CBS Chief Acknowledges C7 Ratings May Not Come Until 2014


Should advertisers pay for viewers whose their commercials as much as a week after they air? The answer may not come for a year or more.

In remarks to investors at a conference Monday evening, CBS CEO Leslie Moonves suggested the debate between TV networks and advertisers over the push to make “C7” — or ratings measuring how many TV viewers see ads as much a seven days after they originally air — the standard for discussions of TV-ad pricing could be tabled until 2014.

“I don’t know if it happens this quickly, but it will happen within a year. It’ll happen within a year,” Mr. Moonves said.

Continue reading at AdAge.com

Lego: Mars

While NASA’s Curiosity Mars Rover is exploring Mars and making the headlines, we made a contextual visual for expressing that creativity is going beyond reality with LEGO. The visual posted primarily on Facebook LEGO page has been massively relayed : 14 000 likes and 1 500 shares within a few hours.

Advertising Agency: Grey, Paris, France
Executive Creative Directors: Thierry Astier, Stéphane Eynard
Copywriter: Dimitri Hekimian
Art Director: Quentin Deronzier
Art buying: Catherine Jarno
Strategic Planning Director: Alexis de Montaigu
Head of Digital: Damien Ricci
Account Director: Laurence Cormier

Invest in Eastern Poland or Your Child Will Hate You Forever, Ads Warn

Our favorite economic-development ads this week come from Eastern Poland—a region in which you simply must invest, lest you ruin your child's life forever. Somewhat more cryptically, the campaign also suggests that your therapist will also be super pissed if you miss the Eastern Poland boat. Also, your father-in-law—who's presumably just looking out for his little girl. Check out the other ads from the series below. Via Slate.

LaFerrari Supercar

Après l’annonce de l’impressionnante Lamborghini Veneno, voici une nouvelle annonce dans le cadre du salon de l’automobile de Genève avec la « supercar » de Ferrari. Intitulée LaFerrari, elle sera vendue un million d’euros et sera produite à seulement 499 exemplaires. Plus d’images dans la suite.

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Swiss Hemophilia Association: The everyday dangers of a hemophiliac brought to life

For a hemophiliac this page is as dangerous as a razor blade.
Help those affected: www.shg.ch
Swiss Hemophilia Association

Advertising Agency: Advico Y&R, Zurich, Switzerland
Copywriter: Patrick Bucher
Art Directors: Oliver Glutz von Blotzheim
Creative Directors: Martin Stulz, Dominik Oberwiler
Consultants: Pascal Trütsch, Jonathan Schipper
Photographer / Retouching: Felix Streuli
Media: Andrea Waldburger / Mediaxis

Woman Gives Birth to Album of Classical Music in Strange German Ad

The minute-long ad for German composer Sven Helbig's new album, Pocket Symphonies, is a pretty straightforward representation of Helbig's goal to create something new from something old and weathered and mostly (but not quite) dead. It's a pretty good summary of Helbig's career, too. He's worked with Rammstein, Pet Shop Boys and Snoop Dogg, and staged elaborate multimedia events like the High-Rise Symphony, in which an orchestra played from positions on the balconies of an old apartment building in Dresden in 2006, to celebrate the city's 800th anniversary. Compared to that, this ad is a modest effort. The moment when the musicians rush into the medical theater to induce birth with dramatic strings and piano is neat, though. Directed by Kai Schonrath, with creative direction by Kolle Rebbe's Sascha Hanke. Full credits below.

CREDITS
Client: Sven Helbig
Executive Creative Director: Sascha Hanke
Creative Director: Matthias Erb
Copywriter: Sascha Hanke
Producer: Jankel Huppertz
Production Company: CZAR, Berlin
Director: Kai Schonrath
Director of Photography: Jan Prahl
Managing Director: Jan Fincke
Producer: Birke Birkner
Post Supervisor: Dennis Vocke
Production Coordinator: Simon Rühlemann
Makeup: Nina Düffort for Cisel + T.I.N.S.L.E.Y, California
Styling: Diana Dean
Cast Conductor: Gundi-Anna Schick
Pregnant Woman: Alexa Wilzek

Forget ‘Harlem Shake’ — Watch Ogilvy Sing ‘Fame’ Back in 1982


All you ad agency kids thinking your “Harlem Shake” knock-offs and “Call Me Maybe” lip-syncing is so original, think again.

Ogilvy & Mather beat you to the punch by about thirty years with this amazing promotional clip it made back in, it seems, 1982. It begins with a swelling Broadway-style tune, in which a few agency newbies wonder songfully what this next step in their career will bring as they take lunch in the agency cafeteria.

Sample lyrics include:

Continue reading at AdAge.com

Darkly Sweet Photography – Photographer Kimberley Joanne Sinclair Produces Roguishly Beautiful Shots (GALLERY)

(TrendHunter.com) Photographers have different artistic styles that are often apparent and consistent in their works. The spin a photographer puts on a photograph is like their signature; it’s what makes their work…

Top 20 Trends of the Day – From Floral Couture to Witch-Inspired Footwear (TOPLIST)

(TrendHunter.com) In preparation for Spring, today’s top trends hone in on the most coveted fashion looks and styles and floral couture is one that jumps out in every area from shoes, to ensembles to the pages…

YouTube Previews ‘Brandcast’ Upfront in Chicago, Focuses on Youth, TrueView Format


YouTube’s upfront is nearly two months away, but the video service is giving advertisers a sneak peek at what’s to come at events in Chicago and Los Angeles.

More than 200 people were in attendance as YouTube previewed its “Brandcast” event on Monday evening at the Museum of Contemporary Art in Chicago, where the company said they’re not going after TV’s audience so much as doubling down on YouTube’s core 18-34 demo.

Last year, YouTube brought in the likes of Jay-Z, Julia Stiles, Flo Rida and Virginia Madsen to lend some glitz to its funded “Original Channels,” like WIGS and Nerdist Channel. In its Chicago preview of this year’s Brandcast, YouTube focused on things that are already working, like Phil DeFranco’s SourceFed, Marquese Scott, a Dubstep dancer who won more than 5 million views in a week, and the band Karmin as an example of the power of music on the service.

Continue reading at AdAge.com

Newspaper Publisher Gannett Makes Upfront Video Pitch

Gannett hosted its first-ever upfront presentations to advertisers on Tuesday morning, as it looks to woo sponsors who may still view the company as an old-school newspaper brand.

Gannett joins other traditional print-media companies, like Dow Jones and Conde Nast, who this year are joining the digital NewFronts, a series of presentations made to marketers by big digital players just before the broadcast networks stage lavish entreaties in advance of upfront haggling, to showcase their wares and make a play for those TV ad dollars.

Gannett, whose portfolio includes USA Today, 23 local TV stations and online sites like CareerBuilder, talked up its reach among local communities as well as its video assets. The message: today’s Gannett is focused on connecting its audiences to help advertisers create deeper connections and drive greater sales.

Continue reading at AdAge.com

15 000 Volts Experiment

L’américaine Mélanie Hoff a eu l’idée de montrer avec cette vidéo appelée « 15 000 Volts Experiment » l’érosion du bois suite à une décharge de haut voltage. Un résultat visuellement très intéressant, le tout sur la musique Aire De Zamba de Agustin Barrios Mangoré. A découvrir en vidéo dans la suite.

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Ilustradora “vive” em outdoor e transforma tweets em arte

Durante dez dias, a ilustradora Cecilia Beaven vai praticamente morar em um outdoor instalado na Cidade do México. Atendendo pedidos através do Twitter, ou se inspirando com as mensagens, ela desenha na placa dia e noite.

A ação é da marca de papelaria Scribe, que está documentando a arte no site scribebillboard.com, além de realizar streaming ao vivo. Para participar, basta publicar um tweet com a hashtag #ScribeBillboard.

A criação é das agências Viva! e La Doblevida.

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Brainstorm9Post originalmente publicado no Brainstorm #9
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Parkinson Vereniging NL: Worst Harlem Shake Ever

The Harlem Shake became a global Internet hype in no-time. Millions participated. They danced the Harlem Shake like they lost control of their body for a moment. There’s no message behind it, it’s just plain fun to watch. But we do have a clear message: Parkinson’s patients lose control over their bodies, forever. There’s no acting in this film. De main character, a Parkinson’s patient (and the chairman of the foundation), is shown shaking out of control as a result of lack of his medication. Shaking. Fun for some… Daily struggle for others.

Advertising Agency: Saatchi & Saatchi, Amsterdam, The Netherlands
Creative Directors: Maarten Dobbelaar, Rick Coolegem
Art Directors: Maarten Dobbelaar, Tim ten Dam
Copywriters: Rick Coolegem, Jan Bosch
Photographer: Byven Molenaar
Camera: Bycen Molenaar
Production: DPPLR
Published: March 2013

Exclamation: Bling

Debut TVC for the female aerosol, exclamation. It focuses on the persona and attitude of the exclamation girl. Instead of being a classical concept ad, it is shot as a music video speaking to the young, sassy, diva girls it is aimed at. The bling, the gold, the statement pieces, the trimmings on the car and the tailor-made hip-hop track all reiterate this. The animation adds to the world the girl lives in, with colours popping and a hint of the best parts of the 80s. This spot demonstrates that it is not just a fragrance, but more an attitude.

Advertising Agency: Arctic Circle, South Africa
Executive creative director: Reghard Goussard
Creative director / Art director: Hazel Scrimgeour
Copywriter: Helene van Zijl
Agency producer: Decia Seloane
Director: Grant De Sousa at Blue Panther Films
Producer: Warren Meltz

Adidas: Unite all originals

Advertising Agency: Sid Lee, Montreal, Canada
Executive Creative Director: Kris Manchester
Creative Directors: Jean Francois Dumais, Ness Higson, Simon Schmitt, Charles Hall
Art Directors: Ruben Beddeleem, Lana Shahmoradian, Sofia Gillstrom, Henrik Leichsenring, Daniel Sumarna
Copywriters: Joe Hagel, Bryan Wolff-Shoemaker
Designer: Kevin Yaun
Strategy Director: Simon Wassef
Digital Strategy: Andreas Widman
Head of Production: Claudia Roy
Exec. Producer: Josh Reynolds
Producer: Melanie La Rue
Art-buying director: Vahid Tizhouch
Print Producer: Dana Klyszejko
Business Affairs: Paul Fitz Gerald
Director of Digital Production: Darden Longenecker
Tech lead: Kamil Gottwald
Producer: Jean Patrik Bouchet
Senior Front-end developer: Bastian Roden
Account Directors: Connie Ponari, Markus Gerdemann
Digital Production Partners: B.reel Stockholm
Production Management: Jimmy Lee
Production House: Iconoclast
Director: So Me
Director of Photography: Arnaud Potier
Post Production: Digital District
Editor: Walter Mauriot
Sound Mix: Tranquille Le Chat / Velvet Sound
Sound Design: Marco Casanova, Laurent D’Herbecourt / A-Trak
Published: March 2013

A-Trak Steps In to Provide Soundtrack for Latest Sid Lee/Adidas Work

Nothing like a little beat-dropping to wind down the day. So, let’s let Montreal native and renowned producer/mixmaster DJ A-Trak (just watch this from 16 years ago) do his thing for a minute in a new Sid Lee spot for adidas Originals, which is part of a larger global campaign for the brand called “Unite All Originals.”

While the days of Daft Punk, Snoop and David Beckham joining forces in the name of geekdom may have long since gone, the party continues in Sid Lee’s world with the aid of A-Trak, retro visuals by French artist SoMe (who also directs the clip) and a horde of hip youths. And, thanks to the clever editing and digital production work from partners such as B-Reel Stockholm, the interplay between music and visuals provides for a fairly hypnotic experience. Hey, we’ll take this over the usual late afternoon stupor any day. Credits after the jump.

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Great Wall Succeeds in China’s Auto Market With Starter SUV


China is the world’s largest car market, and it’s dominated by foreign brands. But among local automakers, Great Wall Motors stands out for a business strategy that illustrates the old adage about keeping it simple.

Great Wall came onto the scene as automakers were churning out sedans, by far the most popular type of vehicle among Chinese consumers. But while some foreign companies sold SUVs, no one offered a low-cost SUV that fit the budget of many first-time buyers.

“As a latecomer to the market, it’s not about what you want to do, but what the competition will allow you to do,” said Simon Chuang, general manager of Ries & Ries & Chuang & Wong, China affiliate of Atlanta-based marketing strategy consultancy Ries & Ries. It began working with Great Wall in 2008.

Continue reading at AdAge.com

Coimbra Color Lock: Lion

Impossible to Forget.

Advertising Agency: dim&canzian,São Paulo, Brazil
Chief Creative Officer: Michele Dim D'Ippolito
Chief Media Officer: Marcio Canzian
Creative Directors: Michele Dim D'Ippolito, Gabriel Araujo, Bruno Salgueiro
Art Directors: Michele Dim D'Ippolito, Doda Ferrari, Caio Almeida
Copywriters: Michele Dim D'Ippolito, Gabriel Araujo, Guga Borges, Yuri Sampaio
Head of Planning: Samantha Barbieri
Planning Assistant: Sergio Ávila
Project Coordination: Barbara Marques
Illustration: Pict Studio

Coimbra Color Lock: Shark

Impossible to Forget.

Advertising Agency: dim&canzian,São Paulo, Brazil
Chief Creative Officer: Michele Dim D'Ippolito
Chief Media Officer: Marcio Canzian
Creative Directors: Michele Dim D'Ippolito, Gabriel Araujo, Bruno Salgueiro
Art Directors: Michele Dim D'Ippolito, Doda Ferrari, Caio Almeida
Copywriters: Michele Dim D'Ippolito, Gabriel Araujo, Guga Borges, Yuri Sampaio
Head of Planning: Samantha Barbieri
Planning Assistant: Sergio Ávila
Project Coordination: Barbara Marques
Illustration: Pict Studio