Sony Ericsson renews MTV Europe awards sponsorship
Posted in: UncategorizedLONDON – Sony Ericsson has extended its sponsorship of the MTV Europe Music Awards for the next two years, including this year’s ceremony to be held in Liverpool.
Orange launches Glastonbury ticket giveaway online
Posted in: UncategorizedLONDON – Orange has relaunched its online Spot the Bull ticket competition for this year’s Glastonbury music festival.
Olympic Brand Battles – Nike & Adidas for Beijing 2008 (GALLERY)
Posted in: UncategorizedCrediChile Bank: Maria
Posted in: UncategorizedCrediChile Bank: Benjamin
Posted in: UncategorizedMarketing To BlackBerry Addicts
Posted in: UncategorizedBlackBerry users are addicted to mobile communications, even if they don’t realise it yet.
You’ve all heard the banging-of-the-mobile-drum over the last few months by digital evangalists everywhere (especially in this office): “Mobile is the fututure! Mobile will cure all your communication illnesses!”. But few have focused on what this means in targeting our nation’s most […]
Drinking Campaigns – A Night to Remember or Forget ?
Posted in: UncategorizedThis responsible drinking campaign by Abbott Mead Vickers BBDO, London for Diageo reminds you there is a point that turns a fun night of drinking into a regrettable one you’d rather forget. Drinking too much becomes an issue when your intoxicated behavior becomes the problem.
The campaign capitali…
National Campaign against online pedophilia – This shouldn’t be here – Brazil
Posted in: Uncategorized
To encourage people to report pedophilia , Lew Lara\TBWA Brazil placed children’s underwear in the racks of adult (sexy) underwear in lingerie shops and department stores. The underwear carried a tag with the text: “This shouldn’t be here, but some people pretend that they can’t see it” and was signed “report pedophilia www.censura.com.br
Jaques Lewkowicz, Executive Creative Director
André Laurentino, Executive Creative Director
Victor Sant´Anna, Creative Director
Manir Fadel, Creative Director
Braulio Kuwabara, Creative Director
Felipe Luchi, Creative Director
Pedro Rosa, Art Director
Ivan Teixeira, Copywriter
Cerca – Afraid of the dark (pedophilia) – print, Brazil
Posted in: UncategorizedDrinking Campaigns – A Night to Remember or Forget ? (GALLERY)
Posted in: UncategorizedJustine Cooper’s Terminal photos and installation at Daneyal Mahmood Gallery
Posted in: UncategorizedAlthough i tend to spend most of my time inside every single branch of Sephora when i’m in New York, i got to see some pretty interesting exhibitions while i was there. Daneyal Mahmood Gallery is hosting until June 14 an arresting installation and series of photographies by Justine Cooper.
Sally, 2008
Cooper has an unquestionable interest for science. The Australian artist is known for having spent one year snooping around the storerooms of the American Museum of Natural History in New York.
Charles, 2008
According to an interview she gave to Trace blog, the Terminal portraits she is currently exhibiting are inspired by the formal portraitists of the late 19th century and by the scientific work of Bernice Abbott. The stars of Cooper’s photographs are medical mannequins (just like Tomer Ganihar‘s hospital series) and robots. Highly sophisticated, they have been designed to simulate human traumas for training doctors and surgeons.
During her research, the artist found that the personnel charged with the care of the mannequins had humanized these objects into subjects by calling them Sally, Peter, Charles or Mandy. They dress them as if they were about to leave for the Bahamas and even construct a narrative through their care.
Peter, 2008
Also on show, RAPT I is a computer animation created 10 years ago from hundreds of images produced when Cooper voluntarily underwent six hours of MRI (Magnetic Resonance Imaging) scanning (video). RAPT II is a fascinating installation comprised of 76 of the MRI axial scans, printed on architectural film, suspended and aligned to create a 24 foot long floating body. I found very distressing the idea that i was able to pass my hand between the slices of her body.
Rapt II, Detail, 1998
Rapt is what the artist calls a universal Self Portrait, originally posing the question of if and how new technologies shift the way we can conceive of space, by presenting us with an alternate, elastic interpretation of the body.. “Just as the body is re-codified through medical technology, so its internal spaces and brute physicality are remapped and made accessible in these works. Living flesh is translated into malleable data”
The exhibition is on view at Daneyal Mahmood Gallery until June 14, 2008.
Musical Painting – Paintjam by Dann Dunn (VIDEO)
Posted in: UncategorizedLangford to lead marketing at RBS/ABN Amro
Posted in: UncategorizedHONG KONG – ABN Amro regional head of PR Anna Langford is to lead marketing for the new bank that emerges after Royal Bank of Scotland’s (RBS) takeover of the Dutch lender.
Commercial Dog Cloning (Update) – Best Friends Again Program
Posted in: UncategorizedCheil Singapore wins first non-Samsung client
Posted in: UncategorizedSINGAPORE – U Mobile, the latest operator to enter Malaysia’s mobile telco market, has selected Cheil Worldwide Singapore as its creative agency.
Starcom relaunches entertainment marketing offering as The Bridge
Posted in: UncategorizedSINGAPORE – Starcom MediaVest Group has relaunched its branded content arm as The Bridge with a view to expanding the offering beyond Starcom clients.
Mingpao launches Taiwan magazine
Posted in: UncategorizedHONG KONG – Recently-listed Chinese-language media platform Media Chinese International is set to launch Mingpao Weekly magazine in the Taiwan market during the third week of June, as a part of its long-term strategy to grow both organically and through acquisition in the Greater China region.
IHT repositions to play up New York Times link
Posted in: UncategorizedHONG KONG – The International Herald Tribune is seeking to emphasise its proposition as a global news publication, having altered its front-page tagline from ‘Published by the New York Times’ to ‘The global edition of the New York Times’.