giffgaff – Hey You – (2015) :60 (UK)

giffgaff - Hey You - (2015) :60 (UK)
‘Fresh’ is a tricky concept in advertising. It looks so easy from the outside – client wants a fresh campaign, something people haven’t seen before. Creatives go away and rip off a wacky music video from Taiwan or Pakistan or something that recently got a million hits on YouTube which they saw while browsing Laughing Squid. Wacky idea is set to the sounds of a dude reading beat poetry, rhyming ‘waste’ with ‘toothpaste’, and everyone laughs all the way to the bank. (At least, this is how it seems to me, looking at some of the uninspired ads that have reaching into my living room and throttled me around the throat recently).

This piece from giffgaff is a rare gem, a genuinely fresh and refreshing piece of communication that – and I’m going to whip out bold here for all ECDs drinking their morning coffee – communicates a range of product benefits while keeping the audience entertained. The comparison game is a dangerous one to play, both in life, and in advertising – but I’ve seen a range of disappointing ads on my TV the last few weeks that combine the cardinal sins of boring me, showing me a stupid visual montage, and combining said montage with a VO poem delivered by (insert client’s preference here: urban black guy/ cockney common guy/ middle class Mummy).

But wait, there’s more.

Charlie Smith, Brand Manager at giffgaff:

Thanks everyone for the kind words on our new ad. Since the start of the year we now have new way of working (much like giffgaff in many ways), which has got rid of some of the traditional approaches, like having an ad agency. Instead we now manage everything internally, pulling in experts and people we’d like to work with on specific projects. And of course we got members involved as well. Members provided lines for the script, recorded loads of the voiceover and appeared in the ad as well.

Did you get that? Since their last ad by Fallon London was banned they’ve said bugger to the whole system and started making their own ads. Now as much as it might be vindicating to see them mess it up and then turn to an agency to clear up the mess, this is certainly not what we’ve witnessed so far. ‘Hey You’ is a fun piece of product driven advertising with a strong and consistent visual style. Along with the Clarks In-House Branding Team, giffgaff should be patting themselves on the back.

Kew Gardens "Super powers" (2015) 2:00 (UK)

Kew Gardens isn’t just like any other garden. It gives kids super powers. It also gives adults a chance to live vicariously through their kids. Charming.

28toomany.org – FGM near you / Flags – print

This reminded me of the delicate stitched roses against FGM from Amnesty created by Publicis, Stockholm back in 2007 – except of course this is making the point with flags. These flags are very neatly stitched together to evoke the idea of female genital mutilation, complete with stains of blood droplets. Very realistic without being gory.

BMW 3 series – the new BMW 3 – (2015) :30 (UK)

This advert began airing yesterday and goes with the billboards of each BMW 3 since 1972. Nifty stunt driving shows all six generations of 3 Series gliding down a race track, overtaking the last generation one after the other. Shot in a single frame, with voice over by James D’arcy and a brilliant score created by massive music. It begins with a jazzy flair concentrating on the standing base, only to get more contemporary for each car and it works splendidly. That is up until the point the BMW sound logo appears and I just want to STABBY STAB STAB something because that clash is horrible, and …uh… wow I care a little too much about ads, it was Creative Director or insane asylum, clearly.

Katy Wright, Managing Partner, FCB Inferno says “The only way to celebrate the category founding 3 Series turning 40 was to create stand-out creative for iconic media sites, across every touch-point. The enjoyment of making this campaign was made all the more personal by borrowing the cars seen from real owners, who shared our excitement in bringing this to life”.

Nicola Green, Brand and Launch Communications Manager, BMW UK says “The 3 Series is at the heart of our brand and has been a true representation of The Ultimate Driving Machine over the last 40 years and will continue with the latest model. To mark this anniversary we wanted a campaign that would reflect the continued improvement of each generation, and the significance of the innovations within the cars, as well as the powerful affection that has developed for the 3 Series in the UK”.

BMW take over billboards to show the BMW 3 series – since 1975

To celebrate the 40th anniversary of the beloved BMW 3 Series and the launch of the latest model, FCB Inferno has created a striking outdoor and print campaign that will be seen across high-profile sites nationally. BMW has produced six generations of the best-selling model, which are paid tribute in individual executions. The art direction has been crafted to pay heavy reference to each era, with typography, the angle of the car and colour palate all evoking a strong sense of nostalgia; be it the hacienda tones of the 90s dance music age, or the minimalist whites of the 00s.

UNICEF – Getting to zero #GetToZero (2015) 5:47 (UK)

The World Health Organization now estimates 8.5 million children and youth under 20 years old live in Ebola-affected areas. Of them, 2.5 million are under the age of five. Children are not only facing the risk of being infected by the virus but are also being significantly affected in many other ways. This is the story of one such child. A young girl whose entire life is changed by the virus, but she rises like a phoenix to dedicate her life to Unicef and informing others. It’s a very poignantly told story, where the viewer gets to be inside of the young girls eyes. It paints a clear picture of the impact this global pandemic has had on millions of Africans, and the everyday heroes that Unicef volunteers are. Be a hero. Help Guinea and Sierra Leone #GetToZero.

SPEC: Visa "Loose Change" (2015) 1:30 (UK)

Contactless payments are a real convenience for shoppers. On the flip side though, the practice of throwing your spare change in the charity bucket next to the cash register is disappearing. To make sure charity keeps up with technology, recent grads Ali MacManus and Bruce Morrison came up with this idea as a response to the Cannes Future Lions competition by AKQA and Google. You just get a contactless payment card, register it, choose your charity and every time you use the card it’ll round up your purchase price the nearest pound, with that “loose change,” going to charity.
Nice idea.

International Fund for Animal Welfare – The Sly Ones

When it comes to hunting, JWT and the International Fund for Animal Welfare want to remind you that it’s not the foxes who are sly.

Honda – Feeling – (2015) :60 (UK)

Honda - Feeling - (2015) :60 (UK)
Some say the most powerful thing you can build is a feeling. But they’re wrong. The most powerful thing you can build is a Jaeger.

Another great ad by Wieden & Kennedy, an agency that seemingly can’t put a foot wrong; every high-profile ad produced by them so far this year has been immaculate. In this piece, we’re shown Honda engineers painstakingly constructing the joyous ‘feeling’ of driving; an emotion they’ve been trying to sell us in recent years. Tonally, one recalls the dreamy quality of Volkswagen’s Night Drive (2007), which took dimly-lit lingering shots and set it to Dylan Thomas reading Under Milkwood.

There’s an interesting blend here between arty scene-setting and thematically a lack of product (in the sense they’re not talking about the car), juxtaposed with a whole heap of product shots. Tangential advertising, I suppose this could be called. One might even go as far to say that if advertisers can be auteurs, then this has W+K’s stamp all over it. As good as this is (and it is), ads like these absolutely need to be shown in the cinema and not on the small screen (sorry Harvey), so I hope media buyers are taking note.

Just so we’re all clear, the fussy engineers and scientists creating the environment around the car to unleash a powerful feeling are a metaphor for the work and precision that goes into building the car itself. If I had to be nitpicky here, when we’re talking about complex ideas expressed as visual metaphors, it might be a bit much for the average bloke on the street, but I doubt the Creatives at Wieden are losing sleep as they fuck supermodels over huge piles of cash in their private jet on the way to Cannes.*

*(Disclaimer, author has some issues.)

Christian Aid Week advert uses PowaTag for donations

Christian Aid Week advert uses PowaTag for donations
Christian Aid is the first charity to use the PowaTag payment system in a TV commercial. Simply point your smartphone to the TV to make a donation. The ad shows how little things can help a lot, as a woman gets a waterpump investment she can grow her way out of poverty, as children get monetary support for schools, they get brighter futures. About halfway through the advert the PowaTag logo pops up with the caption: “Listen to give.” The app will recognize the ad and takes viewers to a page where they can specify the donation amount.

The ad will air during Cristian Aid Week from 10 to 16 May on ITV.

“Like all charities, we need to move with the times and embrace new technologies in order to make it easier for people with busy lives to donate at a time convenient to them.” said Eleanor Ledesma, head of Christian Aid Week.

Pampers – #Everybaby is a prince or princess – (2015) :90 (UK)

Pampers - #Everybaby is a prince or princess - (2015) :90 (UK)
Pampers realized that on May 2nd 2015, the world (or at least the UK) celebrated the birth of a very special baby. They wanted to get involved in the celebrations too, but they wisely celebrated the births of a handful of other special babies – because as we all know, #everybaby is a prince or a princess to their family. Nice insight, and very true, Pampers.

Warburtons – The Deliverers (2015) 1:50 (UK)

Warburtons - The Deliverers (2015) 1:50 (UK)
Blockbuster advertising is back.

In 1983, industry legend David Ogilvy published “Ogilvy on Advertising”. In it he wrote:

Celebrities rate below average in their ability to change brand preference. Viewers guess that the celebrity has been bought, and they are right. …The problem is that viewers have a way of remembering the celebrity while forgetting the product.

Featuring five mentions of the name “Warburtons” (that’s one Warburtons on average per 22 seconds), this flashy yet extremely clever ad leaves you with no doubt who’s bringing home the bacon baps. I have to admit, the tongue in cheek tone really nailed it for me. I absolutely cracked up at the “snappy one liners” line. Proving perhaps we’ve come a long way in 32 years.

If they’d played this ad as a straight piece of fiction, it would have been an awkward disaster. Instead, it’s just self-referential and silly enough that we buy into an incredible world where Sly Stallone wants to play a truck driver. The audience is made complicit in the fantasy, and we’re invited to laugh along at the absurdity of it all. However, there’s a striking product focus here, which is tied nicely back to the thing we’re being sold. Not a Hollywood star, but a simple loaf of bread.

Samsung "James and Wilf" (2015) 1:00 (UK)

Samsung and Cheil UK introduce some new Galaxy S6 phones with the help of ‘The Late Late Show’s’ James Corden– and his hipster alter-ego. Corden plays the sensible straight man, wanting to tout the features of the mobiles, while his alter-ego, the bearded (and bow-tied, and suspendered and pants cuffed) Wilf, is all style over substance. While we’ve seen the execution of “filming a spot for X product,” before, I like how this is a not-so-subtle critique on the flash in the pan directors (and agencies) who figure they don’t need an idea to sell a product. Just throw in some dancers.

Skype Translator: Live like a local, anywhere in the world – (2015) 3:00

Did you ever want to have a babelfish in your ear so that you could spake to anyone, anywhere? Skype has added a bit of magic to their app, it’s still in Beta but very promising, i It’s the Skype translator program. Skype may soon be able to claim the holy grail of language translation: Real time Mandarin conversation translation. Bit like Hitch Hikers guide, but without the Vogon poetry.

Shot in Shanghai and in the Yangshoa Hills, the film follows photo journalist Tom Carter getting closer to the local action and unlocking the magic of real time spoken word conversation with his friend – despite his own limited mandarin skills. Impressive.

Study Finds Homes on Embarrassing U.K. Roads Are 20% Cheaper

If you're looking for a good deal on a home in England, you might want to consider an address on Crotch Crescent, Turkey Cock Lane or Clitterhouse Road.

Real estate website NeedaProperty.com recently analyzed home values on 15 roads voted to be the most embarrassing to live on, and the results showed you could save 20% (an average of 84,000 pounds or $140,000) by moving onto a road with a risqué name.

The site polled 2,000 Brits to determine the streets they'd be most ashamed to say they lived on, then analyzed property values on those roads compared to similar locations nearby. The results have gotten wide coverage in the British press. 

The list of embarrassing street names included some uniquely British slang terms like Minge Lane, Slag Lane and Fanny Hands Lane, along with some internationally chuckle-worthy titles like The Knob, Cumming Street and Cock A-Dobby.


    



First 3D Printed Skateboard

A l’issue de la compétition organisée par les studios 3D Print UK et CG Trader, l’artiste néerlandais Sam Abbott a été choisi pour réaliser la première planche de skateboard twin-tip dont l’impression est 3D. Faite de trois parties collées ensemble, la planche est complètement utilisable. Plus d’images dans la suite.

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Pembrokeshire College: Phil

Pembrokeshire College: Phil

Advertising Agency: Face, UK
Creative Director / Art Director / Copywriter: Neil Holoryd
Photographer: Adrian Ray

Pembrokeshire College: Carolyn

Pembrokeshire College: Carolyn

Advertising Agency: Face, UK
Creative Director / Art Director / Copywriter: Neil Holoryd
Photographer: Adrian Ray

Pembrokeshire College: Neil

Pembrokeshire College: Neil

Advertising Agency: Face, UK
Creative Director / Art Director / Copywriter: Neil Holoryd
Photographer: Adrian Ray

The Prostate Cancer Research Foundation: Give a Few Bob

The Prostate Cancer Research Foundation: Give a Few Bob

Brief:
Men do not appreciate how common prostate cancer is and that it’s killing one man every hour in the UK. Even worse, research clearly showed that men were reluctant to talk about their health or confront serious medical issues. Our core objectives were as follows: 1. To raise awareness of Prostate Cancer in the UK. 2. To de-stigmatise the disease and hopefully raise money for research. 3. To achieve the maximum effect with the minimum budget possible. 4. To raise the profile of the charity to generate wider interest. 5. To build the donor database for future fundraising.

Solution:
We created a 40″ film which showed the late comedian Bob Monkhouse talking about losing his battle with prostate cancer, in his own inimitable style. This was launched through a PR campaign, generating unprecedented levels of national coverage appearing in national media continuously for a week. In addition, an extensive integrated campaign was developed, negotiating partnerships with national press, outdoor media and cinema to reach as many people as possible with our core campaign message. A retail partnership with WH Smith meant that badges were sold in every store in the UK. The campaign was supported virally and online. In addition, DM targeted high value potential donors.

Results:
We created over £3million worth of media value with a budget of less than £50,000. An estimated 83% of the UK population has seen the campaign an average of 4 times. The PCRF annual income from June 2007 is forecast to show an increase of 70% year on year. Traffic to the website increased by 500%. There has been a 228% increase in the charity’s donor base including a rise in the number of regularly monthly donors by 580%. Mark Emberton MD, the Charity’s medical advisor, commented: “I have seen a marked increase in patients being tested and diagnosed with the disease as a consequence of having seen the Bob Campaign”.

Advertising Agency: The Communications Agency, London, UK
Chief Executive: Robert Prevezer
Head Of Art And Design: Shaun Patchett
Creative Director / Copywriter: Alan Curson
Senior Account Director: Caroline Jenkins
Account Manager: Rachel Patman
Executive Producer: Laura Gould, Red Bee Media
Production Manager: Bridie Harrison, Red Bee Media
Bookings Co-Ordinator: Gemma Pasierb, Grand Central Studios
Managing Director: Tricia Moon, Resonate
Partner: Anthony Clifton, Greg Turzynski, Experience Communications
Film Director: Steve Cope, Red Bee Media