Pereira & O’Dell NY Talks Accuracy for Realtor.com

Pereira & O’Dell New York have a new campaign for Realtor.com championing the site’s accuracy in home listings, thanks to “its unique, direct relationships with more than 800 multiple listing services that provide consumers with 98 percent of all for-sale properties listed in the U.S.

Entitled “Accuracy Matters” the broadcast campaign features two 30-second spots — “Mom” and “Doghouse Architects” — which will run through 2014. The spots attempt to find the humor in inaccurate real estate listing as a means of highlighting the importance of the accuracy Realtor.com provides. While the humor mostly comes across as cute rather than funny there is one slapstick moment in “Mom” worth a chuckle, and the approach at least helps differentiate Pereira & O’Dell’s work from typical real estate advertising cliches.

“Coming from a real estate family, I’ve seen my share of formulaic advertising in the category,” explains Dave Arnold, executive creative director at Pereira & O’Dell. “Our goal with ‘Accuracy Matters’ is to not only connect Realtor.com to a singular product message it can rightfully own, but to also have some fun with inaccurate listing information.”

Stay tuned for “Doghouse Architects” and credits following the jump. continued…

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M&C Saatchi LA Taps ‘Tiger Power’ for San Diego Zoo Safari Park

Yesterday M&C Saatchi LA launched a new campaign for the San Diego Zoo Safari Park’s new Tiger Trail exhibit, opening to the public on May 24, 2014. The multimedia campaign consists of TV, print, digital, outdoor and transit, targeting the Southern California region.

All three of the TV spots in the campaign feature kids visiting the new Tiger Trail at the San Diego Zoo Safari Park and meeting a real Sumatran Tiger face to face, allowing them to tap into their own “tiger power,” which they put to unexpected use. In “Guitar Star” featured above, for example, a tween boy (with a somewhat disturbing mustache) continues rocking out at full volume even after his father pulls the plug on his amp.

“Tigers have an almost mythological connotation for their power and mystique. We wanted to show kids tapping into that to develop their confidence, their own tiger power, explained James Bray, creative director at M&C Saatchi LA.

“With the debut of this new exhibit, our guests will have a thrilling and awe-inspiring personal encounter with majestic Sumatran Tigers, and at the same time learn of the threats to this critically endangered species,” said Ted Molter, Chief Marketing Officer for San Diego Zoo Global.  “This campaign playfully asks our guests to identify with the confidence and power of tigers in the hopes that it will build greater appreciation for one of nature’s top predators.”

Stick around for “Monster Truck” and “Fireman,” along with credits, after the jump. continued…

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Arnold NY Gets Sensitive for Unilever’s Simple

Arnold New York has a new campaign for Unilever’s brand Simple, the leading “perfume and color-free” skin care brand in the UK for over 40 years which launched in the US back in 2012.

Evolving from the idea that all skin can be sensitive, especially with the impact of cold, heat, wind, and city pollution, the campaign takes an approach to match its product’s name. Arnold dramatizes the idea by projecting images of possible triggers for sensitive skin (UV rays, stress, pollution, etc.) directly onto skin. It’s a straightforward but visually interesting approach that attempts to demonstrate that “the best way to fight the harshness is through the kindness of Simple.” Whether it can help Arnold build the brand into a powerhouse this side of the Atlantic remains to be seen. Credits after the jump. continued…

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DNA Expands ‘One Goal’ for Group Health

Independent full-service agency DNA has expanded their “One Goal” campaign for Group Health Cooperative with a series of new broadcast spots.

Deciding that healthcare advertising all looked and sounded the same, DNA took a slightly different approach with “One Goal,” emphasizing their ability to help people continue to live their lives over any specific claims as to quality of care and coverage. In the 30-second “The Wait” (featured above), for example, a couple with an already healthy-sized family waits for the results of a pregnancy test.

“It’s really a tough time to be a healthcare marketer,” explained Dan Gross, executive creative director, DNA. “The clutter in healthcare advertising is at much higher levels now due to the health insurance exchanges. This has led to consumer confusion and, in some cases, they are completely tuning out. A longstanding issue for Group Health has been the misperception that they provide limited services and specialties, so we wanted to communicate the breadth of what Group Health actually offers, and to do it in a way that avoids the warm and fuzzy clichés in this category.”

In addition to television and radio, the campaign also features outdoor/transit and a new digital landing environment at http://onegoal.ghc.org.

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AMV BBDO Tackles Sports, Relationships for Currys & PC World

AMV BBDO’s new campaign for Currys & PC World, entitled “Football? What Football?”  — their first work for the brand — manages to be World Cup-themed without ever mentioning the words “World Cup” (although at one point they come pretty close). The new broadcast spots for the UK’s largest specialist electrical retailing and services company each feature a hopelessly transparent man attempting to (not so) slyly suggest to his significant other that they should buy a new television, positing the purchase as selfless, and certainly having nothing to do with the impending 2014 World Cup in Brazil.

The approach is clever, examining the types of subtle and not-so-subtle manipulations partners in relationships make surrounding expensive purchases. In my favorite of the spots, “Pride and Sensibility,” a man tells his wife, over dinner, that him and his friends watched that “Pride and Sensibility” program and it really looked great on his buddy’s widescreen TV. He’s not nearly so slick as he thinks he is, and his significant other’s incredulous facial expressions really bring the spot together as he almost mentions the World Cup and claims the new TV is for “that castle program” she likes so much.

The other spots follow a similar formula, finding humor in a man suggesting to his wife that her gardening programs would look great on a new television, and a father attempting to justify the purchase as a way to better enjoy upcoming penguin documentaries to his daughter while a disbelieving mother looks on. It’s the kind of approach that works because of its relatability, with humor that is at once universal and distinctly British coming from true to life scenarios. The broadcast campaign launched on the first, along with accompanying 30 second ads appearing on sports radio. Stick around for credits and the other two spots after the jump. continued…

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W+K NY Sparks World Cup Convo for ESPN

Wieden + Kennedy New York’s latest World Cup spot is a welcome departure from their previous World Cup work, foregoing focusing directly on the on-field action in lieu of the conversations and connections among fans sparked by the World Cup, leading into the “Every Four Years” tagline.

The new 30-second spot, called “Global Issues,” follows a linear conversation between soccer fans from diverse backgrounds. “Global Issues” stars real soccer enthusiasts — including a German butcher, an Italian barber, and a cab driver from the Ivory Coast, who support a vast array of teams, but all reside in the U.S. It’s a clever direction, executed well thanks largely to the precision editing, from editorial company Final Cut, necessary to pull off such an approach, and illustrates the excitement leading up to the World Cup well.

Wieden + Kennedy New York also debuted eight of its 32 original World Cup posters for ESPN, designed by Brazilian artist and graphic designer Cristiano Siqueira. Each features a likeness of key players and stories from the featured country competing in the 2014 FIFA World Cup. Stick around after the jump for a look at several of these posters, as well as campaign credits. continued…

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W+K Amsterdam’s World Cup Spot for Heineken Is…Perplexing


“What the hell was that?” — That is our (and, we’re guessing, your) reaction to “Oranjekoorts (Orange Fever),” W+K Amsterdam’s 2014 FIFA World Cup spot for Heineken, the agency’s first work for Heineken Netherlands.

The campaign actually began earlier this year with the search for Heineken’s first Chief Orange Officer (you can’t make this shit up), described as a “legitimate [cough] full-time role that sought a representative as Dutch as Heineken, but who shared the same international outlook and would be committed to spreading Orange Fever in The Netherlands and across the globe.” Heineken advertised the legitimate position on their own recruitment channels and throughout the Netherlands. After reviewing more than 2,500 applicants, the position was awarded to Marco van Houwelingen, who will fill the year long role at Heineken’s Amsterdam headquarters.

The 65-second spot features a float representing “everything great about the Netherlands and the Dutch,” making its way through a Brazilian Carnival. Lead by Heineken’s Chief Orange Officer, the float includes a windmill, illusionist Hans Klok, and Dennis Bergkamp, among various other weirdness. Float participants all dance to a samba version of the song “No Limit” by 2 Unlimited, “one of the world’s favorite 90’s anthems” (which is not how anybody outside the Netherlands would describe the song). Watch the confusing mess for yourself above, and stick around for credits after the jump. Maybe you just have to be Dutch to get it.

continued…

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FCB Chicago Launches The Paint Studio for Ace Hardware with ‘Helpful is Beautiful’

Ace Hardware tapped FCB Chicago to help introduce The Paint Studio, which seeks to provide a “more style-inspired and personal paint shopping experience” for Ace customers with exclusive paint collections from Clark+Kensington, Valspar Optimus and Valspar Aspire. The resulting campaign, “Helpful Is Beautiful” is the largest ever for Ace Hardware, spanning television, radio, print, social and digital.

“Helpful Is Beautiful,” which was developed by FCB Chicago in association with Ace and Valspar, riffs on tropes from beauty advertising in an effort to emphasize the more design-oriented aspects of The Paint Studio. The attempts at humor fall flat (painfully so), but the spots do get across the more personalized approach Ace’s new Paint Studio takes when compared to other hardware mega-stores. Still, the three 30-second spots are pretty tough to watch.

“For years, women have expressed loyalty to their favorite cosmetics brands and the inspiring shopping experience that comes along with it,” explains John Surane, executive vice president, marketing, merchandising, and sales for Ace Hardware. “Ace and Valspar recognize the emotional response evoked by color and built the ‘Helpful is Beautiful’ campaign and The Paint Studio at Ace around this connection as a way to offer consumers a differentiating paint shopping experience featuring the brands they know and trust.”

Ace also launched a new website for The Paint Studio today, created by GSD&M, and will be featuring special offers to get customers to experience The Paint Studio throughout the month of May. Stick around for credits and a second spot after the jump. continued…

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Deutsch Continues Taco Bell Breakfast Onslaught


Meet Harold and Lenny, the pair of geriatric kvetchers in Deutsch’s most recent assault on McDonald’s in their latest campaign promoting the new Taco Bell breakfast menu.

Deutsch and Taco Bell have had McDonald’s in their sights since they launched the breakfast menu with their real life Ronald McDonalds (an idea borrowed from a 2002 Jack In The Box campaign). They ratcheted things up with the 80s-referencing “Get With The Times,” which called out the McMuffin directly as being as out of touch as the spot’s Loverboy-fan protagonist. This time around, the McMuffin isn’t explicitly referenced, but the pair of old men complaining about youngsters and the new Taco Bell breakfast items appear to be eating McDonald’s signature breakfast sandwich on a park bench.

The formula is the same for the three new spots, said pair of old men complaining about young people and Taco Bell’s new breakfast offerings on a park bench across the street from a Taco Bell. This allows Deutsch to skewer McDonald’s as being for the old and out of touch while simultaneously promoting the new Taco Bell breakfast items, such as when the pair question the need for a one-handed breakfast (the A.M. Crunchwrap) — “so they can do that Tweeter thing,” one of them explains. In another spot, the pair complain about the “Morning Rave” happening at Taco Bell, despite the fact that they don’t know what a rave is. This all ties in well with the tagline, “The next generation of breakfast is here.”

There’s no official word as to whether Harold and Lenny are expected to make an appearance beyond this campaign, as a spokeswoman told AdAge, “Anything is possible” when asked if they will be ongoing characters. Stick around for “Morning Rave” and “Slippery Slope” after the jump. continued…

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CP+B Rolls Out New Kraft Mac & Cheese Spots

CP+B have unveiled the latest in their continuing “You Know You Love It” campaign for Kraft Macaroni and Cheese. Previous work on the campaign for Kraft’s macaroni and orange goo product has included the funny, on-point “What I Did For Love” and the nostalgia-laden “Go Ninja, Go.”

The two new 30-second spots are more in the vein of the former, although not as funny or effective, relying more on cuteness than humor. In “Pregnant,” a man eats the macaroni and cheese his pregnant wife requested, claiming that they’re “all out.” As you may have guessed, this is not a smart move and the spot ends just before she claws his face off (okay, not really). “Babysitter” is similarly minded, with a babysitter who will pay the price for helping herself to a late night mac and cheese snack. Stick around for credits and “Babysitter” after the jump. continued…

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Paul George Stars in New, Cheesy Papa John’s Spot

Papa John’s is releasing a new ad promoting their Sweet Chili Chicken Pizza today starring Indiana Pacers all star Paul George alongside Papa John’s founder, chairman and CEO, John Schnatter. While John’s named Grey its national agency of record back in February, this spot comes to us via ZGroup, an arm of Zimmerman Advertising.

The cheesy spot features typically terrible acting from Schnatter, who trades lines with George. “Here’s how I make my dough,” George retorts, before the spot cuts to footage of him dunking. “Sweet,” says Papa John, “like my new Sweet Chili Chicken Pizza,” in some of the most transparent copy we’ve seen in awhile. In a surprise move, George then dunks his slice in one of Papa John’s artery-clogging dipping sauces. The spot is the latest in Papa John’s line of sports-themed advertising that in the past has included the likes of Peyton Manning and Joe Montana. It’s a shame they couldn’t go a less obvious route with the Pacers star, but the Papa clearly likes to play it safe. The new ad will run nationally on cable entertainment and sports channels, as well as syndicated shows, until May 11th.

“Papa John’s is about fresh new tastes, which is why we love our partnership with Paul George,” said Schnatter in a painfully rehearsed statement. “Paul brings a fresh approach to basketball as one of the game’s new stars, which works perfectly with Papa John’s because new and fresh is the message we’re delivering with our partnership and with our new Sweet Chili Chicken Pizza.”

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BBDO NY Brings Together 3 Clients for Autism Awareness Month

BBDO New York collaborated with clients Johnson & Johnson, Campbell Soup Company and AT&T Wireless to create a commercial message designed to raise autism awareness and educate viewers of the importance of early detection, timed to coincide with the end of Autism Awareness Month.

Four 15 second spots that air sequentially combine to form a story arc of a child growing up with autism. Three of those spots also acts as ads for Band-Aid, Campbell’s Soup, and AT&T. Following the last spot, which features a recent graduate and his proud parents, played by a real autism sufferer and his parents (who appear in the other ads as well), the sequence concludes with the message, “You just saw how early diagnosis can make a lifetime of difference.  Watch again or learn the signs at www.autismspeaks.org/signs.” This sequence is scheduled to air one time today on the CNN program New Day, and will then live online at YouTube and the Autism Speaks website, with a digital extension expected to run courtesy of Undertone. continued…

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W+K Taps World’s Soccer Talent in ‘Winner Stays’ for Nike


W+K Portland went all out in getting celebrity talent for “Winner Stays” the latest iteration of their “Risk Everything”campaign for Nike.

The 4:12 film plays off the idea of pretending to be your favorite star players while playing a pickup game with friends. “Winner stays” says one side of one such pickup game, and soon players are claiming to be famous soccer stars and taking on their unique skill sets. It’s a fun idea, although it’s stretched a bit thin at over four minutes long. W+K is betting that with World Cup fever spreading people will stay around for the star power, which includes the return of Cristiano Ronaldo, Neymar Jr. and Wayne Rooney, a host of other soccer stars from around the world, and a few unexpected cameos. During the action, the spot offers the first glimpses of Nike’s new Magista and Mercurial Superfly.

“We connect to players’ passion for the game, whether it is the world’s best in Brasil or players in the park or street, explains Davide Grasso, chief marketing officer for Nike. “‘Winner Stays’ taps into an experience that every young player around the world will recognize – competition with friends and the idea of playing with your heroes or pretending to be them.”

While it may be fun and expertly crafted, it’s pretty hard to get over the run time for the full-length “Winner Stays.” Four minutes is just a really long time to expect people to sit through an advertisement and the new product reveals are relatively deep into the spot. Thankfully, there are abridged versions, with run times of 3 minutes (still pretty long), 90 seconds, 60 seconds, and 30 seconds. Stick around for full credits after the jump. continued…

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BBDO New York Ruins Classic Beach Boys Song for AT&T

This one’s been making the rounds for awhile, but we figured we’d add our two cents since it involves the ruining of a classic Beach Boys track. BBDO New York employs the Beach Boy’s “Wouldn’t It Be Nice” for their latest AT&T campaign. In the debut spot, “Sing Anthem” people in everyday situations randomly start singing the song as if they’re on Glee or something.

To be fair, BBDO does a passable job of connecting the song to AT&T’s message of helping “people and things speak the same language” and a good job of illustrating the point visually. But people of various walks of life (including an operatic news reporter) randomly bursting into song is a lot to swallow, and that the song is a personal favorite makes it even harder to take. The spot, which BBDO collaborated with Biscuit Filmoworks and editorial company Rock Paper Scissors to make, is part of a broader campaign that employs “Wouldn’t It Be Nice” as a theme song in each of its commericals. Thankfully, “Sing Anthem” is the only one of these to turn everyday life into a cheesy impromptu musical. Stick around for credits and “Sing Network” after the jump. continued…

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The Richards Group Takes on Flowers for Edible Arrangements


The Richards Group debuted a new creative direction for Edible Arrangements, the originator of the “fresh” (if you’ve ever tasted their product, you know otherwise) fruit bouquet and global category leader, in their first integrated marketing campaign for the brand. The new campaign “marks an evolution from several different creative campaigns for different media to one streamlined positioning played out from storefronts to social media to broadcast to banner ads.” As you may recall, Edible Arrangements named The Richards Group their agency of record last summer.

The Richards Group’s new multi-million dollar campaign (the brand’s largest advertising campaign to date) centers around the new tagline “Pick Fruit. It’s Fresher.” with an integrated effort championing the choice of fruit over flowers. “Reaction,” the 30-second television spot featured above, typifies the approach. Various mothers’ open-mouthed reactions to flowers appear at first to be enthusiastic, but are revealed to be bored yawns. The spot debuts in advance of Mother’s Day on April 28, with both a 30-second and 15-second version.

“This advertising, across all channels, pokes a little fun at the same old gift and encourages families to celebrate mom in a fresh way. And our research shows that moms really appreciate creativity and ingenuity in gift-giving,” said Edible Arrangements’ chief marketing officer Jeff Lobb. Stick around for credits after the jump. continued…

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Cornett IMS Crafts World’s Longest Hashtag for A&W

Kentucky-based agency Cornett IMS (who you may remember from Beardvertising or “Kentucky Kicks Ass“) has created the world’s longest hashtag to promote the release of A&W’s new chicken tender sandwich.

While most brands see the hashtag as something that fans will hopefully share on social media, Cornett chose to create a hashtag so long that the chance of it being used are pretty damn low. The extra-big hashtag is, presumably, meant to coincide with the extra-big nature of A&W’s Hand-Breaded Chicken Tender Texas Toast Sandwich. Like that sandwich, the hashtag is quite the mouthful. As Cornett’s Whit Hiler puts it, they were going for a “hashtag so long, our consumers would say ‘man that’s a really long hashtag, that Hand-Breaded Chicken Tender Texas Toast Sandwich must be freaking delicious.’” You can view the TV spot introducing the hashtag above. That hashtag, by the way, is: #supertastylargeandinchargetexastoasttwohand-wichmadewithdeliciousonehundredpercentwhitemeathandbreadedchickentendersandyourchoiceofclassicorspicypapasauceeitherwayyoucan’tgowrongwowthatsoundsgoodyouneedtotryoneit’sonlyavailableforalimitedtimeImgoingtohavetogogetonemyselfareyoustillreadingthisseeyouatAandW. Credits after the jump. continued…

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Walton Isaacson Debuts First Ever TV Spot for Knob Creek

Chicago-based marketing and advertising agency Walton Isaacson have debuted the first ever television campaign for premium (and, we think, rather tasty) bourbon whiskey brand Knob Creek.

Walter Isaacson worked with  bi-coastal digital production and creative design studio Brand New School on the campaign, entitled “Bookerisms” for the sayings of Knob Creek founder Booker Noe, which are featured in the campaign. The debut 30-second spot, “Booker Said,” centers around one such Booker quote, which is actually pretty funny:  ”If you’re not completely satisfied with the big, full flavor of our bourbon, just send back the unused portion and we’ll drink it for you.” continued…

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BooneOakley Pits Master Vs. Master for Bojangles

Charlotte full-service independent agency BooneOakley created a new campaign for Bojangles’ Restaurants, the first spot of which stars recent Master’s champion Bubba Watson.

The spot, created to promote Bojangles’ breakfast offerings, is meant to give a “a public face to Bojangles’ internal biscuit-quality efforts.” Apparently, every Bojangles location has an official “Biscuit Maker,” who has undergone at least 40 hours of training for the position, on staff. (For some reason, they don’t mention this in the ad.) The 30-second broadcast spot pits one of these biscuit makers against Bubba Watson in a celebrity competition parody (wakka wakka). Watson kneads his dough with his driver before launching the biscuits toward the oven. At the end of the ad, Watson tees off on a completed biscuit, causing it to explode  — according to BooneOakley’s PR team, this was done at Watson’s insistence.

The second spot in the campaign will run in late spring/early summer and feature sportsfisherman Guy Eaker of the Bass Master series (you can’t wait, right?), with future celebrity spots in the campaign undetermined. Brief credits after the jump. continued…

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Sid Lee Stokes Northern Pride for Raptors

Just in time for the playoffs, Sid Lee has launched a new spot for the Toronto Raptors which the Starks could totally get behind (there’s even a wolf). The new spot stokes fans’ anticipation of the upcoming games and northern pride with the tagline, “#WeTheNorth.”

The 60-second, Stark-approved spot starts with the line “We the north: In many ways we’re in a league of our own; one step removed; just beyond the boundaries…” and uses the Raptors’ distance from other NBA teams as a point of pride, a rallying call. “If that makes us outsiders, we’re in,” concludes the voiceover before a “Let’s go Raptors” chant emerges from the background. “#WeTheNorth,” which just launched yesterday, is part of a larger rebranding effort for the Raptors. If fans weren’t already excited for the Raptors’ bid in the NBA playoffs (starting tomorrow, against the Nets), the well-produced spot, which mixes game footage with stylized shots of a snowy Canada, should do its part to psyche them up. Credits after the jump.  continued…

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Victors & Spoils Goes Traditional with New Work for Bank Midwest

Victors & Spoils eschews crowdsourcing or digital aspects for their new campaign for Bank Midwest.

Centered around a few television spots,  the campaign emphasizes the human side of Bank Midwest.  The above spot “Listening” focuses on a bank worker on the phone with a client, saying things like “okay” and “uh-huh” before the word “Listening” comes on the screen, accompanied by triumphant music. It’s meant to show that in today’s environment, an actual human listening to you at a bank seems revolutionary. Clearly, this campaign is targeted at an older audience than Victors & Spoils typical work, which explains the more traditional approach. The spots “Knowing Your Name” and “Answering The Phone” follow a similar approach. The campaign, which started running in Colorado and Kansas this week, also includes billboards with simple messages, such as “Listening!” and “Mortgage Experts Who Listen.”

“In a time when so many businesses have stopped focusing on consumers, it’s really exciting that we get to help celebrate the fact that our client, NBH Bank, N.A., still treats people like people. This makes for some pretty revolutionary work,” explained Victor & Spoils Creative Director Chris Cima.

For a campaign described as “revolutionary,” though, the strategy sure calls to mind Tierney’s work for TD Bank in their “Human Truths” and “Bank Human” campaigns. Stick around for “Knowing Your Name” and “Answering The Phone” after the jump. continued…

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