Poise Gets Awkwardly Erotic With Bladder Control Ad

Poise, the adult diaper brand, is poised to attack the lady bladder control market with a double entendre-laced spot about pee spotting.

Though the product is supposed to be super discreet, the spot certainly is not. Two moms sitting down for some kind of school event have a conversation about Sam. Sam knows how to treat a woman. He might be small, but he can last for hours and he's in her pants RIGHT NOW. Surprise! It turns out Sam is short for the Super Absorbent Material in Poise liners.

Ogilvy & Mather New York put together this strange appeal in response to what is, honestly, a hard product to sell. I mean, when laughing or sneezing makes you pee your pants, it's not really something you want to chat about over coffee with your girls.

But is the right appeal suggesting there's a man named Sam with a small dick who can help you out? I can see why they'd go

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for humor. Make the audience pee in their pants a little and they'll realize how badly they need the product. But this spot is more creepy and weird than funny. At least it's drawing attention to the product while completely avoiding the unsavory reality of the condition. I mean, if the only option is to get all TMI about something, I guess I'd rather have an uncomfortable sex chat than a heart to heart about pissing myself.




Woman Actually Enjoys a Vacation Without a Man Around in Booking.com Ad

A woman's love for her boyfriend is compared to her love for resort amenities while vacationing without him in Wieden + Kennedy Amsterdam's latest ad for Booking.com.

The man doesn't fare so well in the comparison, though to be fair, neither does the woman. She is "Brianless" because Brian apparently doesn't enjoy seafood, the ocean or horseback riding. (How could someone be such a curmudgeon?) And she sure takes advantage of his absence, letting loose with cartoony antics that echo other spots from the high-energy campaign. (Is it just a coincidence that "Brianless" is an anagram of "brainless?")

While the spot is mostly harmless, the kernel of the idea—that a woman could possibly (gasp) enjoy a vacation without her boyfriend—falls solidly in the patronizing camp.




Rodent Control Company d-CON Puts Missing Posters for Mice Around NYC

Rats and mice are not endangered species in New York City. (There are thought to be at least as many rats as people in the Big Apple, and there could be five times as many.) But d-CON, the rodent control company, is taking its small victories against our furry friends and publicly celebrating them in an amusing new campaign from Havas Worldwide.

As one part of the integrated campaign, the agency put missing posters for rodents all over the city, at mice level (though presumably not in the subway, where they'd be more likely to be proven wrong in an instant). Havas also created the darkly comic videos below, in which mice families deal with the horror of having ingested d-CON products.

Because if there's one advertising category where depictions of painful death are acceptable, even enjoyed, it's pest control.

   
CREDITS
Client: d-CON
Agency: Havas Worldwide, New York
Chief Creative Officer: Darren Moran              
Group Creative Directors: Dustin Duke, Jon Wagner
Creative Director: Eric Rojas
Creative Director: Gian Carlo Lanfranco
Creative Director: Rolando Cordova
Writer: Eric Bertuccio             
Global Chief Content Officer: Vin Farrell
Co-Head of Production, North America: Sylvain Tron
Executive Producer: Deepa Joshi
Producer Erin Jackson
Chief Strategy Officer: Tim Maleeny
Group Planning Director: Kerin Morrison                      
Senior Strategist: Chris Lake
Global Brand Director: Betsy Simons
Group Account Director: Joe Maglio
Account Supervisor: Darah Rifkin
Production Company: Bar 1
Director: Joe Barone                     
Mixer: Tim Leitner                    
Casting Director: Dawn Mjoen                  
Production Designer: Radek Hanak, Unit+Sofa                              
Editor: David Bartin, Studio 6




Burger King Brings Back Subservient Chicken on His 10th Birthday, and Immediately Loses Him

The only thing Subservient Chicken got on his 5th birthday in 2009 was a blog post about how the agencies involved in his creation bickered over who really deserved credit. For his 10th birthday, though, the chicken flies again.

Except, actually, he's been grounded. The initial idea behind the new campaign—which promotes the Chicken Big King sandwich—is that the chicken has gone missing. BK placed half-page ads in a handful of Sunday newspapers asking if people had seen him. The photo above was posted to Twitter.

The subservientchicken.com website is live again, too, but brings up a 2004-style error message, which you can see below, and also includes some crudely Photoshopped surveillance images showing the chicken's most recent whereabouts. A short movie about the fleeting fame of Internet celebrities is expected to hit the site on Wednesday morning, followed by more creative executions.

It's not too surprising that BK is going back to the well on this one—many fast-food joints tend to revisit their big successes at some point or other. And Subservient Chicken was the go-to example of innovate digital advertising for years. Also, it's been so long since his heyday that lots of younger people simply have never heard of the chicken. As one fan wrote on Twitter of the missing-person teaser: "You guys buy Chick-fil-a?"




Giddy Ad Execs Pose for Amusing Stock Photos in Ads for 2014 Cannes Lions

The ad campaign for the 2014 Cannes Lions festival amusingly celebrates creativity by spoofing the utter lack of it.

In five ads produced by McCann London, well-known ad execs—from Amir Kassaei and Cindy Gallop to Benjamin Palmer and Ted Royer—pose for comically clichéd stock photos. "You'll come back as pumped as a stock photo model," says the headline on each execution.

The ads are even styled like stock photos, with faux watermarks and keyword and credit info. The five executions were "shot in generic office spaces in New York and London with models dressed in bland office attire befitting the stock image style," says McCann.

Max Oppenheim shot the images. "It was a challenge to find just the right visual language to pull off this series," he said. "I was very careful to select neutral locations, styling and wardrobe to capture the generic world of stock. And it helped massively that all the 'models' understood how great the idea was and threw themselves into their performances. They were pumped!"

See all five ads below.




In Vans Ads, Gavin McInnes Explains How to Do Absolutely Everything

Ever wonder what your fart strategy should be when trying to hit on someone? Or the best way to fight if you've never been in one? Or how to drink in a bar without annoying the crap out of everyone there? Or perhaps you'd like to know how to survive if you ended up in jail. Or fly the friendly skies without looking and acting like a total asshole?

If any of these situations have been giving you trouble (or even if you think they haven't), Gavin McInnes, creative director at Rooster, baby fighter and the dude who pretty much says whatever he's thinking, has your back—whether you like it or not.

This series of short how-to-video-meets-PSA clips, presented by Vans, aim to equip you for anything life may throw at you. Sprinkled with some sincerely entertaining didactic mansplaining, a healthy bong hit of absurdity and a life coach who might blow a gasket any second, these insane nuggets of wisdom might actually help someone out there. 

Not since Clarissa has anyone attempted to truly explain it all. 




See Heineken’s 15-Second Film Based on a Fan’s Tweet About an Evil Abe Lincoln

Fifteen seconds is short for an ad, never mind a film. But Heineken and Wieden + Kennedy New York premiered just such a movie at the Tribeca Film Festival on Wednesday night—based on a fan's tweet about an evil Abraham Lincoln clone.

"They clone Abe Lincoln's DNA and name the clone president for life…except there's one problem: the clone is evil," Dennis Lazar, aka @awsommovieideas, wrote as his winning submission to the brewer's #15secondpremiere contest, which asked for fans' their wildest movie ideas. Those 115 characters (he had to leave room for the hashtag) were then crafted by a Hollywood film crew into 15 seconds of film—called Linclone.

You can check out the mini-movie below. The credits take way longer than the film itself—luckily there are some outtakes to keep things interesting.

Lazar was flown to New York and given the green carpet treatment by the Tribeca sponsor at the festival. Guests included Robert De Niro himself, who really should have played Lincoln if we're being honest.

Credits and more below.

 
The movie poster:

 
Lazar and DeNiro:

 
A deleted scene from the movie:

 
An interview with the director:

 
CREDITS

Client: Heineken
Project: #15SecondPremiere

Agency: Wieden + Kennedy, New York
Executive Creative Director: Susan Hoffman
Creative Directors: Eric Steele, Erik Norin
Copywriter: Mike Vitiello
Art Director: Cory Everett
Social Strategist: Jessica Abercrombie
Brand Strategist: Kelly Lynn Wright
Senior Interactive Strategist: Tom Gibby
Community Manager: Rocio Urena
Head of Content Production: Nick Setounski
Producer: Owen Katz
Print Producer: Kristen Althoff
Broadcast Traffic Supervisor: Sonia Bisono
Studio Designer: Chris Kelsch
Account Team: Patrick Cahill, Samantha Wagner, Kristen Herrington
Business Affairs: Lisa Quintela
Project Manager: Rayna Lucier

Production Company: Jefferson Projects
Executive Producer: Chris Totushek
Director: Eric Appel
Director of Photography: Mathew Rudenberg

Production Company: Whitehouse Post
Editor: Alaster Jordan
Assistant Editor: Matt Schaff
Executive Producer: Lauren Hertzberg
Producer: Alejandra Alarcon
Original Music: The Ski Team

Postproduction Company: Carbon VFX
Lead Compositor: Matt Reilly
Smoke Artist: Joe Scaglione
AE Artist: Maxime Benjamin
Executive Producer: Frank Devlin
Colorist: Yohance Brown
Surround Mix: Sound Lounge
Engineer: Justin Kooy
Executive Producer: Harrison Nalevansky

Cast and Crew
Abraham Linclone: Robert Broski
Dr. Satterberg: Eric Satterberg
Chief Justice: Paul Gregory
1st Assistant Director: Scott Metcalfe
2nd Assistant Director: Steve Bagnara
Production Supervisor: Megan Sullivan
DIT: Scott Resnick
Gaffer: Cody Jacobs
Key Grip: Kyle Honnig
Best Boy Electric: Brandon Wilson
Best Boy Grip: Ceaser Martinez
Set Decorator: Mark Wolcott
Prop Master: Eric Berg
Sound: Bo Sundberg
Boom Operator: Danny Carpenter
VTR: Carlos Patzi
Wardrobe Assistant: Beckee Craighead
Make-up Stylist: Kat Bardot
Make-up Assistant: Becca Weber
Production Assistants: Atif Ekulona, Eric Browning, Ewa Pazera, Julio Cordero, Desire Brumfield
Craft Services: Christina Gonzalez




VH1’s ‘I Will Survive’ Anti-Bullying Ad Is Great Fun, but Does It Send a Good Message?

Gloria Gaynor's disco classic "I Will Survive" gets remade as an anti-bullying anthem in this VH1 spot by Del Campo Nazca Saatchi & Saatchi in Argentina, showing tormented boys and girls singing out their plans for sweet revenge in adulthood.

Expertly staged by music-video veteran Agustin Alberdi and boasting a great cast, the ad feels kind of like a musical number from Glee in its heyday. It opens with a kid enduring the indignity of a dual swirly/pantsing: "First I was afraid, I was petrified/They flushed my head several times, exposing my behind." Other tortured middle-schoolers soon pick up the thread. One looks ahead to the day when, "Oh my power, I will abuse/I'll be the CEO, you'll be the one who shines my shoes." Another promises, "I'm gonna call you night and day/And on weekends I'll send texts/Ask you for all kinds of things, making sure you never rest."

On one level, the video is a marvel of wish-fulfillment that anyone who's ever been picked on or put down during lunch period or study hall can instantly relate to. Believing you can turn the tables feels great, and the spot hits all the right notes in that regard.

Still, the tone and message ultimately fall flat. The revenge motif, though lighthearted, seems to perpetuate the cycle of bullying, with today's victims becoming tomorrow's oppressors. Yes, it's handled with a deft touch and good humor—and the jerks in the boy's bathroom using that kid's head as a toilet scrubber certainly have it coming.

Even so, breaking the cycle and discouraging the behavior should be the goal, shouldn't it? There's really none of that here. (Contrast VH1's approach with Everynone's short film on bullying from a few years back, which really captured the complexity of the issue.)

Also, ultimately, these bullies are free to go about their brutish business. Vague threats of corporate comeuppance 20 years hence seem pretty lame when victims ripe for pantsing are available in the here and now. Meanwhile, the terrorized kids tunefully suffer and bide their time, fated to wait decades for "revenge" which, let's face it, may never come.

Bullies grow up to be bosses sometimes, and nerds aren't always management material, no matter how earnestly kids in PSAs sing to the contrary.

Credits below.

CREDITS
Client: VH1
Spot: "I Will Survive"
Agency: Del Campo Saatchi & Saatchi
Executive Creative Directors: Maxi Itzkoff, Mariano Serkin
Creative Directors: Juan Pablo Lufrano, Ariel Serkin /Dani Minaker, Sebastian Tarazaga
Agency Producers: Andy Gulliman, Felipe Calviño, Adrian Aspani
Account Director: Ana Bogni
Production Company: Landia, Stink
Director: Agustin Alberdi
Executive Producers: Daniel Bergmann, Andy Fogwill, / Diego Robino
Producer: Nell Jordan
Director of Photography: Carlos Ritter
Post house: Electric Theatre Collective
Sound: Pure Sound




JetBlue’s Pigeon Reflects on Human Foibles in Web Series From Funny or Die

Humans generally consider themselves to be better than pigeons in all ways, significant or not. But are we, really?

JetBlue's "Air on the Side of Humanity" campaign from Mullen, which launched last fall in Boston and is now rolling out to New York and Florida markets, suggests we're actually quite pigeon-like ourselves—at least, those of us who don't fly JetBlue are.

Indeed, much like the humble pigeon, who flies in crowded spaces, gets crumbs for snacks and is generally ignored and/or despised, we tend to be unappreciated when we take to the skies aboard other airlines.

Along with the TV work, JetBlue has been running a new Web series from Funny or Die that extends this notion of pigeon-on-human empathy. Called "Shoo's Bird's Eye View," the series stars a pigeon named Shoo who watches humans go about their business—and wryly remarks on how odd people can be.

The idea is that, through his comical observations, we might come to see the errors of our ways—like flying those airlines that don't have JetBlue in their name.

"The idea of bringing these two brands together, JetBlue and Funny or Die, was really appealing from the start," says Tim Vaccarino, executive creative director at Mullen. "Both have great sensibilities and a unique perspective on things. A way of getting right at the truth in a smart humorous way."

He added: "The use of the pigeon POV was a conscious one. It allowed us a unique perspective on humans and all their quirks. It let us show things we humans do every day but may overlook or ignore. Through Shoo's simple yet comical observations, the hope is people will wake up and change bad behavior. Such as the behavior of accepting a substandard level of customer service when we travel, for example. Just a thought."

The "Air on the Side of Human Campaign" has also included custom homepage takeovers, branded Spotify playlists, an interactive mobile rich media game and lifelike Pigeon Props riding atop taxi cabs.




National Zoo and DDB Help an Endangered Tiger by Releasing an Endangered Song

DDB is hoping the Sumatran tiger doesn't go the way of the vinyl record—particularly the quickly degradable one.

For Earth Day, DDB New York and the Smithsonian's National Zoological Park and Conservation Biology Institute are raising awareness of the endangered animal—of which only 400 are left—by creating an endangered song. 

For The Endandered Song Project, the agency got Atlantic Records band Portugal. The Man to write a new track simply called "Sumatran Tiger" and release it only on 400 lathe-cut vinyl records, which are designed to degrade after a certain number of plays (about 100 plays, we're told). The 400 people who got the record (we were one of them) are being asked to digitize the song, thus keeping it alive, and share it through social media using the hashtag #EndangeredSong.

"We liked the idea that there is this degree of difficulty to the project in terms of what people had to do," Matt Eastwood, chief creative officer of DDB New York, tells AdFreak. "We are responding a little bit to the whole slacktivism thing. We want more than just a tweet. Of course we want that, too, but saving a species is more than just a Facebook like. You have to physically get involved and do things."

DDB initially thought about releasing the song on a cassette. "Then we found out about the lathe-cut records," said Eastwood. "Records, too, are almost extinct these days. And the song will slowly become extinct if you don't copy it over to digital … It's very old school meets new school, which I like. It's old technology, but we're promoting it using the digital technology of Twitter and Instagram and Facebook."

The Sumatran tiger was a somewhat arbitrary choice (there is no shortage of endangered species) but a compelling one, Eastwood added. "It's not an unusual animal, but it's a rare and exotic animal, and everyone loves tigers," Eastwood said. "There are only 400 of them, which to us just seemed so desperate. You could fit them in a car park. It's ridiculous."

Portugal. The Man, whose members hail from Wasilla, Ala., and are committed to environmental causes, were happy to join the cause. The campaign doesn't have a specific call to action for donations, but you can contribute through a link on the campaign site.

Various digital copies of the song have already popped up on Soundcloud, or you can check out our proudly low-fi version here.




Has This Creepy Guy From Mother New York Been Stalking Your LinkedIn Profile?

Have you noticed a man named Donald Buscando looking at your LinkedIn profile?

You'd remember him. He's wearing a beige turtleneck that somehow accentuates his eerily white teeth and his hair, which is reminiscent of Robert Cornelius (you know, the guy that took the alleged first selfie ever).

Well, it seems Buscando is a faux executive—part of a tongue-in-cheek effort by Mother New York to recruit interns for its summer program. Mother is identifying potential interns and having "Donald" stalk them on LinkedIn, which is easier than ever thanks to the site's newly souped-up "Who's viewed your profile?" section.

Mother explains Donald's approach this way: "Using the advanced search feature of LinkedIn, he sources the profiles of the best students in the world by filtering by school, specialty and using power keywords like 'Alpha' and 'Pintegrated.' Based on these criteria, Donald identifies the best students and clicks on their profiles over and over again."

Donald's own LinkedIn page is treasure trove of odd, too. He writes:

I spent a few hours on your profile looking deep into the soul of your business-related online identity. From what I saw, you should apply.

Are you a copywriter or art director? I've closely examined your portfolios and you should apply.

Are you a designer? You have beautiful bezier curves. You should apply.

Are you a strategist looking deep into what makes people tick? Yes. You should apply, too.

Do you want to work in the shop? Don't know what that is? Sounds like you should apply.

Are you a producer who makes things happen? I've seen your profile and yes you are. Yes, apply.

There also the video below. You can go to mothernewyork.com/opportunity to apply.

"Tonally this is nothing unusual for us," Mother founding partner Paul Malmstrom tells AdFreak. "We thought it'd be a fun way of learning about the program and give a sense of what it's like to work here."




Amy Poehler Goes From Lawyer to Fast-Food Worker in Old Navy Campaign

Amy Poehler is back to grilling strangers about their Old Navy outfits.

Last month, she played a high-powered lawyer questioning a job applicant about her checkered pants. Here, she plays a server at a fast-food burrito joint, pressing a customer about a red dress.

It's not easy to dissociate Old Navy's Poehler from her intense part as Leslie Knope on Parks and Recreation, but still fun to see the rapid-fire style translated to roles outside of a small-town middle-America bureaucracy. Like the law firm ad, the outtakes for the fast-food commercial include some added gems—including the evergreen gift of watching a usually deadpan comic lose it and crack up midtake.

That's assuming viewers don't run out to buy clothes before the video's done.

Agency: Chandelier Creative.




Jeweler’s Clever Business Card Rolls Into a Ring Sizer

I have a pile of business cards on a tray in my office, and I'd be hard pressed to remember where I met the people whose names are on those cards if it weren't for some hastily scratched notes in the white space. ("Start-up owner, kept joking about Mad Men, didn't catch my Tupac reference.")

It's generally hard to make an impression on a piece of cardstock that's 3.5 by 2 inches, but German agency Jung von Matt definitely found a winner with its incredible business card for jewelry company Marrying—which, as the name suggests, specializes in engagement rings and wedding bands.

The card rolls up, becoming a handy tool to measure one's ring size. The idea is that men who are shopping for a ring can use the card at home to subtly check the size of a woman's current rings, saving them the rather obvious reveal of saying: "Hey baby, what's your ring size? What? No reason."

The agency effectively married (sorry) utility with good advertising, and I like it.

Via Design Taxi.




K-Pop Group Twerks to the (Really) Oldies in First Classical Music Video Ever

Belgium's B-Classic music festival, whose mission is to "give classical music the same recognition as pop and rock music," brings us a rather interesting sensory collision in the form of the music video below, promoting its "Classic Comeback" competition.

Korean pop-dance group Waveya interprets the godfather of Slavonik dance music (and Brahm's brosef) Antonín Leopold Dvo?ák in the three-minute synchronized bump-'n'-grind-gyration-twerk-fest set to "Symphony No. 9 Allegro con fuoco."

The video, shot by Raf Reyntjens in South Korea, is cleverly edited and choreographed, albeit shameless in its attempts at drawing in a younger demographic. See, the organizers of the festival believe "the kids" simply need more access to classical music.

Music videos, they believe, are the best way to do this.

In a short documentary also posted below, Frank Peters, a Dutch classical pianist and spokesperson for B-Classic, says he's "not convinced that youth are uninterested in classical music. I think that it's simply more difficult for them to discover."

Chereen Gayadin, a senior music programmer at MTV, adds, "I think that this is the first video in which one listens to classical music without being aware that it is classical music."

Via Ads of the World.

CREDITS
Client: B-Classic
Agency: DDB, Brussels
Creative Director: Peter Ampe
Creatives: Tim Arts, Stefan Van Den Boogaard
Designer: Christophe Liekens
Account Team: Francis Lippens, Kaat De Brandt
Strategic Team: Dominique Poncin, Maarten Van Daele, Michael D’hooge
Digital Strategy: Geert Desager
Digital Project Manager: Stefanie Warreyn
TV Producer: Brigitte Verduyckt
Production Agency: Caviar
Producer: Geert De Wachter
Director: Raf Reyntjens
Music, Sound: Sonicville
Aired: April 2014




Lease-to-Own Retailer Promises You’ll Go From Rags to Riches in No Time

Can't afford that furniture, those appliances or those electronics? Sure you can.

Aaron's, the lease-to-own retailer, has unveiled a new ad campaign that suggests leasing products from the company isn't just a wise idea for credit-challenged people—it's the first step toward becoming rich and famous beyond your wildest dreams.

The ads, from 22squared, feature characters—Bobby, Charmony and Emilio—who've become wildly successful, but as it turns out, they once didn't even know the basics of living beyond their means. A fourth ad stars Nascar driver Brian Vickers, who apparently just gets super excited about Aaron's in general.

The theme is "Own the life you want," which is certainly an interesting mix of aspirational and financial—a reminder that, for many, they're one and the same.




Dodge Celebrates 100 Years With Great New Ad Starring Centenarians

Elderly people tend to get short shrift in commercials, much as they do most everywhere in life. Kudos to Dodge and The Richards Group, then, for celebrating the automaker's 100th birthday by putting the spotlight on humans born around the same time.

Not all of them are centenarians, but many of them are. (The rest mostly seem to be sprightly 90-somethings.) And they're here to dispense some hard-won wisdom about what they've learned in a century on this Earth. And they dispense it with humor, style and not a little defiance.

"You learn a lot in 100 years," says on-screen copy, as a 2015 Challenger screeches out of the frame. "Dodge. Born 1914."




Just Watching This Pedigree Ad With Adorable Dogs Helps Ones Who Aren’t as Lucky

The Internet really is a boon for pet-food marketers clever enough to capitalize on animal-obsessed Web culture without seeming too mercenary.

Pedigree New Zealand gets extra brownie points for this video of cute dogs being cute, which attempts to leverage YouTube's revenue-sharing model to raise money for dog charity … as if you needed another reason to watch dachshunds eating hot dogs. (No, it's not cannibalism, though it might count as a sort of professional discourtesy.)

The concept is all the more impressive in the way it take two things that are usually annoying—seeing ads on other ads, and being asked to share ads—and makes them kind of feel-good (even if, given YouTube's meager ad rates, it's hard to imagine the campaign actually making significant money).

Regardless, the spot, by Colenso BBDO, is a knockout delight when measured against the high bar for misery-inducing commercials in the pet-adoption genre. Unlike the Sarah McLaughlin ASPCA sob fest that haunts an entire generation of U.S. TV viewers, this one doesn't hinge on making everyone feel awful about themselves.

Plus, the dogs are awesome to watch. Except for that winking puppy at the end, which clearly needs help for having confused itself with a cat. Only cats are supposed to be creepy.

Credits below.

CREDITS
Client: Pedigree
Agency: Colenso BBDO, New Zealand
Creative Chairman: Nick Worthington
Creative Director: Levi Slavin
Senior Copywriter: Matt Lawson
Copywriter: Ben Polkinghorne
Art Director: Scott Kelly
Business Director: Helen Fitzsimons
Senior Social, Digital Strategist: Neville Doyle
Senior Planner: Tamsin McDonnell
Production Company: Finch
Director: Nick Ball
Executive Producer: Rob Galluzzo
Producer: Karen Bryson
Associate Producer: Amy Dymond
Director of Photography: Crighton Bone
Production Designer: Sara Mathers
Animal Wranglers: Animal House
VFX Supervisors: Andrew Timms, Mat Ellin
Offline: Method Studios
Editor: Seth Lockwood
Visual Effects: Beryl
Grade: Pete Ritchie
Flame: Andrew Timms, Mat Ellin
Sound Design: Franklin Rd
Composer: Jonathan Dreyfus




Merry Men : Agency Profile

Merry Men is a media neutral creative agency that loves audacious ideas,  challenging the status quo, and of course being merry. We bring together the best of what a traditional and a digital agency have to offer – loads of experience, passion for ideas, a sound understanding of building brands, and youthfulness. We also pride ourselves on our strong ethics. For example we never test any of our concepts on animals because it would piss off our co-founder- Wagger, the in-house dog.

What made you start Merry Men?
When I saw the kind of integrated work that was happening abroad, where brands were taking ideas seamlessly across media and changing the rules, it made me want to do the same for brands in India. Basically a desire to create an agency that could be and act as a media-neutral solutions partner to brands.

Tell us about your Art Professionals. Did they go into fine art or design schools? How do you pick them up?
Actually we have never cared too much about art schools. A lot of agencies only pick art graduates but at Merry Men we look for nimbleness, flexibility and of course a good design sensibility/ taste. In fact almost all our art people have been from a non-art background. Our last art director was a trained pilot, and one of the guys in the current team actually came for a copywriting interview.

How would you define the design style at Merry Men?
Because we work trans media we have no defined style. We adapt according to the medium, brief and the idea. We believe that a style ties you down and it’s important to never get tied down. In fact we are proud that no two pieces of work done by us look or feel the same.

What does Merry Men do which sets it apart?
The ability to understand what’s needed in different media and deliver integrated solutions. We are also not an egoistic bunch. So we are always looking at co-creating, collaborating with talented folk and even jamming with the client to come up with awesome work for the brand. We love taking risks and experimenting, this we believe is the only way to create new ideas.

Do you think the advertising business in India is undergoing a change?
Yes, it is. Digital is no longer the stepchild in a marketing budget and has almost gone mainstream. Clients no longer want a digital idea for 10,000 Rs. Plus ideas are entering the digital workspace. Social Media is the bus that everybody wants to be on right now. Mobile is still nascent but growing. Which is why traditional agencies and networks are busy gobbling up agencies with any of these specialties.

Were there any particular role models for you when you grew up?
When you’re young your role models are based on mostly on bedtime stories you hear. One such story and role model was Robinhood, who led his Merry Men to victory against a might army simply because they believed in what they were doing and used unconventional warfare techniques. It told me that size was irrelevant and the only thing that mattered was how much you believed in your idea. It was the reason we called the agency Merry Men.

Who was the most influential personality on your career in Brand Building?
Bill Bernbach. Piyush Pandey. KS Gopal (EX NCD of Contract), Josy Paul, Richard Branson and Alex Bogusky.

How important is the focus on good brand idea in Merry Men?
Very important. We love good ideas. But increasingly the focus is on ideas that can spread.

Is there any particular work that you have done which has helped build a brand?
I don’t like talking about the past, so let me tell you about something we did recently. For a new dairy brand called Milky Moo which wanted to tell people that their milk didn’t have to be boiled, we created TVCs and other work that showed people in pop culture who boil a lot or get angry, like newscasters (one in particular) and moms-in-law in TV soaps. The idea was to have a calming influence on the entire country and tell them that neither they nor their milk needs to boil anymore. The campaign went across mediums, from TV to print to in-store and even social media, and really helped the brand clock healthy sales and register high awareness of their core proposition.

What do you feel about the state of design in Brand Building in India?
It’s at a very interesting juncture. Though our traditional design skills like print and brand identity are very good, we are not as good in the digital space. This is because art colleges are still not teaching students digital design in a big way. If designers want to remain relevant and competitive they need to master both.

Internet speed at Merry Men?
Seriously? Okay, fast.

Is it difficult to find good people for work ?
Absolutely. The number one problem.

Any other Indian agencies you admire?
None really. But i do like the work that’s coming out of Creativeland Asia and Happy Creative Services.

What advice do you have for aspiring creative professionals? Would you advise them to take on advertising as a career option?
Join advertising only if your desire to express ideas for a brand is so strong you don’t mind the sleepless nights, reclusive lifestyle and loads of hard work.

Who would your team like to take out for dinner?
Narendra Modi. To get to know the real man.

What’s on the company iPod?
Stadium Arcadium by Red Hot Chilli Pepper.

Mac or PC?
Mac. Most definitely.

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Samsung Ad Introduces the Cutest, Pluckiest Smartphone Memory Card Ever

A Samsung SD smartphone memory card morphs into a cute, miniature robot action hero in this engaging 45-second clip from Cheil Worldwide in Seoul and Museum Film. The ad, running exclusively online at present, targets smartphone users in the U.K., North America, Europe and Japan.

RoboCard's adventures, directed by J.M. Lee, illustrate product attributes. He soars with a jetpack (demonstrating speed), repels thumbtacks and paperclips (the card is impervious to magnets) and makes a splash by riding a tropical fish rodeo style (it's waterproof). The details are great fun. Note how his metal feet sprout tiny flippers for his fish-tank dive. The cat's miffed reaction as the bot bursts above the water's surface is a neat touch, too.

I also like how his antics take place in a typical home/office setting, infusing the everyday world with some high-tech panache—which, after all, is part of the product's appeal.

Best of all, MemBot is much too adorable to join a robo-rebellion and subjugate mankind … I think. Still, I wouldn't cross the little guy. He's got a long memory. (Up to 64GB!)




Marionette Wives Feel Pretty Insecure in an Age of Wireless DirecTV

If DirecTV is trying to position its Wireless Genie Mini device as a high-tech toy for doofy bros who view women as puppets—mission accomplished!

Perhaps that's a tad harsh or too literal. Still, there's something unnerving about these new ads from Grey New York, directed by Bryan Buckley, featuring a life-size blonde marionette. In one ad, she struggles with her wires while pouring lemonade for a pair of DirecTV-lovin' dudes. In a second spot, our heroine dangles from the bedroom ceiling in a sexy negligee, concerned her human beau is more attracted to DirecTV.

Self-conscious oddness is the obvious goal, and the campaign certainly works on that level. Even so, there's a touch of mean-spiritedness that doesn't sit right. The puppet is the most appealing part of these commercials, and it's easy to sympathize with her plight. This, in turn, kind of keeps me from feeling good about the Wireless Genie itself, which lets multiple TVs share HD-DVR programming over WiFi (so first-worlders won't trip over unsightly wires and fall flat on their Google Glass).

Cut those cords and free yourself, my wooden sister! Today, there are so many ways for a marionette to be fulfilled—like rapping for JCPenney or blogging for Target. Don't let some half-wit string you along!

 

CREDITS
Client: DirecTV
Campaign: "Marionettes"
Agency: Grey, New York
Chief Creative Officer: Tor Myhren
Executive Creative Director: Dan Kelleher
Vice Presidents, Creative Directors: Doug Fallon, Steven Fogel
Art Director: Marques Gartrell
Copywriter: Kim Nguyen
Agency Executive Producer: Andrew Chinich
Agency Producer: Lindsay Myers
Agency Music Producer: Zachary Pollakoff
Account: Chris Ross, Beth Culley, Anna Pogosova, Aaron Schwartz, Meredith Savatsky
Production Company: Hungry Man
Director: Bryan Buckley
Executive Producer: Mino Jarjoura
Producer: Rachel Curl
Production Supervisor: Colette Findley
Director of Photography: Scott Henriksen
Editor: Tom Scherma, Cosmo Street
Assistant Editor: Dave Otte, Cosmo Street
Editorial Executive Producer: Maura Woodward. Cosmo Street
Editorial Producer: Heather Richardson, Cosmo Street
Visual Effects: The Mill
Visual Effects Executive Producer: Sue Troyan, The Mill
Visual Effects Producer: Anastasia Von Rahl, The Mill
Casting Director, Los Angeles: Kathy Knowles, Kathy Knowles Casting
Casting Director, New York: Fay Shumsey, Fay Erin Casting
Audio Mixer: Tom Jucarone, Sound Lounge