Oh Dear. Rob Lowe is Painfully Awkward in This (Watch the Newest Ads on TV)


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Honda tells the tale of a woman who left her Honda — for another Honda — while Microsoft shows off its new Xbox driving game “Forza Horizon 2.” And DirecTV serves up another spot in its continuing campaign starring Rob Lowe — along with rather unfortunate alternate versions of Rob Lowe.

As always, you can find out more about the making of the best commercials on TV at Ad Age’s Creativity.

Continue reading at AdAge.com

Jack Daniel's: The celebration

The world’s first crowdsourced bar built by Jack Daniel’s fans to celebrate his 164th birthday (and the love of whiskey).

Advertising Agency: Arnold Furnace, Australia
Executive Creative Director: Tom Spicer
Creatives: Luke Duggan, Cameron Brown
Client Services Director: Michael Stevenson
Group Account Director: Ian Hartley
Senior Account Manager: Natalia Kowalczyk
Account Executive: Belinda Bennett
Head of Experiential: Nigel Hickey / Red Guerilla
Junior Producer: Steph Santos / Red Guerilla
TV Production: Melissa Petryszyn
Production: Bridget Brice
Production Company: Film Graphics
Director: Dylan Harrison
Producer: Nikki Hardy
Media Strategy: Tom Hosking / Society
Media Strategy: Declan O’Dwyer / UM

Virgin America: A peek inside BLAH Airlines Flight 101

The campaign centers on showing people how much it sucks to fly a “blah” airline, by depicting the experience of a mundane flight from takeoff to landing. The result? A 5hour, 45minute film on board the aptly named BLAH Airlines. http://youtu.be/UsMZRl71Zo4

Advertising Agency: Eleven, Inc., USA
Chief Creative Officer: Mike McKay
Creative Director: Bryan Houlette
Senior Art Directors: Sara Worthington, Bryan Houlette
Senior Copywriter: Aryan Aminzadeh
Copywriters: Jon Korn, Kevin X Barth
Head of Integrated Production / Executive Producer: Anastacia Maggioncalda
Producers: Live Action, Lindsey Wood, Michael Phillips, Amanda Punzalan
Activation Strategy Director: Fiona Su
Director of Social Media: Maura Tuohy
Director of Client Services, Rob Garnett
Account Management Supervisor: Lily Byrne
Account Manager: Meghan Kemp
Director: Shillick
Print Photography: JUCO
Print Post: DMAX
Executive Producer: Josh Ferrazzano
Producer: Bo Clancey
DP: Peter Thompson
Video Post Production: World War Seven
Editor: Kevin X. Barth
VFX Artist: Sean Pfeiffer
Additional VFX: Sean Addo
Colorist: Robert Crosby
Sound Design: World War Seven
Additional Editorial: Penny Krueger, Nick Brown / Eleven
Additional Sound Mixing: Matt Wood / Eleven

Mini Connected: Tape

While others play playlists the Mini is its own soundtrack.

Advertising School: Miami Ad School | ESPM, São Paulo, Brazil
Art Directors: Ian Hartz, Renato Jun Okida
Released: 2014

Mini Connected: Vinyl

While others play playlists the Mini is its own soundtrack.

Advertising School: Miami Ad School | ESPM, São Paulo, Brazil
Art Directors: Ian Hartz, Renato Jun Okida
Released: 2014

Mini Connected: iPod

While others play playlists the Mini is its own soundtrack.

Advertising School: Miami Ad School | ESPM, São Paulo, Brazil
Art Directors: Ian Hartz, Renato Jun Okida
Released: 2014

Douwe Egberts: Drop off

Advertising Agency: BBDO Belgium
Creative Directors: Arnaud Pitz, Sebastien De Valck
Art Director: Klaartje Galle
Copywriter: Régine Smetz
Account team: Isabel Peeters, Muriel Douchain, Laura Remory
TV Producers: Leen Van den Brande, Roxane Lemaire, Nicolas Van Poeck
Production Company: Latcho Drom
Director: Ric Cantor
Producer: Julie Bosteels
Music: Phile Bokken, Pieter Van Dessel / Sonicville

Las Vegas: Watercooler

Advertising Agency: R&R Partners, Las Vegas, USA
Executive Creative Director: Arnie DiGeorge
Creative Director: Schuyler Vandenbergh
Creative Director / Copywriter: Chris Hagan
Creative Director / Art Director: Mark Naparstek
Producer: Dustin Oliver
Production Manager: Lenny
Account Director: Ron Rubin
Brand Supervisor: Alyson Ashbock
Brand Manager: Matt Smith
Senior Project Manager: Denise Goldbaum
Director: Geordie Stephens
Editor: Kevin Anderson
Flame Artist: Shinya Sato
Colorist: Shane Reed
Mix: Loren Sibler

The Bolloré Group offers to buy controlling stake in Havas, but rules out sale

The Bolloré Group is attempting to secure a controlling stake in Havas, the world’s sixth largest advertising company, but has ruled out an imminent sale.

Layoffs, Reshuffling Begin at Conde Nast


Conde Nast began laying off employees of its corporate sales division this week, according to people with knowledge of the matter. The job cuts could number in the 70s, they said, confirming a Wall Street Journal report from earlier this week.

A spokesman for Conde Nast declined to comment.

The layoffs are targeted to Conde Nast Media Group, which sells ad programs spanning the company’s magazines and their websites. Until Friday, about 200 people worked in this division. And some staffers were moved to individual titles at Conde Nast, which publishes 17 magazines including Vogue, Vanity Fair, Glamour, GQ, Wired, The New Yorker, Bon Appetit, W, Allure, Self and Architectural Digest as well as websites Epicurious, Style.com and Ars Technica.

Continue reading at AdAge.com

Infiniti May Have Chosen CP&B

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Someone wants the trade press to know that Infiniti will sign with CP&B.

A source told AdAge this morning that the competition is all over, “although a final contract has not yet been signed.”

Way back in July we established the fact that TBWA would not retain the account and that the initial pitch involved seven agencies; a September report claiming that CP&B and GS&P were the last two parties standing preceded a slew of tips insisting that CP&B would be the winner. That happened exactly one month ago — and now it seems that the “source” has succeeded again in planting the story.

Of course CP+B has yet to comment, because no agency can confirm such reports before the official statement is drafted with the client’s approval.

But we have to wonder who has been trying so hard to leak this news — and why the announcement has been delayed so long when our readers told us that the decision had already been made a month ago.

New Career Opportunities Daily: The best jobs in media.

Don’t Panic Celebrates Real Life Superheroes for Save the Children

Agency Don’t Panic collaborated with production company Unit 9 to explore sightings of superheroes in remote locations in India, Kenya and Mexico in a new PSA for Save the Children.

“She flies with the clouds and she gives water,” says one girl. “He came and destroyed the mosquitoes,” says a small boy. “She came and now we have a new baby sister,” another child adds. “Every child deserves a superhero,” reads text at the end of the ad, when it is finally revealed that the “superheros” in question are, in fact, Save the Children workers. It’s a touching message, as the PSA displays just how important a role Save the Children plays in the lives of children in need, who see their efforts not just as extraordinary but even magical.

The PSA is part of Save the Children’s “Race for Survival” campaign, timed to coincide with the UN International Day for the Eradication of Poverty. It follows in the footsteps of previous collaborations between Don’t Panic and Unit 9 for Save the Children, including “Most Shocking Second a Day” and “Reverse.” The two companies also collaborated for the memorable “Everything Is Not Awesome” effort for Greenpeace, which led to the end of Lego’s partnership with Shell.

New Career Opportunities Daily: The best jobs in media.

What's in McDonald's Food, Anyway? Ex-MythBuster Grant Imahara Is Hired to Find Out

Does McDonald’s put horsemeat in its burgers? What about pink slime? Would you feed McDonald’s food to your kids?

So many questions. But now, taking its cues from a well-received transparency campaign from McDonald’s Canada, the chain is responding to whatever hate its American critics want to throw at it. And it’s hired former MythBusters host Grant Imahara to be your third-party, completely unbiased, totally trustworthy, quasi-celebrity McMyth investigator.

Grant’s first three videos have already dropped, where he visits a Cargill plant and answers the following: Is McDonald’s beef real (and are there eyelids in there)? Why are the patties frozen (when fresh should theoretically be much tastier)? Why are the burgers so cheap (you get what you pay for, right)?

It’s everything you’d expect from a hard-reboot, Domino’s-style brand turnaround. What I most admire is that they’re letting the comment feed on YouTube be just as brutal as it wants to be. And man, is it brutal. It’s hard to tell the legit processed-food concerns from the horsemeat crazies.

Though honestly, that’s good for Micky D’s. The more they can discredit the really nutty folks by letting them be themselves—and there are some excellent conspiracy theorists blowing up the feed—the less McDonald’s itself actually needs to say.

That said, I’m probably not going to bite the bullet like Grant and munch a Big Mac anytime soon. But those sodium acid pyrophosphate fries, man. Who can resist those fries?



So Happy Together? You and Android Lollipop Should Never Be Apart, Ads Say

Android wants to be with you. Everywhere. All the time. Is that so wrong?

The Google-developed platform doubles down on the “togetherness” theme in work touting its new Android 5.0 Lollipop OS. That system runs across mobile, wearables, TVs and a range of other devices, including the Nexus 6 smartphone (built by Motorola) and Nexus 9 tablet (from HTC), both of which dropped this week amid much fanfare.

“Be together. Not the same” is Android’s new tagline, introduced in a trio of 30-second animated spots on Sunday during the season premiere of AMC’s The Walking Dead. The South Park-y visuals are strictly G-rated and give the ads, which teased the Nexus 6 and 9 handsets a few days before their Wednesday release, a distinctive flair.

Those clips were followed by a pair of minute-long spots that expand the campaign’s message by emphasizing the “And” in Android. One mixes animation with live-action shots of diverse folks enjoying life and interacting in positive ways with technology (backed by the inspired musical choice of Andrew W.K.’s anthemic “Party Hard”).

The second spot ditches the animation but really lays out Google’s vision. A voiceover begins: “Remember back in school, when you either invited the new kid over to your table, or you didn’t? If you did, that was a cool move. That was an AND move. ‘And moves’ take guts, but they can mean everything.”

Footage of the Wright Brothers and Martin Luther King Jr. follows, stressing how inclusiveness combined with independent thought drives innovation and change. “Everyone doing the same thing won’t move us forward. Everyone doing their own thing, together, can.”

“As you switch from one screen to another, the experience should feel the same. So Lollipop has a consistent design across devices,” writes Sundar Pichai, svp of Android, Chrome and Apps, on Google’s blog. “Now, content responds to your touch, or even your voice, in more intuitive ways, and transitions between tasks are more fluid.”

Overall, the campaign, devised by Google Creative Lab, presents an appealing tech-topian notion that’s on point for our hyper-connected times. Still, there’s a nagging Big Brother vibe just beneath the surface. Isn’t Google ubiquitous enough already? When we’re “being together” with others, must a piece of software participate in every interaction?



Bollore Group Seeks a Controlling Stake in Havas


Investment company Bollor Group put forth an offer on Friday to acquire control of the French advertising holding company Havas.

“The Bollor Group has been a historical shareholder of Havas for more than 10 years,” Havas Chairman-Global CEO Yannick Bollor said in a statement. “It currently holds 36.2 % of Havas’ shares. This offer is a step further in the ongoing relationship already existing between the two groups. By strengthening its capital position through this public offer, the Bollor Group underlines its will to pursue its long-term commitment to Havas.”

Increasing his stake in Havas “will raise some questions about whether Bollor’s end-game is to sell Havas to a third party,” Ian Whittaker, an analyst at Liberum Capital, wrote in a note. “Vivendi will also inevitably get linked, especially given its financial firepower post-disposals.”

Continue reading at AdAge.com

French Film Fest: The Last Great Master of Pauses

To celebrate the 15th French Film Fest, Institut Français asked us to change the perception of French Film as overly intellectual, slow and dull.

Advertising Agency: Publicis, Lisbon, Portugal
Creative Director: Pedro Ribeiro
Copywriters: Maria Lisbon, Mauricio Bina
Art Directors: Ana Costa, Pedro Oliveira, Lincoln Guimarães
Client Service Director: Susana Doutor
Production: Cristina Almeida
Production Company: Love Magna
Director: Salomão Figueiredo
Sound: Dizplay
Published: September 2014

Hipsters In Paradise

Fashion specialists, YARD in New York City, unveiled a new spot for Timberland. Holy juxtapositions. Hipsters enjoy time spent in the woods and messing around in the city? This is big. And the great thing is said hipsters do not need two uniforms of nonconformity; one will do. “I’m made for this moment. I’m built […]

The post Hipsters In Paradise appeared first on AdPulp.

Invasive. "What if your tax money is used to kill animals?"

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Every year in the city of Ghent, thousands of the Invasive Canada Goose need to be killed by the city government. At huge public expenses. What if we convinced citizens to eat the birds instead? And convince the vegetarian community to get involved in the process? continue

David Beckham Stars in New Haig Club Whisky Ad

David Beckham is certainly no stranger to advertising, but as far as we’re aware this is the first time the former soccer superstar has appeared in an ad for booze.

Beckham stars in the new spot for Haig Club Whisky, which was directed by Guy Ritchie. The ad sees Beckham partying it up at a remote estate in the Scottish highland — the kind of swanky real estate its fair to assume he and wife Victoria Beckham actually own — after meeting up with a group of friends. Beckham doesn’t speak in the ad (there’s no dialogue, actually) but he’s still the focus of attention, with Ritchie mostly keeping the camera focused on the star in the well-shot ad. No word yet on which agency was responsible, but we will update if/when we receive that information.

New Career Opportunities Daily: The best jobs in media.

Highline Suspended Hammocks

C’est dans les Alpes Italiennes au Monte Piana durant le Highline festival que des aventuriers et athlètes ont expérimenté ces vertigineux hamacs : Des toiles suspendues en file indienne à plus de 2000 mètres de hauteur par une corde reliant les deux montagnes et supportant une vingtaine de personnes. Un projet à découvrir dans la suite.

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