Here’s a Quick Statement from ADT Regarding Review

In case you didn’t hear last week, Boca Raton-based ADT Security Services has put its creative, media and digital accounts into separate reviews. The first two portions have been handled by Doner since 1999 (this spot is still airing last time we checked), while BGT and Razorfish handled the last component in recent years. Well, we’ve received a statement from an ADT spokesperson that may clarify things a bit and it goes a little something like this:

“ADT is conducting a closed marketing agency review. The focus areas for agency support include: brand strategy, creative development, media planning and buying, and digital services. As a new public company, ADT is evaluating many aspects of its business, including new and innovative ways to engage with consumers on the benefits of home and small business security and automation solutions. All current agencies have been invited to participate in the review process.”

ADT, which currently counts 6.4 million customers and has over 200 locations across the U.S. and Canada, went public in October 2012 and is listed on the NYSE as, you guessed it, ADT.

New Career Opportunities Daily: The best jobs in media.

Honda Test-Drives Social Media Sharing with #WantNewCar

Do you hate your car? Do you want to let the world know how frustrated you are driving around in a jalopy that is beyond repair? Honda can help – sort of. For the rest of today, Honda will be tweeting back Vine videos at unhappy drivers who post #WantNewCar on Twitter. The Twitter/Vine combo, developed by the automaker’s longtime agency RPA, is part of Honda’s Summer Clearance Sales Event, and is meant to provide some catharsis to drivers even though there aren’t any discounts or financial incentives for using the hashtag. There probably should be.

If you watch the promo clip above, you’ll see what it looks like when brands use social media for the sake of using social media rather than really committing to interacting with consumers on various social platforms.Take KFC and their annoying, yet memorable, #IAteTheBones campaign. It’s made to go viral and is primarily identifiable to KFC and no other brand. On Twitter, KFC offers followers free merchandise and deals related to the hashtag on a regular basis. Honda is only responding for one day. Even though Honda’s hashtag is much more relatable (one could argue it’s too generic) the execution feels unsure of itself, just like a teenage driver getting behind the wheel for the first time. Credits after the jump.

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Sid Lee Adds Some Sting to Bumblebees for Dewar’s

Earlier this week, we covered some Sid Lee Paris video game business. Today, we’re moving back across the Atlantic, as Sid Lee New York debuts a 3-Bee (yup, they punned 3-D) printing project for Dewar’s Highlander Honey whiskey. The technology allows for  80,000 bees to mimic their natural environment in a factory setting and create hives in custom shapes, like a Dewar’s whiskey bottle. The Ebeling Group, which produced the accompanying video, had to do their work in full beekeeper suits. That is how you commit to a project.

The 60-second video offers viewers an artsy glimpse into the totality of the 3-Bee project. The edgy tone comes from muted lighting and  background music that might as well be a leftover composition from Radiohead member Jonny Greenwood‘s There Will Be Blood soundtrack. I’m not sure that this strategy would make me want to purchase a drinkable product, but the creativity involved more than makes up for it with originality. Credits after the jump.

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‘Legendairy’ to Bring Legendary Epicness to Australian Dairy

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After watching this mini epic anthem for Dairy Australia, you might have the sudden urge to run out and down a couple gallons of milk, a few pounds of butter or a side of beef. On August, 4, the Australian industry group will launch its first major campaign in six years. It will be called Lengendairy.

This legendary, pro-dairy farming epic will take the form of TV, print, digital, radio, event sponsorships as well as heavy PR and raise the awareness and stature of the dairy industry.

Of the campaign, Dairy Australia Group manager Isabel MacNeill said, “It’s all about giving the industry a well deserved boost. We want to tell the story of Australia’s dairy industry and it doesn’t stop at just milk. The Legendairy campaign will champion the dairy industry, sharing stories of innovation, provenance and personal triumph. We believe this focus will connect the farming community with its consumers.”

Of the campaign’s introduction video, which consist of still images and superimposed copy, we think there could have been even more epicness had Morgan Freeman read the copy as a voiceover. Or to keep it in-country, maybe Nicole Kidman, Sam Worthington or Russell Crowe.

In any case, Australia is about to get its own Got Milk campiagn

Let’s Meet a Bartender Who Dares to Tanqueray

Our unnamed bartender protagonist in the latest Tanqueray spot from Sundance/Mother says things like, “there’s nothing better than making a great drink for someone, putting a smile on their face.” He’s corny and sentimental, yet he has a great mustache, so we’ll give him a free pass. He is, as the ad’s title suggests, an unsung hero: part blue-collar working man, and part trendy wannabe in his black vest ensemble. Whatever he is, he’s a lot different in tone than the goofy Tony Sinclair. Sinclair was always too flamboyant to be anyone’s unsung hero.

This new spot is a test run for Sundance, as the channel hopes to add more branded content in the near future. Plans are already in motion for roundtable discussions with agency writers talking about creating Geico ads. A lot is being done in-house, offering a glimpse at how advertising will continue to evolve.

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New Balance Wants to Make ‘Runnovation’ a Thing, Gives it an ‘Anthem’

From Arnold Worldwide comes “Runnovation Anthem,” a spot for New Balance that depicts people running in different environments interspersed with cuts of what appear to be acts of science. There’s also a very loud musical number, which one would suppose is the titular anthem, despite not being very anthemic. The song is so utterly terrifying, in fact, that it’s easy to imagine all of these people running away from a masked pursuer who chases them while playing this song full-blast on a JVC Kaboom Box held above his or her head.

With an introduction to the idea of “Runnovation” (running + innovation for those playing at home) out of the way, the campaign will unfold into three different storylines across media platforms, with the first focusing on a grassroots fitness group called “November Project.” If you’re interested in watching some suburban white dudes run around outside and yell “fuck yeah” for a while, watch this video:

Did you enjoy watching those people vomit? Yeah, you probably did, you sicko. Credits after the jump.
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Code and Theory, Snapple Are Off to the Ostrich Races

The world is weird, and Snapple has succeeded in giving us small moments to reflect and delight in that with every juice. Now with their latest digital campaign from Code and Theory (check out our recent Cubes tour with the shop here), those moments are deepened via “Re-enFACTments,” videos that bring Snapple Real Facts to life.

The most recent bit of useless knowledge re-enFACTed is that the ostrich’s brain is smaller than its eyeball. To prove this point, we see the ostrich peck moodily at the camera, allow humans to ride on its feathery back, and make vague humming sounds. But the real point is that, “the true measurement of a champion *isn’t* the size of its brain.”

365: Neck-in-Neck is an HBO-24/7-style sports documentary on the wild world of ostrich racing. In the 5-minute (riveting and thus justified) spot, we watch the townfolk of Chandler, Arizona, put on their annual ostrich race, featuring both riding and chariot racing. Snapple interviews the head trainer and his prize ostrich, Julio, who was apparently bullied as a youngster. He hid his head in the sand but was still mercilessly attacked by vicious teenage beaks. Today he is a winner.

This is all real, seconded by a Daily Mail article on the “Hilarious and Unpredictable World of the Great American Ostrich Races.” There’s something fascinating about ostriches, and seeing fully-grown men on their backs is even more bizarre. Snapple strikes us with wonder every time we open a juice, and this campaign lengthens that curiosity, engaging until the last sip.

Credits after the jump

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‘Assassin’s Creed’ Gets Face Time in Historical Painting

Ubisoft is still a few months away from the release of Assassin’s Creed IV: Black Flag, the sixth installment in its blockbuster video game franchise, but some recent teamwork with Sid Lee Paris will offer fans and future some customers some strangely artistic publicity. “Defy History,” an interactive art project that will be displayed in Le Musée de la Marine, will let users transpose facial webcam pictures onto a selection of characters that are part of a large historical painting. Before the painting is finished, people will be able to vote on the best faces, with the winners being included in the final product.

It’s hard to say why Ubisoft wanted to jump into this creative work, since the painting project is only tangentially related to Assassin’s Creed IV. Sometimes, companies and agencies overthink, especially for a game about an assassin pirate. If interested, you can find out more details about the picture posting here.

I miss the good ole days of Ezio. Credits after the jump.

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Amstel Helps Man Go From Dishwasher to Chef in Two Minutes

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Hmm. Usually these beer-themed life accomplishment stories are dull and lame but not this one from Amstel Lager entitled The Chef. In this two minute video, we follow along as a man who is determined to become a chef does so by beginning as a dishwasher and working his way up to opening his own restaurant.

It’s really quite inspiring and the fact it’s a beer commercial is entirely secondary. Which, after all, is that way it should be with good content marketing.

Boost Mobile, 180LA Say ‘You Earned It’

After their amusing spot featuring a basketball player juggling a couple of extra balls, Boost Mobile and 180LA are back together once again, this time emphasizing the savings Boost customers can get. In three short videos, we see various stealing scenarios: a man on the subway gets pickpocketed, a city guy leaps over fences to evade a mugger, a woman has her purse snatched on the sidewalk. But by the end of each ad, the victim has money handed back to them, showing that “Boost Mobile puts cash back in your pocket, literally.”

It’s a good concept, and the little song that shifts each scene into celebration coupled with the actors’ yay-I’m-richer-than-I-thought smiles makes these spots sweet. I only wish they could have cast at least one white thief. Sure, they’re all good guys in the end, but these spots still reinforce tired racial stereotypes. We can do better.

Credits and the rest of the videos after the jump.

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Hooters Increases Bust Size…Uh..Social Index Ranking 470%

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In the nine months since Hooters began working with Skiver Advertising in October 2012, the restaurant chain has increased its placement on the Nation’s Restaurant News Social 200 Index from 56th to 12th. The NRN Social 200 Index determines leading social media brands by evaluating audience size and reach, brand influence, customer engagement, relative movement, and lifetime aggregates.

The increase spans all platforms, including Facebook, Twitter, Instagram, and YouTube. In November 2012, Skiver launched the Hooters Instagram account, which has accumulated nearly 21,000 followers. Other social media efforts have included Hooters for Heroes, Wing Day Wednesday, and Step Into Awesome. The agency also reacted quickly to a Seth Meyers SNL Weekend Update piece on Hooters with video that countered Meyers’ assessment of Hooters as a sex dungeon.

Of that particular piece of work, Skiver Director of Digital Strategy Chris Van Dusen said, “The video we created for Hooters in response to Seth Meyers’ joke demonstrated how nimble Skiver’s digital practice team is and that’s key in our space. Within hours, we’d developed a strategy and began to implement it on social media, and within a few days we’d created a video that was going viral. Our clients love being able to get campaigns to the market without lag time; it allows us to start seeing results immediately.”

Viral is a relative term, of course. Since its launch on March 14, the video has been viewed just over 26,000 times. That said, the agency’s focus on element of Hooters beyond the Hooter Girl are, perhaps, why the chain has increased its appeal and social media footprint.

Rihanna Joins Jay-Z in Translation, Budweiser’s ‘Made for Music’ Campaign

Budweiser’s new campaign “Made for Music” launches in 85 countries today, featuring Jay-Z and Rihanna carefully dispersed amidst other artists including an ice sculptor and street art painter. Jay-Z’s ad is backed by his song PSA, while Rihanna’s features her newest single, “Right Now.” Both spots are directed by Mark Romanek (Never Let Me Go, Bee Season) and each closes with inspirational words from Bud: “It begins and ends with what you make.”

Made for Music was inspired by the Budweiser Made in America Festival which debuted in Philly last year and Jay-Z headlined. This year, Beyonce and Nine Inch Nails will take the marquee billing over Labor Day Weekend.

Jay and RiRi’s ads are mildly inspiring with their filmic, black-and-white “creative spirit.” After the Samsung deal, Jay-Z’s authenticity feels slightly compromised, but both he and Rihanna are still solid examples of hard-working performers. The scenes are nothing new–star reads in the car, star makes decisions with sweeping hand motions, star stands triumphant as the lights go down–so I wouldn’t mind a bit of original dialogue, but all in all these spots do the job. Time to turn up Magna Carta Holy Grail and channel HOV’s productivity.

Credits after the jump as well as clips from our interview last year with Translation CEO Steve Stoute on his agency’s relationship with “the king of beers.”

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Wendy’s Sings the Tweets of Those Willing to Compliment Their Food

While we’ve seem almost every iteration of brands turning fans’ tweets into ads by this point, here’s a new spot for Wendy’s new Pretzel Bacon Cheeseburger from agency VML that adds a musical component to this formula.

Using that hashtag #PretzelLoveSongs on Twitter AND Facebook (gah, Facebook has hashtags now), consumers who say exceedingly positive things about Wendy’s new burger had the opportunity for their praises to be turned into a musical number, with some having even been sung by former 98° frontman/Jessica Simpson spouse Nick Lachey during a live event last night in New York, where live-streams always take place for some reason. While the press release doesn’t say if the specific location was Times Square, we’re going to go ahead and guess this happened in Times Square.

Nothing like watching a former boy band member/reality star sing about a cheeseburger in probably Times Square. Oh, and VML offered the chance to participate via your social media, because the most effective use of it is to either praise or make fun of brands who spend a lot of money on advertising. If we’re lucky, it might even be a trending tweet. Update: The event actually took place at a Wendy’s location, natch, on 34th St in NYC.

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Street Waxing: Advertisement or PSA?

As much as I appreciate a good fail video and laugh regularly from schadenfreude, Lowe Roche’s latest for Fuzz Wax Bar in Toronto just made me cringe. To advertise their dedication to smoother skin, Fuzz covered a male model in wax strips and sent him onto the streets. People could tear the strips (and hair) off him to receive a 25% off gift certificate. The strips were illustrated with grim-faced smileys, varying based on the amount of pain they would cause. Many people appeared to delight in making this man shout in agony.

“Street Waxing” seems to me the opposite of an attractive ad campaign. The selling point of waxing is the final product: smooth skin. In between appointments, one primary goal is to forget about the pain. That makes this experience more of an anti-waxing PSA. Fuzz Wax Bar reminds us, very viscerally, that waxing is not a pleasant experience. And adding insult to injury, (unlike this model), you’re going to have to pay to get yours yanked off.

Credits after the jump

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Snapple Vines Some ‘Re-enFACTments’

Many top brands have preferred Instagram to Vine when deciding how to complement branding with viral videos, but that hasn’t stopped Snapple, with creative direction from NYC-based Code and Theory, from choosing six over 15. As part of Snapple’s Re-enFACTments digital campaign, here’s a little stop-motion animation to kick off the weekend. The above clip was designed by Khoa Phan, who Mashable declared “Vine’s Most Creative Stop-Motion Animator.”

Snapple and Code and Theory have reached out to a number of unique people on the platform to visualize the signature series of under-the-cap facts that lost their novelty appeal about ten years ago. Phan worked with fact #754 – an alligator can go through 3,000 teeth in a lifetime, a ridiculous number that probably excites dentists and orthodontists around the world. And, as you can see in a few additional Vines below, makes eating an apple more troubling than you’d expect.

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IKEA Makes the Most of Small Spaces with Terrifying Doll Heads

From Mother’s UK shop comes a new two-minute spot for IKEA kicks off the new ‘Make Small Spaces Big’ campaign.

Featuring the vocals support of soul singer Elayna Boynton covering Aretha Franklin‘s “One Room Paradise,” we’re taken inside a doll house stocked to the brim with IKEA furniture. There we meet a single mom with a creepy doll head raising her similarly creepy doll-headed son, both adept at finding solutions for making their tiny house bigger.

Now, for U.S. audiences, the doll heads are a bit off-putting and hard to get over. But, once you do, you come to realize what a rarity it is that we see single parent households depicted in advertising, especially for a global brand like IKEA. Mother does a wonderful job in not only demonstrating the products’ features, but also giving the spot some emotional weight. If it was only something other than doll heads…

Take a virtual MTV Cribs-style tour of the apartment from the spot here, and view credits after the jump.

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Motorola One Ups Apple With Made in America Ad

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While everyone is busy trashing Apple’s new “Designed by Apple in California” campaign, Droga5 is out with new work for Motorola that touts the brand’s new Moto X which is not just designed in America but also manufactured in America.

The print campaign hypes July 4th, American spirit, independence, freedom and, despite the challenge, the fact the phone will be designed, engineered and assembled in America. Which, if we were to nitpick, doesn’t really mean that each of the phone’s assembled components are actually all made in America.

But, hey, tomorrow’s July 4th and that means lots of food on the grill, delicious drink, time on the beach in the sun (finally) and boatloads of explosive fireworks. Oh, yea, and no work! So rather than nitpick, let’s just be happy the phone bbrand that used to be cool might actually be cool again.

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Aardman Animations Brings Insect Tattoos to Life for Random Acts Short Film

After all episodes of Big Brother are exhausted, late night TV on England’s Channel 4 consists of Random Acts, a short-form “daily arts strand.” They call it television as art, rather than about art.

An upcoming part of this stream comes from Aardman Animations directors Karni & Saul, who have made a 3-minute “Lynchian” film about a sunbathing, flower crown-wearing girl who is infested by her own insect tattoos. “In ‘Skinmeal,’ we tried to make a piece that was visually tempting and at the same time had a sharp edge to it,” Karni & Saul said.

The concept sounds terrifying, and when a spider crawls out of our protagonist’s scalp I do feel a little squeamish. But with its plinky mood music and limited length, I wonder how the piece will fully employ the fear factor. Skinmeal is a great title; let’s hope they follow through and she really gets devoured, albeit artfully.

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Newcastle Celebrates ‘Independence Eve’

Normally, a made-up holiday like Independence Eve would be some sort of patriotic money grab, but for Newcastle Brown Ale and Droga5, it’s actually a tongue-in-cheek U.K. money grab. Independence Eve – the latest part of the No Bollocks campaign – celebrates the last day of British rule, one day before John Hancocks were signed and European monarchies renounced.

Across the States, Americans (and immigrants, legal and illegal) can buy a Revolutionary Koozie, which features both the British and American flags on the bottle. I’m not sure how many Americans would willingly drink a British beer the day before July 4th, but I think we’ve buried the hatchet 237 years later. You see, revolutions can be humorous once enough time has passed. So in the next decade, everybody get ready to chug some Edelweiss and giggle over the French Revolution. Credits after the jump.

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Dove Wonders Why Women Are Camera Shy

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Along with its hugely successful and Cannes Lions-winning Real Beauty Sketches, Dove is out with Camera Shy, a :60 that focuses on the propensity of many women to shy away from the camera when it’s aimed at them. Created by Ogilvy, the work is accompanied by ose Murphy’s “Peek-A-Boo” as woman after woman hide from the camera until a super asks, “When did you stop thinking you’re beautiful?”

It then shows images of little girls having no fear in front of the camera suggesting camera shyness is culturally induced. Which, of course, may be true. Except for the fact all one has to do is spend a little time on Instagram or Facebook or any number of other image-focused sites to find thousands of mirror shots and selfies.

Which, of course, is not to belittle the fact that, yes, many won are, in fact, camera shy and do question their beauty.