Fred Armisen Hugs Bruce Willis for Honda, RPA

Since few would argue that the commercials were more interesting than the game last night, chances are you saw RPA’s “Hugfest” spot, featuring Bruce Willis and SNL-alum/Portlandia star Fred Armisen.

The simple, straightforward spot features Willis urging viewers to hug those around them that they care about — “the people that matter to you, matter to us” — as a way of emphasizing Honda’s commitment to safety. Armisen then appears and hugs Willis for the duration of the 60 second spot.

“Our simple, yet engaging, big-game spot is intended to highlight not only Honda’s deep concern for the safety of our customers, but the actual industry-leading crash test results that back up our commitment,” explained Mike Accavitti, senior vice president of auto operations at American Honda Motor Co., Inc.

The campaign extends beyond the big game spot, with a large social media component utilizing the hashtag #hugfest. During the Super Bowl, Honda posted “real-time video reactions from Willis about events such as penalties, fumbles and referee calls on the brand’s @Honda Twitter feed.” Immediately after the spot aired, Honda encouraged viewers to send virtual hugs (actually Willis hugging the camera) to loved ones who they couldn’t be near during the big game. Today, Honda is collecting hugs via Twitter by asking people “to send a picture or Vine of their hug with the hash tag #hugfest.” Bruce Willis will then respond with a “meme appraisal of the hug.” Additionally, Honda will have a homepage takeovers at MSN and ESPN, where a 30-second spot “How to Hug” video featuring Willis and Armisen will greet visitors to the sites. You can view “How to Hug,” along with credits after the jump. continued…

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Girl Slobbers on Sausage in Carl Jr’s ‘Banned’ Super Bowl Spot (Updated: With CKE Statement)

Ten years after Janet Jackson‘s “Nipplegate” fiasco (and 55 years after “The Day Music Died,” which reminds of simpler times when people were better at naming things), the Super Bowl has become one of the least controversial broadcast TV events. This year’s spots were, in two words, pretty dull. This morning, water cooler talk centered around what was perhaps Peyton Manning‘s worst performance in his storied career, with a few words spent on an adorable puppy befriending horses for Budweiser. Even GoDaddy, America’s idiot PG-rated smut peddlers, were commended by critics for this year creating a spot that was more about a harmless joke than it was about visiting their website to see if Danica Patrick really got naked. Booooorriiiinnnnnggg.

Now, imagine a world in which the above apparently “banned” commercial from Carl’s Jr. ran last night. Would that world be much different from the one that we currently reside in? Well, no, not really. But, at least some group of oversensitive moms in some rural town would have protested this commercial. I mean, do their five-year-olds really need to know that the world is a scary place where scantily dressed cowgirls suck on massive sausages for minutes on end without taking a bite? What about when that mayo or butter or whatever drops slowly onto her left breast? One might say it’s suggestive of semen, dripping slowly off of a large penis getting sucked off at a ranch. Yes, one might.

As for the origin of this spot, we’ve reached out to 72andSunny who tell us the spot was definitely not from them. Also, last we heard, Carl’s Jr. doesn’t make a breakfast sandwich with a comically large sausage stuck in its center. So, we assume it’s some prankster doing it on spec somewhere because he or she was bored. But, in the meantime, we’ll just pretend that this actually ran during the Super Bowl, and that we had something…ANYTHING…more to talk about today.

 

(Updated): We have no a brief statement from CKE Restaurants’ brand’s Carl’s Jr. on the spot:

On behalf of CKE Restaurants, Inc., parent company to Carl’s Jr. and Hardee’s restaurants, They say imitation is the sincerest form of flattery. But, we had nothing to do with this spoof ad.’”

 

 

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Broncos Mascot Faces Another Long Week in W+K NY’s ‘Jersey’ Spot

In a timely follow-up to last week’s humorous “Long Week” spot, W+K NY have released “Jersey,” the latest in their “This Is SportsCenter” campaign.

The 17 second “Jersey” features SportsCenter anchor Stuart Scott and Broncos mascot Miles. Miles, depressed enough after seeing the Broncos steamrolled in the Super Bowl, prepares for what is presumably his end of the bargain following a losing bet with Seahawks mascot Blitz, and Scott feels for him. For the Denver mascot, it’s going to be another long week. “Jersey” is a fun continuation of the mascot rivalry W+K explored with “Long Week,” although we’re guessing Broncos fans won’t be so amused. Stick around for a second look at “Long Week” after the jump. continued…

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180 Amsterdam Debuts Smelly ‘Gotta Run’ for ASICS

180 Amsterdam is a launching a new integrated campaign for ASICS, which continues to highlight the brand’s “Better Your Best” mantra.

The new campaign “will have an even stronger and more powerful focus on how ASICS products and technologies help athletes across the board continue to improve in their sport.” This is evident in the TV spot “Gotta Run” for ASICS: Gel. It features an obnoxiously always up athlete, running from sport to sport all day and saying “gotta run” when jetting from one place to the next, before coming home and collapsing into bed without a shower. His poor significant other removes the shoes (which must smell indescribably awful) from his feet, making the ad come full circle from the beginning, when the guy plops out of bed and right into his ASICS. It’s a bit over-the-top, but should appeal to ASICS’ athletically obsessed core audience.

180 Amsterdam’s campaign will run all year long and feature “a mix of TV and print advertisements, digital brand films, point of sale, event activation and online engagement to strengthen ASICS image as a True Sports Performance brand.” Look for the “Marathon Campaign,” “a print and film campaign that celebrates the special qualities, attributes and personality of one of the world’s most selective groups”; the “Advantage, You” tennis campaign, featuring Gael Monfils and Samantha Stosur; and the triathlon video featuring “Ironman World Champion Pete Jacobs and his wife Jaimi on location at their Noosa home” in the near future. And please, if you’re going to work out all day, remember to take a shower.

 

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Arnold Launches ‘In My Mind’s Eye’ Campaign for ADT

Arnold Worldwide’s new campaign for ADT, “In My Mind’s Eye,” launches today with the debut TV spot “Burglary.”

The new campaign marks something of a departure for ADT, whose advertising strategy has historically stressed”the value of monitored protection in emergency incidents such as theft, fire, or carbon monoxide.” “In My Mind’s Eye” and the debut spot “Burglary” instead focus on the peace of mind ADT provides its customers with their protection from everyday security concerns.

In the 30 second spot, a couple are out to dinner when the woman realizes she may or may not have remembered to lock the back door. This distracts the man, who imagines he sees a troop of burglars at the restaurant making off with their valuables. Prompted by his reverie, he locks the back door using the ADT service offered on his mobile device. “Burglary” effectively demonstrates both a key feature of ADT’s service, and the peace of mind that comes with it — answering the questions, “Why would I want this?” and “What can it do for me?” in a simple, direct way.

The shift in approach came from insights showing “that people experience worry, like a low consistent hum distracting the person when they’re away from their homes,” says David Register, EVP/group creative director, Arnold Worldwide. “”The spot demonstrates how ADT relieves that angst by putting their customer in control and back in the moment.” Expect more ADT ads in a similar vein from Arnold in the future. “Burglary” rolls out today, with “radio, direct, digital, and social media creative appearing online beginning mid-February.” Credits after the jump. continued…

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Budweiser Gets Serious with ‘A Hero’s Welcome’ from Anomaly

Budweiser decided to get serious this year with their patriotic “A Hero’s Welcome” commercial from agency Anomaly.

The 60 second spot documents the homecoming of a single soldier, welcomed (with Budweiser as a sponsor) back from Afghanistan by the entire town of Winter Park, Florida. Winter Park’s celebration included “a full ticker tape parade, complete with marching bands, antique military vehicles, the VFW motorcycle club and an appearance by the world-famous Budweiser Clydesdales.” The 24 year-old Lt. Chuck Nadd, who was just happy to be reunited with his girlfriend, Shannon Cantwell, seemed genuinely surprised and touched.

If all that’s not enough to get you emotional, there’s the 5 minute behind-the-scenes documentary which features members of the Winter Park VFW who helped make the homecoming happen. Several of the veterans talk about their own experiences returning home from war, which were decidedly less pleasant than the welcome Nadd received, and how it really means a lot to feel appreciated. They get pretty emotional, as it clearly means a lot to them to help a fellow serviceman receive the homecoming that would have meant so much to them. Stick around for the behind-the-scenes footage after the jump, if you’re not worried about a case of the onions at work. continued…

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Kmiec Out at Campbell Soup

adamkmiecWe’ve received word that Adam Kmiec, who’s spent nearly the last two years as director/global digital media and social media for Campbell Soup Co., is no longer with the company. No official word on where he’s headed to next but spies say that Kmiec has moved back to Chicago, where he last served as director/social media for Walgreens. During his career, Kmiec also worked on the agency side in production/account departments at Colle+McVoy, Draftfcb, Fallon and MARC USA

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Secret Weapon, Horizon Media Create Pig/Cow Hybrid for Jack in the Box

Secret Weapon Marketing and Horizon Media have a new spot for Jack in the Box set to run regionally during the Super Bowl.

The spot introduces the new Bacon Insider burger, a burger with bacon built into the patty, on top of the burger, and (in case that’s not enough bacon) bacon mayo. To introduce the new burger, the spot takes viewers to Jack’s fantastical farm, complete with a brioche barn, curly fry trees, and a creature called a bork — that would be the pig/cow hybrid. The cheesy spot, which feels the need to sing/narrate everything you see, ends with the creatures saying “Moink” (moo+oink, get it?).

Iwona Alter, VP of menu strategy & innovation for Jack in the Box, says in a statement, “What better way to honor America’s favorite pigskin tradition than by giving America a bacon burger unlike any they’ve ever tasted before? We didn’t just put bacon on the burger. We put bacon in the burger, on top of the burger, underneath the burger and mixed it in the special bacon mayo sauce!”

While America has the drunk munchies is clearly the right time to introduce your new bacon, bacon and more bacon burger, so the regional Super Bowl ad makes sense, even if it likely cost Jack in the Box a small fortune. And the ads’ cheesy antics and bork creature should appeal to kids, especially kids who really love bacon.

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DDB Launches Seahawks-Inspired Print/Banner Campaign

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DDB has created a series of print and banner ads for Skittles celebrating the Seahawks in anticipation of the Super Bowl.

The straightforward ads claim that the “S” on Skittles (pictured in green in the ads) now stands for Seahawks. These ads continue the brand’s celebration of the Seattle Seahawks and their star Marshawn Lynch. Last night, Skittles began a charitable auction to benefit Lynch’s the Fam 1st Family Foundation. The auction’s three lots include “24 packs of Skittles Seattle Mix (one of them signed by Marshawn Lynch) and one unique Skittles covered item, such as a football, a helmet or a megaphone.” The bidding began at $100, with one of the lots’ current high bid at $5,700. DDB’s print campaign will run “tomorrow in the Seattle Times, and on Saturday in the Tacoma Tribune and The Olympian, and they will take over Skittles’ entire existing digital media buy starting today.”

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Perfect Fools Offers KFC Customers Chance to Star in TV Ad

In a campaign that launches tomorrow KFC Russia and agency Perfect Fools are offering KFC customers the chance to star in their own television commercial.

Perfect Fools created MovieMatic, a machine designed “to direct, shoot, edit and post the footage to YouTube.” KFC customers can use the MoveiMatic to insert themselves into a KFC ad that will be uploaded to YouTube. Once their video is uploaded, “a receipt is printed with the URL and a reminder to watch their creation, share and invite friends to vote.” A “panel of experts” (your guess as to what that means is as good as ours) will then select the best of the bunch to air on Russian television. Technology utilized in the MovieMatic includes: “professional photography lights, two Canon 5D Mark III cameras, computers with bespoke software, storage drives, wifi router and phidgets for the control buttons, plus smaller light emitting gadgets and microphones.”

Piotr Rozanski, marketing director for YUM! Brands Russia said, “KFC is the first brand in Russia to star a customer in a TV campaign. The aim is to captivate, inspire customers, generate lots of brilliant videos showing off their acting and dancing skills, then get them involved in a popularity contest to make them a hero across Russia.”

The MovieMatic will be in Moscow for the next week, and then make a two week tour of St. Petersburg starting on February 19th. Contestants have five days following the creation of their video to generate as many votes as possible. The television commercial featuring the winning contestant will air on March 31st. You can view results here. Credits after the jump. continued…

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Blast Radius Amsterdam Brings ‘My Town, My Tracks’ to Milan

For the latest in Blast Radius Amsterdam’s “My Town, My Tracks” campaign for Onitsuka Tiger, the agency took to the streets of Milan with Erik Garbo, a student of Italian and Japanese descent.

In the spot, directed by Sara Domogala, Garbo takes us on a tour of his favorite neighborhood of Navigli, in southwestern Milan. We see some of Erik’s favorite places, like a pizzeria, cafe, record shop and underground bar, while he discusses the neighborhood, his life as a student, and his parents. In the campaign’s “key visual for advertising and point of sale, he presents the season’s hero sneaker, framed by the stunning Naviglio Grande canal and its vibrant side streets” (this appears to be part of the visual campaign, but is not featured in the above spot).

Lisa Hogg, head of brand management at Onitsuka Tiger, explained: “This season we moved the ‘My Town My Tracks’ concept from Tokyo to Europe, but kept true to our Japanese roots. Performance-enhanced styles, new silhouettes and colourways are the signature of our Spring Summer collection. We brought this attitude to life by uncovering the details of contemporary Milan lifestyle.”

The campaign is extended by an Instagram series from Danish photographer Karen Rosetzsky, as well as a collection film and behind-the-scenes video, both of which can be seen following the jump. continued…

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CP+B Condones Grand Theft Auto for Kraft Mac & Cheese

CP+B’s funny new spot for Kraft Macaroni & Cheese examines the desperate lengths people will go to for a bite of Kraft’s signature macaroni and cheese-like-product.

Set to Marvin Hamlisch’s “What I Did For Love,” the 45 second spot shows individuals engaging in some questionable behavior to get their hands on Kraft Mac & Cheese, ranging from the everyday sneakiness of a grandfather stealing a bite from his grandson while the family says grace, to the potentially unsanitary exploits of a man who desperately destroys his child’s macaroni picture, to the utter illegality of a woman willing to steal a Kraft Macaroni & Cheese truck. Directed by Hank Perlman, “What I Did For Love” is the latest in CP+B’s “You Know You Love It” campaign for Kraft Mac & Cheese, and is a perfect example of what the campaign is capable of. The new spot is a lot more thought through than the “Noodle Reunion” promotion we covered back in October, and while they push the irreverent humor to new heights — for Kraft Mac & Cheese it’s downright edgy — they balance the irreverence with Kraft’s standard wholesomeness to make a fun spot that works for the brand. Stick around for credits after the jump. continued…

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Dell, Y&R New York Show Brothers Can Get Along with Proper Technology

What would it look like if J.K. Rowling was sleepy and directed a Dell commercial? That’s mostly a compliment for “Brothers,” a cutesy spot that doesn’t draw attention to itself, but could’ve done so a little more, considering it’s going to run during the Olympics. With whimsical storytelling and a few colorful scenes, there’s enough material to hold your attention for the time being.

The story focuses on two brothers, the Kavanaughs, who have a strong connection, even as children. They grow up to start a business together, Kavanaugh & Kavanaugh, not to be confused with Kavanagh & Kavanagh, a real law firm in Millville, NJ, I found on Google after watching. The Kavanaugh brothers, who have never been separated, know that they must for their business to succeed. So, one brother heads to Asia to globalize the company. How do they do this? With Dell products and with tablets that aren’t affected by blackouts. There’s a good story here, and I must give credit for the lack of overbearing product placement, but this spot could use a bit more verve. Credits after the jump.

continued…

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Toshiba Field Tests Include Gross Dog Drool

Toshiba just launched some pretty funny “field tests” on YouTube, including the cringe-inducing “Portege Ultrabook vs. Drooling Dog” featured above, in a series called “Field Testing with Matt & Jamie.”

In each of the videos, they mention a field test performed by Toshiba (for the dog drool one it’s a test to withstand 50ml of water), before Matt and Jamie perform their own, less scientific, more riduclous test, which Toshiba claims the products actually passed. Apparently, in another clip to be added later this week, the Toshiba product actually failed the test, which is refreshing to see from a company (and lends more credibility to the results of the other tests). Aside from the hard to watch “”Portege Ultrabook vs. Drooling Dog,” highlights from the (seemingly neverending) series include “Satellite Ultrabook vs. Paint Shaker”and “Encore Tablet vs. Block of Ice.” Stick around for these two after the jump. continued…

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Tag Europe, Tesco Use The Great Kat to Promote ‘Call of Duty: Ghosts’

In a textbook display of how advertising is much different in the U.K., Tag Europe and Tesco — the world’s second largest retailer — used the music of The Great Kat in their ad for Call of Duty: Ghosts to add a sense of drama and urgency to the spot. In America, you don’t use the music of classically-trained virtuosos to sell video games, you use Eminem. Also unlike the U.S. campaign, Tag Europe’s ad prominently features a female gamer.

The 20 second spot scores The Great Kat‘s rendition of Vivaldi’s “The Four Seasons” to its footage of players enjoying the game, actual gameplay, and (for some reason) popcorn making. Fast paced violin and guitar shredding is “synched perfectly in time with Call of Duty: Ghosts’ fast action bombs, explosions, and death defying feats,” and popcorn. The ad began airing in the U.K. this past November, to promote Call of Duty: Ghosts‘ launch. “The Great Kat’s music is brilliant on the spot,” said Adam Lieber, Music Supervisor at shtik.tv. Now would somebody please pass the popcorn?

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EVB/Victors & Spoils Remake ‘No Diggity’ for JCPenney

EVB and Victors&Spoils are banking on the effectiveness of 90s nostalgia and/or attempting to make you feel old with their remake of Blackstreet’s 1996 hit “No Diggity” for JCPenney. The song has been changed to “Go Ligety,” for J.C. Penney’s campaign in support of U.S. Olympic skier Ted Ligety.

“Go Ligety,” which is performed by C-Black of Blackstreet, informs viewers that when you round up your purchase to the nearest dollar proceeds go to the United States Olympic Committee. “”I like the way you work it. Go Ligety. You got to round it up.” rhymes C-Black, a fun, if cheesy, way to get the word out about the promotion. Ted Ligety doesn’t make an appearance himself, but J.C. Penney has a small Lil’ Ligety puppet act as a stand in. C-Black has a puppet doppelganger as well, who handles piano duties on the song. Between the puppets and the reworking of Blackstreet’s mid-90s hit, “#GoLigety” is a lot of fun, with enough going for it to get people to sit through its 2:15 duration.

 

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David&Goliath, Kia Reveal Extended Version of Super Bowl Spot, ‘The Truth’

Yesterday, we brought you news of David&Goliath’s teaser for their big game spot, “The Truth,” promoting the all-new 2015 K900, Kia’s first-ever luxury car. Today, David&Goliath and Kia revealed the extended, 90 second version of their Super Bowl ad, designed to “dispel the notion that tradition and history are what makes a luxury sedan,” according to Michael Sprague, executive vice president of marketing & communications, KMA.

“The Truth” features Laurence Fishburne reprising his role as Morpheus from The Matrix. Morpheus offers a couple waiting for the valet outside a restaurant a choice: “Take the blue key, you go back to the luxury you know. Take the red key, and you’ll never look at luxury the same again.” (Spoiler alert: They take the red key.)  Fishburne repeats the word “luxury” ad nauseum during the spot’s first 30 seconds or so, really hammering home that Kia is now offering a luxury vehicle. The spot manages to contain a lot of the Matrix references you’d expect, like a bending spoon and an explosion filled action sequence. But at the same time, “The Truth,” via Fishburne, manages at least one big surprise.

The 60 second version of “The Truth” will debut during the third quarter of the Super Bowl this Sunday, Feb. 2, launching the Kia’s campaign for the 2015 K900 in earnest, and marking Kia’s fifth consecutive year advertising in the big game. You can expect more Matrix-themed advertising from David&Goliath and Kia. Before and after the Super Bowl, David&Goliath’s integrated campaign “will incorporate TV, cinema, digital, print, experiential, social media and CRM components, all drawing heavily on imagery and ideas from the films.” Credits after the jump. continued…

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‘Best Vacation Ever’ Spot for Universal Looks a Lot Like Apple’s ‘Misunderstood’

On Jan. 13, Universal Orlando launched “Best Vacation Ever,” which shares more than a few similarities with Apple’s holiday spot, “Misunderstood.”

“Best Vacation Ever” shows a family enjoying their time at Universal, with a teenage daughter who seems to always be on her phone. At the end of the spot, it’s revealed that she was on her phone all that time making a digital scrapbook of the family’s trip, which she entitled “Best Vacation Ever.” When she sends the file to her father, her mother intones, “And you said no phones.” As you may remember, this calls to mind the big reveal in Apple’s “Misunderstood” spot, in which a seemingly aloof teenage boy puts together a slideshow for his family on Christmas.

According to our anonymous tipster, all these similarities are “completely (and unfortunately) coincidence.” The Universal spot was purportedly sold last spring, “as part of a larger effort, so it took some time to produce,” and wrapped in November. Universal decided to hold the spot until the new year, a decision they must have regretted after seeing Apple’s “Misunderstood” over the holiday season. Our tipster added this tidbit: “Universal contacted Lance Acord in October to direct, he saw the Universal boards, but he had already accepted the Apple job.” Let us know your thoughts on the similarities between the two spots in the comments section.

 

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We Hear: Is Brian Wallace Out at Motorola?

Brian-Wallace We’ve reached out to the Motorola camp on multiple tries and haven’t succeeded but sources tell that Brian Wallace, who joined the Google-owned company barely a year ago, is no longer there. Here is one of several comments we’ve received: “Razorfish took on Motorola when Brian Wallace went there, while still working on Samsung. They did the Motorola work under the name Digitas (and still are).  Media planning/buying is being done by the real Digitas (NYC office) but the rest is Razorfish Chicago and Austin. Some key individuals were working on both at the same time [names redacted]. Samsung was not happy about this. Legal got involved. Went on for a while; Razorfish knew that Samsung would wind down the biz and move on, and it was so.”

Oy, if you recall, Wallace’s relationship with Razorfish dates back a few years, during the time he worked at RIM and served as VP/global digital marketing and media for the latter brand. Prior to his most recent gig, Wallace served in a similar VP/strategic marketing role at Samsung.

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Jaguar’s Debut Big Game Ad ‘Rendezvous’ is Really Bloody British

About two weeks ago, we shared the teaser trailer for Jaguar’s Super Bowl ad, which features Ben Kingsley, Mark Strong, and Tom Hiddleston (although only Kingsley was featured in the trailer). Today, Jaguar and their in-house agency, Spark44, have debuted the full 60 second spot, “Rendezvous.”

“Have you ever noticed how in Hollywood movies, all the villains are played by Brits?” Kingsley asks at the opening of “Rendezvous,” featuring the three star British actors as vaguely defined villains who all drive Jaguars. Filmed in London by Oscar-winning British director, Tom Hooper (The King’s Speech), in collaboration with Smuggler, Spark44 and Jaguar clearly threw a lot into “Rendezvous” to make the spot cinematic, also employing Alexandre Desplat, who worked with Hooper on The King’s Speech, to compose the ad’s original soundtrack, which was recorded by The London Symphony Orchestra at Abbey Road studios. “‘Rendezvous’ was filmed with the realization that many of today’s television viewers have access to beautifully sharp picture screens and multi-channel surround sound not unlike the best movie theaters,” explained Brand Vice President of Jaguar North America, Jeff Curry.

“Rendezvous” marks Jaguar’s debut Super Bowl advertisement, and also launches their straightforwardly-titled “British Villains” campaign, which promotes the new Jaguar F-TYPE Coupe (available spring, 2014) and will run through July. The spot features the campaign’s #GoodToBeBad hashtag (a line also spoken by Kingley during the ad, which honestly sounds a little forced), but that’s only the tip of the iceberg in terms of Jaguar’s online and social engagement. They’ve launched a campaign landing page, that “hosts information about the F-TYPE Coupe, the commercial and some unique video content including teasers starring each of the three actors.” Jaguar is also hosting an event with Deadspin as part of their partnership with the latter’s parent, Gawker, as well as two co-sponsored events with Sports Illustrated, including during the magazine’s Super Saturday event the night before Super Bowl Sunday.

What’s more, Jaguar “aims to be the most real-time engaged advertiser during the Super Bowl through a unique physical space calledThe Loop,’  developed by Mindshare, where multiple screens will monitor real-time consumer data and translate it into actionable insights, and ultimately, rapid marketing decisions…” Jaguar claims “The Loop” is “the first real-time marketing tool to impact paid media – whereby media dollars can be quickly shifted and redeployed to leverage opportunities uncovered by the data.” It will be interesting to see how Jaguar’s first Super Bowl advertisement, and their “The Loop” strategy plays out this Sunday. Stick around for behind the scenes footage of “Rendezvous” after the jump. continued…

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