McGarrah Jessee Hires Joel Clement from Saatchi & Saatchi

Joel_Clement-office-thumb-350x508-124220Joel Clement’s search for a stateside agency is over. Today McGarrah Jessee announced that Clement, who most recently served as executive creative director at Saatchi & Saatchi Thailand, will join the Austin firm to “focus primarily on writing.”

This summer Clement announced his plans to leave the agency after eight years, eight months of which he spent as ECD and regional creative director for Saatchi & Saatchi’s Asia operations.

In the release, he clarifies that he “had a pretty specific ideal in mind” when planning his repatriation and that he “found it all at McGarrah Jessee.”

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New Career Opportunities Daily: The best jobs in media.

Unilever Drops Ad That Angered Some in New Jersey

A billboard that referred to the state as an armpit was to be part of an advertising campaign by Unilever for Dove Advanced Care deodorant.

    

J&K Tourism by Ogilvy

Advertising Agency: Ogilvy & Mather, Gurgaon, India
Creative Directors: Gaurav Nautiyal, Jossy Raphel
Art Director: Kanika Sethi
Copywriter: Richa Jain
Photographer: Vikas Dutt

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Once Again by Ogilvy Bangalore

BRIEF – Once Again is a Bangalore-based NGO that follows a unique model where it accepts donations only in the form of old items, not money.

It collects items people don’t use anymore, sells them at a minimal price to the underprivileged and uses this money for the empowerment of their community –
supporting a crèche for their children, providing vocational training to women and computer training to young adults.
The brief was to make the NGO recognizable and maximize donations to support its activities. The challenge was to accomplish this with no budgets in hand.

STRATEGY – We noticed that the youth were passionate about making a difference to their surroundings, but saw charity as a boring, guilt-driven moral obligation.
We used Facebook – a place where they hang out everyday – to involve them in this cause, by making the act of donating fun and engaging.
CREATIVE EXECUTION – We created The Tagging Drive, an online donation drive on Facebook. We started with a team of Facebook volunteers, who revisited their friends’ old pictures
and tagged ‘Once Again’ to things worth donating – shoes, toys, clothes, furniture, books, etc. When the friend received the notification of the tagged picture,
curiosity prompted them to click on it. It led them to the Once Again Facebook page where they read the message, “You’ve been tagged to remind you that someone,
somewhere needs your old stuff more than you. Please donate.” The page also invited them to become Facebook volunteers and spread the word by tagging their friends.
THE RESULTS – The tags created curiosity and thousands were directed to the Once Again page. The campaign went viral with friends tagging friends.
It gained visibility on social media, received prominent coverage in leading media publications and went on to become Bangalore’s biggest tagging drive.
In a matter of a few months, thousands of pictures were tagged and several donation drives initiated. Once Again collected over ten thousand items for sale
at their thrift shop, giving the underprivileged an access to goods they couldn’t afford otherwise. The monies generated from the sale of these goods increased by 462%,
which is being recycled to support its activities. And it all started with a tag.
www.facebook.com/onceagainbangalore


Credits

Client: Once Again, Bangalore.
Headline: “BANGALORE’S BIGGEST TAGGING DRIVE”
Agency: Ogilvy & Mather, Bangalore.
President: Poran Malani
Senior Vice President: Vikram Menon
Executive Creative Director: Ajanta Barker
Creative Director: Anoop Sathyanand
Associate Creative Director / Art Director: Siju RS
Copywriters: Bhumika Udernani, Dipika Aranha
Planners: Venkataraghavan Srinivasan, Manasi Trivedi
Production: Foxfilms.in
Additional Credits: Yousef Anani, Rishad Melethil, Junaid Rahman, Rahul Antony, Prem Madhu

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Philips LED Torch

Advertising Agency: Ogilvy & Mather, Gurgaon, India
National Creative Directors: Rajiv Rao, Abhijit Avasthi
Chief Creative Officer: Piyush Pandey
Executive Creative Director: Ajay Gahlaut
Creative Directors: Vikash Chemjong, Basab Tito Majumdar
Copywriters: Vikash Chemjong, Ajay Gahlaut
Art Director: Basab Tito Majumdar
Photographer: Pankaj Arora
Account Supervisor: Chandana Agarwal

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Tweeting Bra Lets the World Know Each Time It’s Unclasped

If tits could tweet, they'd probably have a lot to say; but since they can't, they'll have to settle for the next best thing: a tweeting bra. OgilvyOne Athens has created a bra that tweets every time it's unclasped, sending a titillating notification to a special Twitter feed. Greek actress Maria Bakodimou will wear the bra for two weeks, letting the world know each time the twins are unleashed. The tweets then direct people to the Nestlé Fitness website, where they can get tips on how to do a monthly self-exam. As you can imagine, the bra currently tweets a lot in Greek, but it contends that self-exams are still Greek to many women. Maybe next time they can team up with Durex's Fundawear team and add some electric tingles to the bra that can be remotely controlled by response tweets. C'mon, anything goes in the name of awareness! Via Mashable.


    

After Viral Success of Inequality Ads, Creators Say They Will Expand Campaign

Late last week, a creative twist on print advertising became a global phenomenon, as the "Auto-Complete Truth" campaign for UN Women exploded across social media and generated worldwide discussion.

AdFreak's writeup of the campaign by Memac Ogilvy & Mather Dubai has been shared more than 116,000 times on Facebook alone, making it the most-shared item of the year on Adweek.com. The campaign has since been featured by hundreds of blogs, news sites and social media feeds around the world. 

"We have been overwhelmed by the instant enthusiasm and support that our campaign has received," says Ronald Howes, managing director of Memac Ogilvy & Mather Dubai. "This has encouraged us to develop it even further, after the global acclaim that is has received.” 

The client, of course, was ecstatic to see a relatively modest ad campaign spark the exact kind of international debate it was intended for. "UN Women is very heartened by the discussion the campaign has sparked," says Nanette Braun, communications and advocacy chief for UN Women. "Very obviously there is a demand for a global conversation on women’s rights, empowerment and gender equality, which is exactly what the ads were intended to generate.”

To learn more about the campaign and the vocal response it has received, check out our Q&A with the team that created the ads, after the jump:

AdFreak: How did this project come about? Was it intended to be a print campaign from the start, and will these ads actually be running in print?

Memac Ogilvy & Mather Dubai: This creative idea for UN Women began, as many searches naturally do, on a Google search bar. What we came across was simply shocking. The appalling global results to an auto-correct search of terms such as "women should" was something we felt needed to be shared.

The campaign was published earlier in 2013 in the UAE and became a viral success this week. UN Women plans to publish internationally in the future.

Many of the commenters and people sharing the campaign have been posting screenshots of their own autocompleted searches, with different results around the world. Was this something you hoped the campaign would spark people to try?

We have been pleasantly surprised by the viral success of this campaign. We wanted to start a conversation on the major barriers which are in place of women's economic, political and social empowerment across the globe—issues that UN Women is working to address. We hope that our work will go some way to help raise awareness of the sexist global attitudes toward women and will enable a dialogue to begin on the topic. We encourage people to join in the debate on Twitter with #womenshould, or on the UN Women website.

We are so pleased to see others are inspired by our work and witness the creation of their own versions of our campaign, which tackle other social issues.

Did you selectively edit the results of the Google searches you did for this campaign? Were some irrelevant suggestions tossed out to focus on the most egregious examples of sexism?

What makes our campaign so powerful is its truth and simplicity. None of the searches were engineered to produce these results; that's why we were so shocked to discover them. In order to raise awareness of the inequality women face, we did choose to highlight the most compelling answers, to deliver the most impact, however the search results from Google autocorrect were not falsified in any way.

Some have criticized the campaign by saying that Google autocomplete suggestions have been used in several marketing campaigns in recent years. Were you concerned about this approach seeming derivative or over-used?

Our campaign is not focused on Google autocomplete suggestions. The medium of Google search was merely a base upon which we were able to successfully illustrate our point. Google search is an iconic symbol in our digital world and therefore recognizable for millions of people, so we used this as a vehicle to express our ideas. The truth behind the search about people’s global perceptions is what our campaign focused on, not the technology of Google autocomplete.

Lots of people are debating whether you can actually change these kinds of search results. Do you think it's possible, or is it something that will have to change slowly over time as a barometer of equality?

We are aware that change of this magnitude will not happen overnight! However we hope that our work will go some way to alter perceptions by raising awareness of the issues which women face. 


    

Powerful Ads Use Real Google Searches to Show the Scope of Sexism Worldwide

Here's a simple and powerful campaign idea from UN Women using real suggested search terms from Google's autocomplete feature. Campaign creator Christopher Hunt, head of art for Ogilvy & Mather Dubai, offers this summary: “This campaign uses the world's most popular search engine (Google) to show how gender inequality is a worldwide problem. The adverts show the results of genuine searches, highlighting popular opinions across the world wide web.” Each ad's fine print says "actual Google search on 09/03/13." While Google users in different countries are likely to get different results, a quick test shows that several of these suggested terms definitely come up in U.S. searches. Since its creation, autocomplete has become a popular device for social debate and even inspired a recent epic visual from xkcd, but these ads do a stellar job driving home the daunting fact that enough people around the world share these vile opinions that Google has come to expect them. Check out all the design versions after the jump. Via Design Taxi.

 

 

 


    

New Ad Organization to Promote Cross-Cultural Marketing

In contrast to multicultural marketing aimed at specific groups, cross-cultural ads focus on similarities to speak to diverse consumer groups.

    



Save Calligraphy by Ogilvy Gurgaon

Ad agency: Ogilvy & Mather, New Delhi (Gurgaon), India.
Client: Qalamkaari Creative Calligraphy Trust
Art Director: Nasheet Shadani
Copywriters: Riazat Ullah Khan, Ajay Gahlaut, Nasheet Shadani
Calligraphers: Mushtaq Ahmad, Nasheet Shadani, Srikant Behera
AV coutesy: Team Saheb Productions, KcPandey
Festival Videos and Photos: Aseem Asha Foundation, Flying Birds of India.
Creative Director: Preeti Koul Chaudhry
Executive Creative Director: Ajay Gahlaut

Malayalam Rhino

Oriya Panda

Urdu Tiger

 

save calligraphy

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IPL by Ogilvy

Advertising Agency: Ogilvy & Mather, Mumbai, India
Creative Directors: Abhijit Avasthi, Anup Chitnis, Anuraag Khandelwal, Satish Desa
Art Directors: Sandesh Mangaonkar, Anuraag Khandelwal, Abhinay Patil
Copywriters: Shazaad Arjani, Satish Desa
Illustrator: Giant Robot / V.S. Studios / eplus
Retouchers: Avinash Velhal, Avinash Mahadik, Vijay N

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World For All by Ogilvy

Advertising Agency: Ogilvy & Mather, Mumbai, India
National Creative Director: Rajiv Rao
Executive Creative Director: Abhijit Avasthi
Senior Creative Directors: Srreram Athray, Elizabeth Dias
Art Director: Sanket Wadwalkar
Copywriter: Rohan D’Souza

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Natraj Pencils by Ogilvy

Advertising Agency: Ogilvy & Mather, Mumbai, India
National Creative Directors: Rajiv Rao, Abhijit Avasthi
Senior Creative Directors: Srreram Athray, Elizabeth Dias
Art Director: CV Saju
Copywriter: Rohan D’Souza

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Casper Mosquito Repellents by Ogilvy Mumbai

Advertising Agency: Ogilvy & Mather, Mumbai, India
Chief Creative Officers: Abhijit Avasthi, Rajiv Rao
Executive Creative Director: Zenobia Pithawalla
Creative Director: Mihir Chanchani
Art Director: Jitendra Patel
Copywriter: Arshad Shaikh
Illustrator: Jitendra Patel

 

 

 

Crosswords Book store by Ogilvy Mumbai

Advertising Agency: Ogilvy & Mather, Mumbai, India
Chief Creative Officers: Abhijit Avasthi, Rajiv Rao
Executive Creative Director: Zenobia Pithawalla
Creative Director: Mihir Chanchani
Art Director: Jitendra Patel
Copywriter: Arshad Shaikh
Photographer: Avadhut Hembade
Retouching: Jitendra Patel

Vodafone International Calling Rates by Ogilvy Mumbai

Advertising Agency: Ogilvy & Mather, Mumbai, India
National Creative Directors: Rajiv Rao, Abhijit Avasthi
Group Creative Directors: Kainaz Karmakar, Harshad Rajadhyaksha
Art Director: Vishakha Modak
Copywriter: Kainaz Karmakar
Illustrator: Vishakha Modak

IBM DM by Ogilvy

Advertising Agency: Ogilvy & Mather, Bangalore, India
Chief Creative Officer: Piyush Pandey
Executive Creative Director: Ajanta Barker
Creative Directors: Gautam Dev, Arun KT
Creative Controller / Art Director: Siju RS
Copywriter: Gautam Dev
Photographer: Sujith Bose
Client Servicing: Saji Mathews, Nita Grandhi, Pallavi Dutta, Karan Malhotra
Production: Manu Reddy, Naganandhan Rao

IBM was finding it increasingly difficult getting people to attend its seminars and conventions. Fewer and fewer wanted to travel and spend time out of office or home. So getting them to come to a new office opening seemed a task that had disaster written all over it. That was until Ogilvy came up with an invite with a difference. What invitees got was a large black box that contained a pouch of sand. Yes sand. The TA was instructed to pour the sand onto the enclosed plain white card and then read the message that appeared on it. How it worked was – the sand when poured and dusted off, got stuck to invisible gum on the white card, and revealed a message – “IBM Opens in Qatar”. An interactive device relevant to the desert city of Qatar. The task was very successful and had high recall. 340 invites were mailed out and 125 respondents attended. A 40% response rate. The entire exercise is now going to be replicated in other Middle Eastern markets.

Comfort Fabric Conditioners by Ogilvy Mumbai

Advertising Agency: Ogilvy & Mather, Mumbai, India
Chief Creative Officers: Abhijit Avasthi, Rajiv Rao
Executive Creative Directors: Anup Chitnis, Sumanto Chattopadhyay
Creative Directors: Anuraag Khandelwal, Satish Desa
Copywriter: Satish Desa
Art Directors: Anuraag Khandelwal, Krishma Shah
Account Supervisors: Prakash Nair, Jennifer Desai
Illustrator: Nishikant Palande
Image Retoucher: Rajesh. M. Salodker

 

 

 

Angels In My Kitchen by Ogilvy Delhi

Advertising Agency: Ogilvy & Mather, New Delhi, India
Executive Creative Director: Ajay Gahlaut
Creative Directors: Preeti Koul Choudhery, Basab Tito Majumdar, Vikash Chemjong, Nitin Srivastava
Art Director: Nasheet Shadani
Copywriters: Sushant Barua, Shadab Abidi
Illustrator / Designer: Nasheet Shadani

 

 

BTC Razors by O&M Kolkata

Easy shaves.

Advertising Agency: Ogilvy & Mather, Kolkata, India
Chief Creative Officer: Piyush Pandey
Executive Creative Directors: Sumanto Chattopadhyay, Abhijit Avasthi, Rajiv Rao
Creative Director: Sujoy Roy
Art Directors: Anirban Guha, Sreejita Chakroborty
Copywriter: Arnab Manna
Photography: Sanjib Ghosh
Retouch: Rajib Kumar
Print Production: Rajib Banerjee
Account Managers: Kaushik Das, Pradipta Roy