Rooster Gets a New Employee Who Does Not Party Rock
Posted in: UncategorizedBelarusian tennis player Victoria Azarenka may have LMFAO hair-fluff RedFoo, but Rooster NY has the next best thing: a new employee who may or may not be SkyBlu. Can we just take a second to look at how ridiculous the proper nouns are in that sentence? Enough odd syllables in there to give a linguist a migraine. Anyway, Rooster’s in-house video shows the uncomfortable relationship between SkyBlu’s stunt double (actually Art Director Justin Steinburg) and Gavin McInnes as McInnes tries to figure out if his new colleague is a millionaire pop-rapper who likes, among other things, shots, Miami, champagne showers, bad sunglasses, and even worse hair.
Rooster’s previous side projects always reach for the ridiculous laughs, with McInnes regularly playing the office’s clueless father figure when he’s not getting punched in the face. This is no different. Here’s to celebrity look-a-likes and the hope that Mr. Steinburg gets a haircut.
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Media Decoder: A Tiny Label Is Behind an a Cappella Group’s Success
Posted in: UncategorizedLive Nation Nears a Deal for Managers of Music Acts
Posted in: UncategorizedTo Fight Animal Cancer, Dogs and Cats Sing, Dance, and Even Rap
Posted in: UncategorizedYes, that’s right, a dog raps in the two-minute “We Could Be Heroes” music video meant to raise awareness and money for animal cancer. The video for Pet Trust comes from Toronto-based Red Urban and appears to be a sort of “We Are the World” spin-off with dogs and cats. The opening over-the-should shot of a paw pressing against a keyboard tells you all you need to know. If you love animals, you’ll probably find this cute. If you don’t, you’ll probably find this cringingly corny.
Regardless of your position, I’m sure we all want to find a cure for animal cancer, so this campaign can always block any creative criticisms behind a shield of philanthropy. But even though the animal-personified-as-human motif lacks substance, it’s hard to navigate this kind of project without resorting to Sarah McLachlan territory. And by comparison, Red Urban took a more positive approach that doesn’t make you want to immediately change the channel or start weeping. Points for that, and credits after the jump.
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Google Glass Will Expand Its Features Into Music
Posted in: UncategorizedIn Music Piracy Battles, Lyrics Demand Respect Too
Posted in: UncategorizedBieber’s Manager Starts Music Investment Fund
Posted in: UncategorizedMusic Unlimited Identity
Posted in: UncategorizedOnion Design Associates ont imaginé cette identité visuelle pour le concert Music Unlimited VI – « Void » en jouant avec intelligence sur l’esprit Zen avec le caractère chinois signifiant le vide. Une déclinaison sur plusieurs supports à découvrir en détails et en visuels dans la suite de l’article.
Critic’s Notebook: YouTube Holds Its First Music Awards Show
Posted in: UncategorizedLive Nation Reports Lower Profits on Higher Revenue
Posted in: UncategorizedIn Dispute Over a Song, Marvin Gaye’s Family Files a Countersuit
Posted in: UncategorizedWalk Off The Earth Plays Bland Song in Three Styles for Interactive Beetle Spot
Posted in: UncategorizedImmensely popular/boring band Walk Off The Earth play the same bland song in three different styles for Red Urban’s new interactive VW spot, directed by Wendy Morgan.
Users can select to hear the song “Gang of Rhythm” in three different versions, each shot at a different location and paired with a different Beetle, and even switch back and forth while the song plays out. They can choose ”Playful” mode for the Beetle Convertible, “Soulful” mode for the Super Beetle, or “Powerful” mode for the Beetle GSR. The song sounds like it was written for a car commercial, so I guess it’s appropriate enough. That doesn’t make it any more listenable, though. Gimmicky attempts to use the Beetle in the music abound: In one version, it’s the sound of the car’s engine, while in another it’s one of the Walk Off The Earth dudes drumming on the car.
According to Christina Yu, ECDof Red Urban Canada, the collaboration was the band’s idea. “Volkswagen got a call from the band one day,” she says, “apparently they are big Volkswagen fans and wanted to collaborate…We thought it was a great idea, so immediately started developing the ideas for the video.”
One thing we can take from this is that interactive seems to be in at the moment, especially in work for car companies. WCRS had their virtual test drive for the BMWi3, and Campfire had that “Deja View” spot for Infiniti. This particular spot’s interactive element (or gimmick, depending on your stance) is a pretty sound one, and the fluidity with which you can switch between the different styles in the video is well-executed. If I had been able to stomach the music, I could have even enjoyed it. Credits after the jump. continued…
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Cults – High Road
Posted in: UncategorizedHiro Murai, déjà derrière la caméra pour le clip Sia – She Wolf, a réalisé ce superbe clip pour illustrer le morceau High Road de Cults. Tout en noir & blanc, cette vidéo léchée propose une réalisation de qualité, autour d’une ballade en voiture surréaliste. Plus d’images et la vidéo dans la suite de l’article.
Mercedes-Benz Mashes Up Engine Sound Effects and Music
Posted in: UncategorizedFrom B-Reel and AMV BBDO, Mercedes-Benz’s Sound with Power experiential campaign brings music and video together by letting users create mash-ups that incorporate, among other things, the roar of a Mercedes engine. The project is an interesting way to bring creativity to a brand that can always fall back on a Jon Hamm voiceover, but since the best mashups will be used in upcoming commercials, the real kicker is that Mercedes will be able to crowdsource some of their future advertisements. Tinie Tempah and Sub Focus also provided samples that can be customized for the audio portion.
We last covered Mercedes at the end of September, when the South African branch put out a moody black-and-white downhill skateboarding video that just seemed too obscure to make any sort of publicity dent. But Sound with Power feels much more accessible. Mashups can be posted and shared on Twitter, and everyone from potential customers to aspiring DJs can take part. And best of all, the products are actually featured in the campaign, which doesn’t happen as frequently as it should. Jon Hamm should be proud.
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Advertising: Painting a Room With Blues, or Hip-Hop, or Mozart
Posted in: UncategorizedYouTube Said to Introduce Paid Service for Music
Posted in: UncategorizedTwitter to End Its Music App, Which Never Made Much Noise
Posted in: UncategorizedAs Downloads Dip, Music Executives Cast a Wary Eye on Streaming Services
Posted in: UncategorizedDeparting Digitas Staffer Turns MC, Pens Hip-Hop Love Letter to Agency
Posted in: Uncategorized“Dear Digitas, this will be my farewell, even though I’m gone, I’ll always hope that you fare well” is the poetic hook in this hip-hop farewell from an as-yet-unknown staffer who’s obviously moving on–but not without waxing nostalgic about account management, making sandwiches in the break room and other hardcore shit. Our lyrical genius even has a sidekick who sings the hook, just for added dramatic flair we imagine. Should Digitas–sorry, DigitasLBi–be flattered or embarrassed by this sentimental shout-out? We’re not sure, but somehow, we made it to the very end, though not without a little chuckle here and there. See if you can do the same while we just sit here crossing our fingers that this heralds an agency rapper renaissance.
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