Y&R New York Boosts Creative, Digital Departments

Y&R New York added to its creative and digital departments with three new hires: executive creative director Ryan Blum, director of interactive and activation Catherine Patterson and digital experience director Eric Ackley

“These hires will help us to be led more by creative and digital, to move into areas like user experience and experiential,” said Y&R New York CCO Leslie Sims.

Blum will be leading the Y&R’s Navy partnership while helping launch the Memphis office that finally opened after nearly a year of legal back-and-forth involving the client’s previous agency, Campbell Ewald.

He joins the agency from Publicis Seattle, where he has served as creative director since January of 2015, focusing on the T-Mobile. Prior to that he spent two years with TraceyLocke as a group creative director working on brands including Samsung, Texas Lottery and 7-Eleven. He spent an earlier stint with TraceyLocke as a copywriter, beginning in March of 2002 and leaving in February of 2008 to join The Martin Agency. During his original run with TL, he worked on the Kwik-E-Mart 7-Eleven cross-promotional campaign with The Simpsons Movie.

(Another creative who worked on that campaign, Kyle Jones, recently joined Kansas City-based agency Barkley.)
image-2Patterson comes to Y&R after serving as a founding partner for “creative and strategic SWAT team” TakeTheKing since September of 2015. Before that she spent a year as senior vice president, executive producer/creative technology and emerging media group at McCann New York, following six years with he agency as SVP of its experience group. She worked with Sims while at McCann, led the Nature Valley Trail View project, designed the digital and social media launches for the Phoenix Mars Lander program and launched a margarita into space for Jose Cuervo last year’s National Margarita Day.

Ackley joins Y&R from sister agency Geometery Global, where he served as experience director for a little over two years. That followed more than five years with Havas, first as associate director, creative technology and then director of creative technology. Over the course of his career, he’s worked with brands including Dos Equis, Ritz, Pepperidge Farm Goldfish, Volvo, American Express, Nikon and Charles Schwab.

Barkley Appoints Kwik-E-Mart Creative Kyle Jones as GCD on Applebee’s

Who needs the Kwik-E-Mart?

Barkley appointed Kyle Jones as group creative director on the agency’s Applebee’s account.

You may remember him from such work as transforming 7-Elevens into Kwik-E-Marts in a cross-promotional campaign for The Simpsons Movie (including this location) while working as a group creative director for TraceyLocke.

He arrives at Barkley from Venables Bell + Partners in San Francisco, where he has worked as a creative since February of 2013, working on the agency’s Audi and Reebok accounts. Prior to that he spent a little over a year and a half as a creative with CP+B, working with clients including Microsoft, Dominos, and Kraft. That followed an almost six and a half year stint as a group creative director for TraceyLocke, working with clients including Texas Lottery, Pizza Hut and 7-Eleven (including the aforementioned cross-promotional campaign). Before joining TraceyLocke he spent two years as a creative director with Publicis, working with clients such as BMW, Powerbar and GlaxoSmithKline. 

“Kyle has a lot of experience convincing big, seemingly traditional clients to do innovative, creative work,” said Barkley executive creative director Jason Elm. “Coming up with a great idea is the easy part these days. The real challenge is selling it in and flawlessly producing it. Kyle has a track record of doing just that.”

CP+B Rolls Out New Kraft Mac & Cheese Spots

CP+B have unveiled the latest in their continuing “You Know You Love It” campaign for Kraft Macaroni and Cheese. Previous work on the campaign for Kraft’s macaroni and orange goo product has included the funny, on-point “What I Did For Love” and the nostalgia-laden “Go Ninja, Go.”

The two new 30-second spots are more in the vein of the former, although not as funny or effective, relying more on cuteness than humor. In “Pregnant,” a man eats the macaroni and cheese his pregnant wife requested, claiming that they’re “all out.” As you may have guessed, this is not a smart move and the spot ends just before she claws his face off (okay, not really). “Babysitter” is similarly minded, with a babysitter who will pay the price for helping herself to a late night mac and cheese snack. Stick around for credits and “Babysitter” after the jump. continued…

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CP+B Condones Grand Theft Auto for Kraft Mac & Cheese

CP+B’s funny new spot for Kraft Macaroni & Cheese examines the desperate lengths people will go to for a bite of Kraft’s signature macaroni and cheese-like-product.

Set to Marvin Hamlisch’s “What I Did For Love,” the 45 second spot shows individuals engaging in some questionable behavior to get their hands on Kraft Mac & Cheese, ranging from the everyday sneakiness of a grandfather stealing a bite from his grandson while the family says grace, to the potentially unsanitary exploits of a man who desperately destroys his child’s macaroni picture, to the utter illegality of a woman willing to steal a Kraft Macaroni & Cheese truck. Directed by Hank Perlman, “What I Did For Love” is the latest in CP+B’s “You Know You Love It” campaign for Kraft Mac & Cheese, and is a perfect example of what the campaign is capable of. The new spot is a lot more thought through than the “Noodle Reunion” promotion we covered back in October, and while they push the irreverent humor to new heights — for Kraft Mac & Cheese it’s downright edgy — they balance the irreverence with Kraft’s standard wholesomeness to make a fun spot that works for the brand. Stick around for credits after the jump. continued…

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Parents Get Feisty in New Microsoft Advert from CP+B, Roman Coppola

In CP+B’s new Roman Coppola-directed spot for Microsoft, sweet children sing in asparagus suits while their parents frantically capture every moment using their iPhones and Androids. A brawl ensues, with parents fighting for the perfect panorama, jostling one another to avoid phone photobombing, and climbing into the ceiling pipes for the ideal aerial shot. Of course, the couple with a Nokia Lumia 1020 sits calmly in the back with their superior cameraphone, knowing they got a great photo of their daughter dressed as a carrot.

This spot is in line with Microsoft’s last video, “The Wedding,” where the same scene occurs, but at a church. Both ads end, “Don’t fight. Switch.” Considering photo sharing has become one of the most important parts of owning a phone, it’s not a bad idea. Ad-wise, this spot is a great portrait of modern day life. If only an unintelligible child vegetable chorus could always soundtrack petty adult hysteria.

Credits after the jump.

continued…

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