast spot, reminding you that maybe it’s not the best idea to buy underwear for your boss, teacher, doorman or a police officer, ending with the tagline, “You shouldn’t give underwear to everybody, but for those you do, give them Fruit of the Loom.”

CP+B’s humorous approach is a welcome change in underwear advertising, and manages to be jokey about the holidays while also promoting the product as a holiday gift. In fact, while no one is going to be overjoyed about unwrapping a present and finding Fruit of the Loom, they glamorize the idea a bit by pointing out that it’s a gift you would only give to someone with whom you have a close relationship. Not a bad way to make gifting unmentionables seem appealing.

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Tech Brand's First Ad Shows How Romantic You Can Get With Some Outlets and a Smartphone

Can something as dry as smartphone-controlled appliances ever come across as romantic? 

Gadget brand WeMo and Crispin Porter + Bogusky think so, and they’ve created a rather elaborate video to prove it.

“The Big Anniversary Rig” is WeMo’s first consumer marketing push and features a house-spanning series of contraptions and romantic gestures celebrating a couple’s first year together. 

Owned by manufacturer Belkin, probably best known for its network routers, WeMo makes outlet adapters that allow you to control or automate your home’s electronics. It also partners with other brands to make slow cookers, coffee makers and other devices with its technology built in.

(By the way, the guy in this ad is indeed a terrible cook if his best dish is something called “beer battered ribs.” Pro tip, Dan: You don’t fry ribs, especially in a Crock Pot.)

After the jump, you can see some fake behind-the-scenes videos about “how Dan did it.” (Including slightly more realistic details on his not-actually-battered rib recipe.)

Even if you’re not a hopeless romantic who finds this level of branded affection adorable, you have to admit the concept is a good way to highlight quite a few ways to use the technology. If nothing else, most people would probably just like the idea of starting the coffee pot each morning while checking emails in bed.



Infiniti Finally Confirms CP+B Win

Infiniti_logo

After weeks of rumors claiming that Infiniti would be leaving TBWA, that the original seven-agency group vying for the account had shrunk to two, that those two were CP+B and GS&P, and that the former had emerged victorious, we can finally answer our own question:

Did CP+B win Infiniti or not? Yes. Yes, they did. Take it away, press release:

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CP+B Gets Sweet for WeMo

CP+B has just launched the first ever marketing campaign for home automation company WeMo, taking aim at viewer’s sweet sides with a 60-second broadcast spot.

The spot, entitled “The Big Anniversary Rig” tells the story of a couple separated on their first wedding anniversary. To celebrate, the husband sets up an “anniversary rig” using WeMo’s automation, surprising the wife when she gets home with a series of romantic gestures accomplished using WeMo. Depending on your tolerance for sweetness, the spot may or may not be overly saccharine, but it’s a clever way to show WeMo in an emotional context. “The Big Anniversary Rig” debuted online today, prompting viewers to watch three separate “How Dan Did It” videos. It will make its broadcast debut on network television next month. (more…)

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CP+B Brings World Tour, Aspiring Rappers to Advertising Week

Representing 4 continents, @cpbgroup about to share the work they do across the world #GreatTalent #AWXI pic.twitter.com/Y63J2l7Zh4

— MDC Partners (@MDCPartners) October 2, 2014

CP+ B brought its creative talent to Advertising Week New York from around the globe last week, with none other than Chairman Chuck Porter on hand to emcee a select panel.

While CP+B has a worldwide presence, many of its offices are small. Porter likes it that way; as he noted during the event, strong collaboration between offices works well in serving the agency’s varied clients.

One such location is CP+B’s Copenhagen, Denmark office, which handles the account for III, a brand of headphones used primarily by DJ’s. Mathias Birkvad, CEO of CP+B, Copenhagen, outlined the “how” behind a agency’s creative approach which led to a rap contest that generated lots of media attention.

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CP+B and James Harden Call on Master Groomer ‘The Beard Guru’

In this new, extended clip created by CP+B to promote NBA2k15 (set to be released in October), Rockets guard James Harden has a problem. Not, it’s not his defense: it’s his beard, which is too intense for the game’s new “face scanning technology.”

In order to address the matter, he turns to the appropriately Germanic “Beard Guru”:

As people with beards, we love this spot. Anthony Davis’ cameo really makes it, and we’d like to test that scanning technology ourselves.

Unfortunately, the Guru is not real. Germans’ ability to grow and preen amazing facial hair, however, is almost too real.

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ECD Gaboriau No Longer with CP+B Los Angeles

CPB-LogoThis afternoon we learned that VP/ECD Jason Gaboriau is no longer with Crispin’s Los Angeles office.

He joined CP+B in 2011 when the agency hired him, along with co-ECD and in-house vet Tiffany Rolfe, to re-establish its L.A. location.

Gaboriau, who helped found New York’s Amalgamated, made the move to L.A. after former DDB CCO Eric Silver took majority ownership of the previous agency in late 2010. Rolfe later left CP+B to join CO: Collective, where she still serves as partner and chief content officer. Several months afterward, CP+B lured Sue Anderson away from TBWAChiatDay, where she had served as GCD on the Absolut account; she currently holds the ECD title at CP+B L.A.

At Amalgamated, Gaboriau worked on creative for Coca-Cola, Svedka and Ben & Jerry’s, among other clients. Recent CP+B credits include A1 and an extended 2012 campaign for Old Navy that played heavily on 90?s nostalgia.

We have no information on the details of Gaboriau’s departure, though a tipster tells us that he was involved in recent pitches to win business from Turbo Tax, the L.A. Clippers (which went with RPA after a very quick review) and Late Night with Jimmy Fallon.

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CP+B Gets MetLife Customers to Share ‘Who I Live For’

In celebration of National Life Insurance Month (yes, this is a thing), CP+B created a campaign for MetLife asking customers who they live for.

They then shared the results in a series of two online videos, called “Who I Live For” in an attempt to show the positive, human side of life insurance. The videos, as you might expect, attempt to pull on the heartstrings as people share photos of their children, grandchildren and significant others. Mixed in with the more predictable answers are a couple who share their love for their bulldog, Huey. Both spots end by inviting viewers to share who they live for with the hashtag #WhoILiveFor, as a social extension of the campaign.  “Who I Live For”  puts a premium on spontaneity, with seemingly unscripted responses from those interviewed and in the longer of the spots (featured above), one respondent offering up a seemingly improvised song as a soundtrack. (more…)

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Who Do You Live For? MetLife Asked People on the Street, and the Results Are Quite Sweet

MetLife asks people on the street who they live for in this campaign designed to give life insurance a human dimension.

The answers are pretty much what you’d expect. People live for their spouses, parents and significant others—for their kids, grandkids, siblings and, in one case, an adorable bulldog named Huey.

Two longer YouTube clips anchor the #WhoILiveFor campaign and present many diverse people, while shorter edits break out individual stories. A guitar player named Heath ad-libs a soundtrack/jingle that runs through the longest video, which is a nice touch.

Gustavo, a young Hispanic guy, delivers the sweetest moment when he talks about his boyfriend, Fernando, who “helped me come out of the closet.” There’s also social outreach, with consumers encouraged to share their stories, though there’s no traditional media buy.

MetLife’s goal is “to try to get people to think about insurance in a different way,” Richard Hong, the company’s svp, global brand and marketing, told the New York Times. Most folks “think about life insurance as a death benefit, [but] people really buy life insurance for the other people in their lives. We wanted to flip the lens on this, make it a positive.”

Crispin Porter + Bogusky created the work, which coincides with National Life Insurance Month. (Party at my place tonight. BYOB—Bring your own broker!)

The effort’s somewhat similar to the Cannes Grand Prix-winning campaign from funeral insurance company Dela, in which real people thank those closest to them while they still can. Both campaigns expose the human core at the heart of what’s often perceived as a bureaucratic, faceless (and some might say evil) industry.

Dela’s emotionally intense viral films are mini-masterpieces that really get under you skin. That said, I admire the way MetLife lets people simply tell their stories, rather than staging lavish productions designed to go viral. By putting a premium on spontaneity, MetLife delivers a subtly profound payoff.



Return to Rushmore: Best Buy's Back-to-School Ad Channels a Wes Anderson Classic

Wes Anderson’s Rushmore was a clear inspiration for Best Buy’s back-to-school spot, which, like the 1998 film, focuses on a student juggling an excess of extracurricular interests.

Created by Crispin Porter + Bogusky, the ad’s clearest connection to the film is The Creation’s rowdy 1967 track “Making Time,” which also plays over the movie’s opening montage. (You can revisit Anderson’s excellent Rushmore intro below).

Let’s hope the student in the spot has a less tumultuous school year than Rushmore anti-hero Max Fischer, who deals with everything from Olivia Williams’ unrequited love to a no-holds-barred feud with Bill Murray.

Anyway, it appears that Anderson’s oeuvre, which straddles the line between art house and mainstream, has seeped into the collective consciousness and inspired a new generation of commercial creativity. (Wes’ chest must be swelling with pride now that his quirky coming-of-age tale is providing a template to help lure customers to the retail floor.)

Asked if the spot was indeed a literal homage to “Rushmore,” a coy Best Buy rep told AdFreak: “Any time you’re compared to an Academy Award-nominated director, that’s a good thing. And to be honest, better to channel Wes Anderson than Wes Craven.”

Via Technology Tell.



CP+B Warns Parents on Behalf of Boys and Girls Clubs of America

This CP+B PSA for Boys and Girls Clubs of America, which received a New York Times writeup today, is a little frightening.

It’s far cry from the generally upbeat messages this group has shared in the past. If anything, it reminds us of the famous “It’s 10 PM. Do you know where your children are?” line (which was not a paid ad but was created by an on-air promoter).

The copy goes on to clarify:

“…they’re out on their own, out with nowhere to go, out with nothing to do, out all afternoon when anything can happen.”

Now we’re scared–and we always knew not to play on the train tracks or accept gifts from strangers.

CP+B CD Sue Anderson told Andrew Adam Newman that it’s all about fundraising, because parents will be more likely to give when they sense that the kids’ safety depends on their donations.

Effective! For the music snobs in our audience, we’d also like to note the excellent use of “Fratres” by our greatest living composer, Arvo Pärt. Yes, we hate superlatives too, but it’s true.

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Infiniti Courts Seven Agencies in Global Account Pitch

Infiniti Motor Co. will meet (or has already met) with seven agencies before selecting finalists to pitch for its global creative account, Adweek reports.

The meetings took place this week, and leave Infiniti “on track to complete its search by August,” according to Adweek. Infiniti’s initial request for proposal reported that the brand spends approximately $450 million annually. Among the agencies in the running are Publicis, FCB, Havas Worldwide (pitching with sister shop Arnold), Bartle Bogle Hegarty, M&C Saatchi and Crispin Porter + Bogusky, according to Adweek‘s sources. Interestingly, also pitching is Goodby, Silverstein & Partners, partnering with incumbent Omnicom agency TBWA. After the initial meetings, Infiniti will narrow the field to three or four agencies, a cut that “could come as soon as next week.” Infiniti’s RFP noted that “alternative approaches are paramount as Infiniti cannot outspend its competitors in broadcast,” and identified the U.S., China and Hong Kong as priority markets.

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CP+B Taps Kevin Hart for Vitamin Water

CP+B tapped Kevin Hart for a new Vitamin Water spot entitled “Make It Big” that, unfortunately, isn’t very funny.

The 60 second spot features Hart examining the alternatives he could have taken in his career path: keeping his day job as a shoe salesman, making friends in all the right places, being someone he isn’t. His message is that success takes hard work and hustle, which requires hydration, so that’s how Vitamin Water factors into all this. Perhaps because this line of reasoning is a bit of a stretch, Hart can be seen taking a sip of Vitamin Water at various points in the spot, such as at a bad performance in front of a tough crowd, or servicing a particularly unreceptive customer as a shoe salesman, and the spot ends with the “Hydrate the Hustle” tagline. All of these scenarios fail to live up to their comedic potential, though, making this one seem like a pretty big missed opportunity. Stick around for credits after the jump. continued…

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CP+B Names Jay Gelardi Digital ECD

CP+B announced today the hiring of Jay Gelardi as digital executive creative director.

Prior to joining CP+B, Gelardi was digital creative director at Sydney-based agency The Monkeys. During his time there he helped lead the agency to six “Agency of the Year” titles from awards shows and Australian advertising publications. Before The Monkeys Jay spent eight years at Agency Republic, London. He has worked with brand including IKEA, Intel, Mercedes, PlayStation, Samsung, Smirnoff and The BBC. Additionally, in 2008, Jay set up Republic Film, “a production company specializing in interactive film and animation,” and in 2011 he co-founded “a Twitter-based charitable venture that translated people’s foul-mouthed tweets into donations to good causes” called Charity Swearbox.

“The Digital ECD is a critical role at CP+B,” said Ivan Perez-Armendariz, executive vice president/chief digital officer, CP+B.  “We’re at our best when it’s filled with someone that has made the choice to live and breathe digital 100% of the time. Jay is someone who really understands that the book of advertising conventions is being rewritten almost on a daily basis. We are thrilled that he is here to help us continue to rewrite that book.”

CP+B’s recent digital work includes a partnership with NBC launching the overall digital experience for NBC’s “The Tonight Show Starring Jimmy Fallon,” as well as the digital transformation of Domino’s.

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CP+B Changes A.1.’s Relationship Status with Steak

As we mentioned in Stir yesterday morning, Kraft has decided to drop the “steak” from A.1.’s title, now calling it A.1. Original Sauce. Now we have an online spot from CP+B to go along with the name change, explaining the nature of A.1.’s evolving relationship with steak.

In CP+B’s “New Friend Requests,” the Boulder-based agency imagines A.1. rethinking its commitment to steak via Facebook. We see posts of the two together, one of which contains the line “It’s just you and me forever.” But then A.1. gets new friend requests, first from pork, then from myriad other foods. This leads to the sauce changing its relationship status with steak to “It’s complicated,” citing a need to “see other foods.” Initially steak doesn’t take too kindly to this, but eventually steak and A.1. reconcile, with the spot ending with the tagline, “For almost everything. Almost.” The idea is about equal parts clever and goofy, but CP+B mostly make it work, although the spot could have benefited from a shortened run time (it clocks in at 2 minutes). Both the name change and the “For almost everything. Almost.” campaign stem from insights into diehard A1 users, who use the sauce on everything from chicken, pork, and fish to vegetables.

The “For almost everything. Almost.” campaign will also include TV spots, which debut Monday, the first from the brand in five years, in addition to digital, social, radio, out of home and in-store activations. Stick around for credits after the jump. continued…

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After 22 Attempts, Turkish Airlines Finally Pulled Off This Epic Pool Dunk

Euroleague ballers Shawn James, Kyle Hines, Robin Benzing and Sergio Rodriguez hoop it up poolside and make a big splash in Crispin Porter + Bogusky London's new Turkish Airlines spot that builds up to an amazing aqua-dunk.

In the making-of clip, executive producer Rob Steiner sums up the challenge: "It's a one-shot ad—30 seconds. We've got two cranes, 12 players—four pros—all of whom have to be synchronized and choreographed perfectly. We've got one day to shoot this, but in reality we've got four hours, because the professionals are only here for that time."

After 22 takes, it all came together, with the guys making improbable passes across, around and into a fancy outdoor pool in Madrid. Ultimately, the shot gets made thanks to an epic assist from a guy hovering on some sort of jet-sneaks.  Boy, they sure play by different rules overseas! 

The ad was inspired by the explosion of epic pool dunks on Vine and YouTube last summer, such as this diving-sliding-balcony-tossing classic

Sigh. I can barely dunk chips in a bowl of salsa while watching a game on TV.

RELATED: Kobe and Messi Trade Epic Selfies for Turkish Airlines.




CP+B Rolls Out New Kraft Mac & Cheese Spots

CP+B have unveiled the latest in their continuing “You Know You Love It” campaign for Kraft Macaroni and Cheese. Previous work on the campaign for Kraft’s macaroni and orange goo product has included the funny, on-point “What I Did For Love” and the nostalgia-laden “Go Ninja, Go.”

The two new 30-second spots are more in the vein of the former, although not as funny or effective, relying more on cuteness than humor. In “Pregnant,” a man eats the macaroni and cheese his pregnant wife requested, claiming that they’re “all out.” As you may have guessed, this is not a smart move and the spot ends just before she claws his face off (okay, not really). “Babysitter” is similarly minded, with a babysitter who will pay the price for helping herself to a late night mac and cheese snack. Stick around for credits and “Babysitter” after the jump. continued…

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