Mylanta antacid: Birthday

Relieves indigestion & wind fast.

Advertising Agency: JWT, Sydney, Australia
Photographer Producer: Cameron Gray
Executive Creative Director: Mark Harricks
Creative Director / Art Director: John Lam
Copywriter: Laurie Geddes
Photographer: Sean Izzard
Retoucher: Cream Studios
Print Producer: Trent Henderson
Designer: Daniella Adams
Senior Account Director: Sabine Schusser
Account manager: Monica Tobin

Russ Klein Out as Arby’s CMO, Search For Replacement Underway


Arby’s Chief Marketing Officer Russ Klein has left the company.

In addition to Mr. Klein, senior VP-brand marketing and advertising Bob Kraut also exited the chain.

A spokesman from Arby’s said Mr. Klein is "leaving the company to pursue other opportunities." Said the company in a statement: “During his tenure at the company, Russ’s leadership supported significant accomplishments in the areas of brand positioning, advertising strategy and new product development.”

Continue reading at AdAge.com

Samsung ML5015ND: Tiger

Because paper jams waste more than just paper.
Samsung ML5015ND with anti-jam technology.

Advertising Agency: Cheil Worldwide, Gurgaon, India
Executive Creative Director: Nima Namchu
Creative Directors: Navin Theeng, Kaushik Saha
Art Director: Debmalaya Mitra
Copywriters: Nima Namchu, Navin Theeng
Photographer: Hormis Thakaran Antony

Samsung ML5015ND: Parrot

Because paper jams waste more than just paper.
Samsung ML5015ND with anti-jam technology.

Advertising Agency: Cheil Worldwide, Gurgaon, India
Executive Creative Director: Nima Namchu
Creative Directors: Navin Theeng, Kaushik Saha
Art Director: Debmalaya Mitra
Copywriters: Nima Namchu, Navin Theeng
Photographer: Hormis Thakaran Antony

Samsung ML5015ND: Frog

Because paper jams waste more than just paper.
Samsung ML5015ND with anti-jam technology.

Advertising Agency: Cheil Worldwide, Gurgaon, India
Executive Creative Director: Nima Namchu
Creative Directors: Navin Theeng, Kaushik Saha
Art Director: Debmalaya Mitra
Copywriters: Nima Namchu, Navin Theeng
Photographer: Hormis Thakaran Antony

AXE: AXE Emergency

AXE deodorant advertising around the world is based on the bold (but tongue-in-cheek) proposition that use of AXE is irresistible to the opposite sex – “The AXE effect”. This activation offers help for the man who has been snubbed by his female friend – “break the glass in case she said no”. These units were placed in public toilets in popular nightspots where singles meet, and quickly became a talking point around town.

Advertising Agency: TBWA East Africa, Nairobi, Kenya
Executive Creative Director: Jimmy Geeraerts
Art Director: Yash Deb
Copywriter: Mark Kovalevsky

Orangina: Statistics, Satellite

Advertising Agency: Fred & Farid, Paris-Shanghai, China
Creative Directors: Fred & Farid
Copywriters: Fred & Farid, Gian Carlo Lanfranco, Rolando Cordova
Art directors: Rolando Cordova, Gian Carlo Lanfranco
Brand supervisors: Hugues Pietrini, Stan de Parcevaux, Florence Burtin
Agency supervisors: Mehdi Benali, Hélène Camus, Olivia Courbon
Tv producer: Karim Naceur
Post-producer: Elise Dutartre
Director: Gary Freedman / Glue Society
Production: Nouvelle Vague
Producer: Sandrine Lima

Fautor Rhein Riesling: The Stolen Print Ad

Advertising Agency: Piko, Chisinau, Moldova
Art Director: Eugen Catruc
Copywriter: Constantin Sarcov
Account Manager: Cristina Cornileac
Published: October 2012

Exposição online exibe arte através dos olhos de Jane Austen

Este ano marca o 200 º aniversário da publicação de Orgulho e Preconceito de Jane Austen. O Departamento de Literatura Inglesa da Universidade do Texas decidiu homenagear a escritora criando um portal para o mundo de Jane Austen.

O resultado foi um site chamado What Jane Saw, uma recriação online de uma famosa exposição que Austen visitou em 1813, permitindo aos usuários enxergarem as obras de arte da forma como ela as via.

A exposição recriada é a retrospectiva do famoso retratista Joshua Reynolds, sua primeira mostra solo, considerada a melhor da temporada, tendo cerca de 800 visitantes por dia. Os temas que Reynolds abordava variavam entre o rei George III, a atriz Sara Siddens e outras “pessoas curiosamente interessantes”. Em outras palavras, era uma exposição das celebridades da época.

O site do projeto conta que tais retratos tiveram grande influência na obra de Austen, onde sutis acenos e descrições de celebridades podem ser encontrados.

Na época, outra conexão foi que a autora foi visitar a galeria dois meses após a publicação de seu famoso romance Orgulho e Preconceito e, em uma carta a sua irmã, ela brinca que havia ido a galeria em busca do Sra. Darcy.

Usando um catálogo da exposição da época, a equipe do projeto foi capaz de posicionar com precisão cada retrato no ambiente. Com isso, o portal oferece aos fãs de Austen a capacidade de ver exatamente o que ela via, uma poderosa viagem no tempo e nas entrelinhas de suas histórias.

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Brainstorm9Post originalmente publicado no Brainstorm #9
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Face-Recognition App Lets You Identify Kids That Might be Missing


Finally, a more moving use for augmented reality. JWT China teamed up with missing children listings site Baby Back Home to help turn China’s 1.4 billion citizens into search volunteers. The problem: in China, 20,000 children go missing each year, kidnapped and sold into child prostitution, slave labor or turned out on the street as beggars.

In a country the size of China, finding them is near impossible. To alleviate the issue, the agency put augmented reality statues in major cities in the country — when viewed via an app, the story of a missing child, and his or her parents’ pleas to help them could be heard. Even better, the app let people take photos of kids they might think were kidnapped.

The app then used face recognition tech to compare it to the listings on the Baby Back Home site to identify a match. According to the agency, two families were united in a week after launch. The app has been downloaded 20,000 times.

Continue reading at AdAge.com

Broadcast TV Upfront Looks Like Rerun of Last Year Despite Ratings Slide


TV upfront negotiations are nearly a mirror image of last year’s deal making. 

While networks have started securing ad commitments for the fall season, deals are not expected to move in earnest until next week, with major broadcasters poised to close business by mid-June, according to media buyers and people close to the networks. 

As ratings erosion continues at the broadcast channels, more money is expected to move to cable, with media buyers predicting dollars at broadcast will be flat to down from the $9.2 billion it notched last year. Cable brought in $9.8 billion in last year’s upfront.

Continue reading at AdAge.com

Mapa permite visualização de edições na Wikipedia

Das coisas que a internet permitiu que fossem criadas, a Wikipedia pode ser considerada ao mesmo tempo uma das melhores e piores. Porque , da mesma forma que permite que a gente encontre informações que não estariam em outros lugares, ao mesmo tempo a gente acaba desconfiando se aquilo está correto ou se é verdade. Afinal,  esta liberdade, que é o mais legal – todo mundo pode colaborar e compartilhar o seu conhecimento – também permite que o conteúdo não seja tão acurado, às vezes nem mesmo checado.

Ambivalências à parte, eu sempre tive uma certa curiosidade para saber como seria uma imagem da Wikipedia sendo construída – ou costurada, que seja, como uma enorme colcha de retalhos. Foi mais ou menos isso o que encontrei no Wikipedia Recent Changes Map, um site que mostra uma localização aproximada de usuários não-cadastrados e quais são os artigos que estão sendo editados.

E olha que não é pouca coisa: em 12 anos foram mais de 22 milhões de artigos publicados em 285 línguas e 77 mil colaboradores ativos (segundo a própria Wikipedia em sua página Sobre). A primeira coisa ruim é que apenas alguns idiomas constam neste projeto, entre eles inglês, alemão, russo, japonês, espanhol, francês, holandês, italiano, sueco, árabe e indonésio. Ou seja, quando alguém estiver editando a Wikipedia em português, a gente não vai conseguir visualizar. Pelo menos não neste site.

Um dado interessante é que os colaboradores da Wikepedia que não são registrados respondem por 15% do total de edições. Neste mapa, eles são localizados por seus IPs, que são traduzidos para uma localização aproximada. No caso dos editores registrados, o IP não aparece, o que faz com que este mapa seja uma representação reduzida deste universo.

Para fazer este mapeamento, os idealizadores do projeto Stephen LaPorte e Mahmoud Hashemi contam que usaram serviços e fontes que incluem o D3, DataMaps e freegeoip.net, além de usar dados transmitidos pelo Wikimon. A inspiração veio do WikipediaVision, que também oferece uma visualização quase que em tempo real, mas talvez não hipnotizante quanto esta. Você fica prestando atenção para ver qual será a próxima mudança e de onde ela virá… Sem contar a curiosidade para saber no que foi que a pessoa mexeu…

 

Brainstorm9Post originalmente publicado no Brainstorm #9
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Total: Penguins

Clean laundry, even with cold wash.

Advertising Agency: Advico Young & Rubicam, Zurich, Switzerland
Creative Directors: Martin Stulz, Dominik Oberwiler
Art Director: Lukas Wietlisbach
Copywriter: Julia Brandstätter
Designers: Jeremy Küng, Annik Weber

That JCPenney ‘Hitler’ Billboard Says ‘Hitler’ in the Copy

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Now this is interesting. You may have heard about that JCPenney billboard ion Culver City that sparked debate because the visual of a tea kettle looked like Hitler. Now, it seems, even more Hitler has been found on the board. A copywriter who publishes the VerdantMug Tumblr noticed that within the billboard’s copy, Hitler’s name — in order — is spelled out.

Is this like that sick joke where some art director placed some phallic symbol on the cover of a Disney video? Or is it just an odd coincidence? We may never know.

Prior to this latest discovery and following the news the image looked like Hitler, JCPEnney pulled the billboard and has said any resemblance is “unintentional.” The retailer has also remove the teapot from its online store.

Of course, some think the kerfuffle is just that; an over blowen reaction to an innocuous teapot. On JCPenney’s Facebook page, a woman named Leigh Anne posted, “People are so stupid! That teapot doesn’t look like Hitler anymore than I do.”

In pere-internet days, this would probably have blown over unnoticed. Now, of course, all it takes is a few people to publicly post their thoughts which results in the lemming-like behavior of everyone else, including the the media, to jump on the bandwagon.

Though we have to admit, discovering the word Hitler within the copy does call into question whether or not the billboard’s creators had any clandestine thoughts when they concepted the board.

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RAHA Condoms: Monogamy

Most men in Africa believe that monogamy is some kind of exotic hardwood.
Can you really rely on your partner? Use a condom for maximum protection.

HIV infections are rife throughout Africa, and massive effort is expended by governments and NGO’s across the continent in an effort to educate the public about the dangers of unprotected sex. The advertising in this category is often based on ‘scare tactics’ that dwell on the negative outcomes of HIV infection, e.g. social rejection, loneliness, a family left to fend for itself, etc. With this particular advertisement we have taken a slightly lighter approach based on a single amusing line playing on the words ‘monogamy’ and ‘mahogany’; in Kenya virtually everyone speaks quite good English, so the verbal nuance is well understood. Of course, this is a way of drawing attention to a very serious message: “Use a condom for maximum protection”. To maximize the visual effect we actually produced wooden carvings that will also be utilized as POS items.

Advertising Agency: TBWA East Africa, Nairobi, Kenya
Executive Creative Director: Jimmy Geeraerts
Art Director: Yash Deb
Copywriter: Mark Kovalevsky
Photographer: Yash Deb
Published: May 2013

75 Watt, an object for dancing in the factory line

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A new work by Revital Cohen and Tuur Van Balen in which a product was designed especially to be made in China. The object’s only function is to choreograph a dance performed by the labourers manufacturing it. By shifting the purpose of the labourer’s actions from the efficient production of objects to the performance of choreographed acts, mechanical movement is reinterpreted into dance. What is the value of this artefact that only exists to support the performance of its own creation? As the product dictates the movement, does it become the subject, rendering the worker the object? continue

Tumblr Brings In-Stream Ads to Dashboard With Ford, Denny’s And More

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Following its recent acquisition by Yahoo for $1.1 billion and the introduction of in-stream ads on mobile, Tumblr has launched in-stream sponsored posts that will appear on user’s dashboard stream, previously occupied only by content from those they follow.

Inaugural advertisers include Denny’s Viacom, Ford, Universal Pictures, Capital One, AT$T and Purina. Yahoo will likely put the full force of its sales team behind this new channel so it won’t be long before Tumblr sees a dramatic increase in revenue. Reportedly, Tumblr generated $13 million an ad revenue last year.

Brand Pepsi Names Kristin Patrick Global Chief Marketing Officer


PepsiCo has tapped Kristin Patrick as its senior VP-global CMO for the Pepsi trademark, following a ten month search.

In keeping with PepsiCo's new global model, Ms. Patrick will be responsible for brand management and architecture across the Pepsi trademark globally. She will lead all communication, including the continued roll out and evolution of the "Live For Now" platform. Additionally, she will lead the global beverage group innovation team and define priorities and expansion opportunities for Pepsi.

Ms. Patrick, who starts on June 3, will report to Brad Jakeman, president-global beverages group, and work hand-in-hand with Simon Lowden, CMO at Pepsi Beverages North America.

Continue reading at AdAge.com

Renault: Makeup, Lipstick

Don’t make up and drive

Making of video: https://www.youtube.com/watch?v=dZS1e9CqESU

Advertising Agency: Publicis, Venezuela
Chief Creative Officer: Fabian Bonelli
Creative Directors: Demian Campos, Eduardo Gomes
Art Directors: Yoryi Cantor, Deivy Marquez, Jose Bajares
Copywriters: Bernardo Tortolero, Luis Amaya
Published: February 2013

Renault: Makeup, Mascara

Don’t make up and drive

Making of video: https://www.youtube.com/watch?v=IzI2CACfXeg

Advertising Agency: Publicis, Venezuela
Chief Creative Officer: Fabian Bonelli
Creative Directors: Demian Campos, Eduardo Gomes
Art Directors: Yoryi Cantor, Deivy Marquez, Jose Bajares
Copywriters: Bernardo Tortolero, Luis Amaya
Published: February 2013