Les Gaulois’ New Citroën Spot is Badass, In Any Language

My French may be deplorable, but luckily you don’t need to speak the language to realize Les Gaulois’ new spot for the Citroën C4, entitled “Catapulte,” is pretty cool.

The 45-second ad, directed by Markus Walter,  pays homage to classic 70s car chase scenes (such as the famous one in Bullitt) with a series of cars catapulting over steep hills. Appropriately set to a 70s funk soundtrack, the series of cars careening over a steep, San-Francisco-esque hill includes a woman whose groceries fly free from their paper bag during the jump. Then, the smooth Citroën C4 handles the hill with ease, as another car catapults right over the drivers’ head. It’s a clever way to show off Citroën’s sleek new model, and just a plain fun viewing experience. I may not know what the voiceover is saying at the end of the spot (no close captions on YouTube for this one; if you speak French, though, please offer us up a translation in the comments section), but I know I enjoyed the ad. Credits after the jump. continued…

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M+M’s Create Faux Mini-Movie to Discourage Cell Phone Use in Actual Movies

People who use cell phones in movie theaters are annoying. So annoying, in fact, that some other people argue that cell phone use in movie theaters should literally be punished by death, though that may be a bit extreme according to law enforcement and those that cherish human life.

For some reason, otherwise rational human beings have a tendency to abandon logic upon entering movie theaters. Perhaps it’s the cover of darkness that detaches individuals from their transgressions, as otherwise measured requests like “Hey, will you shut the fuck up?” are routinely answered with, “Why don’t you come over here and make me, fuckface?” Then children cry and Cars 2 is ruined for everyone, which wouldn’t have been such a big deal had we not spent $30 on concessions. (That’s where they get you.) Thus, our nation’s fine cinema chains are forced to accept the fact that humans loses empathy for one another once the previews start. That’s where America’s favorite anthropomorphic M+M’s come in.

Not only is this mini-movie from BBDO NY groundbreaking because it’s “the first time all six beloved M&M’S spokescandies have been featured together in one spot,” but it actually features accompanying fake movie posters (see after jump) plastered around theaters that will surely disappoint your children when you have to explain to them that it’s only an ad. (“But you said you wanted to see Cars 2! What the fuck!”) Credits after the jump.

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Jaguar Goes Across the Pond for Villains

Ben Kingsley, Mark Strong, and Tom Hiddleston are all really good British actors who are being repurposed as vague villains- and possible paid one million dollars, pinky to corner of mouth – by Jaguar for a glitzy Super Bowl ad campaign that features tuxedos, cliches, and the sexy F-Type Coupe.

“Rendezvous: The Set Up” offers viewers a 30-second teaser featuring only Sir Kingsley. He says things like, “So they’re coming… [dramatic pause] all the usual suspects.” Corny if you think about it too much, but there’s some in-the-moment fun to be had when an Oscar winner brings his talents down to the genre commercial world. The spot is directed by Tom Hooper, who won Best Director for The King’s Speech, but it feels like anyone who’s watched Bad Boys II could’ve done this job. I guess Guy Ritchie was busy. Regardless, it’s a very British production for Jaguar USA and the Super Bowl ad push. Spark44, Jaguar’s in-house agency, handled creative duties for “British Villains,” which could go down as the straightforward title of the year.

 

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4 Reasons Employees Are Your Best Brand Advocates

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More and more companies are starting to implement strategies and systems to leverage influencers to become marketing and brand allies. And they are doing it with great success. Whether it be content marketing, social media or word of mouth, often times your employees are your best brand advocates. In this article, we will touch on:

1. Why employees make a good sales and marketing channel
2. What employees can do to drive sales and marketing productivity
3. The benefits of activating and automating employees to become brand advocates
4. Why now?

1) There are many reasons why employees have the potential to be a powerful sales and marketing channel for your brand. First, in today’s connected world, employees can reach their social networks on the brands behalf, easily and often. They have a strong voice. In addition, employees are typically very knowledgeable about your products and services and a good percentage of them are passionate about the company. Lastly, their friends listen to them and they can drive your brands message.

More than ever before, buyers look to a trusted source before making a purchase decision. Employees can and will reach out to their social networks and spread a brand’s message, especially if they are encouraged and enabled to do so.

2) Employees do many things that are very important to the brand. They can:

– Refer their friends.
– Recruit new hires and great talent
– Amplify marketing messages
– Forward content about new products and promotions
– Write testimonials

Even better? They can do these things at scale.

3) The benefits are impressive. Leads are the lifeblood of all companies and by enabling and encouraging employees to refer their friends, brands can:

– Build brand awareness and build a highly positive reputation
– Generate the highest quality leads – leads that drive new customer acquisition
– Create higher levels of employee enthusiasm and loyalty to your company
– Save money and lower risk when compared to traditional advertising and marketing initiatives.

4) Why now? Although employee advocacy isn’t a new concept, in the past it has been an operational nightmare to create and manage these programs. But today’s technology has made it easy for administrators to set up, support and manage advocacy programs. Technology makes it easy to:

– Enroll employees into the program
– Provide employees the tools to easily reach out to their networks
– Track and manage all the workflows and controls so brands can measure results
– Automate the process of brands thanking and nurturing employees for their contributions so they continue to advocate on behalf of the brand

This is not a future pipedream. Mobilizing employees, customers and 3rd party influencers to leverage their trusted relationships is happening everywhere because it is smart business: they are a sales and marketing channels of the future.

This guest post was written by Dick Beedon, CEO of Amplifinity.

Let Us ‘Join Together’ for W+K’s Celebration of Sony Artistry, Engineering

If you were watching the Golden Globes last night, you may have caught the debut of W+K Portland’s “Join Together” spot for Sony, which will run for the next six weeks.

The new work (perfectly set to The Who’s “Join Together”) celebrates Sony’s longtime practice of joining a “steadfast passion for artistry and commitment to engineering” in a matter of 90 seconds. Directed by Imperial Woodpecker Stacy Wall , the spot also comes equipped with its fair share of star power, whether it be director/Knicks mascot Spike Lee (filming with Sony’s 4K CineAlta camera), Academy Award-nominated actress Quvenzhane Wallis (now starring in Sony Pictures flick, Annie), actor Grizz Chapman of 30 Rock and Columbia Music artist, DJ Cassidy. In the process, the spot highlights a wide range of Sony’s most iconic products and innovations.

The broadcast effort is supported by the “Be Moved” brand experience site, and four product-focused online videos: “Inventing Furniture,” “Eyeballs,” “Skeptics” and “Floor Plan.” These online videos highlight some amazing new technology from Sony with a dash of light humor. Check out “Skeptics” below, and stay tuned for “Eyeballs” and “Floor Plan,” along with credits, after the jump.

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Guy Trades Dignity, Respect for Lifetime Supply of Doritos Locos Tacos

In exchange for a lifetime supply of Doritos Los Tacos, Tyler agrees to get a tattoo…of a taco…on his arm. It’s relevant because Toronto Taco Bells decided to keep DLT on their menus permanently after a trail run. Aside from the unintended sexual connotations of a taco tattoo, Tyler fails to realize that in a few decades, it’s possible that Taco Bell takes the tacos off their menu (though we’ve been told they’re “permanent” in Canada). Not guaranteed, but possible, and then he has a tattoo of an obsolete offering from Taco Bell. Tyler is maybe 50 or 60 at this point and thriving as an MP in Toronto. If this scenario plays out, does Tyler still get the tacos for life? Would love to get a copy of his contract.

The spot itself, from Toronto shop Grip Limited, is not as exciting as the idea behind it. Fairly simple, guy walks into tattoo parlor, gets tattoo, confirms stereotypes by saying things like, “I’ve been a fan of Taco Bell since I was ten years old,” even though he looks about 26. I’d have to imagine the kind of person who finds this spot cool already eats Doritos Los Tacos regularly, has half-serious plans to move to Colorado or Uruguay, and is probably between the ages of 15-19. If not, then I’ve really overestimated the collective common sense of humanity. Credits after the jump.

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CP+B, Xbox One Take Different Approach with ‘Lost’

Last October/November, CP+B helped launch Xbox One with a series of TV spots designed to show off how with the next-gen system “games and entertainment are no longer separated.” Well, following a series of Playstation 4 ads that positioned that system as the one “For the Players,” CP+B and Xbox One return serve with a new television spot reminding viewers that, oh yeah, “first and foremost, Xbox One is a gaming console.”

The new effort, entitled “Lost,” focuses on the realism of Xbox One’s graphics, imagining them as so realistic that a young man playing Ryse: Son of Rome actually believes he’s sustaining injuries. That, or the dude is just tripping balls, in which case he should probably play something a little less intense. The spot concludes with the somehow familiar sounding tagline, “If it was any more real, it would be real.”

As mentioned, “Lost” does feel like a direct response to the PS4 ads that position it as the system for gamers, which makes a lot of sense for Microsoft. The Redmond, WA giant may have overestimated the appeal of the whole “gaming and entertainment in one” selling point, and now it seems they can’t let Sony claim the “For the Players” crown without a fight. It will be interesting to see how the advertising battles for the two systems play out as both fight to win the next-gen console war. With the systems selling at a pretty close rate, it doesn’t look like things will let up any time soon. and perhaps that’s a good thing. Credits after the jump. continued…

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Poetic, Peculiar iPad Air Ad Marks Departure from Norm

In case you missed its multiple airings during the NFL playoff games over the weekend, here’s a new anthem ad for the iPad Air, which perhaps interestingly enough is not a TBWA\Media Arts Lab joint according to folks on the Spy line. (we’re checking on this)

That may come as less of a surprise after viewing the spot, which is something of a departure from Apple’s recent tone and style. The 90 second long “Your Verse” attempts to inspire via an ode to poetry and beauty, while documenting a wide range of different ways people use their iPad Air. While the device is never mentioned during the ad, it is shown in action during almost every shot, in locations around the world. The title of the ad comes from the Walt Whitman poem, “O Me! O Life!” (you may recognize it from the movie, Dead Poets Society) which it directly quotes from. “Your Verse” ends by repeating the final line of the poem — “That the powerful play goes on, and you will contribute a verse.” — before asking, “What will your verse be?”

The visually impressive, Whitman quoting spot is, while a departure from recent advertising strategies for Apple, also something of a restatement of the company’s supposed core values. Instead of telling you about device functionality, or attempting a sentimental family scene, the spot instead tells you about what Apple stands for, or at least what they’d like you to think they stand for. For Apple, that’s something of a return to the fundamentals. Whether that’s inspiring or overblown and pretentious will depend largely on the viewer.

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Thanks to Duracell, a Deaf Seattle Seahawks Player Is the NFL’s Feel-Good Story of the Year

Derrick Coleman isn’t exactly an NFL superstar. But, thanks to a new campaign for Duracell and by helping his team, the Seattle Seahawks, earn a place in next weekend’s NFC Championship game, he may soon become a household name.

From Saatchi & Saatchi NY and Park Pictures director AG Rojas comes the above “Trust Your Power” spot, which in just two days has already netted 1.6 million plays on YouTube. Following Coleman’s career from his days as a young boy being mocked for his hearing aid through going undrafted out of college, it’s a well-told story of overcoming adversity and, remarkably, ties Coleman’s success to Duracell in a not-so-terrible way.

In case you’re wondering, the spot doesn’t mention that while Coleman went undrafted after college, he was picked in 2012 by the Seahawks and made his NFL playing debut earlier this year. The highlight of which so far was the above TD scored on Monday Night Football last month, which itself is accidentally symbolic of the unlikelihood of Coleman’s career. If this Duracell spot is playing during the commercial breaks, it will be downright impossible to root for anyone other than the Seahawks to win the Super Bowl this year.

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Saatchi & Saatchi NZ, Tui Offer Cricket Fans Chance to ‘Catch a Million’


Okay, so we’ll start this one by admitting we have no idea what cricket is all about, but Saatchi and Saatchi New Zealand are behind a new campaign for Tui beer, called “Catch A Million,” giving fans the opportunity to win their share of one million dollars.

Fans can win $100,000 by making a one-handed grab in the stands while wearing a special orange Tui t-shirt. So far the campaign has been a big success, says William Papesch, Tui marketing manager, with “a sea of Tui orange at grounds and the first one-handed winner, Michael Morton in Hamilton on Jan 8th.” The promotion is  a pretty clever way to get a bunch of people to advertise your product for free, even if it comes with a potentially hefty price tag. Now if only someone could explain the rules of cricket to us… Credits and footage of the first winning catch after the jump. continued…

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DDB Canada’s Netflix ‘Pep Talk’ Falls Flat

While Netflix is absolutely everywhere in the US, the streaming service has had some trouble catching on in Canada, where “research showed that Canadians struggled to see the value in the service.” So how do you get Canadians to like something? Hockey, definitely hockey.

So, DDB Canada Vancouver whipped up (and it does feel whipped up) a locker room spot for the new Canadian brand campaign entitled “Pep Talk,” in which a coach tells his players to “remember that scene from that movie on Netflix” where “the coach…gave that speech…well that, gentleman, is what I am saying!” rather than provide a speech of his own. The whole thing is reminiscent of a Simpsons joke from the 1992 episode “Homer at the Bat” in which Mr. Burns tells his softball team, “So I want you to remember some inspiring words that someone else might have told you over the course of your lives, and go out there and win!” But, you know, a lot less funny.

The idea was to show “how stories you can find on Netflix stay with you anywhere, anytime.” It would have helped to create an ad that stuck with you, instead of one this forgettable. Credits after the jump. continued…

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Frito-Lay Offers to Remove Grandma, Install Speaker Dancer

 

Goodby Silverstein and Partners‘ latest work for Frito-Lay is a new campaign promoting Tostitos fajita flavored scoops! tortilla chips and Tostitos queso blanco dip — two products launched around last week’s 2014 Tostito’s Fiesta Bowl — as well as Tostitos cantina thin and crispy toritlla chips and Tostitos cantina chipotle salsa. Entitled “Bring The Party,” the campaign is centered around two new television spots: “Grandma” and “Speaker Dancer” (featured above).

Both spots focus on the over-the-top “O’Hare’s Party Repair” company, who bust in on boring parties to save them with their party expertise. It’s a goofy  jab at classic, local home-repair ads that finds the company taking obvious measures like replacing lame snacks with the aforementioned Tostitos products, as well as more drastic ones, like removing grandma from the house for a day or installing a speaker dancer. I think someone forgot that grandmas buy Tostitos, too.

What sets the ads apart is the engagement they offer after the commercials are over. Both the phone number provided and the website are fully operational. At the Bring The Party website, you can find “Pocket Party Repair Tools” such as Conversation Escape Call, Pocket Dancer, and Party Foul Cards, as well as a list of other services. I think we’ve all been to a party that could have benefited from a few Party Foul Cards being handed out. The “Bring The Pary” campaign “also includes digital, social media, in-store activations and public relations.” Stick around for “Grandma” after the jump. continued…

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BBH London Fails to ‘Own the Weekend’ for British Newspapers

Using some replacement movie-trailer-guy voiceover and repeating “Owned” is a slippery slope of dumb comedy that risks making the product look much dumber than it should. That’s what we have here in “Own the Weekend,” created by BBH London for the Guardian and Observer weekend editions. There’s even a totally out-of-place intro from Hugh Grant that has nothing to do with the actual ad and makes this silly mess a whole lot messier.

To give a brief description of something that doesn’t have much coherence: the two British newspapers trademark the word “weekend,” presumably because their Saturday and Sunday papers are so wonderful that it’s hard to imagine the concept of the weekend without their titles attached to it. Various gags are built on this idea. The voiceover actor says “Owned” a lot. If the clip doesn’t make much sense to you, that’s because it doesn’t make much sense. How can this spot be so tone-deaf when the same shop and client produced an awesomely sharp spot about the three little pigs in 2012 that won a London International Award?

If you happen to watch the end of the clip – which runs too long at three minutes – you’ll even see an elevator scene that ironically makes the Guardian and Observer look even worse. Two guys are talking about their weekends, and one guy (sane) forgets to use the trademark gag. The other guy (dumb) won’t respond unless his weekend is addressed as “Guardian and Observer weekend.” The sane guy, who the viewer relates to, doesn’t get why everyone has to use the trademark, and the dumb guy laughs at him for not following the crowd. It’s the exact slapstick scene that would be used by some competitor to make the two newspapers look foolish and out-of-touch. Yet, it’s here, making the clients look foolish and out-of-touch, instead.

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Lowe Roche Turns Yogis Into Bones for ‘The Power of Movement’

To promote The Power of Movement, Canada’s largest yoga fundraiser, Lowe Roche wanted to show that not only would the event raise money for arthritis, but that yoga can bring increased mobility to arthritis sufferers as well.

To link these ideas, Lowe Roche crafted a 30 second spot featuring yogis lined up to resemble “shapes of the human bone system.” The spot uses this as a striking visual representation of the ties between yoga, arthritis and mobility, accompanied by text explaining how you can help those with arthritis simply by doing yoga. All of this is accompanied by the obligatory new age music you’d hear at a typical yoga studio.

For Lowe Roche creative director Jane Murray, this was a very personal project. Murray suffers from a rare form of arthritis called Ankylosing Spondylitis, which causes the spine to fuse. When client Sabrina Young approached her asking if she knew any agencies who would take on pro-bono work for the Arthritis Research Foundation, she volunteered and made it her pet project.

Print elements of the campaign launched last month, while the television component of the campaign was only recently unveiled. The Power of Movement event is scheduled for March 2. Credits after the jump. continued…

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RTO+P: At Least Your Gin is ‘Perfectly Chilled’

Philadelphia-based independent agency Red Tettemer O’Connell + Partners are well aware of the “polar vortex” causing large portions of the country to freeze their nutsacks off. They’ve taken advantage of the real-time marketing opportunity with a new Vine video for TuB Gin called “Perfectly Chilled.” In the Vine, featured above, they call on viewers to “take comfort in the fact that [their] gin is perfectly chilled” — even if they can’t venture outside for more than a few seconds without fear of losing a digit. Is this making the most of a bad situation? Or just pissing off those people who can’t even make it to the liquor store because it’s so damned cold?

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Arnold Moves from AOR Status to Project Basis On a Few Unilever Accounts

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Well, Havas-related news is definitely on our radar today. Just to clarify for the tipsters out there, we received word from sources familiar with the matter that Arnold, which had worked on Unilever brands including Nexxus, Simple and St. Ives (from Alberto Culver, which were sold to Unilever in 2011 and awarded creative duties to Arnold and Mullen back in summer 2010), has been relegated to a project basis. While coping with the Unilever loss, Arnold is somewhat balancing the scales by picking up brand work for Sanofi and Regeneron cholesterol drug,  alirocumab. We’ll keep you posted when we hear more.

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Hispanic Band Kinky Helps Honda Sell Civic Coupe

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Today Orci announced the release of the latest Hispanic effort for the new 2014 Honda Civic Coupe. The campaign, which focuses on the Coupe’s fun, youthful and stylish attributes, airs on national Spanish network and cable TV, and also includes online, mobile and video executions.

Known for their Hispanic spin on Techno music and crossover appeal to English-speaking audiences, the band Kinky was tapped by Orci to produce a song written by the agency for the new Honda Civic Coupe. The song, “Cancion de Futbol,” is the centerpiece of the campaign. The result is an infectious tune the agency hopes will capture the fervor of futbol fans everywhere. So far, it hasn’t accomplished that goal. At least on YouTube..

“We wanted to create a new anthem for futbol fans that captured their youthful excitement for the game,” said Orci Executive Creative Director Ricardo Cardenas. “The same young, fun, excitement also applies to the 2014 Civic Coupe, so the song and futbol theme were a natural fit.”

Grey SF Nabs Symantec’s Norton Biz

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Mountain View-based Symantec Corporation has awarded its global creative and brand strategy duties to Grey San Francisco for its anti-virus brand, Norton. In addition, Grey SF will join forces with sister WPP shop Mediacom to handle global media buying/planning/strategy duties for both Symantec and Norton. Regarding Symantec’s decision, VP of brand, digital and advertising Alix Hart says, “As part of Symantec’s company-wide transformation, we are changing the way we market our brands, and have sought a creative partner to help strengthen our brand messaging and ensure we are communicating our brand value propositions in an integrated fashion around the world. Grey’s creativity, strategic thinking, strong digital capabilities and deep understanding of our Norton brand were unbeatable when coupled with Mediacom’s media management sophistication, scale and buying power.”

No word on who else participated in the review, but the Norton biz was previously handled by Leo Burnett. Expect first work from Grey SF for Norton to launch in spring of this year. As far as Symantec creative duties go as a whole, fellow Bay Area shop Godfrey Q retains duties for the brand, which includes identity and naming.

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JWT, MassMarket Make Using Tissues Seem Fashionable

MassMarket and JWT New York have partnered up with noted fashion designer Isaac Mizrahi to make blowing mucus into a tissue fashionable for Kleenex in the new spot “Do My Thing.”

The 30-second spot, directed by Grady Hall, highlights different women (there are only women in this ad, because men don’t use tissues — they just blow snot rockets) expressing their personal style with their Kleenex selection. The new designs follow the ladies, enveloping their surroundings in their patterns and colors. To achieve the effect, MassMarket “brought together an interesting mix of artists and techniques to smoothly unite the multiple shots for this project,” explains VFX supervisor Diego Vazquez. This included implementing “traditional 2D, stylistic motion graphics and dynamic 3D.” The team’s distinctive visual design really shines in the spot, succeeding at making Kleenex’s new styles seem appealing and inviting. Credits after the jump. continued…

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Troika Rebrands A&E

A&E hasn’t been the serious “Real. Life. Drama.” channel it once presented itself as for a long time, and the current network bears little resemblance to its former self, so a rebrand only seemed obvious. Troika, who also recently rebranded the Encore channels, delivered a more appropriate brand image for the network now most know as the channel to turn to for marathons of Duck Dynasty.

In addition to Duck Dynasty, sadly the most-watched nonfiction series in cable history, the rebrand also focuses on recent hits Bates Motel and Longmire. Touting the network’s “100% original programming lineup” and recent successes makes sense for the network, which really couldn’t be more different from the channel that  called itself “Arts and Entertainment.” “Be Original” works as both the tagline and “internal brand platform,” anchoring the rebrand while simultataneously touting the 100% original content of the network and the distinct characters of its most-watched shows. You can get a good idea of the rebrand from the montage above, but for the full experience head here for an in-depth case study.

 

 

 

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