Here's a Creative Director's Worst Possible Reaction When Critiquing Your Portfolio

Here’s a fun little promo for the Miami Ad School’s Toronto location, showing a portfolio critique that seems like good news at first for our young hero being interviewed—but soon the truth becomes more painfully obvious.

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Miami Ad School Student, Grad Launch Stircup

Miami Ad School's Videos Show How Gloriously Stupid an Advertising Career Can Be

If you work on the creative side of advertising, you’ll earn a paycheck for, among other things, crafting ads where sloths and hairdos sing and piano players caress keys with 30 fingers on a half-dozen hands.

That’s the gist of F/Nazca Saatchi & Saatchi Brazil’s humorous spots for the Miami Ad School of São Paulo. Each of three videos shows a “wacky” ad being shot for consumer goods like shampoo (the hair), an energy drink (the sloths) and deodorant (the pianist). Ultimately, the camera pulls back to reveal a sign assuring potential students: “Yes. You will get paid for doing this.”

The print component includes spoofs for toothpaste (don’t cry, gigantic extra-sensitive molar!) and calcium-rich milk (rad bones, Super-Skeleton!)

According to the agency, the campaign illustrates that “advertising can still be fun despite all the surveys, focus groups and animatics,” and that “it is still possible to build brands using good ideas, humor and irreverence.”

Wait, focus groups and surveys can be fun. Right?

The campaign feels like an attempt to recapture the spirit of the industry from the long-gone Mad Men era when creative was king. And do I detect a hint of desperation, a need to prove that agency jobs are still cool in a climate of increased competition from sectors like Silicon Valley—where talent often gets paid more than they would on Madison Avenue?

Ah well, at least if you make ads, your parents will understand what you do for a living.



Miami Ad School ESPM Can’t Get Over How Ridiculous the Ad Industry Is

AgencySpy readers are a notoriously combative bunch, but we think they can reach general agreement on one point: the advertising industry is so ridiculous that it often resists parody.

The Miami Ad School’s South American wing ESPM recently began offering two-year courses in writing, art direction, and graphic design at its Brazilian offices in Sao Paulo and Rio de Janeiro, and the institution worked with F/Nazca Saatchi&Saatchi Brazil to create a new campaign raising awareness of that fact.

The first spot in the series, “Hair,” conveys a simple message: if you attend our programs, certain eternally gullible people will be far more likely to pay you good money to come up with stuff like this.

If hair can sing, then so can sloths; we’re frankly amazed to report that we have yet to see this particular trope put to use in a REAL ad.

Finally, the third case study in the “ad student, this could be YOUR life” series concerns a lounge pianist with a few too many hands on his hands.

We’re most interested in the concept of spraying deodorant directly on one’s chest; have we been doing it wrong all along?!

This is the first campaign created by F/Nazca Saatchi&Saatchi for ESPM since the shop won the account back in August of 2014. According to the release, it will be “adapted” to promote two-year programs at the Ad School locations around the world: Miami, New York, San Francisco, Berlin, Hamburg, Madrid, and Mumbai.

We wonder how much real adaptation will be required, though. The ridiculousness of the ad discipline easily transcends any linguistic/cultural barriers.

On that note, here’s some print work:

miami print

miami print 2

miami print 3

Of course, it all leads to another question: how much will you get paid to do this?

CREDITS

AGENCY: F/Nazca Saatchi & Saatchi
CATEGORY: Film
CLIENT: Miami Ad School / ESPM
TITLE: Believe
PRODUCT: Institutional
DURATION: 30″ / 45″

TITLE: “Hair” | “Piano” | “Sloth”|

EXECUTIVE CREATIVE DIRECTOR: Fabio Fernandes | Eduardo Lima
CREATIVE DIRECTOR: Pedro Prado | Rodrigo Castellari
CREATION: Rodrigo Adam | Igor Cabó
RTVC: Victor Alloza | Renato Chabuh | Fernanda Sousa | Maira Massullo | Rafael Paes
SERVICE: Marcello Penna | Ricardo Forli | Charis Carelli
MEDIA: Fábio Freitas | André Cais
PLANNING: José Porto | Felipe Santini

PRODUCER: SquareHead
SCENE DIRECTION: Marcio Leitão
ART DIRECTOR: Marines Mencio
DIRECTOR OF PHOTOGRAPHY (D.O.P):  Pepe Mendes
EXECUTIVE PRODUCER: Adriano Costa | Regiani Pettinelli
EDITOR: Marcio Leitão

POST-PRODUCTION: Clan
SOUND PRODUCER: Equipe Tentáculo
PRODUCTION: Equipe Tentáculo

ACCOUNT MANAGEMENT: Dani Scalice | Ligia Grammont | Luisa Paiva
ART BUYER: Edna Bombini
PHOTOGRAPHY: Zarella Neto
ILLUSTRATION: Fabio Vido
GRAPHIC PRODUCTION: Jomar Faria | Leandro Ferreira | Guilherme Gaggl
CLIENT APPROVAL: Paulo André Bione | Paulo Sérgio Quartiemeister | Tatiana Gimenes

Creative Ideas Die Messy Deaths in Ad School’s ‘Dumb Ways’ Parody

It's a bit surprising that no one's done this until now, but here it is—a parody of the megaviral "Dumb Ways to Die" train-safey video showing various ways in which creative ideas die ignoble deaths in the ad business.

Some of the joke writing feels a little off, or perhaps just lost in translation—the video was made by Young & Rubicam Brazil for Miami Ad School/ESPM in São Paulo.

Still, it's decently produced and comically relatable—every ad creative has a story about a dumb way in which his/her flash of brilliance was ruthlessly extinguished.




Ad School Grads Crack Up Conductors on NYC Subway


    

The Worstfolio reúne os piores projetos dos maiores criativos do mundo

Se você já tem alguns anos de experiência profissional, certamente tem boas histórias para contar e outras tantas que preferia esquecer. Aquele projeto que você gostaria de apagar do seu portfolio, um resultado embaraçoso que denuncia sua falta de experiência… Mas se o seu caso é outro, o de quem está começando a carreira agora, e as experiências ruins fazem parte do seu presente, fique tranquilo: nenhum criativo nasce um um gênio. Pelo menos é o que pretende mostrar The Worstfolio, site criado pela Miami Ad School que reúne os piores projetos dos maiores criativos do mundo.

Basicamente, a ideia é dar esperança aos criativos que acham que não nasceram para este tipo de trabalho, mostrando que até os grandes nomes da publicidade já tiveram maus momentos. A começar por Pablo del Campo, o fundador da Del Campo Saatchi & Saatchi. Hoje, com 59 leões em Cannes, 47 prêmios CLIO e um portfolio cheio de trabalhos incríveis, ele revela aquele projeto (ou seria um tango) que ele não gostaria de ter feito.

É uma iniciativa muito bacana, que vale a pena ser acompanhada. Por enquanto, apenas um dos próximos depoimentos foi anunciado. Será com Santiago Lucero, diretor criativo da Fallon, de Londres. O site também conta com uma área onde é possível sugerir nomes para o The Worstfolio.

worst

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Natural Resources Defense Council: Cup

Natural Resources Defense Council: Cup

High temperatures are changing the planet. Stop Global Warming.

Advertising School: Miami Ad School ESPM São Paulo, Brazil
Creative Directors: Paulo André Bione, Marcelo Machado
Art Directors: Bruno Zordan, Marcelo Nishihata
Copywriter: André Baldez
Released: 2007

Natural Resources Defense Council: Water dispenser

Natural Resources Defense Council: Water dispenser

World’s drinkable water supplies are running out. Stop Global Warming.

Advertising School: Miami Ad School ESPM São Paulo, Brazil
Creative Directors: Paulo André Bione, Marcelo Machado
Art Directors: Bruno Zordan, Marcelo Nishihata
Copywriter: André Baldez
Released: 2007

Natural Resources Defense Council: Bus shelter

Natural Resources Defense Council: Bus shelter

Water is reaching the most unexpected places. Stop Global Warming.

Advertising School: Miami Ad School ESPM São Paulo, Brazil
Creative Directors: Paulo André Bione, Marcelo Machado
Art Directors: Bruno Zordan, Marcelo Nishihata
Copywriter: André Baldez
Released: 2007

Fiat: Dynamite, 5

Fiat: Dynamite, 5

Avoid future problems. Use only Fiat genuine parts.

Advertising School: Miami Ad School, Brazil
Art Director: Álvaro Carvalho
Copywriter: Davi Leal
Photographer: Image Bank

Fiat: Dynamite, 4

Fiat: Dynamite, 4

Avoid future problems. Use only Fiat genuine parts.

Advertising School: Miami Ad School, Brazil
Art Director: Álvaro Carvalho
Copywriter: Davi Leal
Photographer: Image Bank

Fiat: Dynamite, 3

Fiat: Dynamite, 3

Avoid future problems. Use only Fiat genuine parts.

Advertising School: Miami Ad School, Brazil
Art Director: Álvaro Carvalho
Copywriter: Davi Leal
Photographer: Image Bank

Fiat: Dynamite, 2

Fiat: Dynamite, 2

Avoid future problems. Use only Fiat genuine parts.

Advertising School: Miami Ad School, Brazil
Art Director: Álvaro Carvalho
Copywriter: Davi Leal
Photographer: Image Bank

Fiat: Dynamite, 1

Fiat: Dynamite, 1

Avoid future problems. Use only Fiat genuine parts.

Advertising School: Miami Ad School, Brazil
Art Director: Álvaro Carvalho
Copywriter: Davi Leal
Photographer: Image Bank

Ariel Pocket Pen / Ariel Compact Powder: Affright

Ariel Pocket Pen / Ariel Compact Powder: Affright

Advertising School: Miami Ad School Europe
Art Directors: Jan Lohse, Patrick Düver

Ariel Pocket Pen / Ariel Compact Powder: Asleep

Ariel Pocket Pen / Ariel Compact Powder: Asleep

Advertising School: Miami Ad School Europe
Art Directors: Jan Lohse, Patrick Düver

Ariel Pocket Pen / Ariel Compact Powder: Birdpoo

Ariel Pocket Pen / Ariel Compact Powder: Birdpoo

Advertising School: Miami Ad School Europe
Art Directors: Jan Lohse, Patrick Düver

Apple iPhone: Photo

Apple iPhone: Photo

Advertising School: Miami Ad School, Brazil
Art Director: William Silveira
Copywriter: Alexandre Giampaoli

Apple iPhone: Music

Apple iPhone: Music

Advertising School: Miami Ad School, Brazil
Art Director: William Silveira
Copywriter: Alexandre Giampaoli