Watch Last Night’s New TV Ads, Including Oscar Mayer for ‘P3’


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

We’ve got more on Audi’s ad starring Ricky Gervais, Sarah Silverman’s work for Orbit gum and Oscar Mayer’s new meat, peanuts and cheese product.

Continue reading at AdAge.com

Hasan Acquires Perfect Fools, Sumedi Named CCO at O&M Indonesia And More


Wieden & Kennedy Amsterdam has recruited 180 Amsterdam creative team Victor Monclus and Will Lowe to its creative department as art director and copywriter, respectively. The duo began their career at DBB London, where they created work for Volkswagen, Marmite, the Financial Times and Harvey Nichols, including the Cannes and D&AD-awarded “Daylight Robbery”campaign. In 2012 they moved to 180 Amsterdam, where they created campaigns for clients such as Qatar Airways, PlayStation and Barber.

Continue reading at AdAge.com

Russia Is A Lot Of Things, A Good Client And Business Partner Among Them

Russian oligarchs have much invested in Europe and in the U.S. The inverse is also true. We have much invested in Russia. Russia is big business.

According to The Hill, public relations giant Ketchum has earned more than $26 million representing Russia, and is keeping the country as a client despite the widely denounced incursion into Crimea by the Russian military.

“Our work continues to focus on supporting economic development and investment in the country and facilitating the relationship between representatives of the Russian Federation and the Western media. We are not advising the Russian Federation on foreign policy, including the current situation in Ukraine,” said a Ketchum spokeswoman.

Ketchum also represents Gazprom, the Russian state-owned oil and gas company. With headquarters in Moscow, Gazprom is the largest extractor of natural gas and one of the largest companies in the world.

Another big American companies with a lot on the line in Russia right now is Boeing.

According to the Philadelphia Business Journal, aerospace products are America’s No. 1 export to Russia, and Boeing currently has an 100-aircraft backlog of orders from Russian airlines.

Boeing also has an engineering center in Moscow, and a joint titanium manufacturing operation with a Russian company.

None of these deep connections are surprising in any way. We live in a global economy and many Americans—myself included—have Russian heritage. Some of us grew up reading Russian novels and seeing Russian plays in the theater. Others idolize the Russian hockey players on today’s NHL teams. My point is this current crisis is a family conflict. And Putin is the rogue relative.

For more on that, see this segment from Rachel Maddow:

The post Russia Is A Lot Of Things, A Good Client And Business Partner Among Them appeared first on AdPulp.

Google unveils first Android Wear product with new watch

Google has revealed its first piece of wearable technology for its Android system in the form of a new digital watch.

OMD loses £600m global Vodafone account

OMD has lost the £600 million global media planning and buying business for Vodafone, which will move to either Group M or the Denstu Aegis Network.

Wes Anderson – Centered

Sur une musique d’Alexandre Desplat – « The New Lobby Boy », le vidéaste Kogonada a réuni les symétries présentes dans les films de Wes Anderson, de Rushmore à Moonrise Kingdom, en passant par The Darjeeling Limited et Fantastic Mr Fox. Une vidéo qui prouve la méticulosité des compositions et plans du réalisateur.

Bonus : Wes Anderson From Above

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Viacom and YouTube Settle Suit Over Copyright Violations

The legal dispute began in 2007 over allegations by Viacom that its material was appearing on YouTube without permission.

    



Pereira & O’Dell Explains ‘Hunkvertising’ on ‘Nightline’

San Francisco-based Pereira & O’Dell were recently invited onto ABC’s Nightline for a segment exploring the recent “hunkvertising” trend, and even created a “hunkvertisement” for the show.

The five-minute segment, entitled “The Art of the ‘Hunkvertisement’” features executive creative director Jaime Robinson and Renuzit director Chris Applebaum explaining the phenomenon to Nightline reporter Nick Watt. After exploring the ins and outs of “hunkvertising” the pair, along with the rest of their team, coach Watt on how Nightline can appeal to more women, and even film a 30 second “hunkvertisement” for the program produced in-house by P&O’D.

It’s kind of fun to watch Watt struggle with the concept of mixing male sexual objectification and humor in ads targeting women, which he at one point labels “bizarre” and then attempt to star (rather uncomfortably) in his own advertisement. Nightline approaches all kinds of reactions to the supposed trend, including the idea that these kinds of ads empower women, that it’s sexist to assume women need a hot guy to sell them kitchen and household items, and the crazies at One Million Moms doing what they do best (being crazy). The segment runs through a number of prototypical “hunkvertisements” in their examination of the phenomenon, notably Renuzit’s “Scent Gents,” which we’ve included after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Coming: TV Ads That Target the Grocery Cart


Consumer goods data powerhouse IRI is enhancing the information it gathers on the food and household items people buy with TV and digital data. The idea is to layer on the IRI scores which represent propensity to buy certain types of product to television programming data from Rentrak and digital audience data from Comscore.

IRI harvests data directly through a panel of 80,000 active consumers, tagging them with scores by product. Now that information is matched by household to Rentrak and Comscore data. Rentrak tracks video-on-demand viewing on 120 million televisions in 210 markets. Digital audience measurement company Comscore gathers information on 1.5 trillion global digital interactions each month.

Rentrak has worked with IRI for a couple years, but the TV data firm’s CEO and Vice Chairman Bill Livek calls this “a massive expansion of a really good working relationship.”

Continue reading at AdAge.com

Meet AT&T’s ‘Network Guys,’ Who Are Here to Help You and Quietly Judge You

Cable guys have been a staple of pop culture for years, but now it's time for their next-generation replacements to get some time in the spotlight.

Two new spots for AT&T from BBDO New York show the "Network Guys," a pair of techs working to improve wireless coverage for concert attendees and office drones alike. 

They somewhat graciously shut down a rock 'n' roll fan's dreams of joining their club. They also make an office worker swoon, thanks to their l33t d4t4 sk1lls (elite data skills), which let them make posting to Instagram easier for all the n00bs (noobs).

With ads like this, it's always hard to tell if they're really supporting the "nerds rule" zeitgeist or just keeping up the age-old mockery of tech geeks as socially awkward  losers who only excel at their jobs. And since AT&T's main representative in the ads barely regards their customers as worthy of conversation, it seems like the brand is essentially saying, "You don't understand everything we do for you, so just go back to Instagramming, you uneducated cretins."

That said, thanks to some great delivery by the actors, these spots are still pretty charming.


    



Candid Seat Belt PSAs Show You How to Use a Wheelchair and Change a Colostomy Bag

Here's an unpleasant if novel way to recommend the use of seat belts: Show people detailed instructions on dealing with injuries from not wearing one.

Gyro's Dubai office did just that in a new campaign to educate people about the importance of wearing seat belts in the backseat of cars. The campaign, for a charity called Buckle Up in the Back, takes the form of instructional guides—"How to Get Around in a Wheelchair," "How to Change Your Colostomy Bag"—for dealing with injuries you can sustain from not wearing a seat belt.

The guides are being tucked in the the seat pockets in the backs of taxis and rental cars in the UAE, where people will probably wish they didn't see them. The tagline is: "If you don't wear a seat belt, you're going to need all the help you can get."

"Instead of just telling people they are wrong for not buckling up, we decided to accept that people are ignoring these kinds of public health messages and give advice of how to deal with the day-to-day consequences of life without seat belts," said Gyro Dubai creative group head Neil Harrison. "These guides illustrate a very realistic and unfortunate future that can easily be avoided by buckling up."

Guides and credits below.

CREDITS
Client: Buckle Up in the Back
Agency: Gyro Dubai
Executive Creative Director: Gui Rangel?Account Director: Anna Start?Planner: Mark Haycock?Group Head/Copywriter: Neil Harrison?Art Directors: Charlotte Morand and Moses Anthony?Illustrator: Moses Anthony


    



Percolate Adds Another $24 Million, Takes Content Marketing Battle Up A Notch


Percolate, a marketing technology company that helps marketers plan and publish content, has raised $24 million in a round led by Sequoia Capital, the company announced today.

The funding kicks the battle for content marketing tech supremacy up a notch. NewsCred, which began as a content licensing company but recently built functionality similar to Percolate, raised $25 million in January. Contently, which connects freelancers with brands and publishers, raised $9 million earlier this year as well. With the $24 million dollar raise, Percolate should be able to go head to head with these companies in what is becoming an increasingly hot niche in the marketing industry.

“We’re pretty confident this stuff is a good idea,” said Noah Brier, co-founder of Percolate, of content marketing technology. In an interview with Ad Age Monday, Mr. Brier pointed to the rise of mobile as a main driver for today’s content marketing boom. “You buy a phone because you need a phone, but you use a phone for social, and at the heart of social is content,” he said.

Continue reading at AdAge.com

BBH China’s Harbin World Cup Spots Are Over in a Flash

Wow, talk about efficient. Fresh off winning the AB InBev Harbin Beer business back in November, BBH China has launched a series of ultra-short television spots for their Harbin Beer World Cup 2014 campaign.

Harbin, the official World Cup sponsor in China, will run the blink-and-you’ve-missed-them spots every night on CCTV1 news and OOH media, where they are expected to reach hundreds of millions of Chinese consumers. As might be expected given the short duration, the ads keep things simple. The above “Freedom Time” exemplifies the approach here: the spot sees a Harbin drinker ignore a call from the boss during the big game, instead using the phone as a coaster. There’s something admirable about the efficiency required of the format, especially in contrast to the lengthy online spots that we see on a daily basis. Check out “Red Card” below, and stick around for the lengthy (7 seconds) “Slide Tackle” after the jump. It won’t even take a minute.

continued…

New Career Opportunities Daily: The best jobs in media.

The Empire State Building Made from Bicycle Tracks

Les créatifs de 100 Copies ont dessiné L’Empire State Building à partir d’une roue de vélo qui portait l’encre noir sur le papier. Imprimé en 100 copies seulement, ils ont utilisé 7 différents types de vélos et de roues pour réaliser ce dessin du monument. « The Cyclist Empire » est à découvrir dans la suite.

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Cara Welfare Pet Adoption Program: I Am Home Campaign


Outdoor, Online
CARA Welfare

With greater awareness for animal rights, animal rescues have increased through the years. Stray cats and dogs are rescued everyday by adoption centers in the Philippines. Unfortunately, as more strays are rescued, adoption centers run out of room to accommodate more. Without any room, no additional rescues can be done. A campaign was done that aimed to encourage people to adopt strays from adoption centers instead of buying pets from pet shops. As a result, they help free up room at adoption centers allowing more rescues. By showing one’s reflection on the animal’s eyes, we created an engaging medium that tells the viewer that he can be a possible home to strays. Seeing oneself in the animal’s eyes inspires a sense of responsibility and urgency to adopt a stray instead of buying a pet from a pet shop. It turns what could’ve been just an ordinary source of information into a shareable experience. Interactive microsite: http://adoptapet.caraphil.org/

Advertising Agency:DDB, Philippines
Deputy Executive Creative Director:Jimmo Garcia
Creative Director:Bobby Vito
Art Director:Ow Fajardo, Clawe Arcangel
Copywriter:Ogy Yap
Accounts:Danni Tsai
Photographer:Karel Sevilla, Clawe Arcangel
Final Artist:Ow Fajardo, Clawe Arcangel
Print Producer:Ayie Tama, Sharki Librada
Digital Service Head:Ian Ong
Digital Producer:Tina Gerolaga
Creative Developer:Nif Ruedas, Kc Barrios

Can We End the Stranger Makeout Session with This?

Good lord, the “brand rapper” is everywhere these days. In between spitting rhymes for the top MC title in Los Angeles, former Deutsch LA copywriter Jason Pickar situated himself into this clip, which was shot over the weekend. Well, safe to say that this is not quite as romantic and/or alluring as Wren’s original clip, which has garnered somewhere in the range of 30 million views since its launch. At least our dude has his rap career and copywriting resume to fall back on.

New Career Opportunities Daily: The best jobs in media.

Assista ao primeiro teaser de “Peanuts”, o retorno 3D de Charlie Brown e Snoopy

A Fox revelou hoje o primeiro teaser de “Peanuts”, a estreia 3D de Charlie Brown, Snoopy e seus amigos no cinema.

De cara já se percebe que o estilo de Charles Schulz foi mantido, mas contando com a adição de texturas e profundidade, ao mesmo tempo que quase imita um stop motion.

Dirigido por Steve Martino da Blue Sky Studios, o filme tem estreia marcada para 6 de novembro de 2015, bem a tempo das comemorações dos 65 anos da tirinha de Schulz.

Vale dizer que, os filhos do autor, Craig e Bryan Schulz, estão envolvidos na criação do roteiro.

Peanuts
Peanuts

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Yamaha Marine Open Days: Savour the sea


Print
Yamaha Marine

For the Yamaha Marine Open Day, we developed a press and OOH campaign encouraging everyone to ‘taste the sea’ with our outboard motors.

Advertising Agency:DLV BBDO, Milan, Italy
Executive Creative Directors:Stefania Siani, Federico Pepe
Associated Creative Directors:Valentina Amenta, Davide Fiori
Art Director:Davide Fiori
Copywriter:Valentina Amenta
Photographer:LSD
Additional Credits:Domenico Grandi, Neli Mechenska

Activia Shows That Inside Shakira’s Famous Stomach Are … More Shakiras!

Activia managed to drag Shakira out of wherever she's been hiding and put her in the brand's new "Dare to Feel Good" ad, which gives us an interesting and cartoonishly idealized peek into the pop singer's digestive tract.

No wonder she's so perky all the time. It looks like Fern Gully in there. And here I thought Shakira felt good because she's beautiful and rich.

In any case, Activia's ads bother me in the sense that I can't take adults seriously when they say the word "tummy" and aren't talking to or about a child. Considering where a well-regulated digestive system inevitably leads, I get why they'd want to soften the language a bit, but it still weirds me out.


    



Why Ecommerce Numbers Only Tell Part of the Story


You know the old saying, about how numbers don’t lie? Here’s the thing about ecommerce today: The numbers don’t always tell the full story, either.

Most ecommerce firms today operate under the assumption that their own transactional data is adequate for merchandising their products and creating compelling offers. This is a far too limiting view in that it ignores the reality that consumers are spending only a fraction of their time with the brand itself. In fact, there are vast amounts of data available about — and, increasingly, from — consumers that contain the treasure we’re all searching for: in-market intent and buying signal data.

Consumers are in perpetual motion, and smart ecommerce players recognize a simple fact: Even customers who buy something from them, no matter how loyal, are not necessarily as engaged with a brand as you might think. Not only are people busy with more channels of interaction than ever before, they are also distracted when it comes to making a buying decision. This constant motion, coupled with an abundance of information about products, features and prices, leads to the classic paradox of choice for consumers that causes them to stop short. It can actually make a consumer more indecisive.

Continue reading at AdAge.com