Ogilvy ‘Leaks’ New Spot for Depends

Ogilvy launched a new ad extending last year’s “Underwearness” campaign for Depend, which has seen competition from P&G’s Always Discreet, which launched last summer.

The new spot shows young women wearing Depend (without pants) while going about their daily business. “For the 51 million of us who may need a different kind of underwear, this is new Depend Silhouette Active Fit,” the voiceover announces. “It’s slim and smooth, so wearing it is no big deal.” The spot ends by offering viewers a free sample at underwareness.com.

While AdAge characterizes the ad as using sex to sell incontinence products, the women in the ad aren’t really sexualized. Rather, the pantslessness is meant to display that wearing the product is “no big deal” as well as showing off that Silhouette Active Fit looks more like typical underwear and allows more freedom of movement than these kind of products typically did in the past — all selling points for younger women who may feel embarrassed about bladder leakage.

“It’s a recognition that many women with bladder leakage worry that people can tell,” Liz Metz, brand director of Depend, told AdAge, adding that the spot is “recognition that one in three women deal with this issue, and they come in all shapes and sizes.”

AKQA Reveals ‘Autonomous Office Chair’ for Audi

AKQA introduces the “Autonomous Office Chair” in an April Fool’s Day effort for Audi.

Taking a slightly more dry approach than some of the other April Fool’s efforts we’ve seen today, the spot opens by introducing the chair as the “latest autonomous mobility innovation.” It bills the chair as “designed and engineered for performance, intelligence and safety,” which sounds a lot like something you’d heard in a voiceover for an Audi vehicle. Aside from the supposed wind-tunnel testing for aerodynamic efficiency, the spot avoids getting too over the top, trading instead in low key office humor. That actually helps the effort stand out from the pack of April Fool’s Day efforts we’ve seen today.

Credits:

Developed by AKQA

Director: Mike Murray

DOP/Editor: Daniel Ortiz

CG: Arturo Lindbergh/Enya Persson

Project Manager: Christina Nickas Nadler

Account Director: Amanda Sims Dwyer

Art Director/Designer: Adin Kann

Creative Director: Tommy Le Roux

David&Goliath Unfurls ‘World’s Largest Coupon’ for Jack in the Box

Now that David&Goliath has introduced us to Jack in the Box’s new Buttery Jack via a Super Bowl ad, the L.A. agency has literally taken a big leap forward to promote the fast-food chain’s latest offering.

On March 25, the parties involved decided to launch a mini-takeover of sorts on the streets of Hollywood by unveiling an 80-foot long, 25-foot wide coupon for a buy one, get one free Buttery Jack.

With folks from the Guinness World Records on hand to witness the festivities (along with not-Ronald McDonald pitchman Jack, of course), the 2,000 square foot offering was officially deemed the “World’s Largest Coupon.”

As you can see, the crew faced some obstacles in its efforts to redeem their coupon but found a more viable path to ultimately enjoy their garlic butter-infused burgers. As an added bonus, the coupon was then available for all to photograph, share with #WorldsLargestCoupon, and redeem for themselves at any participating Jack in the Box.

At the very least, the stunt saved people some money.

 

Client: Jack in the Box

CMO & SVP Menu Innovation & Execution: Keith Guilbault

VP Menu Strategy & Innovation: Iwona Alter

Communications Manager: Lauren Ohlsson

Director of Innovation & Social Engagement: Jen Kennedy

Innovation Project Manger: Mikim Luu

Social Media Manager: Rah Mahtani

 

Agency:  David&Goliath, LA
Founder & Chairman: David Angelo
Chief Creative Officer: Colin Jeffery

Group Creative Director: Ben Purcell

Group Creative Director: Steve Yee

Sr. Art Director:  Rob Casillas

Sr. Copywriter:  Courtney Pulver

Director of Broadcast Production: Paul Albanese

Sr. Broadcast Producer: Karen Jean

Director of Print Services: Meredith Walsh

Group Account Director: Michele Tebbe

Account Director: Frith Dabkowski

Account Coordinator: Kristina Papillion

Sr. Project Manager: Lila Anton

 

PR Agency: MWW

Founder & CEO: Michael Kempner
EVP and General Manager, Western Region: JP Schuerman

 

Production Company: Grandesign

Executive Producer: Bob Ridgeway

Line Producer: Thomas Campbell

Sales Representative: Aileen Shaw

 

Printer of Coupon: BP Graphics

 

Editorial House: Spinach LA

Managing Director / Editor: Adam Bright

Cinematographer: Art Castle

Producer: Jonathan Carpio

T-Mobile Unveils ‘Pets Unleashed’

T-Mobile launched an online ad for April Fool’s Day, presumably from agency of record Publicis, entitled “Pets Unleashed.”

In the ad, the wireless “uncarrier” presumes to let you “add your cat, dog, ferret, turtle or, heck, your alpaca” to your family plan for just $5 a month. After introducing the offer, the spot claims “Your carrier hates puppies. So #@$% them and switch to T-Mobile.” They then extend the joke by claiming to offer new pet-friendly apps, like Fetch Freedom, FitPet and Pet Tinder. At one point, a horse even appears to be watching zebra porn (accompanied by the small text: “Zebra porn not included. Consult stable manager for appropriate use.”) In addition to the goofy spot, there’s also a fake press release on T-Mobile’s site, and a “Pets Unleashed” page, proving the brand went all-in on the gag.

Geoffrey Roche Wants You to Smell Like Dog Shit

In a campaign that could not possibly be another April Fools’ Day stunt, Geoffrey Roche — who you know as the longtime ad man who founded Lowe Roche — wants you (or, at least, your dog) to smell like shit.

That would be dog shit, specifically.

A new campaign to promote 3MillionDogs, a group co-founded by Roche in order to “[Make] the World a Better Place for Dogs,” encourages viewers to “be the dog you really are” and “leave them panting”…with the smell of poop.

We assume, based on the campaign’s limited credits, that Roche himself enjoyed the literal shit out of writing this masterful line:

“With the quiet but sensitive fragrance of poo with notes of fresh mowed grass and just a hint of floral it’s the perfect way for them to release their inner bitch.”

The release also notes that “the scent is completely undetectable to humans. The perfume comes in a beautiful 1.8 oz glass bottle and retails for $100.”

Our favorite aspect of the work, however, may well be the real ad layered over the fake ad on the “client’s” site:

fetch by fetch

We still can’t quite believe that Lizzie Borden is not an April Fools’ Day stunt.

Good to see Wednesday Addams getting work, though.

Credits:
3MillionDogs – Fetch by Fetch
Creative Director & Writer: Geoffrey Roche
Editor: Lauren Piche
Editorial Company: School Editing
Sound Design: RMW

RPA Rolls Out Promo for Selfie-Inspired Honda HR-V

Considering the day, we’ll take this latest spot from Santa Monica-based RPA for Honda with a heavy grain of salt, because if it smells like an April Fools’ joke and looks like an Aprils Fools’ joke…

In the new campaign, RPA introduces us to a young lady named Ashley H who, like the rest of her narcissistic peers, is a self-proclaimed selfie queen. Now, she’s found a perfect vehicle to indulge her ego in the Honda HR-V SLF — or “Selfie”– model, which comes equipped with 10 cameras so drivers and passengers alike can more fully engage in their own self-absorption.

In a statement (yes, there actually is one), Honda HR-V brand manager Gaz? Enjinia says:

“Honda is embracing the selfie phenomenon and the creative, artistic sensibilities of millennials with this versatile, youthful trim model. Cameras were already part of the all-new HR-V, used for LaneWatch and the rearview camera, so we found a way to incorporate more of them, based on the role of selfies in culture today. The selfie-camera option safely operates only when the vehicle is in park; when the vehicle is in drive, the cameras go back to their intended use.”

The, ahem, multiple selfie cameras join a host of real HR-V features including 7-inch touchscreen with Pandora, Bluetooth and satellite-linked navigation, blah blah.

Don’t worry, folks, April first will be over in mere hours. But if you already need a palate cleanser, John Oliver has just the thing.

Grey New York Launches PSA for National Parks

Grey New York has launched a PSA campaign promoting the National Parks in honor of the National Park Service’s upcoming centennial in 2016, entitled “Find Your Park.”

The 60-second spot aims to give viewers a broader idea of what the National Parks contain, beyond the geysers of Yellowstone or views of the Grand Canyon that typically come to mind. While the 60-second spot celebrates the natural beauty of such sights, it also reminds viewers that these are places where “history is made, art is created, things happen that should always be remembered.” Throughout a series of fast cuts, the word “Park” keeps appearing to reinforce the idea that these very different places are all National Parks. The spot ends by calling on viewers to “Get up, get out there and find your park.”

Beyond the broadcast PSA, the campaign also includes a Virtual View Tour, which kicks off at North Flatiron Plaza in front of Madison Square Park with United States Secretary of the Interior Sally Jewell, National Park Service Director Jonathan Jarvis and actress Bella Thorne encouraging visitors to “experience all 407 national parks within an interactive one-minute musical rotation.”The tour will move on to Los Angeles and Washington, D.C. later in the month.

“National parks offer a multitude of experiences for visitors,” said Jarvis, in a statement. “There’s a national park in every state and with each stop on the Find Your Park Virtual View Tour, we’re bringing them closer together than ever before. Tap the screen and within seconds you’re speaking with a ranger or park-goer at Grand Teton National Park in Wyoming or at Martin Luther King Jr. National Historic Site in Atlanta, Georgia and exploring what the park has to offer in real-time.”

A large social effort also encourages users to tweet using the hashtag #FindYourPark and share their stories at FindYourPark.com. The site will soon feature a series of interactive stories from the likes of Bill Nye, (scientist), Bella Thorne, Roselyn Sanchez (TV and film actress), Terrence J. (TV personality) and Mary Lambert (singer/songwriter and LGBT advocate).

Credits:

Advertiser: National Park Service

Spot Title: “Parks”

First Air Date: Thursday, April 2nd

Agency:  Grey New York

Chief Creative Officer: Tor Myhren (Global) / Andreas Dahlqvist (New York)

Creative Directors: Joe Mongognia (Group Creative Director), Sean Crane (Group

Creative Director)

Art Directors: Chris Perrone (Associate Creative Director)

Copywriters: Tony Muller (Associate Creative Director)

Agency Producer: Keira Rosenthal

Music Producer: Ben Dorenfeld

Production Company (location): n/a

Director: n/a

Director of Photography: n/a

Editor (person & company): Trish Fuller / Whitehouse Post

Color Grade: Fergus McCall /The Mill

Finishing:  The mill /Producer Veronica Ware

Audio Engineer: Dante Desole/Vision Post

Music/Sound Design (person & company): Dante Desole / Fall On Your Sword

Principal Talent:  Markita Prescott (VO)

BBDO New York Takes Pranks Too Far for Snickers

BBDO New York released two online spots designed to function as April Fool’s Day related extensions of the brand’s “You’re Not You When You’re Hungry” campaign.

That connection, though, is a bit of a stretch. The two ads both follow April Fool’s Day pranks that go too far, followed by the message, “If you take April Fools this far, you might be hungry.” We’re not sure how being hungry translates to over the top pranking exactly, other than wanting to tailor the theme to the existing message. At any rate, in “Bedtime” a woman sets up a camera to document her prank on her significant other, which involves hiding a large snake under the covers and calling him to bed. Another spot sees a boy plugging his guitar into a large amp set up directly across from a slumbering grandmother. Clearly both of these pranks are not only ill advised, but could result in heart attacks. It can’t help but remind us of a certain other April Fool’s Day prank that went too far.

Credits:

Agency: BBDO New York

Client: SNICKERS

Title: “Bedtime” – “Grandma”

Chief Creative Officer, Worldwide: David Lubars

Chief Creative Officer, New York: Greg Hahn

Executive Creative Director: Gianfranco Arena

Executive Creative Director: Peter Kain

Copywriter: Lucas Owens

Art Director: Sei Rey Ho

Director of Integrated Production: David Rolfe

Group Executive Producer: Amy Wertheimer

Producer: Annie Dietz

Group Planning Director: Crystal Rix

Senior Planner: Alaina Crystal

Global Account Director: Susannah Keller

Account Director: Joshua Steinman

Account Manager: Tani Corbacho

Account Executive: Jocelyn Choi

Editorial: The Kitchen at BBDO

EP: Renee Haar

Editor: Keith Vogelsong

Sound-mix: Corey Bauman

Social Media Agency: FANSCAPE (THE MARKETING ARM)

Account Management: Torri Eubanks

Associate Director of Strategy: Hannah Redmond

Content Strategist: Rita Mogilanski

Casting: HOUSE CASTING

Production: UBER CONTENT

Director: Ben Callner

Executive Producer: Steve Wi

Production: ALL:EXPANDED

Director of Photography: Ron Egozi

Executive Producer: Duncan Winecoff

Line Producer: Tara Bassim

AC/DIT: Brandon Kelly

Gaffer: Adam Lukens

Production Designer: Joseph Sciacca

Prop/Set Decorator: Billy Brad Burke

Wardrobe: Bree Perry

HMU: Kristen Alimena

PA/Driver: Nick Stergiopoulos

Animal Agency: ALL CREATURES GREAT & SMALL

Animal Wrangler: Cat Long

‘Swordplay Meets Foreplay’ in JWT NY’s New Ad for Wilkinson Sword

JWT New York released an ad for razor brand Wilkinson Sword, aptly titled “Swordplay Meets Foreplay.”

That title should tell you pretty much everything you need to know about the spot, which features a couple slowly removing each others’ clothes via swordplay. Filmed in a historic hotel in Brussels by Alldayeveryday’s Lieven Van Baelen, the crew clearly had fun with the spot, which plays off the brand’s origins making swords for the British Army. The current and former identities even clash when the woman uses her sword to shave off the man’s beard. In real life, mixing swordplay and foreplay would end with a trip to the ER (if you’re lucky), but the swashbuckling fantasy makes for a memorable ad that’s relevant to the brand.

“Precision and craftsmanship has been part of Wilkinson Sword’s DNA since its inception,” Lucy Oxley, regional product manager of Energizer Wilkinson Sword, told LBB Online. “This video has been created to showcase our innovative and fresh approach to grooming in a memorable and creative way to inspire both women and men to ‘free their skin’ using our razors.”

Credits:

Creative Agency

Agency: JWT New York

Senior Producer: George Roca

Producer: (Music) Dan Burt

Music Supervisor: Paul Greco

Head of TV / Production: Lisa Setten

Executive Creative Director: Sarah Barclay

Creative Director: Billy Faraut

Creative Agency: JWT New York

Copywriter: Ludo Marrocco

Chief Creative Officer: Adam Kerj

Account Managers: Ariel Stern, Erik Wagner, Amy Achenbaum

Account Manager: Kate Callaghan, Angela Gonzalez

Media Agency

Media Agency: MEC

Music and Sound

Music Production: JSM

Offline

Editor: Manu Van Hove

Edit Company: Het Digitaal Geweld

Production Company

Production Company: ALLDAYEVERYDAY

Director: Lieven Van Baelen

JWT Atlanta Launches ‘Airlift Drift’ for Pennzoil

JWT Atlanta worked with stunt driver Rhys Millen on a new spot for Pennzoil entitled “Airlift Drift.”

The 90-second spot sees Millen cruising around Cape Town, South Africa in the 707 horsepower Dodge Hellcat Challenger before being lifted on a platform by helicopters while drifting. That last bit, of course, is accomplished with the aid of special effects, but Jeremy Jones, executive creative director at JWT Atlanta, told Adweek, “Everything from the get-go was rooted in the idea of realism,” adding, “The load capacity of the helicopters, the chains, the shape of the platform and support beams. It’s all mathematically and theoretically possible.”

“Airlift Drift” promotes Pennzoil’s natural gas motor oil, which promises “Next Level Performance.” JWT Atlanta introduced the product last May with an ad called “Complete Protection” which they billed as a “first-of-its-kind TV commercial shot on gaseous vapor clouds.” For “Airlift Drift” JWT Atlanta worked with director Ozan Biron, who directed “Ultimate Racetrack” for BMW last year.

“We learned he was the magician behind ‘Ultimate Racetrack,’ and we had to have him,” Jones told Adweek. “He’s a complete car guy, and pushes the driving to crazy levels. It’s so raw and uncommercial.”

Credits:

Client: Pennzoil

Agency: J. Walter Thompson Atlanta
Perry Fair: Chief Creative Officer
Jeremy Jones: Executive Creative Director
Dustin Tamilio: Group Creative Director
John Huddleston: Copywriter
Erin Fillingam: Art Director
Daryll Merchant: Producer
Erin McGivney: Account Director
James Robbins: Senior Planner

Production Company: The Embassy, Vancouver
Director: Ozan Biron
Executive Producer: Trevor Cawood
Editor: Ozan Biron
Assistant Editor / Conformist: Brendan Woollard  (Cycle Media)
Director of Photography: Manoel Ferreira

Visual Effects: Imagine Engine
Visual FX Supervisor – Bernhard Kimbacher
Onset Supervisor  – Neil Impey

Precision Driver: Rhys Millen

Content Production Company: Lemonade Films
Executive Producer: Ted Herman
Production Supervisor: Philip Fyfe

South African Service Company: Uncle Morris Films
Line Producer – Steven St Arnaud
Production Manager – Herman Warnich
Prod Coordinator – Andrea Scott

Colorist: Dave Hussey, Company 3

Sound Design: Charles Deenen, Source Sound LA

Battery Hypes Mortal Kombat X

Los Angeles startup agency Battery — comprised of industry vets from agencies such as Dare, Deutsch and TBWA/Chiat/Day — created a 60-second broadcast spot for the release of NetherRealm Studios’ Mortal Kombat X, which comes out April 14th.

The spot pays homage to the long-running franchise’s marketing history. It opens in an office building, where a man walks over to a coworker and whispers the word “fight.” Soon word of a fight is spreading throughout the whole city, with people screaming “Fight!” while running down the street. A large circle forms around the fight, as game footage is interspersed with footage of the crowd. The spot ends with someone getting a text informing them of another fight, as the entire crowd disperses in anticipation, followed by the text “Who’s Next?” It strikes a nice balance between appealing to the franchise’s past glory (although a straight “Moooootraaaal Kombaaaat” would have been nice, too) and showing the game’s new capabilities, while also finding a middle ground between a live action and gameplay trailer (leaning towards the former, but including elements of both). The broadcast spot debuted March 28th during March Madness coverage and will continue to air nationally, and in some international markets, leading up to the game’s release.

Credits:

Agency: Battery

Chief Creative Officer: Philip Khosid

Creative Director/Art Director: Bernie O’Dowd
Creative Director/Copywriter: Raymond Hwang
Director of Strategy: Philip Ser
Head of Production: Chris Hepburn
Executive Producer:Judy Gotten
Additional credits: MJZ, Beast, 740 Sound, Company 3, Method

Commonground/MGS Enlists Variety of Tastemakers to ‘reFRESH’ Coors Light

Chicago-based multicultural agency Commonground/MGS, which opened up shop in NYC at the end of 2013, is back with a new spot for Coors Light that aims to recharge the beer brand and is, hence, aptly dubbed “reFRESH.” The black & white :30 ad, buoyed by a bouncy EDM-tinged thump, manages to squeeze in a host of influencers from hip-hop and street art circles who seem to be having much more fun than we are at the moment.

The likes of global graffiti maestro Bik-Ismo, former Kanye West manager/DJ Don C and Big Sean/Drake producer DJ Dahi grace the screen in a spot that marks a distinct change of pace for a brand that’s normally relied on mountains, streams and a folksy VO to sell its wares. Here’s hoping for more MillerCoors refreshment from Commonground MGS, which also works with the likes of Verizon and Coca-Cola.

Agency: Commonground/MGS

Client: MillerCoors – Coors Light

EVP, Director of Influence & Content: Robert Clifton Jr.

CD: Mark Graham

CD: Juan Santiago

ACD: Lauren Ingram

Sr. Copywriter: Nate DeLeon

Assoc. Copywriter: Shawn Gadley

 

VP, Director of Integrated Production: Yung Savolainen

Sr. Producer: Jennifer Bluford

Producer: Antonio Burnett

Production Company: Chromista

Director: Daniel Portrait

Exec Producer: Ted Robbins, Sandy Haddad

Director of Photography: Adam Newport-Berra

 

Editorial: Whitehouse Post

Editor: Paul Calandra

Innocean, La Red Celebrate Perfectionism for Kia Sorrento

Innocean Worldwide Europe teamed up with digital agency La Red to launch a campaign for the Kia Sorrento celebrating the vehicle as “Made for perfectionists. Perfect for everyone.”

The campaign features four ads celebrating perfectionists from different backgrounds: a chef, an artist, a fashion designer and a basketball coach. Each spot highlights one of the professional’s exacting standards, drawing parallels to the high quality standards of the Kia Sorrento. Innocean worked on the story development, strategic planning and broadcast execution, while La Red developed the overall and digital execution concepts, and the web films.

“Kia prides itself with its ability to surprise and for this particular campaign we wanted to channel this spirit to present a new, more sophisticated side of the brand,” said Andreas Cordt, client service director for Innocean Worldwide Europe, in a statement. “Through our close collaboration with La Red, we decided to focus on ‘the perfectionists’ who wouldn’t settle for anything less than the best.”

BBDO NY Parts Ways with Nick Lachey for Twix

Earlier this month, BBDO New York launched an extension of Twix’s “Left Twix Vs. Right Twix” platform featuring Nick Lachey as spokesman for both Left Twix and Right Twix. Now, the agency has released the follow-up with the final round of ads for the campaign.

In the above spot, “Left Twix Parts Ways With Nick Lachey,” a Left Twix spokesman explains that the company has decided to drop Lachey following the leak of a video in which Lachey admits he can’t tell the difference between Left Twix and Right Twix. Of course, since they’re “unoriginal idea-stealers,” Right Twix also decides to fire Lachey. Two shorter ads then see Lachey setting the record straight, claiming the superiority of Peanut Butter Left Twix and Peanut Butter Right Twix in the two spots. It’s basically more of the same formula for the campaign, but the whole firing of Lachey approach is not a bad way to cap off his involvement with the brand and fits well with the overall tone of Twix’s advertising.

Credits:

Agency: BBDO New York

Client: TWIX

Title: Nick Lachey vs. Nick Lachey

 

Chief Creative Officer, BBDO Worldwide: David Lubars

Chief Creative Officer, BBDO New York: Greg Hahn

Executive Creative Director: Gianfranco Arena

Executive Creative Director: Peter Kain

Creative Director: Peter Alsante

Creative Director: Andre Massis

Director of Integrated Production: David Rolfe

Group Executive Producer: Amy Wertheimer

Executive Producer: Alex Gianni

Executive Art Producer: Betsy Jablow

Managing Director: Kirsten Flanik

Global Account Director: Susannah Keller

Group Planning Director: Crystal Rix

Senior Planner: Alaina Crystal

Account Director: Lisa Piliguian

Account Director: Phil Brolly

Account Manager: Ashley Gill

Account Executive: Aparna Joshi

 

Celebrity Talent Acquisition: The Marketing Arm

 

Production Company: O Positive, LLC

Director: Kenny Herzog

Executive Producer: Ralph Laucella

Line Producer: Ken Licata

 

Editing Company: No 6

Executive Producer: Corina Dennison

Editor: Jason Macdonald

 

Martin Schoeller Studio

Photographer: Martin Schoeller

Producer: Lisa Hooper

Retoucher: Jim Lewis

twofifteenmccann Teases ‘Halo 5: Guardians’

twofifteenmccann launched a campaign teasing the October 27th release of Halo 5: Guardians with a pair of live action trailers.

Each of the two 60-second spots ends with a cliffhanger, leaving viewers wondering about the nature of two of the franchise’s main characters: Spartan Locke and Master Chief. In “All Hail” (featured above), Spartan Locke questins a compromised Master Chief, claiming to know the true identity of the “conquering hero.” Conversely, in “The Cost,” Master Chief asks an injured Spartan Locke if everything he accomplished was worth the cost, adding that his mission is just beginning.

It’s an effective way to stoke interest in the release of the next addition to the popular franchise and will undoubtedly have fans excited. The broadcast trailers follow on the heels of the launch of episodic narrative audio series “Hunt The Truth,” which stars Keegan-Michael Key (of Key and Peele) as Benjamin Giraud, “a war-journalist who slowly unearths startling new revelations about who the Master Chief really is, forcing listeners to reevaluate what they know about humanity’s greatest hero.” New episodes will be released weekly on Tumblr, leading up to E3 in June.

“We wanted Halo 5: Guardians to be the game that pays off the epic promise of the Halo universe in scope and scale and drama,” said Bonnie Ross, head of 343 Industries, in a statement. “We want to amaze players with the sheer size of the worlds and battles they’ll experience, even as they question everything they thought they knew about its heroes, marvels and mysteries.  #HunttheTruth is only the beginning and we can’t wait to debut the game to Xbox fans around the world at E3 this June.”

Merkley + Partners Brings ‘Peanuts’ Characters to Life for all

Merkley + Partners launched a new campaign for detergent brand all, featuring Peanuts characters portrayed in a commercial by real kids for the first time ever.

The Peanuts-themed campaign, which promises to be an integrated, multi-year effort, kicks off this week with a national broadcast spot and “user generated content-focused social campaign with an interactive Buzzfeed program.” It will also be supported by print, digital, retail, consumer promotions and PR initiatives.

all decided to leverage the familiar Peanuts characters because of the brand’s close assocation with families. “all skews more towards households with kids than any other laundry brand, so our connection with Peanuts is a natural fit,” explained Lora Van Velsor, vice president of marketing for all, in a statement.

Of course, the character Pig Pen makes that connection even more obvious, and he is indeed the focus of the first broadcast spot. Running in both 15 and 30-second versions, the spot depicts the character (complete with ever-present cloud of dirt) meeting up with Charlie Brown. The pair then run into Linus and Lucy, with the latter pulling a familiar prank on Charlie Brown. Pig Pen then returns home while his mother (who talks in incomprehensible adult Peanuts character fashion) uses all to remove grass stains from his shirt. While seeing Peanuts characters depicted in live action may initially come as a bit of a shock, the pairing certainly fits the brand and its target demographic.

The campaign will ramp up in September, timed to coincide with the lead-up to the release of Fox/Blue Sky Studios release The Peanuts Movie in November. At this point, broadcast spots will switch from depicting the characters in live action to CGI, to better coincide with the film launch. all is also using the campaign and Peanuts partnership to launch new products, including all Radiant, all free clear OXI and all OXI laundry booster.

Credits:

Agency: Merkley + Partners

Client: all® Laundry

ECD: Andy Hirsch

CD: Abi Aaron and Aaron Eiseman

Production Company: Durable Goods

Director: Rene Villar-Rios

Producer: Donovan Green

Music All-Stars Gather in Confab to Hype Jay-Z’s Tidal Service

Who else but Jay-Z could wrangle the likes of Madonna, Jack White, Daft Punk. Kanye West, Chris Martin, Nicki Minaj and more to help him promote a product? The all-star musical summit you see above serves as a quick yet somewhat tense precursor to Hova’s new Tidal music streaming service, which the hip-hop mogul announced this week and is aimed at taking on Beats and Spotify among others. Described by Alicia Keys herself as “a platform owned by artists” that’s intended to “reestablish the value of music,” the hi-fi Tidal service offers two paid subscription options: $19.99 a month for high-fidelity audio, and $9.99 for standard quality audio. It can be streamed on the web and downloaded on iOS and Android devices.

Speaking to Billboard about his ambitious endeavor, which is ultimately focused on properly compensating artists, Jay-Z says, “We didn’t like the direction music was going and thought maybe we could get in and strike an honest blow and if, you know, the very least we did was make people wake up and try to improve the free vs. paid system, and promote fair trade, then it would be a win for us anyway.” He continues, “People are not respecting the music, and [are] devaluing it and devaluing what it really means,” Jay Z added. “People really feel like music is free, but will pay $6 for water. You can drink water free out of the tap, and it’s good water. But they’re OK paying for it. It’s just the mind-set right now.”

As for the :30 Tidal promotion (we’re still trying to gather any sort of credits), the clip is already being met with controversy. Just a day after launching, Pitchfork reports that musician/producer The Haxan Cloak, who’s worked with the likes of Bjork, has accused Jay-Z and crew of ripping off two of his tracks for the spot. No word yet from Jay’s camp on the matter.

DDB Chicago Brings Milky Way Back to Broadcast

DDB Chicago is launching the first big broadcast spot for Mars brand Milky Way in roughly five years, extending a print and digital campaign entitled “Sorry I Was Eating a Milky Way.”

The broadcast launch comes on the heels of a sizable digital push for 3 Musketeers, another Mars brand that doesn’t receive the same kind of marketing push as Snickers and M&Ms. “These are beloved brands that consumers grew up with, but they tend to forget about them,” Allison Miazga-Bedrick,  Mars’ brand director for filled bars, told AdAge, referring to Milky Way and 3 Musketeers. She added that the new marketing push is intended to keep both brands relevant, particularly with a millenial audience.

The spot shows people in various professions screwing up because they’re too distracted by the Milky Way they’re eating. This ranges from a captain grounding his ship, to a lumberjack felling a tree on someone’s car, to a tattoo artist giving a man a “No Regerts” tattoo. It’s a simple, humorous approach that has been successful thus far in the print and digital campaign, which has run since 2012.

BBDO New York Takes ‘Do the Dew’ Global

BBDO New York has launched the first-ever integrated global campaign for Pepsi’s Mountain Dew, extending its “Do the Dew” tagline to new markets.

“Mountain Dew is one of our billion dollar brands and one of our fastest growing global brands,” explained Brad Jakeman, president, PepsiCo Global Beverages Group, in a statement. “It enjoys unparalleled leadership positions in countries like Pakistan and India, as well as the United States, and is one of the few brands – in beverages and throughout the consumer goods space – that has no real competition. It is truly a category of one.”

For the campaign, BBDO worked with director Justin Lin, professional skateboarder Sean Malto and Olymic snowboarder Scotty Lago. In the campaign’s launch ad, “Fireboard” (video above), Lin finds a unique way to light a bonfire with his skateboard, some duct tape and matches. Lago’s spot, entitled “Directions” has yet to be released, but we do know it will feature the snowboarder leaving a birdseed trail while tearing up some slopes in Canada.

In addition to the two broadcast spots, the campaign will also include digital content, print, OOH and social elements, and a “refreshed visual identity system.”

Leo Burnett Runs ‘Easter Errands’ for Co-operative Food

Leo Burnett London recently launched an Easter spot for Co-operative Food entitled “Easter Errands.”

In the spot, a young boy seems happy to go on a bike ride to run an errand for his mother, who cautions, “Don’t be long.” After a brief bike ride he arrives at the Co-op and runs into a classmate. They greet each other casually, saying only the names of the products their parents sent them to retrieve, giving the impression that this is quite the regular occurrence. The spot is meant to show how ubiquitous Co-operative Food locations are, with over 3,400 in the UK. It also emphasizes that you can find anything you need for Easter there, from hot cross buns to mint sauce. A version of the spot will continue to run until April 6th, replacing the Easter references with different products.

Credits:

Creative Agency: Leo Burnett London

Art Director: Richard Robinson

Copywriter: Graham LakelandCreative Director: Hugh ToddExecutive Creative Director: Justin TindallPlanner: Max KeaneProducer: Jennifer Fewster

Media Agency: Rocket

Music and Sound

Licensing : Dan Neale @ NativeAudio Post Production: Munzie Thind @ Grand Central

Offline
Editor: Scot Crane @ The Quarry

Post Production / VFX
Post Production House: The Mill

Production Company
Production Company: GorgeousProducer: Ciska Faulkner / Rupert SmytheDOP: Nanu SegalDirector: Vince Squibb