Two Friends Are Not Quite Who They Appear in Touching British Juice Ad

I'll admit to not seeing the twist ending coming in this evocative new spot by BBH London for fruit-drink brand Robinsons. You could quibble with the end lines, perhaps—and here's why—but that's overthinking it. It's an extremely sweet ad, expertly shot by the directing duo of Si & Ad at Academy Films. The commercial breaks Saturday in the U.K. during Britain's Got Talent and will run in 30- and 60-second executions. Credits below.

CREDITS
Client: Robinsons
Agency: BBH, London

BBH Creative Team: Matt Moreland, Chris Clarke, Sarah Hardcastle, Elliot Shiels
BBH Creative Directors: Hamish Pinnell, Justin Moore
BBH Producer: Glenn Paton
BBH Strategic Business Leads: John Harrison, Becky Russell 
BBH Strategist: Lilli English
BBH Team Director: Alex Monger

Production Company: Academy Films
Director: Si & Ad
Executive Producer: Lizie Gower
Producer: Dom Thomas
Director of Photography: Barry Ackroyd
Postproduction: The Mill
Editor, Editing House: Joe Guest @ Final Cut
Sound: Nick Angell

    

Do You Really Know What It’s Like to Join Your Own Shop?


“You know, when I first got here, I didn’t think Y&L was a very nice place.”

Hearing this reflection from one of our account guys a few years ago was like a punch in the gut. I had never realized that new people felt that way. My impression was that from the beginning of someone’s career with us, the agency had a close-knit, almost familial feel. Except for the few who didn’t work out, people seemed to enjoy working here and stayed a long time.

Fortunately, the next part of the account guy’s comment affirmed at least part of that view. “Now I do feel like part of the group,” he said. “I don’t know when it changed — but it did.”

Continue reading at AdAge.com

Interpublic Wins Holding Company Review for Zurich Insurance Group


Zurich Insurance Group has awarded Interpublic Group of Cos. its integrated global marketing account after a holding company review.

The pitch was led by McCann Worldgroup, and a team composed of resources from McCann Erickson, MRM and UM will lead all advertising, media and digital duties for Zurich going forward. Publicis Groupe — the incumbent — and WPP were among the contenders. Given WPP has been so successful at selling through its “team” model to large global marketers, it’s surprising that it didn’t emerge on top in this review.

Michael Roth, chairman-CEO at Interpublic Group, said in a statement: “We are honored to be selected by Zurich and to have the opportunity to contribute to their business in a meaningful way globally. This kind of integrated model is one that we have championed at our company, and it’s a model that’s tailor made for a company like Zurich.”

Continue reading at AdAge.com

Net-a-Porter partners The Dorchester for first ‘micro app’

Online retailer Net-a-Porter has partnered luxury hotel firm Dorchester Collection to create its first “micro app” for a commercial partner.

Bra Company Tries to Reclaim the Acronym MILF for Mother’s Day

Adrants draws our attention to this odd campaign by True&Co, an online bra outfitter. True&Co is trying to reclaim the pejorative acronym MILF. Specifically, they'd like to turn "Mom I'd like to f–k" into "Mom I'd love to fit'—as in, fit for a bra. You see, they have the same setup as Warby Parker. They send you five bras to try on at home, you send back what you don't want. Presumably, this means you get the perfect fit. And, during this promotion, you also get a free MILF temporary tattoo!

"Mommy, what does MILF mean?" "Um. That's how you spell milk." "Cool! Can I have a tattoo, too?" At this point, it's best for True&Co to just apologize, act contrite and enjoy the attention. The company did offer this explanation on its website: "The term brings to mind pervy frat boys but who says they should own an acronym? … We think there's nothing objectifying about a woman owning her sexuality. We'd be proud to be considered a MILF (Mom I'd Love to Fit)."

Now, I'll admit, there are moms out there who would like to be considered MILFs, but the weirdest part about this whole thing is the art direction. It's all adorable pictures of moms with their kids, and True&Co even wants you to send in your cute pics for its Mother's Day contest and online gallery. The truth? Even if you are sex positive and proud of your smoking-hot MILF status, you probably don't want to involve the kids.

A bunch more images below.

    

Astral Media: The battle

See what you want to see

Advertising Agency: BCP, Montreal, Canada
Creative Director: Etienne Bastien
Co-Creative Director: Jonathan Rouxel
Art Director: Jonathan Rouxel
Copywriter: Etienne Bastien
Photograph: Olivier Staub
Post Production: La Cavalerie
Account Director: Michèle Bastien
Agency Producer: Frédérique Bissonnet

Astral Media: Videoclip

See what you want to see

Advertising Agency: BCP, Montreal, Canada
Creative Director: Etienne Bastien
Co-Creative Director: Jonathan Rouxel
Art Director: Jonathan Rouxel
Copywriter: Etienne Bastien
Photograph: Olivier Staub
Post Production: La Cavalerie
Account Director: Michèle Bastien
Agency Producer: Frédérique Bissonnet

Astral Media: Poisoning

See what you want to see

Advertising Agency: BCP, Montreal, Canada
Creative Director: Etienne Bastien
Co-Creative Director: Jonathan Rouxel
Art Director: Jonathan Rouxel
Copywriter: Etienne Bastien
Photograph: Olivier Staub
Post Production: La Cavalerie
Account Director: Michèle Bastien
Agency Producer: Frédérique Bissonnet

How Can Vine’s 6-Second Video Window Earn Big Bucks for Twitter?


With Twitter having landed its biggest ad deal yet with Starcom MediaVest Group, it’s no longer too early to begin wondering how the platform will make money with Vine, its hugely popular app that allows users to Tweet six-second videos.

Launched with a tailwind of media buzz, Vine skyrocketed to No. 1 on the Apple App Store. It’s the subject of numerous “how to” articles (including this one) for brands and users struggling with how to incorporate Vine’s functionality into their daily lives. All this in only three months.

Vine is interesting for advertising because it sits at the intersection of three areas of great potential — video, mobile and advertising. Vine could prove a huge win for Twitter if it can crack the mobile-advertising nut. The massive user base and traffic that Twitter and other social media have built and extended into the mobile sphere are already starting to threaten the early mobile-advertising pioneers.

Continue reading at AdAge.com

Go Outdoors TV ad marks bank holiday weekend

Go Outdoors is rolling out its new TV commercial to mark the bank holiday weekend, encouraging consumers to make use of its special offer on camping equipment.

Campanha contra caça de rinocerontes transforma selo em mídia

Hoje li a notícia de que a caça ilegal matou o último rinoceronte existente em Moçambique. Não só lá, mas a espécie está sendo dizimada no mundo todo.

Não é coincidência que, pouco antes, a TBWA\Hunt Lascaris tenha nos enviado essa ótima ação para chamar atenção para o problema, e tentar salvar os 29 mil animais que restaram no planeta. 75% deles estão na África do Sul.

Rinocerontes são caçados pelo valor de seu chifre, que pode custar até 60 mil dólares por quilo no mercado negro. Na Ásia, principalmente na China (sempre nesse país medieval), acredita-se que o chifre tem propriedades medicinais, usado para a cura do câncer e como tônico de vitalidade.

The Rhino Stamp

A ideia da agência foi criar algo que pudesse ultrapassar fronteiras, despistando qualquer censura, e assim atingir diretamente o público asiático. O velho e simpático selo foi transformado em mídia e distribuído em formato de poster.

A campanha pedia para que, qualquer pessoa que fosse enviar alguma correspondência para China, Vietnã ou Tailândia, o fizesse com esses selos, levando consigo uma mensagem destinada a conscientizar quem compra, já que a única maneira de acabar com a matança de rinocerontes é diminuindo a demanda. Um marketing direto de baixo custo e impactante.

The Rhino Stamp
The Rhino Stamp
The Rhino Stamp
selo5

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Australian Racing: All Breeds Welcome

Advertising Agency: Rooster, New York, USA
Director: Robert Gilbert
Executive Producers: Sebastian Eldridge, Saxon Eldridge
Producer: Kaitlin Del Campo
1st AD: Jon Campbell
Production Manager: Jen Kessler
Copywriter: Phil Matarese
Editor: Dave Rothstadt
Wardrobe: Morgan Gibbons
H/MU: Michiko Boorberg
Color/VFX: Color Contact & Post
Published: April 2013

Portfolio Night Quebec City: Nutella

Julie’s ideas are appearing here…. but not creative directors.

Advertising Agency: Kabane, Quebec City, Canada
Creative Director: Simon Litalien
Copywriter: Zoé Forest Paradis
Coordinators: Anne Cormier, Laura Rancourt, Marie-Andrée Mackrous
Video production: Simon Corriveau, Dominik Beaulieu / Nova Film
Director: François Lallier
Director of photography: François Gamache
Technical crew: Marc-Antoine Legault, Martin Larouche, Hugo Lemay
Sound effects: Olivier Auriol / SFX
Published: May 2013

Portfolio Night Quebec City: Bed

Frank’s ideas are appearing here…. but not creative directors.

Advertising Agency: Kabane, Quebec City, Canada
Creative Director: Simon Litalien
Copywriter: Zoé Forest Paradis
Coordinators: Anne Cormier, Laura Rancourt, Marie-Andrée Mackrous
Video production: Simon Corriveau, Dominik Beaulieu / Nova Film
Director: François Lallier
Director of photography: François Gamache
Technical crew: Marc-Antoine Legault, Martin Larouche, Hugo Lemay
Sound effects: Olivier Auriol / SFX
Published: May 2013

Portfolio Night Quebec City: Bathroom

Vince’s ideas are appearing here…. but not creative directors.

Advertising Agency: Kabane, Quebec City, Canada
Creative Director: Simon Litalien
Copywriter: Zoé Forest Paradis
Coordinators: Anne Cormier, Laura Rancourt, Marie-Andrée Mackrous
Video production: Simon Corriveau, Dominik Beaulieu / Nova Film
Director: François Lallier
Director of photography: François Gamache
Technical crew: Marc-Antoine Legault, Martin Larouche, Hugo Lemay
Sound effects: Olivier Auriol / SFX
Published: May 2013

Lego Under Fire for Sticker Set Featuring Leering Construction Worker

You can build almost anything with Legos—even controversy!

The company came under fire this week for a licensed sticker set that includes a leering, waving male construction worker and the caption, "Hey Babe!" Journalist Josh Stearns set off a mini firestorm after spying the stickers in a store and calling out Lego on his Tumblr. "I was stunned … street harassment is the most prevalent form of sexual violence for both men and women in the United States," he writes. (He also pointed to a great Lego ad with a girl from 1981 to show "how far they have fallen" in their treatment of gender issues.) Some also noted that the stickers are exclusionary—no women on that crew—and generally portray construction workers as insensitive loafers.

Lego initially responded by saying, "We firmly believe in the play experience we offer, a system that lends itself to years of unlimited play possibilities for any child. To communicate the Lego experience to children we typically use humor and we are sorry that you were unhappy with the way a minifigure was portrayed here." (The "humor" remark subsequently came under fire.) Turns out the product was discontinued in 2010, and the company that made it, Creative Imagination, tanked two years later. Ultimately, Lego told Stearns, "We would not approve such a product again." That's good news, and to its credit, Lego has built up plenty of goodwill through the years, particularly recently. Still, even before stickergate, the company was taking heat for reinforcing gender stereotypes, and they need to do more to counteract that or risk looking like a bunch of blockheads.

    

91 ROCK: 91 Rock clock

Advertising Agency: JWT/CASA, Brazil
Chief Creative Officer: Ricardo John
CIO: Mauro Cavaletti
Creative Directors: Rodolfo Amaral, Ricardo Marques, Gustavo Costi
Creative team: Gisah Ramos, Àile Carvalho, Thiago Ferreira, Annelize Ortega, Guilherme Claudino
Production: Felipe Gomide
Client Service: Valéria Lopes, Marianah Mikosz
Released: April 2013

What’s Zynga Doing at the NewFronts Anyway?


What’s a gaming company like Zynga, which doesn’t produce anything resembling episodic video content, doing at the Digital Content NewFronts?

A former tech darling whose stock has taken a beating since it went public at the end of 2011, Zynga is now looking to endear itself to a crowd of agency executives and marketers at its show for advertisers and agencies tonight. It’s not unveiling any programming, but will instead demo familiar games like “Draw Something 2,” “Farmville 2” and “Running With Friends” and have performers dressed as game characters to mingle with guests.

The fact that Zynga is part of the NewFronts at all is because of a change in philosophy about what they should be. The guiding principle of the NewFronts last year was premium video at scale — it was an effort to win over TV ad budgets, after all — but with the Interactive Advertising Bureau in charge this year, the thought was that video alone was too narrow and other digital content deserved a stage.

Continue reading at AdAge.com

Volkswagen: Eskimo

Climatronic Dual-zone climate technology from Volkswagen.

Advertising Agency: DDB, Barcelona, Spain
Chief Creative Officer: José María Roca de Vinyals
Creative Director: Guillermo Santaisabel
Art Directors: Alvaro Guzman, Daniel Macho
Copywriters: Daniel Rodriguez, Juan Antonio Carrillo
Illustrator: David De Ramón / The Mushroom Company
Business Director: Gorka Lozano
Account Director: Javier Villalba
Published: April 2013

Hipster Gaming Characters – Artist Sam Milham has Reimagined Super Mario Characters as Hipsters (GALLERY)

(TrendHunter.com) These hilarious drawings from artist Sam Milham show popular characters from the Nintendo game Super Mario Brothers as modern-day hipsters. The side-splittingly funny images show the gaming figures…