Argentina’s Pablo Del Campo Goes to Spain


The Buenos Aires office of Saatchi & Saatchi has emerged as such a strong brand that the agency "Del Campo Saatchi & Saatchi" is opening in Spain later this month.

Amnesty International Uruguay: Roberto, Claudio, Eduardo, Omar

4   roberto ads

3   claudio ads

2   eduardo ads

1   omar ads

This campaign aims to remember the people who were persecuted, tortured and disappeared under the military dictatorships in Uruguay, Argentina and Chile. In conmemoration of 40 years of democracy in the region and Amnesty’s ongoing fight for justice for those still missing.

Advertising Agency: Lowe Ginkgo, Montevideo, Uruguay
Chief Creative Officer: Gabriel Román
Executive Creative Directors: Fernando De Clemente, Sebastián Mir, Jorge González
Creative Directors: Gonzalo López Baliñas, Diego Román
Art Directors: Agustín Acosta, Álvaro Díaz, Luis Meyer
Copywriters: Mateo Vidal, Camila De Simone
Photographer: Gustavo Germano
Account Managers: Marcelo Bonomi, Victoria Martin


Amnesty International Uruguay: 0 Views. A Video We Should Stop Seeing.

Advertising Agency: Lowe Ginkgo, Montevideo, Uruguay
Chief Creative Officer: Gabriel Román
Executive Creative Directors: Fernando De Clemente, Sebastián Mir, Jorge González
Creative Directors: Gonzalo López Baliñas, Diego Román
Art Directors: Agustín Acosta, Álvaro Díaz, Luis Meyer
Interactive: Nicolás Lawlor, Bernardo Álvarez
Copywriters: Mateo Vidal, Camila De Simone
Producers: Ricardo Rodríguez, Jope Urrestarazu
Account Manager: Marcelo Bonomi, Victoria Martin
Production Company: La Jolla Films
Web developer: Pinky!


C2C – The Beat

Après le focus et l’interview de 20syl dans le cadre de Fubiz TV, voici en exclusivité le nouveau clip du collectif de Djs C2C. Réalisée par Dai-Dai Tran pour illustrer le morceau « The Beat », cette création visuellement très réussie reprend graphiquement l’univers et le tempo du morceau. A découvrir dans la suite.

C2C the beat12
C2C the beat11
C2C the beat9
C2C the beat8
C2C the beat7
C2C the beat6
C2C the beat5
C2C the beat3
C2C the beat2
C2C the beat10

The London Festival of Photography (part 1)

53k

For some reason, London’s festival of photography is probably not getting all the attention it deserves. Hence this first hasty story to try and convince you to flock in droves to some of its exhibitions before they close. If i had to recommend just one venue it would be the Fitzrovia Community Centre. All the artists exhibited in the show are new to me and their work is of the ‘documentary and heavy in urgent-social-issues’ genre, just my kind of photo show! continue

Curry Nation : Agency Profile

By Amey Katkar and Abhishek Jamwal

For DesiCreative’s very first agency profile we honed in on Curry Nation, a young and ambitious group of people headed by some very reputed individuals. The idea was to keep it friendly and get inside the walls of first impressions, to capture the essence of what they stood for, the agency, the people, their work, their ideology and a whiff of their plans for the future.
On a fateful Thursday, Priti Nair called us in for a friendly inquisition and I, in turn, called upon Amey, a fellow inquisitor armed with a tickling sense of humor that was ideal to get the conversation flowing. The two of us met at kurla and took the afternoon local to Mahalaxmi, chalking out a plan while being clear on one agenda, yes coffee to banti hi hai, peekar to aaenge hi…
At Mahalaxmi station we took a taxi for Famous studios, a landmark of the area and quite an iconic name in the advertising industry. Curry Nation was right nearby.  Then a quick pitstop at a chai tapri.

Having met a fair share of advertising professionals as a part of DesiCreative, the first thing I noticed was that while many agencies claim to be “a family”, Curry Nation truly exudes the sentiment, their senior team of Priti Nair, Nagessh Pannaswami and Porus Jose having worked together at Lintas earlier. They are a young, yet tenured and motivated group who are all willing to climb into the trenches when necessary, guiding and helping each other.

In conversation with  Priti.J.Nair and Nagessh :
To both of them, starting a new agency was a natural next step, an added spice which facilitated the ability and liberty to experiment with ideas with a dash of Indian fervor that they could have only when left answerable to no one. The foundations of Curry Nation are epitomized in their remarks, “For any campaign to work in India it must be world-class in quality and deeply dyed in Indian colours.”
Now, meeting Priti and not questioning her on the famous Balbir Pasha campaign would have been akin to reaching Agra and not visiting the Taj Mahal. The choice of name being the striking point of the campaign, we wanted to know how it came about…
And it turns out that one needn’t have looked very far for inspiration.
“We started with names from within our own agency and then spread out to others. We looked at names like Tushar Kadam to even names like Puliraja (a south India actor) then, with a variety of names at our use we began a lengthy and lively permutation and shortlisted ten of them. After which we felt that the name Balbir Pasha went well with the campaign made for Truck drivers, Migrant Laborers and Sex workers”.
Having worked internationally in BBH London and Singapore, Priti feels that work in India is nowhere less in standards than work abroad.
She feels that the diversity in culture, language, food, gods are the choicest ingredients to bring out something that stands up to the best of works done anywhere in the world.

Nagessh blends well with Priti, having been friends from their Lintas  days. They complement each other very well, where Priti looks more into creative affairs, Nagessh handles Administrative and money part of the agency. He adds, “Having worked with leading brands like Levers, Onida, Loop Mobile, DART etc, I have the necessary expertise to develop business and handle clients, which has helped Curry Nation bag some good brands like Emami, Cavin Kare, Rasna, Naturals and Himani in their kitty.”

What is Curry nation best at?
Curry nation is best at Parallel processing, the ability to simultaneously handle a lot of work , varied work and provide alternate solutions that work best for their clients and really work for client in increasing sales and brand awareness.

What Curry Nation is bad at?
They feel they are bad at negotiating the money. Priti is quick to add Nagessh handles the money and grins…

What they love?
More clients coming and Curry’s work making clients happy.

What they Hate?
Unsuccessful meetings.

How do they have lunch?
Like a family would. All of them have their food together in common room and by law everyone needs to be there at lunch time. Most of them have dabbawalas delivering food for them.
Particularly the day I met them, Priti had Labshi (broken wheat) and Nagessh had some Kerala cuisine.

What do People usually do on weekends at Curry?
Saturday is an off but when I had word with fellas in Curry I realized even though it was an off, they liked being in the office, as the agency is more like a lovable family, and most of them like to hangout together after work.

Things they like to brag about:
Curry Nation offers sharp brand solutions to their clients and love to brag about their commitment to them. They are very particular about time deadlines given to them by clients and have always completed work within the given timeframe.

Internet speed at curry:
8Mbps. Wow.

Their Clients:
To already existing clientele of  Emami, Cavin Kare, Himani, Naturals, Saii Dairy, Cholayil they have added Nirlep, Borosil, Spinz Deo and Rasna Fruit Plus.

No. of people in the agency:
15 people with 9 Creatives.

Is it difficult to find good people for work?
Yes it is difficult, Most of the people who work in Curry Nation have been friends with Priti or Nagessh or have been admirers who quit bigger organizations to be part of this young agency.
Curry Nation asks for a minimum of 3 references from job seekers.

Employees expectation from Curry Nation?
All of them expect an opportunity to do interesting work with the avenue to work with some very reputed colleagues.

What Curry expects from its employees?
Dedication to work and discipline.
They are very particular on the discipline aspect, Curry Nation believes in a 10am to 6pm day.

How Curry Nation Selects TVC Production Houses.
Story telling part.
Experience in the past.
Production house values and performance.

Structure of Hierarchy:
They have a Flat Structure which is quite evident as they have no walls, to which they explain brings positivity and good vibes. There is an atmosphere of trust and fondness amongst employees. Everyone sits close to each other.

Does Curry Nation believe in Nurturing new brains?
Curry Nation already has two interns working in Client Servicing, with another set of eager learners shortlisted to fill in after the current internships. Priti and Nagessh believe that  a “Degree has no meaning”, it is the idea that will click and to achieve this they believe that hard work  and building strategies is important even when you are not actually working in an agency. They feel interested people should look at the things around them and start making ads for those products. Or watch ads keenly, see what their positioning and campaigns are and write the next campaign for them. That will show how committed they are rather than emptily claiming their love for advertising.

Curry nation doing their bit?
Curry Nation has an artful Dabba program. Colourful Dabbas are collection points for donations, which are given out every month to the needy ones.

Something very different that you have come across that’s caught your eye?
To this, Priti jumps in and says “Yes yes, The Bean Bag promotion!”, she loves it she says she really finds it very interesting how this guy gets his number spray painted all over and promotes his business and pays almost nothing for all this, she wanted us (Desicreative) to meet this guy and talk to him and his ideas and is it profitable and how is he doing with bean bag business.

How many people went to Goafest 2012?
Two people, which seems pretty decent for an agency of 16, considering all of them had recently visited Goa to celebrate their First Anniversary.

Talk with Porus Jose Creative Head:
Porus who is  about to finish his 16th year in this field started his career in advertising when he was 25. Modestly, he admits that to him creativity did not come naturally. He quotes “I was no lateral thinker, more like a vertical thinker” he quipped, “I had to really work very hard for creativity”
For him, the journey from a physics graduate to a copywriter has been very enjoyable. Porus who returns from Kenya having worked there with DDB, says Curry Nation is like coming back to family as he was part of Priti and Nagessh’s team in Lintas.
While in Lintas he worked on the Levers account and he adds that he really misses working in Lintas. He also says that he sometimes feels bad about having left Lintas, but then that’s the way life goes.

According to him, the essential qualities of a good copywriter are :
Madness, Variation and articulation.

Porus who just eats one cooked meal a day says that if anyone has to be credited for good creative work it is the client, and then the agency. It’s the client which lets the agency experiment with their money while dealing with the pressures of gaining market share, increasing brand awareness, market penetration etc.

A little about other people in agency (the few I had a discussion with):

Anoop Konath (Creative Brand Management):  Anoop started out making Mallu movie posters and gradually progressed to reputed brands like Romanov, Airtel, ING Life, Arrow, Kingfisher Blue and others.
Before joining Curry as an Art Director, Anoop was with Rediffusion Y&R for 5 yrs.

Swetha Ajit: A young gun fresh out of a course in Copywriting from MICA.

Sheryl Roche: Fairly young and dynamic weapon in Curry’s armoury, Sheryl is into Client servicing and has been a part of Fairever campaign. Having done her study from the Manipal Mass Communications College she is in Curry to learn from Priti.

Snehanka Kelshikar: Five years into Art Direction, Snehanka has a BFA degree from LS Raheja school of arts. She was a part of Leo Burnett’s team prior to Curry nation.

Vaibhav: Has worked in Comma Zero (Gurgaon) before Curry Nation.

Anuja Wadhkalkar: Anuja is from Bhans and has a diploma in advertising. She’s into designing clothes and has written scripts for television, before joining curry nation as a copywriter.

Cedric: Works in client servicing and has the experience of working with Mccann Erickson and BBDO, Mumbai. In Curry Nation, he handles accounts for Fairever, Spinz, and many more…

Ankul: Has been an engineer for two years before joining Curry Nation, to work on Rasna.

 

 

 

 

 

 

Solar-Powered Annual Report Takes Design Grand Prix


Austria Solar's Grand Prix award-winning effort for design was a piece of collateral like no other — it featured nothing on its pages until you placed it in the sun.

Paper Mate Liquid Paper: Office, Court, Marriage

Advertising Agency: Giovanni+Draftfcb, São Paulo – Brazil
Executive Creative Director: Benjamin Yung Jr., Cassio Zanatta
Creative Director: Benjamin Yung Jr., Cassio Zanatta
Head of Art: Benjamin Yung Jr.
Copywriter: Ana Mattioni, Rainor Marinho
Art Director: Diego Rosendo, Palloma Quintale
Photographer: Paulo barros
Illustrator: Julius Ohta
Art Buyer: Tina Castro, Gisele Miranda, Daniel Gonçalves
Account Supervisor: Nilton Bonini


ALS Foundation Netherlands: I Have Already Died

Advertising Agency: Publicis, Amsterdam, The Netherlands
Executive Creative Directors: Marcel Hartog, Jeroen Van Zwam
Copywriter: Marcel Hartog
Art Director: Jeroen Van Zwam
Designer: Dave Fransen
Director: Olaf van Gerwen
Accounts: Marcella van Holten, Michiel van der Linden
Creation: Marcel Hartog, Jeroen van Zwam
Design: Dave Fransen
Photography: Lukas Göbel
Sound: Robin Schlösser / Studio De Keuken
Strategy: Gert Jan Hafkamp


American Express: Small Business Gets An Official Day

Advertising Agency: Crispin Porter + Bogusky, USA
Chief Creative Officers: Rob Reilly, Jeff Benjamin, Lincoln Bjorkman
Executive Creative Director: Mark Taylor
Creative Director: Allen Richardson
Interactive Creative Director: Dan Ligon
Art Directors: Daniel Burke, Rochelle Raiss, Mike Blanch, Josh Gross, Laura Potsic
Copywriters: Kelly McCormick, Adrian Alexander, Jens McNaughton
Directors: Kaylin Goldstein, Andrew Teagle
Creative: Matt D’Ercole, Atit Shah


Amid Legal Battle Against ABC’s ‘Glass House,’ CBS Tries Being Funny


CBS hasn't been able to get a judge to block ABC's "The Glass House," which it calls too similar to "Big Brother," so it's trying something else.

Cloth: Um app que ajuda a escolher o que vestir [iOS]


Mulheres que passam horas na frente do guarda-roupa para decidir o que vestir, poderão ter todos os seus problemas resolvidos com um simples app para iOS.

O Cloth serve basicamente para tirar fotos e catalogar suas peças de roupa, já com elas no corpo para escolher mais tarde qual fica melhor para o seu humor no momento.

Porém, em sua nova versão, o aplicativo sugere combinações baseadas no clima do dia, de acordo com a sua classificação dada em cada peça. O app é grátis, mas a função do tempo custa US$ 0.99

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie


Advertisement


Planet Sushi: Take Pleasure In The Taste

planet sushi_abribus_120x176 au 5e 15

planet sushi_abribus_120x176 au 5e 14

planet sushi_abribus_120x176 au 5e 13

planet sushi_abribus_120x176 au 5e 12

planet sushi_abribus_120x176 au 5e 1

Advertising Agency: Hello Sunshine, Paris, France
Art Directors: Charlotte Cochet-Terrasson, Alice Faure-Brac
Photographer: Marcel Christ
Account Directors: Augustin Zeller, Laura Quilès


Nike Fuelband and Curators of Sweden Take Cyber Grand Prix



The Cyber 2012 jury awarded two Grand Prix to pieces of work that represented extreme poles of the category: Nike Fuelband+, from R/GA, New York, and The Swedish Institute/Visit Sweden's "Curators of Sweden" campaign.

Radio Grand Prix From Talent in Brazil Also Repels Mosquitoes

Cannes juries have been known to verify whether a winning entry really ran, but this may be the first time judges checked to see if an ad really repels mosquitoes.

Controversial Benetton Ad Nabs Press Grand Prix


Benetton's controversial "Unhate" campaign, which finds world leaders lip-locked with their biggest adversaries, won the Press Grand Prix at the Cannes Ad Festival today.

Save The Children: Quebre o ciclo


Cannes é cheio de fastasmas, mais um festival que premia a capacidade de fazer do que aquilo que realmente aconteceu. Mas temos que convir que, desde que Cannes Lions existe, a grande maioria da peças laureadas faz jus a troca de nome feita pelo evento: “festival de criatividade”.

Essa campanha impressa da Y&R do México, que levou Leão de Ouro na categoria Press, é um ótimo exemplo disso.

Criada para a ONG Save The Children, mostra que 70% das crianças que sofrem abuso se transformam em adultos abusivos. São peças que capturam a atenção dos olhos e conta uma impactante história ao mesmo tempo.


Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie


Advertisement


Norte Beer: Photoblocker, With / Without

Advertising Agency: Del Campo Nazca Saatchi & Saatchi, Argentina
Executive Creative Directors: Maxi Itzkoff, Mariano Serkin
Creative Director: Ariel Serkin
Creatives: Ezequiel De Luca, Nicolas Diaco
Accounts: Jaime Vidal, Manuela Sorzana
Agency Producers: Adrian Aspani, Camilo Rojas, Lucas Lucas Delenikas
Production Company: Landia
Director: Matias Moltrasio
Executive Producers: Andy Fogwill, Nico Cabuche
DP: Leo Hermo
Postproduction Company: Metrovision
Sound Designer: Elefante Rosagante
Music: Supercharango
Production: Martin Feigielman / Red Creek


Peres Centre for Peace: Blood Relations

To demonstrate the power of creativity in a troubled region, this unique event brought together Palestinans and Israelis who have lost family members in the conflict to donate their blood, side by side, as a symbolic act of healing. This project came about as a result of BBR Saatchi & Saatchi’s challenge to creative minds around the world to present ideas to bring these people together.

Advertising Agency: BBR Saatchi & Saatchi, Israel
Agency CEO: Yossi Lubaton
Deputy Agency CEO: Yoram Levi
Creative managers: Eran Nir, Tomer Gidron, Eddie Goldenberg
Art director: Nathan Freifeld
Copywriter: Shachar Ayalon
Planning: Guy Gordon, Rachel Friend
Designer: Steve Reiches
Technologist: Leonid Angarov
Account group head: Nir Federbush
Accont supervisor: Lee Bryn
Account executives: Noa Sharf, Sharon Taggar
VP Production: Dorit Gvili
Producer: Bosmat Marmarely


The Sunday Times Rich List: Royal Family, Harry Potter, Dragon’s Den, Sports, Rolling Stones

ti882p_thetimes_harrypotter_out april29_340x226

ti882p_240x480_rich_list_48_dragonsden_29apr

ti882p_270x343_rich_list_sport_sundaytimes

ti882p_240x480_rich_list_48_rollingstones_29april

Advertising Agency: CHI&Partners, USA
Creatives: Richard Brim, Daniel Fisher
Executive Creative Director: Jon Burley
Print Producer: Emily Smith
Art Buyer: Emma Modler
Head of Art: Dan Beckett
Designer: Lee Robbins & Rob Swainson
Retouching: Smoke & Mirrors / CHI Design