‘These guys are as fake as their beards,’ quoth the Heineken naysayer
Posted in: UncategorizedYou may watch this Heineken ad and say, “That’s not the same man.” And you’d be right, but only partly.
You may watch this Heineken ad and say, “That’s not the same man.” And you’d be right, but only partly.
Every region had its own odd selection of local ads during last night's Super Bowl, but Utah surely takes the prize for most uncomfortable viewing-party moment.
In an eerily quiet and hypnotically rotating road-safety PSA, the Utah Department of Transportation depicted a dead child lying in an overturned car. A dead kid. During the Super Bowl.
"Sam looks like he's sleeping, but he's not," the narrator explains. "He's not thinking. He's not breathing. He's dead."
Unlike many of the evening's ads, this one makes a very clear point: Unbuckled adults can pose a huge risk to other passengers, including children, in the event of a crash. According to a statistic in the ad, unbuckled motorists increase the risk of injury or death to other passengers by 40 percent.
The state's Zero Fatalities microsite seems strangely pessimistic (or maybe just realistic) about the ad's impact: "If this doesn't inspire you to buckle up, we hope it at least shows you how your actions can threaten the lives of your friends and family members who are in the car with you. Seat belt use isn't just a personal decision; it affects everyone in the vehicle and others on the road."
A state spokesman admitted to the Salt Lake Tribune that the ad may be a bit dark for a festive event like the Super Bowl, but that safety officials "hope this commercial will spark a conversation and maybe inspire someone who doesn't typically buckle up to do so."
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THE ORIGINAL? Playstation2 Network Gaming – 2004 Source : Cannes archive online Agency : TBWA (Germany) |
LESS ORIGINAL Assises inter. – 2007 Source : Unknown Ag : Tarmak (Belgium) |
LESS ORIGINAL DHL express – 2013 Source : Adsoftheworld Agency : Area6 (Mexico) |
In a timely follow-up to last week’s humorous “Long Week” spot, W+K NY have released “Jersey,” the latest in their “This Is SportsCenter” campaign.
The 17 second “Jersey” features SportsCenter anchor Stuart Scott and Broncos mascot Miles. Miles, depressed enough after seeing the Broncos steamrolled in the Super Bowl, prepares for what is presumably his end of the bargain following a losing bet with Seahawks mascot Blitz, and Scott feels for him. For the Denver mascot, it’s going to be another long week. “Jersey” is a fun continuation of the mascot rivalry W+K explored with “Long Week,” although we’re guessing Broncos fans won’t be so amused. Stick around for a second look at “Long Week” after the jump. continued…
New Career Opportunities Daily: The best jobs in media.
If you weren't bowled over by any of the Super Bowl commercials last night, well, you weren't watching in Savannah, Ga. The folks there, as Tenacious D would say, had their asses blown out—thanks to this insane ad from Jamie Casino.
The lawyer filled the entire first local ad break with the two-minute heavy-metal masterpiece below, which basically tells his life story. A Saul Goodman-esque figure, Casino was a lawyer to the crooks until something bad happened to him—and he reinvented himself. (No, he's not managing a Cinnabon in Omaha.)
The commercial is completely nuts, and completely entertaining. Grade: A.
Cette maison située à Linescio en Suisse, a 200 ans et elle a été rénovée de l’intérieur exclusivement en 2011 par Buchner Bründler Architekten. Les architectes ont pensé à faire un style minimaliste en travaillant les textures du béton qui apparaît sous différentes formes. Les photos sont signées Ruedi Walti.
In case you didn’t catch it over the weekend, NFL pro Brad Smith discussed his most anticipated Super Bowl ads, a chat that followed his thoughts on Richard Sherman and more Super Bowl controversy. There’s a prevalent Beats-starring Colin Kaepernick spot that stirs his emotions. It’s quick and painless, and MediabistroTV sat down with Philadelphia Eagles’ wide receiver, who was in town in town to promote his “Design for Brad Smith” competition to talk about the issue.
Take a gander, and to watch more mediabistroTV videos, subscribe to our YouTube channel and follow us on Twitter: @mediabistroTV.
New Career Opportunities Daily: The best jobs in media.
Andre Kassu and Marcos Medeiros will officially lead the new office of Crispin Porter + Bogusky in Brazil, which will based like seemingly all other notable agencies opening up shop in South American country in Sao Paulo. By our count, this marks the sixth shop in the MDC Partners-0wned agency network following other shops in Los Angeles, Boulder, Miami, London and Gothenberg, Sweden. Along with Kassu and Medeiros, Vinicius Reis will head operations and new business. As for the creative duo, the pair previously worked at AlmapBBDO since 2008 while Reis served as a partner at Agencia We.
New Career Opportunities Daily: The best jobs in media.
Après ses portraits en double exposition noir et blanc, la photographe bulgare Aneta Ivanova a réalisé des portraits en couleurs, toujours avec cette technique de la double exposition qu’elle maîtrise à la perfection. Elle imbrique des océans, des fleurs et des villes dans des visages et des corps. A découvrir dans la suite.
Le portfolio de Aneta Ivanova.
You probably saw the trailer for U2′s new music video, directed by Mark Romanek, for their latest release “Invisible” during the big game last night, but here it is in case you fell asleep during one of the most boring Super Bowl games in recent memory.
“Invisible,” which was produced by Danger Mouse and mixed by Tom Elmhirst, is available for free on iTunes today until 11:59 PM (the track first became available for download last night following the Super Bowl). While normally that would still be too much to pay for a new U2 song, for every download Bank of America will be making a one dollar donation to the Global Fund via RED, Bono‘s organization set up to channel funds to the Global Fund to Fight Aids. This new partnership “sees Bank of America committing $10m to (RED), and has resulted in a $10 million match from the Bill & Melinda Gates Foundation, as well as $1 million each from both SAP and South Africa’s Motsepe Family – bringing the total commitment to $22 million.” So the latest development in the “Well his music really sucks, but at least he does all those nice things for AIDS relief in Africa,” sees Bono attempting to guilt you into downloading U2′s latest snoozefest so that you can make a contribution to RED free of charge. Or you could just go ahead and make a donation, essentially paying a fee to avoid having anything to do with U2′s music. Credits after the jump. continued…
New Career Opportunities Daily: The best jobs in media.
The lopsided nature of Super Bowl XLVIII didn’t have as much of an impact on viewership as you might have suspected, with an average of 111.5 million people tuning in to the big game, according to Fox.
That makes it the most-watched Super Bowl, or program of any kind, in TV history, topping the previous record of 111.3 million viewers for the 2012 Super Bowl.
Ratings on Sunday peaked from 7:30 to 8:00 p.m. ET as Seattle headed into halftime up 22-0. The halftime show, sponsored by Pepsi and featuring performances by Bruno Mars and the Red Hot Chili Peppers, was watched by 115.3 million people.
Xaxis, WPP’s programmatic buying division, has bought the Dutch media trading company Bannerconnect.
Le duo Chris Barrett et Luke Taylor (WeAreUs) a réalisé ce superbe spot pour vanter la capacité du magazine « The Sunday Times » à suivre l’actualité et ceux qui font la culture. Un clip tourné en 1 plan séquence, enchainant les références allant de Michelangelo au Daft Punk en passant par Reservoir Dogs.
If we can get past Jo Namath’s coat, we can get into what went on last night during the Super Bowl. The Broncos tanked. You all saw that. Or maybe you didn’t since, like us, you were just there for the ads.
Sadly, this year, there were no breakouts. No Clint Eastwood. No Paul Harvey. No Mean Joe Green. But there was RadioShack, a brand that has, despite all odds, managed to service the digital revolution.
In a somewhat brilliant razzing of itself, the brand, in the form of a phone call — “the eighties called and they want their store back” — pulled out all manner of the decade — Hulk Hogan, Mary Lou Retton, Twisted Sister, Alf, Erik Estrada, Hulk Hogan, Chucky, John Ratzenberg, Teen Wolf and others. A stoke of genius, actually, for a brand that, in truth, was stuck in the eighties and sorely in need of a makeover. Which is exactly what this spot gave it. We love it when Super Bowl ads (or any ads) are actually relevant to the needs of the brand. Which is why we’re giving Radio Shack top honors.
If we had to select four more to make a top five, we’d tip our hat to Budweiser for Puppy Love, Audi for Doberhuahua, Coke’s It’s Beautiful and Cheerios Gracie. And for pure Super Bowl hubris, we give honorable mention to Maserati for Strike.
Where’s Seinfeld, you ask? Oh it’s still there. Just Google it. Like we had to. In order to find out who the brand was behind it.
Real-Time Marketing
On the real-time marketing front (yes, we can hear you groaning), it was quite an active night. But all in the wrong way. You’ve heard of the term, echo chamber, right? Well that’s what it was like last night on Twitter. You couldn’t follow a hashtag feed without witnessing one brand interacting with another. It’s like all the social media managers for big brands decided to pull out the sandbox and play with each other. Great. Some of the activity was quite hilarious. But we think the brands forgot to invite consumers.
So what did work last night? Oreo brilliantly sitting out the game and announcing that fact with a tweet before the game began.
Hey guys…enjoy the game tonight. We’re going dark. #OreoOut
— Oreo Cookie (@Oreo) February 2, 2014
As the game began, everyone began to wonder if the JCPenney account had been hijacked because it appeared the person behind the account was tweeting while drunk. And true to the echo chamber effect, other brands piled on to poke fun while pimping their own wares. But in a small scale stoke of genius, the brand later revealed it was just #TweetingWithMittens. Metrically speaking, JCPenney killed with this in terms of retweets, besting other brands by far.
Oops…Sorry for the typos. We were #TweetingWithMittens. Wasn't it supposed to be colder? Enjoy the game! #GoTeamUSA pic.twitter.com/e8GvnTiEGl
— JCPenney (@jcpenney) February 3, 2014
Our personal favorite for the night on the RTM front was Newcastle Brown Ale. Continuing its strategy of being in the game without actually being in the game, The brand “remade” many of the spots with ran during the game in cartoon form. Some were quite funny. But, yes, this was a bit in the echo chamber corner of things.
Didn’t see that end coming in your bodybuilder Ad @GoDaddy. You definitely won’t see it coming in ours: http://t.co/5iTzu8SHak #IfWeMadeIt
— Newcastle Brown Ale (@Newcastle) February 3, 2014
Brands aside — well, technically, she is a brand if you consider her candidate for President — Hilary Clinton may have stolen the night with the barb she lobbed at FOX. awesome.
It’s so much more fun to watch FOX when it’s someone else being blitzed & sacked! #SuperBowl
— Hillary Clinton (@HillaryClinton) February 3, 2014
And we’re going to give a nod to Volkswagen. Pulling out all the stops, the brand had a full on, social media center set up specifically for the Super Bowl complete with the actors who appeared in their Wings commercial making real-time mini ads throughout the game. But again, it was mostly VW interacting with other brands. But in reaction to the fact some noted the brand’s spot focused solely on men engineers getting their wings, the brand came out with this:
While things are getting red hot during halftime, another VW engineer got their wings. Congratulations to… http://t.co/hgQQIZtVvM
— Volkswagen USA (@VW) February 3, 2014
The biggest loser in the RTM race was Clorox who couldn’t help themselves with a double entendre #blowout.
Game over. Our business is cleaning toilets, we know a #blowout when we see one. #SB48
— Clorox (@Clorox) February 3, 2014
What else happened last night? Well Time Warner had a mini-fail. As the brand touted its greatness with an ad, the brand lost its standard definition feed in LA in the second quarter and it didn’t come back until late in the third. That said, many subscribers view the HD feed which was not interrupted.
Les réalisateurs Jean-Philippe Blunt et Thom Humphreys de In/Out, ont réalisé cette vidéo qui joue sur la longue exposition avec le mouvement multiplié et différé de danseurs, rappelant la chronophotographie. Cette réalisation est accompagnée de la musique de MT Wolf. Une belle étude du mouvement à découvrir.