Former Organic CEO Joins 72andSunny

marita scarfiA couple of days ago, we reported that industry vet Steve Orenstein, formerly of Y&R, McCann, 72andSunny and others, had taken on two new jobs: COO at L.A. agency Mistress and CFO at WONGDOODY.

Since Orenstein simultaneously held both the COO and CFO positions at 72andSunny for several years before getting new gigs, the question followed: who replaced him?

The answer is twofold: former Brand Director/Partner Evin Shutt assumed COO responsibilities in mid-2014, but on the financial front 72andSunny has hired former Organic CEO Marita Scarfi.

Scarfi held a number of positions within the Organic organization over the course of more than a decade, serving as EVP, CFO, COO and, eventually, chief executive officer (a position she earned in April 2010).

Just over two years later, we heard that Scarfi would no longer lead the Omnicom agency — and the shop confirmed that rumor by naming former Wunderman President David Shulman as its top executive — a position he still holds. (This shift occurred just after CCO Conor Brady left the agency for HUGE; he’s now with Critical Mass.)

After leaving Organic, Scarfi worked as an advisor to various businesses in the San Francisco Bay area with a focus on startup companies.

She will now oversee financial matters on all 72andSunny accounts.

72andSunny Gets Violent for Call of Duty

In the week’s most actionable ad, 72andSunny employs some fake blood and an old Jack White tune to remind viewers that the Call of Duty series is all about killing other people.

Unlike other, CGI-heavy video game campaigns, this one stars Rob Huebel, who most recently played an angry dad on Transparent and a creepy sex offender on The League. He’s the guy who films all the (simulated) death and destruction:

Our favorite part of this ad is that it’s not really for a new edition of the game — just a new data pack or update to the existing version.

Carl's Jr.'s Super Bowl Ad Is Here, and What a Surprise, It Stars an Almost-Naked Woman

Hold on to your patties, because Carl’s Jr. just released an extended version of its regional Super Bowl ad, in which it shows even more skin than usual.

The spot, by 72andSunny, stars Charlotte McKinney—who according to a Google search might be the next Kate Upton (a claim supported by a subsequent Google Images search). The ad will air on the West Coast in the fast-food chain’s markets.

It’s called “Au Naturel,” and indeed, it appears to show McKinney walking around in the buff—with suggestively shaped everyday objects strategically covering her up, à la Austin Powers. There is a twist at the end, of course.

“Charlotte McKinney loves going All-Natural, especially when it comes to her burger,” says the brand. “Introducing fast food’s first All-Natural Burger with grass-fed, free-range beef that has no added hormones, steroids, or antibiotics.”

The ad was directed by RSA’s Jake Scott, whose work includes last year’s “Puppy Love” Super Bowl spot for Budwesier. So yeah, the guy has range.

CREDITS
Client: Carl’s Jr.

Agency: 72andSunny
Chief Creative Officer/Founder: Glenn Cole
Group Creative Director:  Justin Hooper
Group Creative Director: Mick DiMaria
Creative Director: Mark Maziarz
Jr. Writer: Reilly Baker
Designer: Esther Kim
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Film Producer: Brooke Horne
Film Production Coordinator: Taylor Stockwell
Group Brand Director: Judson Whigham
Brand Director: Alexis Coller
Brand Manager: Scott Vogelsong
Brand Coordinator: Anthony Fernandez
Group Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Audra Brown
Business Affairs Manager: Maggie Pijanowski
Business Affairs Coordinator: Calli Howard
Group Strategy Director: Matt Johnson
Strategist: Eddie Moraga

Production Co.: RSA Films
Director: Jake Scott
Executive Producer: Tracie Norfleet
Producer: David Mitchell
Head of Production: Elicia Laport
Sales Rep: Shortlist

Post Production CO: Whitehouse Post
Editor: Rick Lawley
Assistant Editor: Devon Bradbury
Executive Producer: Joni Williamson
Producer: Evan Cunningham

Transfer: CO3
Colorist: Mike Pethel
Sr. Producer: Matt Moran

Visual EFX CO: JAMM Visual
VFX Supervisor: Jake Montgomery
VFX Supervisor: Andy Boyd
CG Supervisor: Jonathan Vaughn
Executive Producer: Asher Edwards

Sound Design + MIX: On Music & Sound
Composer: Chris Winston



Martin Ringqvist Joins 72andSunny as GCD

martin RWe didn’t run this story last week because we couldn’t verify it, but here it is: 72andSunny has hired Martin Ringqvist, best known as the guy behind the Van Damme “Epic Split” spot, as its newest group creative director.

Ringqvist will begin his new GCD role in January, joining the agency from Sweden’s Forsman & Bodenfors, where he was senior partner and copywriter.

72andSunny wouldn’t tell AdAge which accounts Ringqvist will work on just as they wouldn’t tell us whether last week’s rumors about his hiring were true. But the press release does provide us with a couple of quotes, which we will now dutifully reproduce. From CCO Glenn Cole:

“Martin’s innovative body of work speaks for itself, but his role in helping to shape the famously collaborative culture at Forsman & Bodenfors is just as significant. I’m excited to see how he will evolve what we do and how we do it.”

From Ringqvist himself:

“High pace, demanding clients and a total commitment to the task. Who would say no to that? And when it stood clear to me that the people at 72andSunny were just as amazing as their work, it was a no-brainer.”

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72andSunny Channels Lewis Carroll for Target

72andSunny combines Alice in Wonderland with holiday sweetness in the holiday ad “Alice in Marshmallow Land” for Target.

The 60-second spot opens on a young girl following Target’s official mascot Bullseye (a Bull Terrier) down a giant Target logo into “Marshmallow Land.” Once there, the girl, presumably named Alice, eats a mini marshmallow and shrinks to join a group of popular toys at a table as they enjoy hot chocolate. From here, Bullseye and Alice continue on their holiday-themed adventures, set to a cover of the holiday classic “Marshmallow World” by Karen O and mostly removed from any of the malice of Carroll’s classic, of course — the one threatening moment involving a giant robotic dinosaur is easily resolved — until the girl wakes up. It’s a cute and imaginative approach that should appeal to families with small children, while featuring a number of popular holiday items at the giant retailer. Although since it’s debuting so early, it certainly runs the risk of wearing out its welcome by the end of December.

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Craigslist Is the Setting for This Interactive Music Video About Humanity, or at Least Weird Ads

Craigslist might be best for making a couple bucks off that one-wheeled leopard-print bicycle your ex left behind, and it’s just that kind of random human curio that makes the classified site the inspiration for—and theme of—this new interactive music video created by 72andSunny’s in-house creative school 72U.

Set to the song “Catch a Break” by the group Superhuman Happiness (founded by Stuart Bogie, who’s played with the likes of Arcade Fire), the project’s website is designed to look like Craigslist, with sparse blue links. When clicked, they lead to various pop-ups—150 in total—emulating the kinds of posts found on the real Craigslist.

The point, according to the agency, is to capture the human experience, and illustrate how “all of your life—heartbreak, happiness and surplus appliances—can be contained in a message board like Craigslist.”

That might be a a stretch, but the fake ads at least do a pretty good job of capturing the often-weird spirit of the iconic site (if not the heights of glory and depths of shame found in its finest, most insane postings). The ads range from emo, to desperate, to pseudo-philosophical, to touching, to ridiculous, to name just a few.

Perhaps best (that is to say, most true to Craigslist form) is the legal category—one post, titled “Free Divorce Advice,” wonders “Where are all the almost single ladies at?” Another, titled “You pay I counsel,” reads, sic, “I just got paralegal very professional master certificate from university. I sue to make you feel so good. Forget about about wife, husband, car, work. Why worry? Relax time. It’s gonna be good. You pay in form of gold watch, expensive jewelry, deli meats, credit card, or traveler check. No American Express. NO AMERICAN EXPRESS.”

72U’s seven-person team created the website with a budget of less than $1,000, and the video will launch in a not-at-all-spammy way with 275 real Craigslist posts in 11 categories in 25 cities. Whether it fits the song, we’ll leave to you—the “Haiku” link pops up parts of the lyrics, pieced together after the jump.

And if you don’t have the patience to play with the interactive site (coded for Google Chrome), there’s a static demo version of the video below, which includes the obligatory strange geek salute: a GIF of a man humping a robot before they both explode under the header “When will humans be able to love machines?”—posted, naturally, in the biotech and science section.

LYRICS:
Landlord’s knocking, you know you ain’t catching a break today
You’ve grown tired of the bottle and you wish you could fake today
Your weak heart beats fast and you want to wait today
You replay the past trying to get it straight today
Let the water wash away
So you’ll leave right away
If you can’t catch a break
Look up all of a sudden they’re pulling the bait away
Because they love to collect while they always hate to pay
Osama can’t be the only one who prays
Drawing lines between our between our minds and yesterday
We need you right away
If you can take a break
La La La la [etc.]
Don’t you run away
You might catch a break
When you’re cast away
From your holiday
Keep your heart at bay
You might catch a break
You won’t run away
When you catch a break



72andSunny Opens Up Shop in New York, Hires Guillermo Vega as ECD

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72andSunny has just opened up 72andSunny New York, a 13,000 square foot office located on the top two floors of 30 Cooper Square in the East Village.

“We think we’re better for being part of the New York creative community—and we think we can make it a little better by being there,” said Chief Strategy Officer Matt Jarvis.

The agency also announced the hiring of Guillermo Vega, formerly executive creative director of Wieden+Kennedy São Paulo, as executive creative director of the New York office. Vega helped found W+K São Paulo, bringing it from a shop with three employees to one with over a hundred over the course four years, while winning clients such as Nike, Coca Cola, Levi’s, and Heineken. Prior to W+K, Vega spent over 13 years at Y&R, where he rose to regional creative director and oversaw Latin America from the Y&R headquarters in New York.

Vega will lead 72andSunny’s New York office along with managing director James Townsend, who will be relocating to New York from the Los Angeles office. While with 72andSunny in Los Angeles, Townsend worked with clients such as Samsung, ESPN, Truth and will continue to lead the Samsung brand from New York.

72andSunny’s New York staff currently consists of “40 designers, writers, strategists, social media planners, brand managers, and content production people” and they will initially focus on the Samsung and Smirnoff brands. (more…)

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72andSunny Visualizes Music for Sonos

72andSunny has unveiled a new campaign for Sonos’ wireless hi-fi system which playfully imagines what different genres of music would appear as visually.

Taking the notion that Sonos can transform your home literally, the spots each match musical genres with a distinct visual style. So, for example, in the ad set to “Nous Etions Deux” by La Femme, a home is taken over by pop art, starting with spots covering random appliances. In other spots the folk-pop of Sylvan Esso is rendered in claymation, the electronica of Mount Kimbie melts the walls and the croon of Isaac Hayes is paired to (what else?) liquid gold.

Music for the spots was curated by KCRW Music Director Jason Bentley prior to the shoot, informing the pacing, mood and feeling for filming. This approach seems to have payed off, as the music and visuals, created using a combination of practical and CG effects, combine seamlessly, as the sounds seem to transform the space. The homes pictured, “designed to represent people around the world in all kinds of living spaces” are also perfectly matched to the music and chosen form of visualization. Shot over the course of five days in Argentina, everything comes together for a series of ads that imaginatively illustrate the benefits of Sonos’ product and are a lot of fun to watch. (more…)

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Google Embeds Itself in NYC With Some Delightful Site-Specific Outdoor Ads

Google has been running a lovely ad campaign promoting its rebranded mobile app. But some of the best executions have been pretty hard to find—because they’ve been woven into the fabric of New York City.

72andSunny created the wonderfully site-specific ads below, working with a variety of organizations and proprietors to bring little mini-installations to life. While the reach is probably fairly low, the playful factor is high—and it’s great to see a giant company doing such joyfully detailed work on the ground.

“Google search has always been about inspiring curiosity and enabling discovery,” a Google rep tells AdFreak. “This is the inspiration behind encouraging New Yorkers to re-look at familiar landmarks—both big and small—in a new light. By pairing interesting questions with visually intriguing placements we hoped to cut through all the sights and sounds of the city that compete for attention.”

She adds: “Our outdoor campaign aims to spark curiosity about the breadth and depth of New York, and the types of information you can ask of the Google app. Where possible we tried to make the work feels as natural to the environment as much as possible—from custom bowling balls in Brooklyn Bowl to cappuccino cups in Cafe Reggio.”



72andSunny Dives Deep into the Brew for Starbucks

The biggest name in coffee didn’t need to go with hashtags or cross-brand promotions today: it had an interactive mini-documentary by 72andSunny up its over-caffeinated sleeve.

The purpose of the spot is to recast Starbucks as a sort of offline social networking platform by visiting locations around the world and observing the people who frequent them.

It’s compelling.

It’s also very similar, conceptually, to the 2010 film Life in a Day: all filmed in different spots around the world during a single 24-hour period.

Shorter spots and credits below.

(more…)

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72andSunny Want You to Join the ‘Mile High Club’ with Hardee’s/Carl’s Jr.

72andSunny has a suggestive new ad for Carl’s Jr./Hardee’s to promote the chain’s new Mile High Bacon Thickburger.

The Paris Hilton-free spot, entitled “Propositioning,” begins with Israeli model and actress Bar Paly asking her boyfriend if he wants to join the “mile high club.” When he replies, “Not right now, babe,” she turns to the guy across the aisle, who happily accepts. Then proceeds to hand him a Mile High Bacon Thickburger and they both chow down, accompanied by a voiceover effectively saying “see what we did there?”

The brand has such a history of demanding overtly-sexual advertising that it would be silly to expect them to “grow up” overnight. Still, given the controversial 2012 Kate Upton spot, “Propositioning” feels relatively tame. (more…)

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72andSunny Really Wishes You Would All Just ‘F*ck Off’

A question for the men in the audience: have you ever mentored a young person? The answer is almost certainly no, but Esquire wants to change that with the help of 72andSunny and its new “Mentoring Project.

In short, the magazine enlisted a bunch of celebrities along with three ad agencies to try and sell the virtues of the practice to its uber-sophisticated readers. These spots, which will appear in the magazine as well as on its website/social feeds and video channel, aim to “puncture [the] stuffiness” that leads so many men to sit at home rather than reaching out to the young dudes who need their wisdom.

72_Esquire_Burger

The idea is that mentoring is a bit less intimidating when framed as a simple sharing of manly pleasures. As the copy on the above ad puts it:

“That idea can seem paralyzing — like we have to be Aristotle or George Washington or something.

But you don’t need to be a philosopher or scholar, boy scout or saint. Men learn by doing. Go. Eat burgers bigger than your head. Together.”

Two more after the jump.

(more…)

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Michael Canning Joins 72andSunny as GCD

Michael Canning photoBack in July we reported that ECD Michael Canning had left Leo Burnett’s New York office, and today we know where he went: to the West Coast and a new group creative director role at 72andSunny.

Canning — another Australian — was hired by Burnett in 2011 along with his creative partner Kieran Antill in order to help the agency open its then-fledgling New York office along with current Saatchi CCO Jay Benjamin.

For context: Sydney native Canning wrote copy for Lowe Hunt and BMF before moving to Leo Burnett in his home country; he’s also won an award or two. His quote from the release:

“LA has emerged as the new epicenter of branded content, tech and entertainment, and 72andSunny is right in the middle of that.”

72?s most recent creative staffing announcement concerned the promotion of GCD Matt Murphy to partner; the agency also lost CD Jamie Reilly to indie agency Kastner & Partners earlier this summer in what looks like an unrelated move. The release offers no details on which accounts Canning will handle or to whom he will report.

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72andSunny Kicks Off ESPN’s Sunday NFL Countdown

Following the launch of the NFL season last week, as well as ESPN’s new NFL studio, 72andSunny has launched a new campaign for the network’s Sunday NFL Countdown, entitled “Count on Countdown.”

The campaign launched with a 30-second broadcast spot starring Eagles running back LeSean McCoy. In the spot, McCoy prepares for a Sunday game by following Countdown from his hotel, en route to the stadium and in the locker room. “Every Sunday, I count on Countdown,” McCoy says at the spot’s conclusion. Future spots in the campaign will shift the focus to fans around the country, such as Quin Kilgore’s Tattoo League of Omaha, Nebraska, which gained notoriety in a Countdown feature last season. (more…)

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72andSunny Goes Big with Trailer for Activision’s ‘Destiny’

72andSunny has just released a live action trailer for Activision’s new game Destiny, from the creators of the popular Halo franchise, which will be released on September 9th.

72andSunny and Activision went big for the trailer, teaming up with Academy Award winning VFX studio Digital Domain, Academy Award nominated FX studio Legacy Effects, and director Joseph Kosinski, who created most of the worlds for the ad in-camera, shooting at locations in Mexico, Arizona and Utah. The spot follows the adventures of Fireteam as they attempt to reclaim locations in our solar system from alien invaders. Levitating AI character Ghost is voiced by Peter Dinklage (who also voices the character in the game) and the spot mixes humor, action and Led Zeppelin’s iconic “Immigrant Song” to hype up the game and give a sense of its feel without any game footage. (more…)

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72andSunny Shames Celebrity Smokers for truth

Have you ever noticed that a disproportionate number of celebrities happen to smoke in their spare time? That fact provides the motivation behind this new spot for truth (itself an offshoot of the national public health organization Legacy), created by 72andSunny in order to cast these “unpaid” Big Tobacco spokespeople as the very opposite of what we might call “role models.”

Many of the famous faces in the ad didn’t see it because they were too busy attending the Video Music Awards on which it aired (and, presumably, smoking).

That’s not to say that the people at truth don’t love Chris Brown as much as the prototypical “next guy” who does not happen to be Suge Knight.

Another spot created to explain the first below.

(more…)

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72andSunny Goes Revolutionary in Anti-Smoking PSA

72andSunny earned coverage in The New York Times over the weekend for this spot, its first for new client Legacy (previously known as American Legacy foundation, or the group behind all those Truth anti-smoking ads.)

Arnold and CP+B respectively handled the campaigns before 72andSunny won the pitch in February; this new spot serves as both a continuation of earlier entries’ sharp tone and an attempt to position the anti-smoking “movement” as one comparable to Occupy (check out the Guy Fawkes-style masks at :40).

After noting the success of associated anti-tobacco campaigns, the spot tells viewers that the fight isn’t over yet when a significant minority of high schoolers still smoke.

The larger effort includes attempts to turn the movement into something like the Human Rights Campaign’s successful 2013 effort to convince all of your friends to replace their Facebook photos with red equals signs.

Will the new campaign convince young people to place Xs over their faces on social or for corporations to donate more money to the group? We can’t be sure.

Side note: former Publicis Kaplan Thaler CEO Robin Koval currently serves as Legacy’s chief; despite the significant drop in tobacco sales in the U.S., she calls the campaign a case of “David going up against Goliath.”

Also worth noting that the spot does not contain a mention of e-cigarettes, which someone tells us are hot with the kids these days.

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Samsung Pokes Fun at Apple (Yet Again) in New Campaign

Two new spots introduced by Samsung over the weekend tell us that the brand’s strategy–and that of its creative AOR 72andSunny–still revolves around knocking its archrival down a few notches.

Surely you caught the not-so-subtle insinuation that the 8.4-inch Wi-Fi Tab S, released just over two weeks ago, is more effective than the iPad in allowing users to stream distracting content for as many people as possible…at the same time.

There’s another one about (simulated) screen contrast after the jump…

(more…)

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Carl's Jr. Ad for Sticky Buns Wonders Where You Would 'Pull One Off'

Carl’s Jr./Hardee’s isn’t a shy fast-food chain. But this time they’ve traded oiled-up models for innuendo. I won’t spoil the new spots, but let’s just say they aren’t too subtle.

The approach shouldn’t be too surprising, as this is the same restaurant chain that once asked people if they preferred A holes or B holes. I am curious as to how they expect people to eat these Cinnamon Pull-Aparts anywhere (wouldn’t the icing drip?), but I will give them points for having both men and women allude to masturbation. Kudos?

Agency: 72andSunny. Via Adland.



72andSunny Names ECD Matt Murphy as Partner

Longtime 72andSunny creative director Matt Murphy just added a new word to his title: partner.

Murphy, who joined the agency from W+K Portland in 2009, is now officially Partner/Group Creative Director.

In his nearly five years at 72andSunny, Murphy has worked on some of the agency’s biggest accounts and campaigns including Nike, Activision, K-Swiss/Kenny Powers and Google (on which he will continue to lead creative).

The release notes that he will “help lead 72andSunny’s commitment to experimentation with art, technology, and entertainment”. Co-founder/CCO Glenn Cole writes:
“He is constantly experimenting and pushing the creative limits of 72andSunny. His partnership will only allow him to have broader impact, and we look forward to that.”
On a side note, we do like this line from a bio best read with tongue planted as firmly as possible in cheek:
“When Matt is not finding new and interesting ways to work with brands to solve creative problems, he can be found helping his babe of a wife tend to their kale garden and/or dreaming up his next art project.”

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