Investimento em propaganda para o digital ultrapassa verba da TV aberta pela primeira vez

A TV aberta ficou para trás dos meios digitais em investimentos publicitários nos EUA. Dados do Internet Advertising Bureau (IAB) revelam que os gastos com anúncios para plataformas digitais bateram a marca dos 42,8 bilhões de dólares, mais do que os 40,1 bilhões de dólares investidos em propaganda televisiva.

Entre os formatos digitais mais utilizados estão a busca (com 43% do total em 2013), os banners (19%), as iniciativas para plataformas móveis (17%) e os anúncios em vídeo (7%), estes dois últimos sendo as grandes estrelas atuais, com elevada taxa de crescimento – 110% para os anúncios em dispositivos móveis e 300% para a publicidade em vídeos online.

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A supremacia do digital sobre a TV, contudo, só é válida se não forem considerados os canais de TV à cabo – só o investimento em canais pagos soma mais de 34 bilhões de dólares, bem próximo dos valores de investimento em TV aberta e internet.

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O relatório completo da IAB, acerca do mercado americano no ano de 2013, pode ser conferido neste link.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Cultura: Kids, 2

Come with your kids, go back home with their imagination.

Advertising Agency: St John’s, Paris, France
Creative Directors: Bruno Delhomme, Thomas Birch
Art Directors: Pascaline Grand, Alexandra Chapuis
Copywriter: Serge Legrand
3D-CGI : Pell Mell – Atomiko
Published: April 2014

Cultura: Kids, 1

Come with your kids, go back home with their imagination.

Advertising Agency: St John’s, Paris, France
Creative Directors: Bruno Delhomme, Thomas Birch
Art Directors: Pascaline Grand, Alexandra Chapuis
Copywriter: Serge Legrand
3D-CGI : Pell Mell – Atomiko
Published: April 2014

Don’t call it ruin porn, this is Ruin Lust

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Most people are fascinated by ruins. The appeal of the crumbling and the decaying is such that it has its own term in photography. It is called “ruin porn” and Detroit is one of its most celebrated subjects. Tate Britain currently has an exhibition about the mournful, thrilling, comic and perverse uses of ruins in art. It is called Ruin Lust. Not because Tate curators are prude and proper but because they are erudite, the title of the show, i read, comes from the 18th-century German architectural word ‘Ruinenlust’ continue

VIA Rail: I took the time to plan

Advertising Agency: Cossette, Canada
Media agency: Touché
Photographer: Leda & St-Jacques
Sound studio: La Majeure

VIA Rail: Savour a bit of “me time”

Advertising Agency: Cossette, Canada
Media agency: Touché
Photographer: Leda & St-Jacques
Sound studio: La Majeure

VIA Rail: Time is money.

Advertising Agency: Cossette, Canada
Media agency: Touché
Photographer: Leda & St-Jacques
Sound studio: La Majeure

VIA Rail: Buy yourself some time

Advertising Agency: Cossette, Canada
Media agency: Touché
Photographer: Leda & St-Jacques
Sound studio: La Majeure

Watch Jon Stewart Celebrate Stephen Colbert’s ‘Late Show’ Hire


On last night’s “Daily Show,” Jon Stewart played a clip from the old days, back when Stephen Colbert was a senior correspondent for the faux-news program. In the clip-within-a-clip below, Colbert, consummate comedy professional, does what he rarely does — he completely loses it, dissolving in laughter that’s hard to watch without laughing too. And then Stewart says some very nice things about his old friend and colleague — and also about the man, David Letterman, that Colbert is set to replace on the “Late Show.”

In the second clip, from last night’s “The Colbert Report,” Colbert also offers praise for Dave and his legacy, adding, to roaring applause, that “I do not envy whoever they try to put in that chair.”

Continue reading at AdAge.com

Chewbacca Rips It Up in Our Galaxy’s Latest Parody of Cadbury’s ‘Gorilla’

"A short time ago, in a county far, far away in the U.K. …"

Chewbacca shows off his mad Wookiee drumming skills in this great self-promo ad—a parody of Cadbury's "Gorilla"—for a real band made up of Star Wars characters (in which Chewie is indeed the drummer).

It's pretty great that Chewie has found another creative outlet. I don't speak Wookiee, but I'm pretty sure he'd say "RWGWGWARAHHHHWWRGGWRWRW" about his new gig. Actually, though, it seems he's been playing drums for years.

At the bottom of this post, you'll find some rare videos from his rise to rock 'n' roll royalty—even some other "Gorilla" parodies.

Meanwhile, the self-described "Earth's Greatest Sci-Fi Band," aptly named "Sci-Fi Band," might be my new favorite band in the universe. May the Force be with them.

The Wookiee has won again.

 
As promised, here is Chewie's rise to musical fame (and a haircut):

 
P.S.: Chewie also once thought he was Axl Rose …

 
… and sold cars.




Multiple Departures at Tribal Worldwide

tribal_logoWe’ve confirmed a round of turnovers at the offices of Tribal Worldwide.

The tips we received listed multiple project managers and experience designers as now-former employees, with names including Kevin O’Connor, Alex Lynch, Omkar Palekar, Peter Gallo, Nikhil Mitter and Rocky Romano.

An agency spokesperson commented:

“In the normal course of business, people are presented with opportunities to take on different, new, and challenging opportunities. As sad as we are to see some of our colleagues leave Tribal to pursue these new opportunities, we’re happy that other companies recognize their talent and the value of the experience they have gained at Tribal. We also wish them well and look forward to welcoming new colleagues in their stead.”

Updates if/when we receive them.

New Career Opportunities Daily: The best jobs in media.

Urban Fabric Rugs by Four o Nine

Le studio de design Four O Nine a eu l’excellente idée d’imaginer plusieurs tapis s’inspirant de la géographie des villes, mais aussi d’autres éléments de cartographie telles que les différents fuseaux horaires. Avec par exemple le TimeZone, la marque nous propose ainsi de marcher littéralement sur la planète.

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Publicis Digital Shop Rokkan is the Latest Non-Media Shop to Start Buying Group


Rokkan is the latest non-media agency to get into the media buying business, starting with three senior hires in New York.

Sean Miller, who had been group director of insights and planning at Interpublic’s R/GA in New York, will lead Rokkan’s new media group as senior VP of strategy. The shop also tapped Lindsay Williams, global brand director for Estee Lauder, as VP of media and analytics, and Joe Meanor, a group director at MRY, as VP of client partnerships.

“We’re seeing a big emphasis and increased volume in terms of the asks we’re getting to integrate media into the work we’re doing,” said Harley Block, senior VP of marketing and brand development at Rokkan.

Continue reading at AdAge.com

The Oscars Selfie Has Now Been Immortalized as a Painting in Twitter HQ

If it's starting to feel like you'll never be able to escape that Oscars selfie, just imagine working at Twitter headquarters, where it's now an official piece of office art.

Twitter employee Lauren Mitcheom tweeted the photo above last night with a personalized note to Ellen DeGeneres: "Hey, @TheEllenShow! We painted a picture of you at Twitter HQ. Come take a #selfie with us!"

Appearing in the photo are fellow Twitter employees Liz Fiandaca and Genevieve Wong. We've reached out to Twitter to learn more about who created the painting (which I'm sure is going to fly right to the top of their list of media calls to return today). But for now, we're just going to assume, as we do with all things, that Samsung was behind it.




AT&T: Sing Better Business

Advertising Agency: BBDO, New York, USA
Chief Creative Officers: David Lubars, Greg Hahn
Executive Creative Directors: Matt MacDonald, Dennis Lim
Senior Creative Director: Juliana Cobb
Creative Director / Copywriter: Greg Gerstner
Creative Directors / Art Directors: Michael Ashley, Chris Toland
Group Executive Producer: Julie Collins
Producer: Becky Burkhard
Executive Music Producer: Melissa Chester
Senior Account Director: Walker Teele
Account Manager: Ashley Gill
Production Company: Biscuit Filmworks
Director: Aaron Ruell
Director of Photography: Damian Acevedo
Music House: Human
Edit House: Rock Paper Scissors
Editor: Frank Snider
Visual Effects House: Spontaneous

AT&T: Sing Food Truck

Advertising Agency: BBDO, New York, USA
Chief Creative Officers: David Lubars, Greg Hahn
Executive Creative Directors: Matt MacDonald, Dennis Lim
Senior Creative Director: Juliana Cobb
Creative Director / Copywriter: Greg Gerstner
Creative Directors / Art Directors: Michael Ashley, Chris Toland
Group Executive Producer: Julie Collins
Producer: Becky Burkhard
Executive Music Producer: Melissa Chester
Senior Account Director: Walker Teele
Account Manager: Ashley Gill
Production Company: Biscuit Filmworks
Director: Aaron Ruell
Director of Photography: Damian Acevedo
Music House: Human
Edit House: Rock Paper Scissors
Editor: Frank Snider
Visual Effects House: Spontaneous

AT&T: Sing Anthem

Advertising Agency: BBDO, New York, USA
Chief Creative Officers: David Lubars, Greg Hahn
Executive Creative Director: Matt MacDonald
Creative Director: Matt Vescovo
Copywriter: Bill Heater
Art Director: Marc Klein
Group Executive Producer: Julie Collins
Executive Producer: Diane Hill
Assistant Producer: Sasha White
Executive Music Producer: Melissa Chester
Senior Account Director: Walker Teele
Account Manager: Ashley Gill
Production Company: Biscuit Filmworks
Director: Noam Murro
Director of Photography: Eric Schmidt
Music House: Human
Composer: Sloan Alexander
Edit House: Rock Paper Scissors
Editor: Stewart Reeves
Assistant Editor: Luke Mcintosh
Visual Effects House: Method

AT&T: Sing Network

Advertising Agency: BBDO, New York, USA
Chief Creative Officers: David Lubars, Greg Hahn
Executive Creative Director: Matt MacDonald
Creative Director: Matt Vescovo
Copywriter: Bill Heater
Art Director: Marc Klein
Group Executive Producer: Julie Collins
Executive Producer: Diane Hill
Assistant Producer: Sasha White
Executive Music Producer: Melissa Chester
Senior Account Director: Walker Teele
Account Manager: Ashley Gill
Production Company: Biscuit Filmworks
Director: Noam Murro
Director of Photography: Eric Schmidt
Music House: Human
Composer: Sloan Alexander
Edit House: Rock Paper Scissors
Editor: Stewart Reeves
Assistant Editor: Luke Mcintosh
Visual Effects House: Spontaneous

Surreal Jumping Photography – Le Saut by Victoire Le Tarnec Captures Weightless Figures in the Air (GALLERY)

(TrendHunter.com) As though experiencing an impossible moment of zero gravity in earthbound places, the photo series titled Le Saut by Victoire Le Tarnec, a French photographer, captures people jumping higher than…

Giraffe Friend, um wearable que te lembra de manter a postura correta

Pode confessar: com o passar do tempo, você vai ficando bem torto na sua mesa de trabalho, não é? Começa apoiando em um braço, depois no outro, e de repente você passa a coincidentemente reclamar de dor nas costas. Aposto que enquanto lê esse texto, você ainda deu uma esticadinha e colocou os ombros para trás, só para ter certeza de que está retinho 😉 Problemas de postura e ergonomia no ambiente de trabalho são um dos principais vilões de quem trabalha sentado o dia inteiro, e o Giraffe Friend surge para ajudar nessa batalha.

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Com 2,6 cm de diâmetro e 9 mm de espessura, o gadget vem com um clipe, para ser encaixado na lapela ou no colarinho da sua roupa, e vibra para alertar o usuário sobre a má postura. Um sensor de movimento é capaz de determinar quando você está mal posicionado na cadeira, e também é possível programar alertas vibratórios de tempos em tempos, para você se lembrar de checar a sua postura.

giraffe-postura

O Giraffe Friend também se comunica via Bluetooth com um aplicativo mobile, assim consegue rastrear como foi a sua postura ao longo do dia, o que pode ajudar a entender em que ambientes e horários você é mais propenso a ficar com a coluna torta.

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Com um custo baixíssimo, por volta de 15 dólares, o Giraffe Friend é um grande sucesso no site de financiamento coletivo Demohour – já alcançou 911% do objetivo inicial, e quase todas as opções encontram-se esgotadas. Quem se interessar ainda pode tentar adquirir o seu por 159 Yuan, equivalente a 26 dólares.

Esse não é o primeiro wearable a se propor a vigiar sua postura – o LumoFit já faz o mesmo, só que o precinho é bem mais caro: cada Lumo custa 79 doletas, mais que o triplo do valor do Giraffe.

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Brainstorm9Post originalmente publicado no Brainstorm #9
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