Velveeta Explains What to Do With That Cast-Iron Skillet You Carry Around Everywhere

You have a weird, ineffable obsession with your cast-iron skillet. You carry it with you everywhere like a safety blanket. You believe like it could make you feel joy, but it does not, because something is missing.

Velveeta appeals to the kitchenware creeper segment with a new pair of spots from Wieden + Kennedy for the brand's Cheesy Skillets dinner kits. It's a new twist on the agency's oddball approach to the product, with some of the dramatic flavor of Old Spice still in the voiceover and epic positioning, "It's liquid gold," but sight gags balancing it out.

In some ways, it's the American cheese of advertising—comfort food that's pleasing at first but ultimately a little too processed to leave you feeling entirely good about having eaten it. If you can get past the slightly overdone copy, though, there's some pretty rich comedy in the dumb facial expressions of the actors.

You might even call it gold.

Credits below.

CREDITS
Client: Velveeta
Project: Velveeta Cheesy Skillets

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Karl Lieberman, Eric Baldwin
Digital Director: Pierre Wendling
Copywriters: Heather Ryder, Darcie Burrell
Art Director: Matthew Carroll
Interactive Producer: Ryan Adams
Event Producer: Victoria Semarjian
Account Team: Ken Smith, Rachel Parker, Danica Jones, Sarah Augustine
Media Director: Alex Dobson
Head of Broadcast: Ben Grylewicz
Broadcast: Shelley Eisner, Nicole Kaptur, Yamaris Leon
Art Production: Stacie Balzer, Eugenie Frerichs, Denise Hanggi, Rainier Goubault
Project Manager: Megan Nugent
Studio Manager: Anna Gatewood
Studio Artists: Leslie Warra, Thomas Bradley
Executive Creative Directors: Mark Fitzloff, Susan Hoffman
Business Affairs: Amber Lavender, Anna Beth Nagel, Pam Atkinson
Content Services: Zoe Hoetze, Anders Lund

Production Company: Smith & Jones Films
Director: Ulf Johansson
Executive Producer: Philippa Smith
Executive Assistant: Tori King
Line Producer: Justine Madero
Postproduction Company (Editorial): Spot Welders
Editor: Haines Hall
Producers: Carolina Wallace, Lisa English
Visual Effects: A52
Executive Producer: Megan Meloth
Producer: Meredith Cherniack


    



W+K Portland Unveils ‘Join Together’ Follow-Up Called, Yes, ‘Separate Together’

Last month, W+K Portland launched the “Be Moved” brand campaign for Sony with the broadcast spot “Join Together.” Yesterday, W+K revealed the follow-up, the four minute (and change) documentary, “Separate Together.”

“Separate Together” brings together Bruce Zaccagnino, the creator of Northlandz, the world’s largest model railroad located in Flemington, New Jersey, and Matt Albanese, a photographer who specializes in miniatures. The documentary takes place within Northlandz’s “52,000 square foot exhibit space featuring dozens of tiny towns, three-story papier-mâché mountains and hundreds of toy trains snaking through a warren of tunnels, past tiny windmills and over bridges made from thousands of toothpicks.” Albanese captures Northlandz in a unique way, utilizing the Sony QX100′s ability to fit into tight spaces to capture unique shots that wouldn’t have been possible with other cameras. It’s a great way to show off the QX100′s unique capabilities in fun, charming way.

The documentary is accompanied by an experience site which lets you explore Northlands from the unique vantage points available with the QX100, letting viewers zoom in on different areas and take their own shots, which they can then share on social media. It’s a great extension, and a fun way to explore the charm of Norhtlandz without having to make the schlep to Jersey. Stick around for credits and “Join Together” after the jump. continued…

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Young Bilingual Singers in Coke’s ‘It’s Beautiful’ Ad Aren’t So Conflicted About America

Using children in politically tinged advertising is often problematic. Some would say it's tantamount to propaganda. Still, the kids who sang "America the Beautiful" in other languages for Coca-Cola's Super Bowl ad are so charmingly innocent in these behind-the-scenes videos—and so optimistic about how the ad will be received—that it makes the whole ruckus seem extra ridiculous.

Of course, Coke isn't as innocent. It knew the ad, by Wieden + Kennedy, would be controversial. Even these clips from the recording sessions hint at that—why else would they ask the girls how people might react to the ad? And yet it's irresistible when Naomi, the girl who sings in Spanish, says: "They might feel joyful. They might feel like, 'Wow, America has all these different things.' And they might feel, like, really proud of their country, I hope. Cause I know I am pretty proud."

Coke released its own statement about the ad this week, saying in part: "For centuries America has opened its arms to people of many countries who have helped to build this great nation. 'It's Beautiful' provides a snapshot of the real lives of Americans representing diverse ethnicities, religions, races and families, all found in the United States. … We believe 'It's Beautiful' is a great example of the magic that makes our country so special, and a powerful message that spreads optimism, promotes inclusion and celebrates humanity—values that are core to Coca-Cola."

The ad's director, John Hillcoat of Skunk, has also spoken out this week. "We all know there are those kind of bigots out there, but I had no idea how deeply embedded it was. It seems that the divide in America has never been greater," he said in a statement.

Despite its optimism, Coke recognizes that divide, too. Tellingly, YouTube comments are disabled on all the videos featuring the girls—to protect them. Comments are enabled on the main ad, though, and are at 12,500 and counting. Wade into that debate at your own risk.


    



Your Hair Can Now Leap Off Your Head and Hit on Women, Thanks to Old Spice

Attention men: Want hair-care products that turn your hair into a sentient toupee capable of the most charming antics?

No? Really, it's better that it sounds. It's great for when you're in a business meeting and some dial tone is droning on about whatever who cares, and the hot woman across the table is eyeing you hard … it will mack on your behalf without anyone noticing.

So says one of two new oddball spots from Wieden + Kennedy for Old Spice hair products, vaguely reminiscent of Axe's walking-hair-loves-headless-boobs commercial from 2012. (The director, Tom Kuntz, also has experience working with hair that has a mind of its own—going back to Skittles' "Beard.")

Another new Old Spice ad tells you that your creepy-furry head pet will also serve you exceptionally well when you're on a date at the boardwalk. Just look at the magical surprise it can pull, hands-free, out of the arcade claw.

It really is the perfect marriage of the campaign's tagline, "Hair that gets results," and the brand's classic marketing ethos—"If your grandfather hadn't worn it, you wouldn't exist."

Credits plus a print ad below.

CREDITS  
Client: Old Spice
Spots: "Meeting" and "Boardwalk"

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Craig Allen, Jason Bagley
Copywriter: Jason Kreher
Art Director: Max Stinson
Producers: Hayley Goggin, Katie Reardon
Account Team: Georgina Gooley, Liam Doherty, Nick Pirtle, Jessica Monsey, Michael Dalton
Executive Creative Directors: Susan Hoffman, Joe Staples
Head of Production: Ben Grylewicz

Production Company: MJZ
Director: Tom Kuntz
Executive Producer: Scott Howard
Line Producer: Emily Skinner
Director of Photography: Andre Chemetoff

Editorial Company: McKenzie Cutler
Editor: Gavin Cutler
Assistant Editor: Ryan Steele
Producer: Sasha Hirschfeld

Visual Effects Company: Framestore
Visual Effects Supervisor: Alex Thomas
Compositing Supervisor: Russell Dodgson
Producers: Tram Le, Claudia Lecaros
Flame: Stefan Smith, Trent Shumway
Nuke Leads: Vanessa DuQuesnay, Jonni Isaacs, J.D. Yepes
Nuke: Geoff Duquette, Jason Phua, Carl Schroter, Jack Fisher, Anthony Lyons, Katerina Arroyo, Nick Sorenson, Kenneth Quinn Brown

Music Company: Rumblefish
Producer: Mikey Ecker

Final Mix Studio: Lime Studios
Post Engineer: Loren Silber
Assistant Engineer: Patrick Navarre
Producer: Jessica Locke

Color Transfer: CO3
Artist: Stefan Sonnenfeld


    



Heineken Responds to ‘The Odyssey’ Authenticity Doubters

Following the release of W+K Amsterdam’s “The Odyssey” last week, Heineken has released a tongue-in-cheek response to the comment section skeptics who questioned the spot’s authenticity.

The 2:10, presented as “the genuine response of our official PR representative Dymfke van Der Gaal,” replies directly to YouTube commenters who publicly questioned the authenticity of the individual talents in “The Odyssey.” As evidence, Heineken presents the casting calls for the guys in the ad, which are predictably goofy. In addition the PR response video, Heineken has also uploaded the casting calls for each of the talents featured in “The Odyssey.” The PR response fits well with the lighthearted tone of the campaign, and reinforces its core message. As Sandrine Huijgen, Global Communications Director at Heineken puts it, “When we saw the comments about The Odyssey TVC, we wanted to show that there are no boundaries between real and fake, proving that real men have unique skills, and everyone is legendary at something.” Stick around for the original “The Odyssey” spot and credits following the jump. continued…

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Broncos Mascot Faces Another Long Week in W+K NY’s ‘Jersey’ Spot

In a timely follow-up to last week’s humorous “Long Week” spot, W+K NY have released “Jersey,” the latest in their “This Is SportsCenter” campaign.

The 17 second “Jersey” features SportsCenter anchor Stuart Scott and Broncos mascot Miles. Miles, depressed enough after seeing the Broncos steamrolled in the Super Bowl, prepares for what is presumably his end of the bargain following a losing bet with Seahawks mascot Blitz, and Scott feels for him. For the Denver mascot, it’s going to be another long week. “Jersey” is a fun continuation of the mascot rivalry W+K explored with “Long Week,” although we’re guessing Broncos fans won’t be so amused. Stick around for a second look at “Long Week” after the jump. continued…

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W+K’s New ‘This is Sportscenter’ Ad Showcases Big Game Mascot Rivalry

More from W+K, as W+K New York have unveiled their latest “This is Sportscenter” offering.

The 30 second spot, “Long Week,” celebrates Super Bowl XLVIII with a fun look at the rivalry between Denver Broncos’ mascot Miles and Seattle Seahawks’ mascot Blitz. Set in an elevator on ESPN’s Bristol, Connecticut campus, the spot stars SportsCenter hosts Jay Crawford and Steve Levy, who witness a tense, awkward exchange between the rival mascots. Credit has to go to director Jim Jenkins and the guys playing the mascots for perfect comedic timing. At the end of the spot, Everett and Levy reveal that the two mascots have been engaging in such behavior all week. Hopefully Miles and Blitz don’t kill each other before the big game.

The timely “Long Week” is designed to promote ESPN’s weeklong coverage of Super Bowl XLVIII, which began yesterday with ESPN Radio’s Mike & Mike kicking off 115 hours of TV and radio programming from New York City. ESPN’s programming originates from their Herald Square and Times Square Studios all week, up until Superbowl Sunday. Keep an eye out for “Long Week” during that coverage. Credits after the jump. continued…

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W+K, Coca-Cola Pre-Release Big Game Ad, ‘Going All The Way’

W+K Portland and Coca-Cola have pre-released their Super Bowl ad, “Going All The Way.” One of two big game spots for Coca-Cola, “Going All The Way,” was shot in Ashwaubenon, a suburb of Green Bay, Wisconsin, with the exception of the final moments, which were shot at Lambeau Field.

The 60 second spot, directed by Jake Scott and set to House of Pain’s classic “Jump Around,” tells the story of Adrian, a small high school football benchwarmer who finally gets his chance to shine. “Don’t mess this up again, Adrian,” his teammate says when he’s put in the game, telling us all we need to know about Adrian’s past on the playing field. But things break Adrian’s way, and he’s given the opportunity to make the play of a lifetime.

Most of the cast of “Going All The Way” was made up of actual Green Bay-area residents, and Lambeau Field’s groundskeeper of 17 years has a featured role in the spot. “‘Going All The Way’ is a story that celebrates a young man accomplishing his dreams. It’s also a celebration of the amazing town of Ashwaubenon, Wis. coming together and our wonderful partnership with the city of Green Bay,” said Katie Bayne, President, North America Brands, Coca-Cola North America.

The feel-good spot will air during the second half of the Super Bowl, while Coca-Cola’s other big game ad will air during the second quarter. This marks Coca-Cola’s eighth consecutive year advertising during the Super Bowl. To celebrate the launch of “Going All The Way,” Coca-Cola has pledged to donate $50,000 to the Boys & Girls Clubs of America’s Triple Play program when the spot reaches 10,000 shares. So please feel free to share “Going All The Way” with friends, family and colleagues. Stick around for a behind-the-scenes video about the making of “Going All The Way” after the jump. continued…

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Old Spice: ‘Anthropomorphic Hair Will Get You Laid’

W+K Portland has been very, very busy for Old Spice. First it was body spray with the “Smellcome to Manhood” campaign aka “Mom Song.” Then last week it was the triumphant return of Isaiah Mustafa and the “Interneterventions” surprise online campaign. Now, breaking the consistency of strange portmanteau puns is “For Hair That Gets Results,” marketing Old Spice’s line of hair care and styling products.

The first 30-second spot, “Meeting,” finds a studly studs mop of hair jump off his head and get a girl’s number. The lesson? If, young man, you pull this move, you’ll get a phone number that connects to a voicemail message that says, “Hey, I can’t come to the phone right now. I’m either studying for my master’s degree or having a tickle fight with my friend, Consuela. (Giggles.) Stop it, Consuela, I’m going to get you!” Yep, pretty cool.

The second, “Boardwalk,” teaches young men another valuable lesson. You see, a lady wants your hair to tell her if you can put in baby in her. You know, through the means of sexual intercourse or via a mechanical claw. Credits after the jump.

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‘The Man Your Man Could Smell Like’ Returns with ‘Interneterventions’ for Old Spice

mustafaweb

Isaiah Mustafa, “The Man Your Man Could Smell Like,” returns for W+K Portland’s new “Interneterventions” campaign for Old Spice from executive creative directors Susan Hoffman and Joe Staples (full credits forthcoming, we hope).

W+K created nine fake websites for the campaign, for products such as “100% Black Leather Sheets,” “Illegal Neck Workout Machine,” “The Push Up Muscle Shirt,” and “Soul Patch Powder.” When users visit these site they are met with an “Internetvention” from Mustafa, who chides them on their poor life decisions and suggests that they can start turning things around by using Old Spice. There are nine separate executions for the nine different sites, each employing (like the sites themselves) W+K’s often imitated brand of humor. Visitors can also choose to prank their friends by forwarding them the sites on social media, a pretty clever way to get people to spread the campaign. Since the sites and the executions themselves are fun to watch, people may actually be driven to share the links. I mean, why wouldn’t you forward your buddy a link to “Brodominiums,” the condominiums located inside a gym?

Internetervention

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Let Us ‘Join Together’ for W+K’s Celebration of Sony Artistry, Engineering

If you were watching the Golden Globes last night, you may have caught the debut of W+K Portland’s “Join Together” spot for Sony, which will run for the next six weeks.

The new work (perfectly set to The Who’s “Join Together”) celebrates Sony’s longtime practice of joining a “steadfast passion for artistry and commitment to engineering” in a matter of 90 seconds. Directed by Imperial Woodpecker Stacy Wall , the spot also comes equipped with its fair share of star power, whether it be director/Knicks mascot Spike Lee (filming with Sony’s 4K CineAlta camera), Academy Award-nominated actress Quvenzhane Wallis (now starring in Sony Pictures flick, Annie), actor Grizz Chapman of 30 Rock and Columbia Music artist, DJ Cassidy. In the process, the spot highlights a wide range of Sony’s most iconic products and innovations.

The broadcast effort is supported by the “Be Moved” brand experience site, and four product-focused online videos: “Inventing Furniture,” “Eyeballs,” “Skeptics” and “Floor Plan.” These online videos highlight some amazing new technology from Sony with a dash of light humor. Check out “Skeptics” below, and stay tuned for “Eyeballs” and “Floor Plan,” along with credits, after the jump.

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Working Out at Equinox Will Make You Tough, Naked and a Little Dumb

Getting ripped at a luxury gym will make you want to get more naked everywhere, says luxury gym Equinox.

OK, if your prerequisite for being comfortable getting more naked everywhere is having the body of a super-fit fashion model, sure, makes sense. Getting ripped at a luxury gym will also make you want to get a black eye, though, or stow away with your buddy in the trunk of a luxury Mercedes, says Equinox. That makes less sense, because it's dumb to get punched in the face, or cram two people into the trunk of a sedan.

The images in the new print and digital campaign from Wieden + Kennedy in New York, shot by photographer Robert Wyatt, feature the tagline "Equinox made me do it," because writ large, getting ripped at a luxury gym will make you feel like a badass, says the company. That means all kinds of new confidence and adventures with your high-end fashion accessories.

It's not dissimilar in spirit to a highly sexualized campaign, shot by Terry Richardson, that the brand pulled amid criticism late last year. It's just toned in favor of a more ambiguously suggestive and playful sort of mischief, which makes it right on target for a health club that likes to hire fashion photographers to give it that vague haute glow.

The new campaign even approaches direct relevance to the brand's actual product—fitness—with the shot of the guy in the ice bath, assuming he's recovering from a particularly intense workout … though he probably doesn't really need to bring that fancy watch into the tub with him.

More images, a video and credits below.

CREDITS
Client: Equinox
Agency: Wieden + Kennedy, New York

Print and OOH credits
Executive Creative Directors: Colleen DeCourcy, Mark Fitzloff, Ian Reichenthal, Scott Vitrone
Creative Directors: Gary Van Dzura, Stuart Jennings
Copywriter: Nick Kaplan
Art Director: Cyrus Coulter
Designer Director: Serifcan Ozcan
Account Team: Patrick Cahill, Jacqueline Ventura
Creative Services Director: Chris Whalley
Project Manager: Yann Samuels
Art Buyers: Michelle Chant, Molly Dowd, Hillary Frileck
Print Producer: Kristen Althoff
Photographer: Robert Wyatt
Wardrobe Stylist: Simon Robins
Hair Stylist: Owen Gould
Makeup Artist: Jo Strettell
Business Affairs: Quentin Perry
Brand Strategist: Erik Hanson
Retouching Agency: Loupe Digital Imaging
Retoucher: Mark Baxter

Video credits
Executive Creative Directors: Colleen DeCourcy, Mark Fitzloff, Ian Reichenthal, Scott Vitrone
Creative Directors: Stuart Jennings, Gary Van Dzura
Interactive Creative Director: Gary Van Dzura
Copywriter: Nick Kaplan
Art Director: Cyrus Coulter
Head of Content Production: Lora Shulson
Producers: Luiza Naritomi, Kristen Johnson
Brand Strategist: Erik Hanson
Account Team: Patrick Cahill, Jacqueline Ventura
Business Affairs: Quentin Perry

Director, Director of Photography: Hugo Stenson

Editing Company: Rock Paper Scissors
Editor: Carlos Arias
Post Producer: Lisa Barnable
Post Executive Producer: Eve Kornblum
Editing Assistants: Chris Mitchel (senior assistant), Alex Liu (assistant)

Telecine Company: Company 3
Colorist: Tom Poole

Mix Company: Heard City
Mixer: Eric Warzecha
Assistant Engineer: Jeremy Siegel
Producer: Sasha Awn

Flame Artist: Edward Reina
Flame Producer: Melanie Gagliano
Flame Assistant: Jazmine Venegas

Music Company: Good Ear Music Supervision
Music Supervisor: Andrew Kahn
Song: Ticket Home
Artist: The Bones of J.R. Jones

 


    

W+K Shanghai Creative Director Ryan Gerber Returns to US, Goes Out in Style

Oil + Ink 1W+K Shanghai creative director Ryan Gerber is leaving that city for someplace where the air is cleaner than second-hand smoke.

Gerber will be returning to the US and, as a last hurrah, he collaborated on an art show with current and former W+K employees called Oil+Ink. The show runs until the 20th, at which time all of the art, including two very bad ass motorcycles, will belong to W+K. Ryan has worked with clients such as Chrysler, Jeep, Converse, Fiat, Beats, Pepsi, Levi’s, Amp Energy, Nike, and Motorola. He spent over 3 years with R/GA before jumping to W+K Shanghai in 2010. You might remember this trippy recruitment video he worked on for the agecny. Check out more photos of the sweet bikes below.Oil+ Ink 2Oil + Ink 3

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Com a W+K, até imposto de renda parece bom

Se realmente “na vida, só existem duas coisas certas: os impostos e a morte”, como disse Benjamin Franklin, a gente espera que pelo menos uma delas seja indolor – e todos nós sabemos qual aquela que tem mais chances para tal. Daí que uma empresa chamada TurboTax resolveu mostrar nos Estados Unidos que fazer o imposto de renda não é algo tão ruim, com a inestimável ajuda da Wieden + Kennedy.

Não sei você, mas às vezes eu penso que a W+K consegue fazer qualquer coisa parecer boa… até mesmo imposto de renda.

No caso desta série de filmes para a TurboTax, o foco passa do sofrimento dos impostos para o ser humano, e todas as incríveis experiências que ele vivenciou no ano anterior e tudo que ele foi capaz de fazer. Basicamente, é o que a ferramenta faz: oferece uma maneira mais fácil de se fazer o IR, a partir de diversas perguntas como “você se casou?”, “mudou de casa?”, “teve um filho?”, etc.

O resultado ficou muito bacana, sem perder o gancho com o produto.

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TurboTax, W+K Answer Life’s Depressing Questions

W+K’s new “It’s Amazing What You’re Capable Of” campaign for TurboTax, which kicked off last week with the excellent “The Year of You” spot, continues on with two new 30-second spots that capture humor and sentiment in equal measure.

The first, “Life is Full of Whys” (above), finds a recently dumped guy, a guy being encouraged by his wife to move, and a sad clown wondering some incredibly depressing questions. However, viewers should note that even in the darkest times, taxes can be your redemption. Sure, everyone hates your clown jokes, but at least you can write off your squeaky shoes as a business expense.

The second, “Did I Get Married?,” is shot from the perspective of a man falling in love with a Manic Pixie Dream Girl, whose questions range from cute to sort of off putting and bizarre. But, isn’t that the kind of girl every guy wanted to marry after watching Garden State, Elizabethtown, Breakfast at Tiffany’s, etc.? And then brag about to web-based financial software? In any case, these spots both hit their target (MEN!) in an engaging, lighthearted fashion. Who knew doing your taxes could be so emotionally rewarding? Credits after the jump.

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Life and Taxes: TurboTax Celebrates Your Milestones in Super Bowl-Bound Campaign

Don't think of your tax return as an annual blood sacrifice to our merciless bureaucratic overlords. Think of it more as a delightful recap of your exciting and eventful life!

That's the upbeat message of TurboTax's new campaign from Wieden + Kennedy, themed "It's Amazing What You're Capable Of." With ads already running on TV and online, the campaign will also include a 60-second Super Bowl spot—the brand's first. (In addition, parent company Intuit is donating a 30-second Super Bowl ad slot to a small business selected by voters.)

Each ad in the TurboTax campaign focuses on the major life decisions you make each year that can have an impact on your taxes. "That's what taxes are: a recap, the story of your year," notes the narrator. And speaking of the narrator, it sure sounds like character actor John C. Reilly, but as with many celebrity-voiced campaigns of late, the agency couldn't confirm that due to contractual obligations.

Check out the anthem spot below and a few more executions after the jump.


    

P&G Returns to Celebrate Olympic Moms, Trip Babies, Push Children

Is there anything more heartwarming than watching children of all ages fall over repeatedly?

From Proctor & Gamble and W+K comes “Pick Them Back Up,” a new spot that’s part of the “Thank You, Mom” campaign running during the length of the 2014 Winter Olympics in Sochi, Russia. If you’ll recall, P&G and Wieden have been leaders in mom joy, child guilt and intermittent bouts of crying since a 2010 Mother’s Day campaign, which set the stage for the very viral 2012 London Olympics spot “Best Job.” Since the initial broadcast of “Best Job,” most of the world has been stuck in a routine of enthusiastic weeping followed by hugging their mom until it hurts.

Adding a little humor to the affair (this is, if you’re a sociopath like me), “Pick Them Back Up” sees attractive young mothers repeatedly watch their children fall down before picking them up, thus transforming them into successful Olympic athletes. For those mothers whose children didn’t grow up to be competitive in winter sports on an international scale, well, your time was better spent leaving your kid on the ice and just working on you for a while.

Of course, this spot also begs the question, how did they film so many babies falling over? Were they stunt babies, or did they trip them with invisible wires or something? In any case, after seeing this on TV, your mother’s gaze will slowly drift over to the photo she has of you as a baby on her nightstand, and she’ll sigh a million disappointed sighs because you were once so cute and loving and now you apparently don’t “have the time” to give her a call once in a while. She’s right, you know, because you just watched this and it caused you do to nothing. Credits, and one in a series of new athlete-specific video, follow after the jump.

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W+K Launches First Campaign for TurboTax

W+K again? Yes, and now it concerns W+K Portland’s “It’s Amazing What You’re Capable Of” campaign for TurboTax with the launch ad, “The Year of You.”

The spot marks the first creative work W+K have completed in partnership with TurboTax since nabbing AOR duties back in July. As you might expect from the title, the :90 “The Year of You” reminisces about all the things that “you” have accomplished in 2013, paying homage especially to new parents, newlyweds and new home owners. This leads in to the suggestion that since you’ve done all these things, you’re the best person to do your taxes. The types of accomplishments applauded in the ad correlate with the simple questions that TurboTax uses, such as “Did you get married?” and the ad does a good job making TurboTax’s system look very easy. The voiceover during the ad (which sounds a lot like John C. Reilly) is lighthearted and endearing, making the whole thing unexpectedly likeable for an advertisement for a tax service, which should help assuage some of the inevitable tax season anxiety it triggers.

“The Year of You” launched yesterday and will run until April 15th. During that time, W+K will gradually roll out other initiatives in the “It’s Amazing What You’re Capable Of” campaign. Stick around for credits after the jump. continued…

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Equinox Takes Responsibility for Your Post-Workout Misdemeanors

If a Levi’s ad had a one-night stand with a Dos Equis commercial and the lovechild was baptized by a former Abercrombie art director, this “Equinox Made Me Do It” campaign by W+K New York would be the result. Equinox’s sensual shenanigans – mainly, turning gym memberships into sex – has graduated from bad joke that everyone is in on to an accepted norm at this point. The over-the-top sexuality even made its way into Aziz Ansari’s most recent standup special. But the appeal seems to be growing: gyms have spread across the country, celebrities are frequent guests, and Equinox now boasts a “Best Gym” award from a handful of publications including Fitness Magazine. The accolades should come in handy as people line up to sign up for a New Year’s resolution gym membership. So should the pretty people running naked on big billboards. If you live in a city with an Equinox gym, get ready to see butts.

The “Made Me Do It” campaign is W+K’s first work for Equinox, but you probably couldn’t tell the difference, because the gym is still selling the same amount of sex. And why shouldn’t they? While copycat fitness centers fight against each other, Equinox separated itself from the competition by rethinking the old adage of less is more. Credits after the jump.

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Nike, W+K Portland Unveil Star-Studded ‘Winning in a Winter Wonderland’ Spot


W+K Portland tapped some of the world’s greatest athletes for their new holiday spot touting the advantages of Nike Hyperwarm Performance Baselayer, directed by Rupert Sanders. ”Winning in a Winter Wonderland” features the talents of Giants defensive end Justin Tuck, skier Julia Mancuso, snowboarder Scotty Lago, soccer stars Alex Morgan and Sydney Leroux, and former Yankees second baseman Robinson Cano, who now appears to be headed to Seattle. Ohio State football coach Urban Meyer also makes a brief cameo appearance.

While undeniably cheesy (hey, it’s the holidays) the spot does an admirable job at promoting the Nike Hyperwarm Performance Baselayer. People are prone to listen to endorsements from star athletes, and W+K got a wide, varied group together for the spot. They emphasize that the Nike Hyperwarm Performance Baselayer makes playing in cold, harsh conditions seem almost enjoyable by keeping you warm without restricting movement, perfectly matching the song selection. “Winning in a Winter Wonderland,” of course, changes the words of the holiday classic, which gets a bit cringe-worthy in spots but mostly comes across as cheesy holiday fun. The words are sung by the star athletes in the spot, mostly while in action, and they seem to have a lot of fun with it — which makes it hard to hate.

The campaign features both a one minute and thirty second version of the spot, as well as a digital takeover and social media elements.”Winning in a Winter Wonderland” premiered during college football’s Big Ten NCAA Championship game and will run throughout the holiday season. Credits after the jump.  continued…

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