Brilux: Rosie, 2

Advertising Agency: Gruponove, Brazil
Creative Directors: Aliwton Carvalho, Gustavo Rêgo
Art Directors: Athos Bernardo, Eduardo Filho, Ricardo Barros
Copywriters: Aliwton Carvalho, Ana Emília Mesquita, Lucas David, Vinícius Bandeira
Desktop Publishing: Helton Rodrigues, Horst Lambert, Jader Melo
Strategy Planning: Eduardo Breckenfeld, Marília Lacerda
Account Executives: Giovanni Di Carlli, Fernanda Navarro
Production: Carlos Oliveira, Judite Campos
RTVC: Julia Menescal, Jéssica Paraíso
Media Planning: Pablo Fernandes, Naciara Figueiredo
Digital Strategy: Manoela Neves
Production Company: Paranoïd BR
Post production: Jonathan Post
Director: Luis Carone
Executive Manager: Ducha Lopes
Photography: Techno Image

Brilux: Rosie, 1

Advertising Agency: Gruponove, Brazil
Creative Directors: Aliwton Carvalho, Gustavo Rêgo
Art Directors: Athos Bernardo, Eduardo Filho, Ricardo Barros
Copywriters: Aliwton Carvalho, Ana Emília Mesquita, Lucas David, Vinícius Bandeira
Desktop Publishing: Helton Rodrigues, Horst Lambert, Jader Melo
Strategy Planning: Eduardo Breckenfeld, Marília Lacerda
Account Executives: Giovanni Di Carlli, Fernanda Navarro
Production: Carlos Oliveira, Judite Campos
RTVC: Julia Menescal, Jéssica Paraíso
Media Planning: Pablo Fernandes, Naciara Figueiredo
Digital Strategy: Manoela Neves
Production Company: Paranoïd BR
Post production: Jonathan Post
Director: Luis Carone
Executive Manager: Ducha Lopes
Photography: Techno Image

Mute lembra povo indiano onde está sua voz

Sabe todas as vezes que você se revoltou ao ler uma notícia falando sobre corrupção, violência e tragédias que poderiam ter sido evitadas, entre outros problemas presentes no nosso cotidiano? Pois é exatamente este o sentimento vivenciado pelo personagem do filme aí em cima. Apesar das semelhanças, Mute se passa na Índia, e não no Brasil.

Produzido pela The Handloom Picture Company e dirigido por Ram Subramania, o filme mostra um jovem mudo reclamando de todos os problemas do país, do preço dos vegetais aos ataques terroristas, sem esquecer dos incontáveis casos de estupro.

No final, descobrimos que na verdade, ele não é mudo, apenas não tem voz por uma única razão: ele não votou na última eleição. A ideia é boa, com uma execução acertada. E apesar de simplificar bastante a realidade política, o filme consegue nos fazer refletir sobre a importância do voto.

mute

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie

Autonomous Urban Autos – The Twinway Can Minimize Traffic Congestion and Driving Increase Efficiency (GALLERY)

(TrendHunter.com) The idea behind the design of the Twinway concept car is that by removing the human element from its operation, the vehicle has the potential to move more efficiently from point A to point B. This…

Innovative Navigation Cams – The Travelling Companion Panorama Camera is Optimal Tourist Technology (GALLERY)

(TrendHunter.com) This notion that a tourist always has his hands full could be done away with by the introduction of something like the Travelling Companion Panorama Camera. This cutting-edge concept is a device…

Honda: Hair

Advertising Agency: McCann Erickson, Tel Aviv, Israel
Creative Director: Sigal Abudy
Art Director: Eyal Segal
Copywriter: Udi Avital
Illustrator: Hezi Josef
Published: January 2014

News Corp. Says Lex Fenwick Departs as CEO of Dow Jones


News Corp. said Lex Fenwick, CEO of its Dow Jones & Co. division, has left after less than two years at the company and will be replaced on an interim basis by William Lewis. News Corp. also plans to examine Dow Jones’ business-to-business strategy, the company said.

“We’re reviewing the institutional strategy of Dow Jones with an eye towards changes that will deliver even more value to its customers,” News Corp. CEO Robert Thomson said in a statement. The review will include efforts to improve DJX, the fledgling news and financial information service introduced under Mr. Fenwick. “Greater flexibility” in product offerings is “likely in the short term,” the statement said, suggesting that Mr. Fenwick’s effort to charge a single price for all of Dow Jones’ products at once was going to be undone.

Mr. Fenwick, previously CEO of Bloomberg Ventures, joined Dow Jones in February 2012, filling a void created when Les Hinton left amid the phone hacking scandal at News Corp.’s U.K. newspaper group. Mr. Fenwick was also known for having a chandelier installed at Dow Jones, a piece of art that inspired a sarcastic Twitter feed.

Continue reading at AdAge.com

Kringlan Mall: Birgir Leifur accepts a challenge

Birgir Leifur Hafthorsson nr. 1 golfer in Iceland does a great stunt in biggest mall in Reykjavík Iceland.

Advertising Agency: Silent, Iceland
Creative Director / Art Director: David Luther
Photographer: Silent
Published: May 2013

Schneider Electric Wiser: Watt a family / A Very Hot Afternoon

Advertising Agency: BEING, France
Chief Creative Officer: Alasdhair Macgregor Hastie
Creative Director: Thierry Buriez
Art Director: Rémy Fournigault
Copywriter: Jérémy Jamet
Directors: Vincent Lobelle / Les Télécréateurs
TV Producer: TBWA\Else
Published: January 2014

Schneider Electric Wiser: Watt a family / Wheeling in the savings

Advertising Agency: BEING, France
Chief Creative Officer: Alasdhair Macgregor Hastie
Creative Director: Thierry Buriez
Art Director: Rémy Fournigault
Copywriter: Jérémy Jamet
Directors: Vincent Lobelle / Les Télécréateurs
TV Producer: TBWA\Else
Published: January 2014

First-Ever Award Show for GIFs Launches Today

GIFYSThe .GIFYs launch today, the first-ever award show dedicated to the animated .GIF format.

Created by a team at CP+B LA “in order to honor GIFs as a medium, social commentary and art form,” the .GIFYs nominees were selected by “a panel of internet experts from Buzzfeed, Gawker, Tumblr, Mashable, Joystiq, The Daily Dot, Engadget and more, who have pulled from their own archives, reached out to their hundreds of thousands of twitter followers and endlessly scoured the Internet to curate the best of the best animated GIFs.”

Starting today, the .GIFYs crew has opened up voting to the public to select winners across 12 categories: Animals, Art+Design, Can’t Look Away, Cats, Film+TV, Mashup, Nature+Science, News+Politics, Reaction, Sports, WTF, and GIF of the Year. “The GIF is now 26 years old, and there are millions of them online. It’s time they received their due respect with a proper awards show,” explained .GIFYS co-founder William Sawyer at CP+B Los Angeles. “We recruited some of the top names in internet culture to curate the best, and we’re looking to the whole internet to decide the winners.”

Needless to say, many of the nominees are hilarious, and most of these categories should be hotly contested. Head on over to the .GIFYs site to make your voice heard, and don’t forget to vote for the GIF of the dude pouring Dr. Pepper all over himself behind John Kruk in the News+Politics section. Voting for the .GIFYs lasts a week, and the winners will be announced on the site later in the month. Stay tuned for credits after the jump.  continued…

New Career Opportunities Daily: The best jobs in media.

Here is Argonaut’s Teaser for VW Super Bowl Spot

Yes, we’re heard the bells chiming today on the Spy line and above, you’ll see the teaser for San Francisco-based Argonaut’s Volkswagen Super Bowl spot, which as you can imagine, does not involve Deutsch LA in the mix. Argonaut, if you recall, was founded by Goodby, Silverstein &  Partners alums Rick Condos and Hunter Hindman, who serve as co-chief creative officers of their operation, which also just hired head of interactive development Aaron McGuire and head of broadcast production Dan Watson to its roster.Let the confetti, Carmen Electra and chaos fly, with an added dose of Wang Chung. Credits after the jump.

continued…

New Career Opportunities Daily: The best jobs in media.

What 200 Calories Looks Like

La valeur calorique, mesure importante de notre alimentation quotidienne, varie selon les aliments consommés. Puisqu’il est parfois difficile de visualiser la différence, le site Wisegeek a effectué une enquête sur de nombreux produits comestibles, chacun proportionné à hauteur de 200 calories.


328 grammes de kiwi = 200 calories

57 grammes de bonbons = 200 calories

75 grammes de cheeseburger = 200 calories

145 grammes de pâtes cuites = 200 calories

68 grammes de sucette = 200 calories

740 grammes de poivron = 200 calories

226 grammes de ketchup = 200 calories

496 millilitres de Coca Cola = 200 calories

66 grammes de saucisse = 200 calories

55 grammes de farine de maïs = 200 calories

calories-in-cornmeal
calories-in-hot-dogs
calories-in-coca-cola
calories-in-ketchup
calories-in-cooked-pasta
calories-in-mini-peppers
calories-in-a-cheeseburger
calories-in-tootsie-pops
calories-in-smarties-candy
1-calories-in-kiwi-fruit

The Latest Subject of Dove’s Beauty Effort: The Selfie


Continuing its efforts to lift the veil on women’s self-image (as explored in campaigns such as Real Beauty Sketches), Unilever’s Dove brand has commissioned a short film. “Selfie” was shown at the Sundance Film Festival and will tie in with a social-media campaign.

The seven-minute film (a three-minute version of which can be seen here ) is directed by documentary filmmaker Cynthia Wade and produced by Sharon Liese, the creator and executive producer of the 2008 documentary High School Confidential. It challenges a group of young girls to “make an honest selfie” and have their mothers do the same. The photos are then uploaded to a gallery on a newly created website, dovebeautyis.com, where viewers are encouraged to debate what beauty is using the social media hashtag #beautyis.

Continue reading at AdAge.com

60 Aerial Photography Examples – From Bird’s-Eye Soccer Fields to Scenic Landscape Captures (TOPLIST)

(TrendHunter.com) Seeing our communities from overhead is one of the more humbling experiences and this collection of aerial photography examples helps to really pinpoint some of the best ones to date. Whether it&#…

Would You Watch a Whole Foods TV Show?


Well, this was inevitable in the age of big brands acting like media companies: Whole Foods Market has teamed up with fledgling network Pivot to introduce a half-hour TV series called “Dark Rye.” It premieres tomorrow at 9:30 pm EST and is set for a robust 20-episode run. If you were hoping for a zesty reality show chronicling the lives and loves of tattooed cashiers and organic-produce buyers who moonlight in indie-rock bands, well, sorry. The series is more high-minded than that. Watch the trailer then scroll down for some context.

A sort of spin-off or brand extension of Whole Foods’ online magazine of the same title, “Dark Rye” will, according to a statement from Pivot released today, “highlight topics ranging from artists seeking social justice to entrepreneurs rebuilding Detroit to culinary masters maintaining sustainable food traditions.” Buried deeper in Pivot’s release is this line from Kent Rees, exec VP-marketing, scheduling and operations at Pivot: “Aligning with their [Whole Foods’] brand addresses our desire to create customized content that truly speaks to the spirit and attitude of the next generation.” Yep, this is a custom-content deal that’s supposed to make you feel all warm and fuzzy, albeit indirectly, about Whole Foods.

So this is the future, folks. Or, rather, a reiteration of TV’s past, when big brands like Procter & Gamble helped produce the likes of “Guiding Light” during the golden age of soap operas, and cigarette makers plastered their brands all over the game shows they backed.

Continue reading at AdAge.com

Here’s Dailey’s ‘Big Game Teaser’ for Butterfinger Cups

Last week we brought you the teaser for Butterfinger’s Superbowl spot promoting their new Butterfinger Cups, confusingly enough created by Threshold, not Dailey and Associates, who created the Super Bowl spot itself.

If you’re confused as to why Nestlé needed two different agencies for the ads, the above spot won’t exactly help. “Big Game Teaser” is very much in the same vein as the 1:11 teaser from Threshold, a direct follow-up to the events depicted in that ad. The 30 second Super Bowl spot sees Chocolate and Peanut Butter in “cup therapy” with an outdated Freudian psychoanalyst stereotype of a couples counselor. Chocolate talks about her need to try something new and exciting, while Peanut Butter expresses his feeling that “nobody likes change.” The spot ends with the campaign tagline, “Get Some #CupTherapy.” Although the spot supposedly showcases the brand’s “irreverent sense of humor,” there’s really not a lot going on here, and certainly nothing to laugh it. This all makes the decision to oust longtime spokesperson Bart Simpson all the more questionable.

Nestlé seems confident that their new product can compete with longtime peanut butter cup favorite Reese’s, claiming a “recent E! Online poll of consumers reported that Butterfinger Peanut Butter Cups will win the candy industry’s epic peanut butter cup battle.” We’re not so sure unseating Reese’s will be quite so easy, but if Butterfinger would like to send us samples to convince us otherwise, we’re all for it.

Butterfinger Cups are also part of a new greenwashing campaign for Nestlé called Nestlé Cocoa Plan, an attempt to gain an improved public image for the company following what seem like endless environmental, labor, and human rights violations. According to Nestlé, the new initiative aims “to help improve the lives of cocoa farmers and the quality of their products while also assuring a sustainable cocoa supply for years to come. The beans will be certified by UTZ Certified, an independent organization focused on developing sustainable farming and better opportunities for farmers and their families.”

You can expect to see Dailey’s “Big Game Teaser” during the Super Bowl on Sunday, Febrary 2nd, marking Butterfinger’s debut Super Bowl advertisement. Butterfinger Cups are available in stores now. Stick around for partial credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

“Call of Duty: Ghosts” sequestra quem prefere jogar videogame a cumprir obrigações

Para promover “Onslaught”, o primeiro DLC de “Call of Duty: Ghosts”, um vídeo de quase cinco minutos de duração apresenta o conceito de CODnapped.

É um sequestro das vida cotidiana de todos aqueles que preferiam estar jogando videogame, em vez de estudar, trabalhar, jantar com a família, sair com a namorada, e tarefas afins. O CODnapped te entende, o salvando de pessoas que não se importam se você, no fundo, está pensando em matar inimigos online e atirar na cabeça de alienígenas.

Essa é a terceira campanha de “CoD: Ghosts”. Em outubro saiu um videoclipe com Eminem, e, em novembro, James Mangold dirigiu “Epic Night Out”. Tudo com criação da 72andSunny.

O lançamento de “Onslaught” será no 28 de janeiro, para Xbox 360 e Xbox One.

CoD
CoD
CoD

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie

Wheel of Life

Reprenant à l’aide de papier le principe du zootrope, The Makerie Studio a demandé au réalisateur André Gidoin de réaliser une vidéo afin de mettre en avant ce superbe objet. Le résultat, tourné avec talent sur deux week-ends à New York, est appelé Wheel Of Life et propose des images d’une grande beauté.

Wheel of Life7
Wheel of Life6a
Wheel of Life6
Wheel of Life4
Wheel of Life3s
Wheel of Life3
Wheel of Life2
Wheel of Life

‘Home Spas Provide Exercise Without Exhaustion’ Says ThermoSpas

Many New Year’s resolutions include adopting a fitness program, a trend for 2014 noted by the home spa providers at ThermoSpas. Health and fitness professionals agree that regular use of a hot tub or swim spa is beneficial to long term health. Home spa systems are an easy way to keep your New Year’s resolution to stay fit from the comfort of our own home. continued…

New Career Opportunities Daily: The best jobs in media.