The Corner London, Nick Santonastasso Prank Norman Reedus of ‘The Walking Dead’

For the first installment in the global social media driven campaign “#getFOXed” for FOX International Channels (FIC), The Corner London enlisted The Walking Dead superfan and Vine “Zombie Prankster” Nick Santonastasso to pull an elaborate prank on cast member Norman Reedus.

The 17-year-old Nick Santonastasso, who was “born with a rare condition called Hanhart syndrome and has only one arm and no legs,” has become an inspiration to countless kids and adults living with disabilities. His sizable social media following and rabid The Walking Dead fandom made him the ideal candidate to launch this campaign, which also functions as something of a follow-up to Santonastasso’s own “Zombie Prank” Vine series.

The Corner London flew Santonastasso out to Tokyo, where cast members were promoting the new fourth season of the show, and the show’s special effects expert, Greg Nicotero transformed him into a walker. Cast member Andrew Lincoln also helped Santonastasso pull off the prank, and seemed pretty delighted to help scare the unsuspecting Reedus. It all came together pretty well, and Reedus’ reaction doesn’t disappoint. The stunt has already proved a huge success, racking up 3.2 million views in its first 48 hours and is now almost at the 5 million mark. The fourth season of The Walking Dead makes its premiere on FOX channels outside of the US on February 10th. Credits after the jump. continued…

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Amsterdam Worldwide Shows Both Sides of Sony VAIO 2-in-1 PC

Amsterdam Worldwide has a new campaign promoting Sony VAIO, l Flip PC, VAIO Tap 11, and VAIO Duo emphasizing the laptop/tablets appeal to both people’s playful and serious sides.

The new campaign, entitled “Both of You,” features four 2-in-1 characters, with the two sides of each personality battling each other, emphasizing that “sometimes we need to work, and sometimes we need to play.” In each of the four spots, neither side of the character wins a definitive victory in their battle of wits, another illustration of how the versatility of a laptop/tablet in one lets both sides of your personality get their way. “Our tech devices have become very personal extensions of ourselves – the question is ‘which self?’ We all have more than one. Now there is truly one device that can handle both of you, so we created a story to bring that to life,” explains Amsterdam Worldwide executive creative director Richard Gorodecky.

“Both of You” has already proven itself a big success. The four online spots debuted in December and combined have already received over 1.5 million views, and that’s without any media spend. The online campaign rolls out in earnest on January 27th, on platforms such as YouTube, Hulu, and AOL (for some reason). “Both of You” will also launch in international markets, including Japan, Asia, Europe, and Latin America. Stay tuned for “Both of You (Marla)” and credits after the jump. continued…

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4 Ways to Become the Number One Brand in Your Category

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Competition. It’s a way of life. There’s no way around it but there is a way to win. How? You have to outwit, outlast and outplay your competitor. No, this isn’t Survivor the TV show (remember that?). It’s business. And in business the stakes are much higher.

So how can you outwit, outlast and outplay the other brands in your category? Here are four ways from AdClarity:

1. Discover your competitor’s customers and profile their activity so you can lure them to your own brand’s offering.

2. Leverage the traffic sources that are converting well for your competitors (and avoid the ones that are not) before they do.

3. Find the partners your competitors collaborate with, understand the effect of the partnership and lower the costs of your own partnerships and collaborations.

4. Analyze your competitors’ campaign creative so you can imitate what works and avoid what doesn’t.

Sound easy? Sure it does but putting it into practice is another story entirely. But, hey, there’s a webinar for that. On January 29th at 1PM EST, AdClarity will host a 30 minute webinar and tell you everything you need to know to stay one step ahead of your competitor.

Sign up here. No, really. Sign up right now. Unless, of course, you don’t mind losing to your competitors.

Nerd + Vespa = Hipster?

-5According to a new creative print campaign from ACW Grey Israel, the difference between a nerd and a hipster is quite small. In fact, add a Vespa and any nerd is instantly transformed into a hipster (even without relocating to Williamsburg).

The simple print ad campaign features two images, a nerd on the left (suspenders, glasses and rolled up pants for the guy; glasses and conservative dress for the girl), and the same photo with a Vespa superimposed in front of the given nerd on the right. Both images are clearly labeled, with the left image reading “Nerd” and the right reading “Hipster.” The campaign acknowledges the blurry boundaries between the two terms, but also assumes that nerds aspire to be hipsters, which I’m not convinced is the case, and that they will believe that the Vespa will make that metamorphosis a possibility, serving as some sort of Hipster Badge of Honor or something. At any rate, it’s a clear indication that Vespa is aware of their popularity with the hipster crowd and now attempting to capitalize on it. Of course, an ad campaign obviously directed toward hipsters is probably the quickest way to curb your appeal with the hipster crowd, so it’s kind of hard to tell who this campaign is going to impact. Young, aspiring hipsters? Aging nerds desperate to appear hip? Again, hard to tell. Stay tuned for credits and the second print ad after the jump. continued…

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Trop50 Tries to Keep the Juice Going on New Year’s Resolutions

Trop50′s “Resolution Rescue” campaign, produced by the newly merged Agency Republic (and Critical Mass), is sort of like a digital addiction sponsor. Only, the sponsor doesn’t try very hard to stop you from your addiction and really only wants you to drink more low-calorie orange juice.

Resolution Rescue offers a semi-personalized response to those who tweet about potentially breaking their New Year’s resolutions. The video above gives a good example of the creative work: @MissTrixster wants to stop eating sweets and do more exercise, so Trop50′s response makes a clever joke about training by staring at muffins. Agencies that roll out these response-based campaigns typically have a few options that repeat, but to Agency Republic’s credit, there seems to be enough detail and personalization to tailor to the needs of most tweeters.

Of course, the campaign also hinges on a few ridiculous points: people need to tweet thoughts about breaking resolutions without actually breaking them, and the resolutions need to be simple. What if your resolution is to stop tweeting? What if your resolution is to stop drinking sugary drinks? Does Trop50 send you a black screen? Credits after the jump.

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Bryce Hudson Performs First Ever Chicken-Eating Backflip for KFC

Earlier this month, Draftfcb Chicago launched the “How Do You KFC?” integrated campaign for the colonel, “a new movement celebrating the connection KFC fans have with the food.” Part of that campaign was an online video of X Games Moto gold medalist Bryce Hudson, who became the first person to perform a backflip while eating chicken (a KFC Go Cup featuring Extra Crispy Tenders). Even more impressively, according to Draftfcb Chicago’s in-house production team, “when Hudson invited them to his private practice facility for the shoot, the successful flip was captured within the first two takes.” The ever-confident Hudson was not surprised. “I knew the backflip would be possible right off the bat,” he said, “I was so excited to join the #HowDoYouKFC movement with the world’s first chicken-eating backflip because I could enjoy two of my favorite things at the same time. It doesn’t get much better than that.” Draftfcb’s video crew for the shoot reportedly included only four people.

The video gained over half a million views during its first two weeks online, and, in a nod to fan appreciation, Draftfcb and KFC are turning it into a primetime television spot that begins airing tonight. “We want to stay nimble, listen to our fans, and give them what they want. When we saw that the Bryce Hudson video was quickly emerging as a fan favorite, we wanted to make it even bigger — and put it on TV,” said Jason Marker, General Manager for KFC U.S.

The “How Do You KFC” campaign also includes “revamps for point-of-purchase displays, uniforms, packaging, in-store greetings, digital and social assets,” as well as a streetball online video entitled “The Professor.” “How Do You KFC?” invites fans to participate by uploading photo or video content to social media with hashtag #HowDoYouKFC. KFC claims they will “will continually evaluate options for fan-driven videos throughout the campaign” so look for fan input to have a large impact throughout the campaign. The next video to make it to primetime could even be a fan-generated upload. Stick around for “The Professor” after the jump. continued…

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Carmichael Lynch Introduces ‘The Barkleys’ for Subaru

For the latest installment in Carmichael Lynch’s “Subaru Dog Tested. Dog Approved.” campaign, they’re introducing “The Barkleys,” which refers to a family of dogs, not Charles Barkley and family.

The new spots — “In the Dog House,” “Teenagers,” “Road Trip Convenience Store” and”What’s the Fuss About?” (featured above)– imagine the family of dogs in “everyday relatable human experiences.” These range from teenagers making out after a date, the man of the car getting in trouble for oggling an attractive female, that convenience store pit stop that every road trip depends on, and barking as the mailman drives by, which, come to think of it, isn’t really an “everyday relatable human experience.” The spots are simple, relying fun dog humor without any dialog. Dog owners, and especially Subaru-loving dog owners, should eat this right up.

On the other end of the spectrum, we have “They Lived,” a somber spot for Subaru’s “Love” campaign. Based on stories from real Subaru owners who survived crashes, thanks to their Subarus, the spot features an actual Subaru wreck which the driver walked away from. The officer on the scene and the driver who towed the wreck tell those seeing the wreck, “They lived.” It’s an effective way to illustrate Subaru’s crash safety as a selling point, and a reminder of how important that can be. Watch it below, and stick around for one more Barkleys spot, along with credits, after the jump. continued…

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Hill Holliday Producer Raps to Promote ‘Tweethearts’ for NECCO

Hill Holliday has a new campaign for NECCO’s classic Sweethearts, “#1 selling non-chocolate Valentine’s Day candy,”  that personalizes the messages on the candy hearts via Twitter.

Here’s how it works: simply visit the Tweethearts site and tweet your message to @tweethearts, then take a look at your Tweetheat, fill out the name and address where you want it sent, pay $29.99 (yikes!) for a one pound bag, and wait 3-5 business days for the gift to show up. Users who don’t wish to order the candy can choose to simply share the digital image of their peronalized Tweetheart instead, not a bad option for those who don’t feel like ponying up $29.99 for a small bag of candy. Hill Holilday VP and creative director Rick McHugh was very excited about the campaign, saying, “Turning something that’s digital into something that’s physical is a dream creative assignment, and we’re thrilled to bring it to life for NECCO.”

The best part of the campaign has to be Hill Holiday producer Chuck Woodard rapping in the above video. Needless to say, it’s pretty funny. We’ll abstain from commenting further, and hand this one over to the comments section…

 

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Charitable Campaign from Panasonic Aims to ‘Cut Out The Darkness’

“Cut Out The Darkness,” a charitable campaign from Panasonic, will donate “100,000 lanterns to communities living without electricity across the globe by 2018″ in an attempt to help some of the 1.3 billion people in the world living without electricity.

For the next phase its 100,000 Solar Lanterns Project, Panasonic is calling on “designers of all levels to submit paper-cut designs to be made in to lampshades for solar lanterns.” Visitors to the campaign website can submit their design, or vote other design entrants via the online poll. One hundred winning designs will be “fabricated by laser cutters and delivered to schools and homes without electricity throughout the world,” as well as being showcased alongside designs by 11 world-class paper-cutout artists: Hina Aoyama, Anna Howarth, Bovey Lee, Elaine Penwell, Elod Beregszaszi, Julene Harrison, Kako Ueda, Mayuko Fujino, Jonathan Chapman, Sarah Dennis and Xin Song. The solar lamps Panasonic plans to donate offer a safe and affordable alternative to the fire and health risks posed by kerosene lamps burned by many without electricity. 

Last year, for the first step of this initiative Panasonic “donated 8,000 compact solar lights to non-profit, non-governmental and humanitarian organisations working to solve social challenges in Myanmar (3,000 units) and India (5,000 units), along with 2,000 lights to refugee camps in Africa.” Now, you can help Panasonic continue to make a difference in areas lacking electricity, while also flexing your design muscle. You can keep tabs on the 100,000 Solar Lanterns Project on Panasonic’s official site, or their Facebook page. The “Cut Out The Darkness” campaign runs until the end of February, 2014.

 

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Butterfinger Drops Bart in Suggestive New Spot

Where’s Bart Simpson?

That’s what countless viewers will be asking when they see the teaser ad promoting Nestle’s new Butterfinger cups, the first new Butterfinger product in five years. Nestle has decided to do away with Butterfinger’s longtime mascot (at least for this campaign), instead opting for something “much more broad” that still keeps with the brand’s “clever, irreverent personality” says Butterfinger brand Manager Jeremy Vandervoet. We’re not sure what prompted the move away from the Simpsons, but the results of Butterfinger’s first Bart-less campaign in ages are a little bizarre.

The spot centers around a couple –Peanut Butter and Chocolate — sitting in the waiting room for “Happy Together Edible Couples Counseling,” following introductory text explaining that “The relationship between Chocolate and Peanut Butter is about to change.” As the couple is looked over by the ornery Fish and Chips, Chocolate asks, “Don’t you think it would be nice to try something new, and crunchy?” The 1:11 ad gets suggestive when the couple eye up a Butterfinger centerfold in Exotic Snacking magazine, and Cheese and Crackers emerge from the therapist’s office holding a comically large and strategically placed sausage. “The cup is about to get crunchy” reads the tagline, before the new Butterfinger Peanut Butter Cups are revealed.

While this teaser is not the same as the 30-second spot that will appear in the Super Bowl, it should give you a good idea of what to expect, as the big game spot will reportedly feature the same Edible Couples Counseling theme. We also know what not to expect: Bart Simpson. Keep your eyes peeled during the Super Bowl for Dailey’s new work for Butterfinger, and let us know what you think of the new approach in the comments section.

Update: We’ve received notification that the agency behind this spot was Threshold, not Dailey.

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Integer Dallas Answers ‘Ask A Slurpee Hour’ in Style

Integer Dallas took the helm for Slurpee’s “Ask A Slurpee Hour” today on the brand’s Facebook pace, and the results were pretty hilarious. Since the results basically speak for themselves, I’ve decided to reproduce some of the highlights below:

Slurpee Cannabis

Slurpee Santa

Slurppe Marry It

 

Slurpee Dead

 

Slurpee Taiwan

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Dailey Nabs Piece of Nestle Biz

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Just three months after gaining the Alive! duties, IPG owned L.A.-based, IPG agency Dailey has won some new work for a notable client. Here’s a statement from Nestle itself: “Yes, Dailey LA has taken over duties for Skinny Cow Ice Cream and Candy from JWT NY.” Yes, this is a brand from Nestle, which we’ve been told chose Dailey over JWT and Publicis in its review for ad duties on its sweets brand.

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Les Gaulois’ New Citroën Spot is Badass, In Any Language

My French may be deplorable, but luckily you don’t need to speak the language to realize Les Gaulois’ new spot for the Citroën C4, entitled “Catapulte,” is pretty cool.

The 45-second ad, directed by Markus Walter,  pays homage to classic 70s car chase scenes (such as the famous one in Bullitt) with a series of cars catapulting over steep hills. Appropriately set to a 70s funk soundtrack, the series of cars careening over a steep, San-Francisco-esque hill includes a woman whose groceries fly free from their paper bag during the jump. Then, the smooth Citroën C4 handles the hill with ease, as another car catapults right over the drivers’ head. It’s a clever way to show off Citroën’s sleek new model, and just a plain fun viewing experience. I may not know what the voiceover is saying at the end of the spot (no close captions on YouTube for this one; if you speak French, though, please offer us up a translation in the comments section), but I know I enjoyed the ad. Credits after the jump. continued…

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M+M’s Create Faux Mini-Movie to Discourage Cell Phone Use in Actual Movies

People who use cell phones in movie theaters are annoying. So annoying, in fact, that some other people argue that cell phone use in movie theaters should literally be punished by death, though that may be a bit extreme according to law enforcement and those that cherish human life.

For some reason, otherwise rational human beings have a tendency to abandon logic upon entering movie theaters. Perhaps it’s the cover of darkness that detaches individuals from their transgressions, as otherwise measured requests like “Hey, will you shut the fuck up?” are routinely answered with, “Why don’t you come over here and make me, fuckface?” Then children cry and Cars 2 is ruined for everyone, which wouldn’t have been such a big deal had we not spent $30 on concessions. (That’s where they get you.) Thus, our nation’s fine cinema chains are forced to accept the fact that humans loses empathy for one another once the previews start. That’s where America’s favorite anthropomorphic M+M’s come in.

Not only is this mini-movie from BBDO NY groundbreaking because it’s “the first time all six beloved M&M’S spokescandies have been featured together in one spot,” but it actually features accompanying fake movie posters (see after jump) plastered around theaters that will surely disappoint your children when you have to explain to them that it’s only an ad. (“But you said you wanted to see Cars 2! What the fuck!”) Credits after the jump.

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Jaguar Goes Across the Pond for Villains

Ben Kingsley, Mark Strong, and Tom Hiddleston are all really good British actors who are being repurposed as vague villains- and possible paid one million dollars, pinky to corner of mouth – by Jaguar for a glitzy Super Bowl ad campaign that features tuxedos, cliches, and the sexy F-Type Coupe.

“Rendezvous: The Set Up” offers viewers a 30-second teaser featuring only Sir Kingsley. He says things like, “So they’re coming… [dramatic pause] all the usual suspects.” Corny if you think about it too much, but there’s some in-the-moment fun to be had when an Oscar winner brings his talents down to the genre commercial world. The spot is directed by Tom Hooper, who won Best Director for The King’s Speech, but it feels like anyone who’s watched Bad Boys II could’ve done this job. I guess Guy Ritchie was busy. Regardless, it’s a very British production for Jaguar USA and the Super Bowl ad push. Spark44, Jaguar’s in-house agency, handled creative duties for “British Villains,” which could go down as the straightforward title of the year.

 

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4 Reasons Employees Are Your Best Brand Advocates

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More and more companies are starting to implement strategies and systems to leverage influencers to become marketing and brand allies. And they are doing it with great success. Whether it be content marketing, social media or word of mouth, often times your employees are your best brand advocates. In this article, we will touch on:

1. Why employees make a good sales and marketing channel
2. What employees can do to drive sales and marketing productivity
3. The benefits of activating and automating employees to become brand advocates
4. Why now?

1) There are many reasons why employees have the potential to be a powerful sales and marketing channel for your brand. First, in today’s connected world, employees can reach their social networks on the brands behalf, easily and often. They have a strong voice. In addition, employees are typically very knowledgeable about your products and services and a good percentage of them are passionate about the company. Lastly, their friends listen to them and they can drive your brands message.

More than ever before, buyers look to a trusted source before making a purchase decision. Employees can and will reach out to their social networks and spread a brand’s message, especially if they are encouraged and enabled to do so.

2) Employees do many things that are very important to the brand. They can:

– Refer their friends.
– Recruit new hires and great talent
– Amplify marketing messages
– Forward content about new products and promotions
– Write testimonials

Even better? They can do these things at scale.

3) The benefits are impressive. Leads are the lifeblood of all companies and by enabling and encouraging employees to refer their friends, brands can:

– Build brand awareness and build a highly positive reputation
– Generate the highest quality leads – leads that drive new customer acquisition
– Create higher levels of employee enthusiasm and loyalty to your company
– Save money and lower risk when compared to traditional advertising and marketing initiatives.

4) Why now? Although employee advocacy isn’t a new concept, in the past it has been an operational nightmare to create and manage these programs. But today’s technology has made it easy for administrators to set up, support and manage advocacy programs. Technology makes it easy to:

– Enroll employees into the program
– Provide employees the tools to easily reach out to their networks
– Track and manage all the workflows and controls so brands can measure results
– Automate the process of brands thanking and nurturing employees for their contributions so they continue to advocate on behalf of the brand

This is not a future pipedream. Mobilizing employees, customers and 3rd party influencers to leverage their trusted relationships is happening everywhere because it is smart business: they are a sales and marketing channels of the future.

This guest post was written by Dick Beedon, CEO of Amplifinity.

Let Us ‘Join Together’ for W+K’s Celebration of Sony Artistry, Engineering

If you were watching the Golden Globes last night, you may have caught the debut of W+K Portland’s “Join Together” spot for Sony, which will run for the next six weeks.

The new work (perfectly set to The Who’s “Join Together”) celebrates Sony’s longtime practice of joining a “steadfast passion for artistry and commitment to engineering” in a matter of 90 seconds. Directed by Imperial Woodpecker Stacy Wall , the spot also comes equipped with its fair share of star power, whether it be director/Knicks mascot Spike Lee (filming with Sony’s 4K CineAlta camera), Academy Award-nominated actress Quvenzhane Wallis (now starring in Sony Pictures flick, Annie), actor Grizz Chapman of 30 Rock and Columbia Music artist, DJ Cassidy. In the process, the spot highlights a wide range of Sony’s most iconic products and innovations.

The broadcast effort is supported by the “Be Moved” brand experience site, and four product-focused online videos: “Inventing Furniture,” “Eyeballs,” “Skeptics” and “Floor Plan.” These online videos highlight some amazing new technology from Sony with a dash of light humor. Check out “Skeptics” below, and stay tuned for “Eyeballs” and “Floor Plan,” along with credits, after the jump.

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Guy Trades Dignity, Respect for Lifetime Supply of Doritos Locos Tacos

In exchange for a lifetime supply of Doritos Los Tacos, Tyler agrees to get a tattoo…of a taco…on his arm. It’s relevant because Toronto Taco Bells decided to keep DLT on their menus permanently after a trail run. Aside from the unintended sexual connotations of a taco tattoo, Tyler fails to realize that in a few decades, it’s possible that Taco Bell takes the tacos off their menu (though we’ve been told they’re “permanent” in Canada). Not guaranteed, but possible, and then he has a tattoo of an obsolete offering from Taco Bell. Tyler is maybe 50 or 60 at this point and thriving as an MP in Toronto. If this scenario plays out, does Tyler still get the tacos for life? Would love to get a copy of his contract.

The spot itself, from Toronto shop Grip Limited, is not as exciting as the idea behind it. Fairly simple, guy walks into tattoo parlor, gets tattoo, confirms stereotypes by saying things like, “I’ve been a fan of Taco Bell since I was ten years old,” even though he looks about 26. I’d have to imagine the kind of person who finds this spot cool already eats Doritos Los Tacos regularly, has half-serious plans to move to Colorado or Uruguay, and is probably between the ages of 15-19. If not, then I’ve really overestimated the collective common sense of humanity. Credits after the jump.

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CP+B, Xbox One Take Different Approach with ‘Lost’

Last October/November, CP+B helped launch Xbox One with a series of TV spots designed to show off how with the next-gen system “games and entertainment are no longer separated.” Well, following a series of Playstation 4 ads that positioned that system as the one “For the Players,” CP+B and Xbox One return serve with a new television spot reminding viewers that, oh yeah, “first and foremost, Xbox One is a gaming console.”

The new effort, entitled “Lost,” focuses on the realism of Xbox One’s graphics, imagining them as so realistic that a young man playing Ryse: Son of Rome actually believes he’s sustaining injuries. That, or the dude is just tripping balls, in which case he should probably play something a little less intense. The spot concludes with the somehow familiar sounding tagline, “If it was any more real, it would be real.”

As mentioned, “Lost” does feel like a direct response to the PS4 ads that position it as the system for gamers, which makes a lot of sense for Microsoft. The Redmond, WA giant may have overestimated the appeal of the whole “gaming and entertainment in one” selling point, and now it seems they can’t let Sony claim the “For the Players” crown without a fight. It will be interesting to see how the advertising battles for the two systems play out as both fight to win the next-gen console war. With the systems selling at a pretty close rate, it doesn’t look like things will let up any time soon. and perhaps that’s a good thing. Credits after the jump. continued…

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Poetic, Peculiar iPad Air Ad Marks Departure from Norm

In case you missed its multiple airings during the NFL playoff games over the weekend, here’s a new anthem ad for the iPad Air, which perhaps interestingly enough is not a TBWA\Media Arts Lab joint according to folks on the Spy line. (we’re checking on this)

That may come as less of a surprise after viewing the spot, which is something of a departure from Apple’s recent tone and style. The 90 second long “Your Verse” attempts to inspire via an ode to poetry and beauty, while documenting a wide range of different ways people use their iPad Air. While the device is never mentioned during the ad, it is shown in action during almost every shot, in locations around the world. The title of the ad comes from the Walt Whitman poem, “O Me! O Life!” (you may recognize it from the movie, Dead Poets Society) which it directly quotes from. “Your Verse” ends by repeating the final line of the poem — “That the powerful play goes on, and you will contribute a verse.” — before asking, “What will your verse be?”

The visually impressive, Whitman quoting spot is, while a departure from recent advertising strategies for Apple, also something of a restatement of the company’s supposed core values. Instead of telling you about device functionality, or attempting a sentimental family scene, the spot instead tells you about what Apple stands for, or at least what they’d like you to think they stand for. For Apple, that’s something of a return to the fundamentals. Whether that’s inspiring or overblown and pretentious will depend largely on the viewer.

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