This Surreal British Airline Commercial Takes You on a Wild Trip Indeed

Travel has become more accessible for Londoners, thanks to easyJet, whose latest “Why Not?” campaign by VCCP has a pretty basic premise: It’s the story of the many adventures awaiting a woman whose flight is about to take off. 

Strange little details give the ad unexpected vivacity. It opens with a molting man made of flowers running across the runway like Alice’s White Rabbit. He’s late, he’s late! Suddenly our heroine is yanked right out of the plane and into the hangar, where tropes of a European vacation—open-air markets, street artists—are given the Gulliver’s Travels treatment, transforming the exotic into the surreal. 

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Marks & Spencer Launches Closed WPP Review

Everything’s coming up WPP for British retail giant Marks & Spencer, which just launched a closed creative review involving only the Sorrell holding company’s shops.

16-year incumbent RKCR/Y&R will defend against fellow WPP agencies J. Walter Thompson, Ogilvy & Mather, Grey London, CHI & Partners and VCCP in the review, which will take place over the summer.

“Together with M&S we have redefined retail advertising, invented food porn and welcomed a host of leading ladies from Twiggy to Rita Ora,” RKCR/Y&R CEO Jon Sharpe said in a statement. “Our campaigns have instilled M&S’s core principles of quality, service and value whilst cementing its position as a stylish and iconic national treasure. We have enjoyed consistent recognition and reward for both creativity and effectiveness of our creative output and we look forward to meeting the challenge of this pitch with the dedication, passion and enthusiasm we greet every brief from M&S.”

The agency’s recent work for Marks & Spencer includes last year’s food porn holiday effort “Adventures in Surprises” and last September’s 40-second spot promoting the brand’s fashion offerings.

Since taking over as CEO last last year, Sharpe has helped lead RKCR/Y&R to three consecutive successful pitches, including defending the agency’s BBC account.

Why do clients do this, again?

Isla Fisher Stars VCCP Sydney’s New Spot for ING Direct

Australian actress Isla Fisher plays a reluctant celebrity spokeswoman in VCCP Sydney’s new spot for ING Direct, entitled “Monloluge.” She nervously talks herself through the role, which only contains one line, “ING Direct, how banking can be.”

“How am I going to make that sound real?” she asks herself, walking onto the set. She goes on to complain about the tightness of her dress and work in quick jabs at fellow Australian actors Hugh Jackman and Russell Crowe before the camera rolls…at which point things go awry. The spot is the latest ad to feature a reluctant spokesperson, a trope popularized with Droga5’s “If We Made It” spot starring Anna Kendrick and perfected by Ricky Gervais in M&C Saatchi’s campaign introducing Australia to Neflix for Optus. As far as the style goes, Isla’s “Monologue” falls somewhere in the middle of the pack, a good deal more entertaining than Neil Patrick Harris in W+K’s New York’s recent work for Heineken Light, but the joke is starting to get a bit stale.

VCCP Trades Van Damme for Schwarzenegger in New Campaign

London’s VCCP, which recently earned headlines with a Jean Claude Van Damme stunt spot for Coors (following the Forsman Bodenfors “split” for Volvo, of course) has now upgraded to a better-known 90s action star.

In its new campaign for e-commerce client Compare the Market, VCCP enlisted The Terminator to more directly connect European viewers to former A-listers.

The work promotes a new movie tickets deal pushed by the company’s signature Meerkat (which is far closer to the Geico Gecko than the dumb Twitter app you keep seeing in headlines).

We’d hoped for an “I’ll be back…after I clean my shirt” or a “Give me free tickets if you want to live,” but this will have to do.

As if to remind us that The Arnold is a real-life human being, the Meerkat interviews him in a companion video. It’s primarily worth watching to see Schwarzenegger review his favorite one-liners:

Our main question: which of these barely believable characters has a more awful accent?

 

Credits for the top spot:

Creative Agency : VCCP

Executive Creative Director : Darren Bailes

Production Company : Passion Pictures

VCCP, Airbnb Animated by Cold War Memories

In case you haven’t heard, advertising for “startups” in the “sharing economy” is all the rage. Uber, Lay’s and BBDO Energy recently joined forces to help us plan a picnic, and subletting service provider Airbnb signed TBWA as its creative AOR after launching its first-ever ad via Pereira & O’Dell back in May.

Today brings a very different sort of spot, created by VCCP Berlin and based on an Airbnb customer’s family connections to the Cold War.

Protagonist, antagonist, revelations facilitated by the product being advertised…this must be the thing they call “storytelling.”

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Entidade usa chatroulette para alertar sobre câncer testicular

Há alguns dias, mostramos por aqui uma campanha canadense de prevenção ao câncer testicular, protagonizada por 20 homens enfrentando uma depilação dos testículos. Os alertas sobre o problema continuam ao redor do mundo, como na Espanha, onde a VCCP de Madri assina “Está en tu Mano. Enséñaselos a tu Médico” (Está em sua mão. Mostre-os a seu médico) para a Asociación Española de Adolescentes y Adultos Jóvenes con Cáncer.

De tempos em tempos, alguém decide ressuscitar o chatroulette e, desta vez, a decisão parece ter sido bastante acertada, especialmente diante da informação apresentada no início do vídeo acima: 7 entre 10 usuários masculinos dos sites de bate-papo aleatório com vídeo usam a ferramenta para exibir seus genitais para desconhecidos.

É daí que entra o raciocínio da VCCP: se os homens mostram seus genitais para milhares de pessoas na internet, por que não mostrar para seus médicos? Foi esta a mensagem passada por meio de placas por uma modelo que teve de encarar alguns caras bem desinibidos.

 

Brainstorm9Post originalmente publicado no Brainstorm #9
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Ninguém deveria enfrentar o câncer sozinho

McMillan Cancer Suport é uma organização do Reino Unido que oferece cuidados e apoio a pacientes com câncer e seus familiares. Em um filme dirigido por Steve Reeves, da Another Film Company, a entidade pede às pessoas que continuem apoiando suas atividades, ao mesmo tempo em que mostra uma paciente pensando na importância que cada um teve – e ainda tem – em seu tratamento. Afinal, ninguém deveria enfrentar o câncer sozinho.

Desde sua mãe, que não fica repetindo incessantemente que tudo vai dar certo – algo que todos nós fazemos em algum momento, provavelmente por puro instinto – até o atendente que conversou com o marido dela, sem deixar de fora o cara que deixou o troco como uma doação para a entidade e até um nada atlético corredor que ainda assim participou de uma prova para arrecadar fundos para a McMillan. Todos são agradecidos.

É um filme sensível, que acertou no tom o suficiente para, pelo menos no meu caso, eu me perguntar: para onde mando o dinheiro?

A criação é da agência VCCP.

mc

Brainstorm9Post originalmente publicado no Brainstorm #9
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Cat Acts Like a Dog, and So Should You, Says Mobile Company’s Ad

Sure, I've tried to cross a dog with a cat. Who hasn't? All I got for my trouble was a face full of claws and another year in therapy. Ad agency VCCP does a better job of it for U.K. mobile telecom O2 in this commercial, in which a ginger Tom starts chasing cars, fetching sticks and generally behaving like Rover. I'm not sure why Queen's bellicose, bombastic theme from the campy 1980 version of Flash Gordon is used on the soundtrack. Maybe the song doesn't really suck, but only dogs have sharp enough hearing to tell? Anyway, Tabby's willingness to "Be more dog" (the spot's tagline) is supposed to inspire viewers to get out of their ruts and try new things, like products and services from O2. That stretches the leash a bit in terms of brand message. Even so, any pet that catches frisbees and can be trained to use a litter box is OK by me.

    

O2 Refresh

L’agence VCCP a demandé au studio Korb de diriger cette magnifique publicité pour le client O2. Enchainant de façon dynamique des formes et des matières modélisées, cette publicité sobrement baptisée « Refresh » et visuellement très réussie est à découvrir en images et en vidéo HD dans la suite de l’article.

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