Hasta La Creative!

The world's most famous spokespitcher, the Kool-Aid Man, just got a glassy makeover to help promote the brand's new sugar-free liquid drink mix. The Kool-Aid Man, who's been around since 1954, was made over by Saatchi & Saatchi in New York and VSA Partners of Chicago. At 59 years old, he's now completely CGI, appears a bit slimmer, has a new voice—including an "expanded vocabulary and developed personality" (!)—and of course his own brand-new Facebook page.

Thankfully, he will still say, "Oh, yeah!" and burst through walls. But in the new commercials, he's also seen working out at the gym, buying flowers and wondering which of his 22 fabulous flavor "outfits" to wear. (Hey, is the Kool-Aid Man gay now, too? If so, that's kool with me—give him a big equals sign over his midsection and make it his new profile pic.) In June, Kool-Aid will also launch a Kool-Aid Man PhotoBomb mobile app, which will allow fans to superimpose images of Kool-Aid Man into their own photos.

"This is one of those fun projects we love to work on: Bring Kool-Aid Man back, better than ever," says Saatchi New York chief creative officer Con Williamson. "When we set out to do that, when we really dug in, we discovered that there's a lot to love in the evolution of this iconic character. We wanted people to get to know him a bit more. Kool-Aid and Kool-Aid Man are undeniably fun and positively bold. We wanted that happiness to shine through in his personality and attitude."

Heineken is trying to tap into club culture with an interactive bottle design that uses micro sensors and wireless technology to interact with drinkers. The LED lights react when people toast each other and sip from the bottle, and they can be synchronized to music as well. It's like drinking out of a Simon game! This bottle is comparable to those Japanese video-game urinals—a cool idea, but it's going to encourage some pretty weird behavior. Via PSFK.

It may not be the height of sophistication, but holy crap—Kmart's "Ship My Pants" ad is having a great run, to say the least. After just five days on YouTube, the pun-heavy spot from Draftfcb—in which Kmart shoppers are strongly encouraged to "ship their pants"—is quickly heading toward 10 million views on YouTube (it has 7.8 million currently) and is being passed around by viewers at an astounding rate of one share for every nine views, according to the viral experts at Unruly Media. With more than 800,000 shares total, it's already the second-most-shared ad of the past 30 days, eclipsed only by the "Bad Motherfucker" video from the Russian rock band Biting Elbows—which isn't really an an ad at all but counts as marketing because it's stuffed full of references to Neft vodka. Also, "Ship My Pants" seems destined to get a second big wave of publicity soon. Draftfcb—which is defending the Kmart creative business in a review that's down to three agencies—says the spot is living online only for now, but a TV run is in the works.

Today is the 30th anniversary of San Francisco's Goodby, Silverstein & Partners, one of the most brilliant creative ad agencies in the history of the business. To celebrate, GSP decided to compile a "30 for 30" list of the best work it has produced across those three decades. "We reached out to a group of distinguished GSP alumni—creatives, strategists, media planners, producers, account leaders and others—and asked them to vote for their 10 favorite things produced at GSP in our first 30 years," the agency explains. All those top 10 lists were then crunched into a master list. The top 10 are ranked in order of popularity, followed by an alphabetical list of the 20 runners-up. "Got Milk?" dominates the top 10, placing three spots there, including the No. 1 overall pick—the classic "Aaron Burr" spot (posted below), which got four times as many votes as any other spot or campaign.

1. California Milk Processor Board, "Aaron Burr" (1993)

To say that "Aaron Burr" won our alumni poll by a landside is a bit of an understatement—it got four times as many votes as any other spot or campaign.

And that makes sense: it was the spot that launched a 20-year campaign and a 20-year client relationship, both of which are tremendous sources of pride for the agency.

Director Michael Bay (well before he was known as a big-time movie director) disagreed as to whether or not the spot should clarify who "Aaron Burr" was before the hero tries to say the name. Bay reluctantly got one shot of the painting with Burr's name—the last shot of the day as the film rolled out, making it potentially unusable. (It was the rollout that created the flashing you see in the spot.)

Producer Cindy Epps remembers looking at Erich Joiner and Chuck McBride and crossing their fingers, hoping it would be enough. It was.

Click through to the 30 for 30 site to see the rest—a great collection of classic work.

Hey, what better way for GE to tout its "brilliant machines" designed for the healthcare sector than to show Agent Smith, the villainous sentient AI from The Matrix, stalking the corridors of a bad-dreamy medical scenario? Actor Hugo Weaving dons the shades, suit and earpiece once more, reprising his famous role in this BBDO New York spot (which broke this weekend during Saturday Night Live) as he rides and pushes gurneys, watches himself get examined, flickers across a CT-scan monitor and hovers menacingly while observing an operation. Whoa. Obamacare is even worse than I'd imagined! Makes you long for the kindly Mr. Data from Star Trek: The Next Generation, who had a cameo earlier in the campaign. Weaving's an awesome presence, though he is sinister in the extreme, especially at the end, when he offers a kid the choice of a red or blue lollipop in a nod to the Matrix films. Heck, the overall tone is so sterile and creepy that even the real life-saving machines look a bit threatening. Somebody pull the plug!

Mr. T guest-stars as a living pun in this Crispin Porter + Boguksy ad for Old Navy Best Tees, which are more stylish and durable than their previous ones. That's not a huge accomplishment, but whatever, it's their ad. (T also appeared in a two-minute Old Navy infomercial last year with Anna Faris.) I enjoyed the quiet irony of putting Mr. T on a plane, when B.A. Baracus was scared to death of them, but it's a little hard for the audience to accept that he can just kick the bathroom door down in a post-9/11 world. No T-shirt in the world can get you out of that kind of trouble.

CREDITS
Client: Old Navy
Agency: Crispin Porter + Bogusky
Partner/Worldwide Chief Creative Officer: Rob Reilly
Executive Creative Director: Jason Gaboriau
Creative Director: Robin Fitzgerald
Creative Director: Cameron Harris
Associate Creative Directors: Alexandra Sann, Mike Kohlbecker
Sr. Copywriter: Dafna Garber
Copywriter: Chelsea O'Brien
Art Director: Mary Dauterman
Director of Video Production: Chad Hopenwasser
Executive Integrated Producer (Music): Bill Meadows
Executive Integrated Producer: Deb Drumm
Junior Integrated Producer: Jackie Maloney
Executive Business Affairs Manager: Amy Jacobsen
Business Affairs Manager: Michelle McKinney
Production Company & City: Smuggler, Hollywood, CA
Director: Randy Krallman
Assistant Directors: Jey Wada, Erin Stern
Executive Producers/Partners: Patrick Milling Smith, Brian Carmody
Executive Producer/COO: Lisa Rich
Executive Producers: Allison Kunzman, Laura Thoel
Head of Production: Andrew Colón
Producer: Paula Cohen
Director of Photography: Bryan Newman
Editorial Company & City: Cut + Run, Santa Monica, CA
Head of Production/Senior Producer: Christie Price
Executive Producer: Carr Schilling
Editor: Frank Effron
Assistant Editors: Heather Bartholomae, Brooke Rupe
Visual Effects Company & City: Method Studios, Santa Monica, CA
Executive Producer: Robert Owens
Producer: Colin Clarry
Set Supervisor: Rob Hodgson
VFX Supervisors: Jason Schugardt, Michael Sean Foley
Lead Composer: Kelly Bumbarger
Graphics & Animation Company & City: Buck, Los Angeles, CA
Executive Creative Director: Ryan Honey
Executive Producer: Maurie Enochson
Sr. Producer: Nick Terzich
Associate Producer: Ashley Hsieh
Art Director: Jenny Ko
Designer: Sean Dekkers
Animator: TJ Socho
Music Company & City: Search Party, Portland, OR
Executive Producer: Sara Matarazzo
Producer: Chris Funk
Composer: Terence Bernardo
Sound Design & City: Machine Head, Santa Monica, CA
Sound Designer: Stephen Dewey
Producer: Patty Chow Dewey
Telecine & City: Company 3, Santa Monica, CA
President/Colorist: Stefan Sonnenfeld
Executive Producer: Rhubie Jovanov
Partner/Managing Director: Steve Erich
EGroup Account Director: Danielle Whalen
Account Director: Kate Higgins
Content Management Supervisor: Laura Likos
Content Supervisors: Jessica Francis, Kendra Schaaf
Content Manager: Alex Kirk, Michelle Forbush
Group Director, Planning: Lindsey Allison
Cognitive Anthropologists: Jennifer Hruska, Tiffany Ahern

Juvenile humor reigns supreme in this new Kmart commercial from Draftfcb, featuring store workers encouraging stunned shoppers to not be shy and just go ahead and "ship your pants." The shoppers take full advantage, too. Other folks later in the spot even ship their drawers and their nighties, and one old dude even gleefully ships the bed. (The point is, Kmart is offering free shipping of anything from Kmart.com if people can't find it at the physical store.) I'm not sure I'd sign off on a commercial that's basically 30 seconds of people punning about shit, but it's sure worth a chuckle. Props, too, for going all out and including the #shipmypants hashtag. Hat tip to @arrrzzz.

CREDITS
Client: Kmart
Vice President, Marketing Planning: Andrew Stein
Vice President, Creative: Mark Andeer
Vice President, Chief Digital Marketing Officer: Bill Kiss

Agency: Draftfcb
Chief Creative Officer: Todd Tilford
Executive Vice President, Executive Creative Director: Jon Flannery
Senior Vice President, Creative Director: Howie Ronay
Vice President, Creative Director, Copywriter: Sean Burns
Agency Producer: Chris Bing

Production Company: Bob Industries
Executive Producers: T.K. Knowles, John O'Grady, Chuck Ryant
Producer: Brian Etting
Director: Zach Math

Isaiah Mustafa seems perfectly content simply being the Man Your Man Could Smell Like—or drink beer like, or do another manly activity like. And who can blame him? This new two-minute spot for an Israeli brewer lets Isaiah be Isaiah, giving him amusingly elaborate lines to deliver, even if they're a poor man's version of Wieden copy. Isaiah has done this kind of thing before, and he'll do it again. Which brand will give him a real challenge and cast him as a pathetic weakling, or a doofus dad?

Leon Sandcastle isn't real, but that doesn't mean he's not going places. In fact, the imaginary Hall of Fame cornerback, played by Deion Sanders in Grey New York's amusing Super Bowl spot for the NFL Network, just signed an endorsement deal with Under Armour. There's even real photos from the fake signing. (Although of course, you hardly have to be a real person to have real marketing value.)

"A talent like Leon doesn't come around very often," says Matt Mirchin, senior vice president of global brand and sports marketing at Under Armour. "Leon is the type of athlete we can't pass up because he plays the game with the experience of someone twice his age, and his trademark Afro and moustache look great on a graphic T-shirt."

"There is a ton of buzz on Sandcastle," adds NFL Network's Mike Mayock.

What does Sandcastle himself say? "I, for one, know my partnership with Under Armour is a match as good as peanut butter and jelly. The only company in the entire world who could keep up with Leon on and off the field is Under Armour. We're both ready for the Prime-Time, baby."

All this is leading up to the 2013 NFL Draft, to be broadcast on the NFL Network on April 25. Sandcastle is expected to be the No. 1 overall pick at the draft, according to NFL insiders who should not be believed. But in all seriousness, Sarah M. Swanson, vice president of marketing for NFL Network, says: "Leon's deal with Under Armour is the latest extension of the positive buzz and viral nature of this ad campaign … it's been a tremendous vehicle across all platforms for our partners to engage with the millions of NFL fans following the Combine and Draft on NFL Network."

Are you addicted to the Big Mac, or can you stop anytime you want? Whatever your emotional issues with the burger, McDonald's is distancing itself from the mental-health parody ad above, which appeared on Boston's mass transit this month. (The 800 number on the ad is a McDonald's corporate line.) In a statement to Time magazine, Nicole DiNoia, a McDonald's rep for the Boston area, says the ad was "not approved by McDonald's" and that "we asked that it be taken down immediately." She adds: "We have an approval process in place with our marketing and advertising agencies to ensure that all advertising content is consistent with our brand values. Regrettably, in this incident, that process was not followed. We sincerely apologize for this error." Sounds like maybe a local agency rolled out the work without proper approval? We left a message with DiNoia—hopefully she can clarify. The ad was part of a series—another showed two corporate drones high-fiving just thinking about a Quarter Pounder with Cheese. Mental health is a particularly touchy subject for marketers, as last year's 7-Eleven fiasco reminded us. Photo via.

UPDATE: Arnold in Boston created the ad. McDonald's sent us the following statement, which is attributed to Arnold president Pam Hamlin: "Arnold apologizes for its mistake to McDonald's and to anyone who was offended by the ad. McDonald's did not approve the ad, and its release was our unintended error. We've addressed the issue and have improved our approval process to ensure this does not happen in the future."