Oleg and Dmitry: Oleg And Dmitry Are The Best

Hello! We are Dmitry and Oleg, or Oleg and Dmitry, as you like. We are copywriter and art director. We’ve met 33 most creative people all over the world: gold and grand prix Cannes Lions winners, members of Cannes jury. And we asked them to write just one letter on a sheet of paper and put their signatures. Now we have the best recomendation ever!

Advertising Agency: Oleg and Dmitry, Moscow, Russia
Creative Directors: Dmitry Chigirin, Oleg Izosimov
Art Director / Illustrator: Oleg Izosimov
Copywriter: Dmitry Chigirin
Photographers: Dmitry Chigirin, Oleg Izosimov
Additional credits: Hrant Abovian

Daintily Poised Damsels – The Keira Knightley for Vogue October 2012 Feature is Strikingly Ladylike (GALLERY)

(TrendHunter.com) The stunning Keira Knightley for Vogue October 2012 editorial is a show of ladylike couture.

Captured by celebrated photographer Mario Testino, this piece is an ode to the the perfect poise of a…

Mindset Films: Titanic, King Kong, ET

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“Idea is not enough.”

Advertising Agency: Yeah!, Curitiba, Brazil
Creative Director: Sandro Serzedello
Art Directors: Diego Prudencio, Diego Musiat
Copywriters: Fabiano Teixeira, Juliana Maimoni

100 Examples of Medieval Fashion – From Armored Body Mods to Gothic Medieval Editorials

(TrendHunter.com) After seeing the Rodarte Spring 2013 collection, it became apparent that the fashion industry is steering towards a muse that is empowered by medieval fashion.

The vast amount of editorials and…

NHL 13: Our Game

Advertising Agency: Heat, USA
Executive Creative Director: Steve Stone
Creative Director: Warren Cockrel
Associate Creative Director: Anna Rowland
Senior Art Director: Mark Potoka
Senior Copywriter: Ben Salsky
Executive Content Producer: Brian Coate
Content Producer: Anna Askew
Business Affairs Director: Russ Nadler
Director of Client Services: Aaron Lang
Account Manager: Graeme Lee-Wingate
Assistant Account Manager: Lauren Peck
TV Production Company: Supply & Demand Integrated
Director: Josh Taft
Director of Photography: Don Davis
Production Designer: John Hammer
Executive Producer: Kira Carstensen
Line Producer: Josh Porter
Editorial Company: Arcade
Editor: Kim Bica
Assistant Editor: Kelly Henson
Executive Producer: Nicole Visram
Producer: Denice Hutton
Conform / Visual Effects: Ntropic
Creative Director: Nathan Robinson
Flame Artists: Nathan Robinson, Matt Tremaglio, Jesse Boots, MB Emigh Producer: Fawn Fletcher
Head of Production: Melissa Warhaftig
Color: Company 3
Producer: Denise Brown
Colorist: David Hussey
Recording Studios: Beacon Street Studios
Mix / Sound Design Engineer: Paul Hurtubise
Producers: Caitlin Rocklen, Leslie DiLullo
Music Composition: Beacon Street Studios
Composer: Beacon Street Studios
Track Name: “Askher”

Belvita: Dad’s Day

Advertising Agency: CP+B, USA
Creative Directors: Michael Murray, Sean Ganann
Copywriter: Austen Morrow
Art Directors: Oliver Brooks, Chad Kabigting
Director Of Integrated Producer: Jennifer Dark
Integrated Producer: Alina Prussky
Production Company: Radke
Director: Common Good
Executive Producer: Miriana Diquinzio / Radke, Stephanie Kouverianos, Marie-pierre Toure / Common Good
Producer: Dwight Phipps
Director Of Photography: Tico Poulakakis
Editorial Company: School
Editor: Brian Wells
Assistant Editor: Mark Lutterman
Post Production: School
Mix Company: RMW
Audio Engineer: Dustin Anstey
Music Company: RMW
Executive Music Producer: Andrew Bradley
Color Design Company: Alter Ego
Colorist: Eric Whipp
Online Company:|| School
Online Artist: Paul Binney
Group Account Director: Cheryl Mckenzie
Account Director: Christine Macdonald
Cognitive Anthropologist: Tania Gregory, Heather Black

Medieval Kingdom Heroines – The W Magazine ‘Dame of Thrones’ Editorial Showcases a Strong Female (GALLERY)

(TrendHunter.com) A wordplay in the highly popular TV series title, the W Magazine ‘Dame of Thrones’ spread showcases fashion-worthy of the middle ages.

With heavy-duty leather, armor-like silhouettes…

100 Spectacular Supercars – From Luxury Car Golf Carts to Gold-Plated Luxury Cars

(TrendHunter.com) If money wasn’t an obstacle in my life, I would certainly get myself one or two of these awesome supercars. These cars aren’t really intended to take you to work, or to drive your kids…

When Agencies Focus Too Little on the Brand and Too Much on the Client


How do you know if you're working for the brand or working for the client? It may sound like a trick question, but isn't.

Most Interesting Man’s Obama Endorsement not Sitting Well With Some


Some Dos Equis drinkers have taken to Facebook to voice their displeasure about the brand's mascot endorsing Barack Obama.

Heavy-Duty Outdoor Wheelchairs – The TC Mobility Tank Chair Lets You Roam Around Any Terrain (VIDEO)

(TrendHunter.com) The TC Mobility Tank Chair is a wheelchair that can take you nearly everywhere. This allows people who usually are unable to navigate the outdoors to keep up with friends and join in on the fun….

The Perils of Unconditional Love, Brought to You By Norwegian Bank DnB Nor


We've all, at one point or another, wished we had parents who would do whatever we want. Try/Apt Oslo and director Martin Werner shows us the foolishness of our ways, with this spot for financial services company DnB Nor.

Saudosismo nas redes sociais motivou a volta do Lollo, o “chocolate fofinho da Nestlé”

Por causa de um alinhamento internacional, a Nestlé matou em 1992 a sua marca líder de vendas na categoria. Lollo virou Milkybar, e se transformou apenas num triste chocolate rejeitado que sempre sobra na caixa de bombons.

Agora, 20 anos depois, a Nestlé resolveu trazer o velho Lollo oitentista de volta – com o mesmo logo, embalagem, slogan e receita original – e cita o saudosismo nas redes sociais como motivação para a decisão.

Marco Nonis, diretor da unidade de chocolates da Nestlé Brasil, revela que na época da mudança da marca houve muitas queixas: “A companhia achava que – como o consumidor de Lollo era criança ou muito jovem – o público do chocolate iria logo se renovar e a nova marca se consolidaria”.

Não foi o que aconteceu, e ainda este mês o “chocolate fofinho da Nestlé” voltará a ser vendido em todo país. Well done, suiços.

Manifestações em redes sociais já motivaram o lançamento de outros produtos, como foi o caso do Doritos de 5 quilos, em 2008. Lembra?

/via

Brainstorm9Post originalmente publicado no Brainstorm #9
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Vivo: Jogando ping-pong e tuitando ao mesmo tempo

Para promover a velocidade de seu 3G Plus, a Vivo criou uma nova modalidade de tênis de mesa.

Ao invés da raquete, os jogadores rebatem a bolinha com um iPhone e, ao mesmo tempo, precisam escrever “ping” ou “pong” no Twitter. Cada vez que a palavra for escrita corretamente – e o juiz acompanha o que foi digitado no telão – o jogador ganha um ponto.

A criação é da África.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Prettily Somber Photography – Deep Moods by Mariam Sitchinava Encourages Inner Reflection (GALLERY)

(TrendHunter.com) Deep Moods by Mariam Sitchinava is the latest endeavor by the American photographer. Since her ‘Staring at the Sun’ photo series, the talented Tbilisi, Georgia-based artist has published…

Missing Child Scenario Promotes Social Network For Moms

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A missing child is no joke. And it’s certainly not the smartest scenario to evoke when promoting a mom-focused social network. But that’s exactly what Paris-based La Chose did for HubWin-mamans.com.

The PR touts the work as something that, “highlights the solidarity between mothers. It tells a universal story, experienced by all mothers at one time or another, all over the world.”

While we understand the intention, likening a lost child to a lost teddy bear is absurd. And to think an army of moms would actually give up their lives to search for one over the course of a few days is a bit of a stretch.

At least that’s how we see it.


O nome do mascote da Copa 2014: Amijubi, Fuleco ou Zuzeco?

Definido o tatu-bola como mascote da Copa 2014 no Brasil, a FIFA agora pede ao público para que escolha o nome do bicho.

O público-alvo de todo mascote de evento são crianças, de 5 a 12 anos, mas no caso no tatu a ideia foi chamar atenção também para a importância do meio ambiente e da ecologia.

Eu acho muito bonito até aqui, mas as três alcunhas propostas não ajudam: Amijubi, Fuleco e Zuzeco. Pior do que a piada pronta do “fuleco”, é o processo criativo dos nomes. “Amijubi é a união das palavras ‘amizade’ e ‘júbilo’”, diz a FIFA.

Você pode votar no site (também necessitado de um designer): mascot.fifa.com

Confira abaixo a explicação para cada nome:

AMIJUBI

Amijubi é a união das palavras “amizade” e “júbilo”, duas características marcantes da personalidade do nosso mascote e que refletem a maneira de ser dos brasileiros. Além disso, esse nome tão original está ligado ao tupi guarani, em que a palavra “juba” quer dizer amarelo – a cor predominante no mascote!

FULECO

Fuleco é a mistura das palavras “futebol” e “ecologia”, dois componentes fundamentais da Copa do Mundo da FIFA Brasil 2014. O nome do nosso mascote mostra como essas duas palavras combinam perfeitamente e ainda incentivam as pessoas a ter mais cuidado com o meio ambiente.

ZUZECO

Zuzeco foi formado dos elementos principais de “azul” e “ecologia”. Azul é a cor dos mares da maravilhosa costa brasileira, dos rios que cruzam o país e do nosso lindo céu. E é também, claro, a cor da carapaça especial do mascote. Ele sabe que pertence a uma espécie vulnerável e por isso, também sabe o quanto é importante divulgar e incentivar a conscientização ecológica entre seus amigos do mundo inteiro.

Brainstorm9Post originalmente publicado no Brainstorm #9
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A hyper-matrix da Hyundai acaba de redefinir aquele seu briefing que diz: “temos que impressionar no evento”

Em um evento na Coréia do Sul, a Hyundai fez de seu pavilhão uma enorme hyper-matrix com milhares de cubos móveis como se fossem pixels.

A parede tem 8 metros de altura e 45 de largura, exibindo diversos tipos de figuras de acordo com a movimentação dos cubos feitos de isopor.

A criação é do grupo de arte JônPaSang, e você pode ver abaixo um making of do projeto:

Brainstorm9Post originalmente publicado no Brainstorm #9
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Fish Tank Phone

Kingyobu est un collectif composé de 5 étudiants de la Kyoto University of Art and Design. Ces derniers ont eu l’idée de remplir plusieurs cabines téléphoniques à Osaka d’eau et de poissons rouge, symboles de joie, chance et de prospérité. Plus d’images de ces aquariums urbains insolites dans la suite.

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Lavish Elegance Fills Fashion Film As Woman Seeks Man

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In this masterful, single shot, steadicam film directed by Ryan Hope for William Tempest’s Design Forum fashion collection, we are drawn into the life of the obscenely rich and the sumptuously elegant.

A lamborghini pulls up in front of a stately brick mansion that, on the outside, doesn’t look as big as it seems once we’re inside. A woman gets out of the vehicle and we follow her through room after room as she hunts for the man of her dreams. As we are slowly brought the home, we see a lavish gathering of one percenters enjoying themselves as if there weren’t a care in the world.

The film is beautiful. The added subtitles ruin i’s elegance. The film, itself, tells the story without need for narration. But we watched the entire eleven minutes. It was that captivating