Jeff Gordon ‘Really Wanted to Show His Stuff’ in PepsiMAX’s Test-Drive Sequel

It might seem strange that PepsiMAX based its second "Test Drive" prank video with Jeff Gordon around doubts some people had about the first one. But it turned out to be a creatively fruitful approach.

First, it was a way to draft off the success of the earlier megahit. It also gave the second video a strong narrative. (Gordon, again in disguise, takes one of the big doubters—Travis Okulski of auto blog Jalopnik—on a very real, hair-raising ride of his own.) And finally, in many ways it used Gordon's pride as an accelerator. This isn't a guy, after all, who would want you to think he couldn't do these stunts himself.

Following the release of "Test Drive 2" on Thursday morning, we spoke with Marc Gilbar, creative director at Omnicom's Davie Brown Entertainment/The Marketing Arm in Los Angeles, which concepted and handled creative execution on the new video. (Like the first one, this one was directed by Peter Atencio of Gifted Youth.)

Below, Gilbar tells us all about the production, from the genesis of the idea to the safety issues to the moment when Okulski almost kicks out the camera inside the taxi.

AdFreak: The first "Test Drive" video did so well. I suppose a sequel is a no-brainer.
Marc Gilbar: The first one was a huge hit. But as with any sequel, the difficulty is to do something fresh and original.

For every Godfather II, there's a Godfather III.
Exactly. It's tough. We did [PepsiMAX's] Uncle Drew, and that's one where we just tried to expand the narrative and create a story people would like. But that's harder to do with "Test Drive," because of the character.

Pepsi, to their credit, wanted to address the haters. Haters is a general term, because I don't think that characterizes Travis, the guy we actually used. But the Internet audience is a conspiracy-driven audience that will literally break down every moment of your video. We always got a lot of amusement out of that, but we thought a lot of people could relate to it, too—and if we could incorporate or reference it in some way, it would be fun for people.

There happened to be this incredible article following the release of the first video. I had noticed it at the time. And when we got the brief and started thinking about it, we went back and looked at it, and realized how great Travis was and his whole breakdown of the first video—everything from the sound of a V8 engine versus a V6 to the cup holders on this model of Camaro. It was pretty funny. We thought he would make a great mark for the second one.

You weren't involved in the first video, though.
No, [TBWA\Chiat\Day] did the first one. Pepsi will give a jump ball on a lot of these projects. The "Zero-Calorie Cola in Disguise" came out of Uncle Drew and sort of expanded into the world of racing. Chiat did that first one, which was great and a huge success. The second one was more of a jump ball, and we had this particular idea.

It's interesting to focus on claims that last year's ad was faked. Is that just a hook to get people in—to draw off the success of the last one?
Yeah, I think it was a way to take a new angle. Anything else would have felt like you were doing the same thing over again. I think the honesty of it is what makes it great. With a lot of these pranks, if the setup is earned and done right, it makes the prank that much more enjoyable. If you just saw Jeff take a random person on a crazy cab ride, it may be funny, I guess, but the fact that this one had a specific purpose makes the drive that much more fun for the audience.

Shortly after the first one, I spoke to the director, Peter Atencio. He could only say so much. But it's not the point of the second video to really address whether the first one was real or not, correct?
I think that's right. What drove it, to a large degree, is that Jeff really wanted to show his stuff. He's a competitor. In the second one, there's no doubt that he's the guy behind the wheel. And obviously he's very capable of taking Travis on a crazy ride. Jeff was very involved early on. To get a Nascar driver to pull something like this off, there would be a lot of hurdles, I think. But the fact that he was so excited about it made it possible.

How do you get a guy like Travis to do this unwittingly without signing a disclaimer?
Part of the thing about Travis in particular is that he's such a big auto enthusiast. There was a lot of talking with his friends and his editors and the people around him just to feel out what kind of a guy he was. He's such a great sport. There's always risks involved. But he loves cars, he loves racing, he races cars. And his friends and editors also said he's excitable. He's a guy who gets excited.

Well, that turns out to be very true.
Right, it's perfect. There's a lot of unknowns with something like this. We had one shot at it, which was kind of nerve-wracking. But we felt good about the course and the safety of the course. We had designed it and tested it several times the day before, and with Jeff. We made sure it was super safe. And Travis just seemed like the kind of guy who could be taken for a ride, but also kind of enjoy the whole thing. At the end, he even wanted to go and do it again. He wanted to drive. He's a true gearhead.

There's one moment where he kicks the divider. Were you worried he was going to dislodge the camera?
There are so many moments in there where we got really lucky, in the way he reacts. That one was totally unexpected. I believe his foot even covers the lens at one point. We tested our cameras. They're pretty durable. And we built that whole divider and reinforced it. At the time we were just sitting back and watching what was happening. We saw the camera was still working, so that was good.

You only have one take to get it right.
That's right. And there's really no way to fake this kind of thing. Watching it afterward, we saw that his reactions were pretty big, so we were confident that we got what we needed. And then we had a consumer on set who had won a test drive with Jeff Gordon. So after he had finished the drive with Travis, we put the contest winner in the car, and this teenager got to go around the course once, which was fun.

Was Jalopnik wary of being part of an advertisement?
They were very intent on keeping their journalistic integrity. I think they saw the potential for a great story. They were obviously super collaborative and really fun to work with. But they wanted to keep that wall up and make sure Travis wasn't compensated in any way. If you read his article, it doesn't really talk about the product or the campaign—just the experience. And that was the story for them. They got a great story out of it—what it was like for him.

What it was like was terrifying.
I read the article this morning, and he really breaks it down, which is his style. Every thought in his head. Afterward we all had the same questions for him: What were you thinking? And he said in those moments, you're not thinking. He's been responding to commenters on Twitter, people saying, "You didn't see the cameras?" And he's like, "No, I was scared for my life!"

I'm sure you're hoping this second video will be just as big as the first.
You know, that's a big number. Just the fact that people are sharing it and enjoying it is the goal. It's hard to really predict the numbers, but it seems like that's happening so far. We're excited about it.

You don't have to worry about Jalopnik criticizing it, anyway.
Right! We'll leave that to other people. There are plenty of other critics out there, I'm sure. We'll have to go after them some other time.


    



Your Moment of Zen: Krispy Kernels Returns With Another Hilariously Strange Ad

Canadian snack maker Krispy Kernels had a sleeper hit a couple of years ago with its "Couch" commercial, a delightful bit of oddvertising that absconded from Cannes with a bronze Lion.

Now the brand is back with this amusing new ad, "Meditation," which mixes zen meditation with furtive snack eating, with unexpected results.

So much oddball work seems forced these days, but this stuff, from Quebec agency Lg2, is up there with the classic Skittles and Fruit by the Foot ads.

Credits below.

CREDITS
Client: Krispy Kernels
Spot: "Meditation"
Agency: Lg2, Quebec, Canada
Creative Director: Luc Du Sault
Copywriter: Andrée-Anne Hallé
Art Directors: Luc Du Sault, Andrée-Anne Hallé
Account: Mireille Côté, Sandie Lafleur
Director: François Lallier
Production House: Nova Film
Producer: Simon Corriveau
Sound Design: Boogie Studio


    



There Is Frying in Baseball, as Phillies Triple-A Team Unveils New Bacon Logo

Bacon is everywhere. (No, not Kevin Bacon.) And it seems everyone loves it—even pigs! It's so great, it once helped a man negotiate his way across the nation dealing exclusively in bacon. Thanks, Oscar Mayer. Now, the bacon craze is hitting the Lehigh Valley IronPigs, the Triple-A affiliate of the Philadelphia Phillies.

The IronPigs this week unveiled what I can only imagine was a highly anticipated bacon-themed Saturday uniform, which includes a bacon-strip logo on the cap, and a "first-of-its-kind" bacon-style piping down both legs of the pants. Check it out at the team's new site, smellthechange.com. For those of us who like to get a bit more bacon for our buck, we can purchase other innovative merchandise such as scratch-and-sniff bacon-logo T-shirts, now available online.

One has to wonder, though. What will this do to the IronPigs' vegetarian fan base? On second thought, who cares!? If they were vegetarians, they weren't real fans anyway.


    



Bourbon Ad Shows You the Peculiar Way People Get Around in Woodstock, Ky.

Woodstock Bourbon's ad showing its hometown's enthusiasm for the brand is pretty funny (well, besides that "Barrellel Parking" sign—groan). But it's right on the brink of being one of those fake homespun liquor ads that Henry Rollins used to laugh at, what with the fiddle music and rural aesthetics. It's like O Brother Where Art Thou? but less subtle.

Perhaps this is because it was made by Australian agency CumminsRoss for the Australian market, and so it needs to show a somewhat cartoony version of Kentucky.

Still, you can't deny the funny visuals. Perhaps Mila Kunis can take a day trip from the Beam distillery in Clermont and learn how to barrel roll like this.

Credits below.

CREDITS
Client: Asahi Premium Beverages
General Manager, Marketing: Kate Dowd
Woodstock Brand Manager: Kelly Jones

Creative: CumminsRoss
Chief Executive Officer: Sean Cummins
Executive Creative Director: Jason Ross
Copywriter: Chris Ellis
Art Director: Aaron Lipson
Managing Director: Chris Jeffares
Group Account Director: Hayden Isaacs
Account Director: Damiano Dipietro
Account Manager: Jessica Chamberlain
Agency Producer: Susannah George

Media: CumminsRoss
Chief Media, Innovation Officer: Kirsty Muddle
Media Manager: Tom Johnson

Production Company: Guilty
Producer: Jason Byrne
Director: Tony Rogers
Director of Photography: Shelley Farthing-Dawe
Postproduction: The Butchery, The Refinery
Offline Editor: Tim Parrington
Online Editor: Eugene Richards
Grade: Vincent Taylor
Sound Design: Flagstaff Studios
Sound: Paul Le Couteur
Stills Photographer: Christopher Tovo


    



Domino’s Calmly Deals With Twitter Customer Who Says He Burned His Junk on a Pizza

Here's a pretty good example of a brand dealing well with a troll on Twitter—mostly by sticking to the script, with a few flourishes along the way.

On Monday, Domino's Pizza in the U.K. had to deal with a customer who claimed to have burned his penis while "making love" to one of its pizzas.

You can see the whole exchange below.

Even as @ITK_AGENT_VIGO's tweets get increasingly irate and obscene, @Dominos_UK remains calm—amusingly nonchalant, in fact. At the end, though, the brand allows itself a little freedom, taking an even more absurd claim from the man at face value and admitting "that is not what is expected of our pizzas. We raised them better than that!" (Hopefully that doesn't count as legal admission of sexual misconduct by the pizza.)

Would have been fun to see how Tesco Mobile would have dealt with this guy.

Daily Star via Complex. Photo via Flickr.


    



The World’s Weirdest Supermarket Ad Is Both Super Cool and Super Crazy

This wonderfully warped three-minute music-video commercial for Germany's Edeka supermarket chain certainly lives up to its title, "Supergeil," which can mean both "super cool" and "super sexy" (or "horny") in German.

Paunchy middle-aged crooner Friedrich Liechtenstein bathes in milk and cereal, boogies in the aisles, fondles sausages, cavorts with a dude dressed like a battery and reels off naughty double entendres to a techno beat. At one point, he rhymes "muschi" (German for "cat," or "pussy") with "sushi," while a woman slurps raw fish nearby. ("Supergeil" does not translate to "super classy," after all.)

His subdued yet insane performance transcends language barriers, though it's a hoot that one line translates to "Organic is also very, very cool/Very cool organic products, excellent," while a suave chorus exhorts viewers to "Check it out, very, very cool fries, super/Very cool cod, by the way, very cool/Oh look here, toilet paper, ooh, now that's soft/Very, very cool, super." You don't learn to write copy like that in portfolio schools.

Some liken the clip, from ad agency Jung von Matt, to a German "Gangnam Style," citing its funky take on local pop culture. Others compare the bearded Liechtenstein to Dos Equis's Most Interesting Man in the World. Frankly, he reminds me of a different ad character: It's easy to imagine Liechtenstein strutting down a sun-soaked European beach, well-fed gut straining against his Speedo. Easy to imagine, though not particularly pleasant.


    



Mila Kunis Puts Her Love of Bourbon to Work as the New Face of Jim Beam

The new face of Jim Beam, the iconic bourbon brand, might not be quite what you expect. While a rough-around-the-edges cowboy or country rock star might seem to fit the bill—Jim Beam has used Kid Rock at times in the past—its newest spokesperson is the petite and beautiful Mila Kunis.

The 30-year-old actress, who says she is a big fan of bourbon in general, is featured in two new 30-second Beam ads, as well as five other videos ranging in length from 15 seconds to more than three minutes.

The first commercial features a series of quasi-historical events (the transition to the '60s is a little visually jarring), and in the second, Kunis is seen branding her own barrel of bourbon. She narrates, and smolders, in both. "Make history" is the tagline of the new global campaign.

The supporting videos are pretty fun. Save for "Mila Kunis & Hibernation," which feels a little bit too much like a production of a scene in Indiana Jones, the other shorts are funny and quirky and a little less serious than the two main spots. And if you find yourself feeling the need to whisper "Shut up, Meg," it's because Kunis—no stranger to voiceover work—has been the voice of Meg Griffin on Family Guy for the past 14 years.

Nice move on Jim Beam's part in an attempt to appeal to millennials. The campaign is by FutureWorks, a new entity comprised of three regional Beam creative agencies—StrawberryFrog in New York, The Works in Sydney, Australia, and Jung von Matt, Hamburg, Germany.


    



Cuervo Imagines What Its Website Would Have Looked Like in 1795, 1880, 1945 and 1974

How does the world's oldest tequila maker introduce a brand-spanking-new website? By keeping one foot firmly in the past.

McCann New York has launched a new site for Jose Cuervo that's actually five sites in one. In addition to its new site for 2014, the brand also imagines what the brand website would have looked like in 1795, 1880, 1945 and 1974.

"Fully actualizing the concept in an authentic way required researching the language and design tropes of each chosen year, and then presenting what we needed to say about Cuervo through those stylistic realities," the agency says.

It's a fun idea, and 1945 and 1974 are both particularly groovy. The only downside, in fact, is that the 2014 version feels visually staid by comparison.

Screen shots and credits below.

1795 website:

1880 website:

1945 website:

1974 website:

2014 website:

CREDITS
Client: Cuervo, Proximo Spirits
Client: Elwyn Gladstone
Agency: McCann, New York

Chief Creative Officers: Tom Murphy, Sean Bryan
Group Creative Director: Mat Bisher
Design Director: Brad Blondes
Senior Art Director: Elinor Beltrone
Copywriter: Sarah Lloyd
Designer: Ledi Lalaj

Production
Chief Production Officer: Nathy Aviram
Executive Integrated Producer: Catherine Eve Patterson
Senior Integrated Producers: Geoff Guinta, Jill Toloza
Associate Producer: Lauren Bauder

Production Company: Transistor Studios
Executive Creative Director: Aaron Baumle
Executive Producer: Damon Meena
Head of Production: Jesse Kurnit
Creative Director: Jamie Rockaway
Art Director: Geoff Keough
Developer: Brian Hersey
Designers: Ryan Weibust, Diana Park, Mauricio Leon, Edgardo Moreno, Tesia Jurkiewicz, Chris Murray and Carolyn Frisch


    



Do You Like This Incredibly Bubbly Ad for Coca-Cola Light, or Do You Love It?

Coca-Cola is really having a go at social media this week. Earlier, we had the Coke video that offered a fashionably questionable solution to social-media addiction. And now we have this ultra-peppy new global Coca-Cola Light commercial from ad agency Johannes Leonardo.

Its point is that "liking" things just isn't enough. You have to love them. And you have to love them enough to roll around in them, swing on them, set fire to them, dance with them, kiss them (with gold teeth, preferably) and float away to heaven with them.

Ambivalence toward the "like" is hardly a new stance for marketers, but here it's aggressively communicated with broad, boundless energy as well as other, smaller details—you'll notice there are no computers or smartphones anywhere, and someone is even (gasp) seen reading a book. (The song is "Love Me Again" by English artist John Newman.)

It's a fine message for Coke, really, although it makes the 79,691,932 people who like the brand on Facebook maybe look a little foolish.


    



Neil Patrick Harris Sings a Sexy Song for His Favorite Sleep-Inducing Beverage

Neil Patrick Harris goes all Miley Cyrus on a bottle of Neuro Sleep in this goofy music video for the brand's "Sleep With Neuro" campaign.

The video was directed by Jon Jon Augustavo, who also did Macklemore's "Thrift Shop" video, and has NPH in full Barney Stinson mode, silk pajamas and everything. I guess that nightshirt phase he went through didn't last.

There's a fair amount of corny R&B video tropes to be found here, both in the visuals and Neil's delivery, which is top notch as always. That's the nice thing about him—you never feel like he's phoning it in, no matter what ridiculous or beneath-his-talent thing he's doing.

NPH's appearance in the video came from a Neuro customer survey that asked people who they would like to have a slumber party with—35 percent of the responses went with Neil. It also didn't hurt that he and Neuro Sleep founder Diana Jenkins are friends.

Plus, How I Met Your Mother is finally finishing up, so he needs to keep the wolves off his doorstep somehow.


    



Gatorade and Dwyane Wade Give High School Basketball Team the Surprise of a Lifetime

We've seen this marketing stunt countless times: Big brand dips into its deep pockets to give some hardworking, deserving, photogenic youngsters a new playground or a concert or a trip to Toys R Us. But this well-worn tactic can still wield some power.

This time, it's Gatorade, with a cameo from Dwyane Wade, giving an extreme makeover to a high school basketball team's locker room in New Orleans. The Riverdale Rebels, it seems, haven't had a very good run in the past few decades. Now, though, the scrappy, close-knit team (mantras: "I got your back!" and "Family!") are heading to the playoffs for the first time in 20 years. Gatorade, in what looks to be the final two quarters of a recent Rebels win, replaced busted metal lockers and bare-bones facilities with NBA-quality digs.

The effort, dubbed "We Are All-Stars," from ad agency TBWA\Chiat\Day in Los Angeles, broke Monday, timed to the NBA's All-Star weekend. The reaction from the teenage ballers to their new locker room and a visit from D-Wade? It's as sweet as a fruit punch-flavored sports drink. Go ahead and enjoy it.

Credits below.

CREDITS
Client: Gatorade
Senior Director, Communications: Molly Carter
Director, Branded Entertainment: Jill Kinney
Manager, Branded Entertainment: Nancy Laroche
Senior Manager, Communications: Noah Gold
Director, Sports Marketing: Jeff Chieng
Assistant Manager, Global Sports Marketing: Eduardo Gomez
Senior Manager, Digital Marketing: Abhishek Jadon
Assistant Manager, Digital Marketing: Nicki Granadier

Agency: TBWA\Chiat\Day, Los Angeles
Chief Creative Officer: John Norman
Executive Creative Director: Brent Anderson
Creative Directors: Renato Fernandez, Gustavo Sarkis
Associate Creative Director Guto Araki
Art Director: Tiffany Lam
Associate Creative Director: Doug Menezes
Copywriter: Scott Reedy
Executive Producer: Sarah Patterson
Producer: Alicia Portner
Executive Project Manager: Karen Thomas
Account Supervisor: Kyle Webster
Account Executive: Ralph Lee
Group Planning Director: Scott MacMaster
Planning Director: Martin Ramos
Managing Director: Peter Ravailhe
Group Account Director: Blake Crosbie
Account Manager: Marc Johns
Executive Business Affairs Manager: Lisa Lipman
Broadcast Traffic: Jerry Neill

Production Company: Bandito Brothers
Director: Jacob Rosenberg
Executive Producer: Suzanne Hargrove
Producer: Cassidy Lunnen
Art Director: John Gathright
Director of Photography: Laura Merians

Editing: Venice Beach Editorial
Editor: Greg Young
Assistant Editors: Micah Chase, Cutler Gray
Executive Producder: Hunter Conner
Music: Asche & Spencer

Other Partners:

FleishmanHillard
Vice President: Courtney Quaye
Managing Supervisor: Ashley Ginascol

OMD/OS
Associate Director, Optimum Sports: Natalie Behrman
Supervisor, Optimum Sports: Seth Frankenthal
Digital Supervisor, OMD: Alexis Acker
Strategist: Michael Fee

VML
Account Director: Stephanie DeCelles
Account Supervisor: Erin Zehner
Senior Account Manager: Lauren Cochran
Senior Channel Manager: Kristin Gritt
Channel Manager: Katrina Steffensen


    



Vanilla Ice Reminds Us of His Other Song in Cheesy Ad for Kraft’s Ninja Turtles Macaroni

Go Ninja Go!

Who says Vanilla Ice never had any street cred? Everyone, I guess. And when it comes to hip-hop, they're right. But … who cares? The rapper (term used loosely) is prop-ah as hell in this self-deprecating Kraft Macaroni & Cheese commercial from Crispin Porter + Bogusky, skewering his goofy persona and, against all odds, stretching his 15 minutes of fame into a fourth decade.

Ice rocks the mic like a vandal, or something, lookin' fly in a green baseball cap and apron as he stocks shelves in a grocery store to help introduce Teenage Mutant Ninja Turtle-shaped Mac & Cheese. He sings "Ninja Rap," the brilliantly asinine tune he performed in Teenage Mutant Ninja Turtles II: The Secret of the Ooze in 1991. Naturally, a mom shopping the aisle starts busting furious moves. Check out her son's befuddled/horrified stare around the 10-second mark. That look could wax a chump like a candle! Ultimately, Ice puts it all in perspective, with a knowing grin and his trademark line: "Word to your mother!"

As great as it is, the behind-the-scenes video is even more of a tongue-in-cheek riot. "I've always had a love for the Turtles," Ice explains, "and when I did Secret of the Ooze, it was the highlight of my life—ever!" He lunges forward, like a snapping turtle, for emphasis. "I'll never top it, no matter what I do."

Showing off a Turtles leg tattoo, he adds, "When I first heard Mac & Cheese was creating Ninja Turtles shapes, I was like, genius! This is the frickin' most awesome thing ever!"

Yo, you're awesome, Ice. Word to mothers everywhere!


    



Big Mac Turns Your Brain Into a Drooling Pile of Oblivious Mush in British Ad Stunt

McDonald's puts our minds to the test in this British campaign from Razorfish that features prankvertising and an online quiz.

The premise is that people can't concentrate on anything else when the Big Mac is nearby. Unlike some recent hair-raising ad stunts, and the million-calorie sandwich itself, the prank element here is pretty benign.

On a busy street, a young couple with a camera ask presumably unsuspecting passersby to take their picture. As they primp, a large portrait of a Big Mac is carried past by a different couple, who quickly switch places with the original pair just as the photo is about to be snapped. (It's cool how boyfriend No. 1 starts a sentence as the Big Mac obscures him from view, then boyfriend No. 2 appears and completes the sentence once the switch is made.)

The subjects don't seem to notice that anything's amiss. Maybe a devil baby puking up special sauce would've gotten their attention? Just a thought.

Anyway, the original couple from the clip also host a series of interactive "mind games" designed to demonstrate the Big Mac's distracting power. I thought the hypnotic properties of two all beef patties, yada yada, on a sesame seed bun had been irrefutably established long ago. Obviously, when one appears, so plump and juicy … I cannot turn away!

Oddly, when McD's showed in detail how McNuggets were made, I couldn't make the screen go dark fast enough. Still, I'll have fries with that!


    



Velveeta Explains What to Do With That Cast-Iron Skillet You Carry Around Everywhere

You have a weird, ineffable obsession with your cast-iron skillet. You carry it with you everywhere like a safety blanket. You believe like it could make you feel joy, but it does not, because something is missing.

Velveeta appeals to the kitchenware creeper segment with a new pair of spots from Wieden + Kennedy for the brand's Cheesy Skillets dinner kits. It's a new twist on the agency's oddball approach to the product, with some of the dramatic flavor of Old Spice still in the voiceover and epic positioning, "It's liquid gold," but sight gags balancing it out.

In some ways, it's the American cheese of advertising—comfort food that's pleasing at first but ultimately a little too processed to leave you feeling entirely good about having eaten it. If you can get past the slightly overdone copy, though, there's some pretty rich comedy in the dumb facial expressions of the actors.

You might even call it gold.

Credits below.

CREDITS
Client: Velveeta
Project: Velveeta Cheesy Skillets

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Karl Lieberman, Eric Baldwin
Digital Director: Pierre Wendling
Copywriters: Heather Ryder, Darcie Burrell
Art Director: Matthew Carroll
Interactive Producer: Ryan Adams
Event Producer: Victoria Semarjian
Account Team: Ken Smith, Rachel Parker, Danica Jones, Sarah Augustine
Media Director: Alex Dobson
Head of Broadcast: Ben Grylewicz
Broadcast: Shelley Eisner, Nicole Kaptur, Yamaris Leon
Art Production: Stacie Balzer, Eugenie Frerichs, Denise Hanggi, Rainier Goubault
Project Manager: Megan Nugent
Studio Manager: Anna Gatewood
Studio Artists: Leslie Warra, Thomas Bradley
Executive Creative Directors: Mark Fitzloff, Susan Hoffman
Business Affairs: Amber Lavender, Anna Beth Nagel, Pam Atkinson
Content Services: Zoe Hoetze, Anders Lund

Production Company: Smith & Jones Films
Director: Ulf Johansson
Executive Producer: Philippa Smith
Executive Assistant: Tori King
Line Producer: Justine Madero
Postproduction Company (Editorial): Spot Welders
Editor: Haines Hall
Producers: Carolina Wallace, Lisa English
Visual Effects: A52
Executive Producer: Megan Meloth
Producer: Meredith Cherniack


    



Organic Food Makers Hilariously Take Down Bogus ‘All Natural’ Labels on Packaging

Hey, professional truth-benders. Here's a sweet mockumentary-style PSA about professional truth-bending. Extra bonus if you also happen to be a tree hugger.

In addition to fairly broad swipes at snake oil salesmen (you must have known the advertising industry was a popular punching bag when you got into it), the spot—funded by organic businesses—is aimed at illustrating how the use of the word "natural" on food labels is pretty much meaningless. It makes its point well, if a bit repetitively—at four-and-a-half minutes long, the script manages to work in enough sharp moments and little twists to keep it interesting. And in case you're wondering, the gist of its argument is true.

"From a food science perspective, it is difficult to define a food product that is 'natural' because the food has probably been processed and is no longer the product of the earth," says the FDA in its explanation of the subject, which goes on to declare what's more or less a nonposition.

The spot includes industry easter eggs like an art director hovering over a designer, telling him to make the natural logo BIGGER. But the real treat is the performance of Josh Childs in the lead, who's something like a cross between Dr. Leo Spaceman and Michael Scott if they ran an ad agency.


    



Caribou Coffee Builds Five-Story-Tall Pinterest Board at the Mall of America

Caribou Coffee, whose previous out-of-home ad stunts have included heated bus shelters in Minneapolis, is back with another special campaign—a giant, five-story-tall Pinterest board built (with help from ad agency Colle+McVoy) at the Mall of America in Bloomington, Minn.

Caribou used pinned images from fans as inspiration for its new Real Inspiration Blend variety of coffee. That sounds like a stretch, but the giant Pinterest board is pretty impressive. It includes two large screens that feature inspirating photos from fans on Instagram and Twitter that are tagged with the hashtag #CaribouInspires.

See more in the video below.


    



McDonald’s Sweden Taunts Norway With Big Mac Billboard at the Border

Here's a fun neighbor-shaming McDonald's billboard from DDB Stockholm.

Sitting right at the border between Sweden and Norway, the billboard displays comparative pricing for Big Macs in the two nations—egging on Norwegians to take advantage of Sweden's cheaper burgers. In other words, it's the rare fast-food ad that doubles as fodder for exchange-rate geeks.

The Economist's Big Mac Index has for decades used McD's staple burger as an international benchmark for measuring relative prices around the world. Norway's Big Mac was, in fact, recently declared the most expensive anywhere (and not for the first time). That's due to the country's oil-rich, inclusive economy, where generally high wages (even for burger flippers) help drive up prices. (Some observers, meanwhile, are claiming all the extra money is making the country's workforce too lazy.)

DDB points out that Norwegians are already crossing the border for bargains in droves. So really, the agency is just reminding them to stop for a more affordable heart-stopper.

How much will they save? In Norway, a Big Mac costs the equivalent of about $14.41, says the billboard. In Sweden, it's only about $9.08. Of course, that's still way too much for a Big Mac—especially if they're made in any way like the brand's Chicken McNuggets.


    



Young Bilingual Singers in Coke’s ‘It’s Beautiful’ Ad Aren’t So Conflicted About America

Using children in politically tinged advertising is often problematic. Some would say it's tantamount to propaganda. Still, the kids who sang "America the Beautiful" in other languages for Coca-Cola's Super Bowl ad are so charmingly innocent in these behind-the-scenes videos—and so optimistic about how the ad will be received—that it makes the whole ruckus seem extra ridiculous.

Of course, Coke isn't as innocent. It knew the ad, by Wieden + Kennedy, would be controversial. Even these clips from the recording sessions hint at that—why else would they ask the girls how people might react to the ad? And yet it's irresistible when Naomi, the girl who sings in Spanish, says: "They might feel joyful. They might feel like, 'Wow, America has all these different things.' And they might feel, like, really proud of their country, I hope. Cause I know I am pretty proud."

Coke released its own statement about the ad this week, saying in part: "For centuries America has opened its arms to people of many countries who have helped to build this great nation. 'It's Beautiful' provides a snapshot of the real lives of Americans representing diverse ethnicities, religions, races and families, all found in the United States. … We believe 'It's Beautiful' is a great example of the magic that makes our country so special, and a powerful message that spreads optimism, promotes inclusion and celebrates humanity—values that are core to Coca-Cola."

The ad's director, John Hillcoat of Skunk, has also spoken out this week. "We all know there are those kind of bigots out there, but I had no idea how deeply embedded it was. It seems that the divide in America has never been greater," he said in a statement.

Despite its optimism, Coke recognizes that divide, too. Tellingly, YouTube comments are disabled on all the videos featuring the girls—to protect them. Comments are enabled on the main ad, though, and are at 12,500 and counting. Wade into that debate at your own risk.


    



Tegan and Sara Sing the Latest Oreo Commercial, and It’s Pretty Great

I never thought I'd hear Tegan and Sara in an Oreo commercial, but I also never thought Tegan and Sara would make bouncy dance pop, so everything's up in the air at this point.

The Canadian duo provided a pretty awesome version of the "Wonderfilled" jingle for this "Dare to Wonder" ad from The Martin Agency (it first aired during the Grammys) promoting a series of limited-release Oreo flavors including berry, peanut butter, lemon and mint. Honestly, all those sound really gross, but the jingle is right in line with Tegan and Sara's lyrical sensibilities, and of course they didn't even write them—the ad agency did.

Living in a world where Tegan and Sara play a song they didn't write for the purpose of selling junk food feels a bit strange, but they've said they don't make albums to keep their old fans, so perhaps that same principle has been applied here.


    



This Whisky Ad From South Africa Is More Heartwarming Than Most of the Super Bowl Commercials

Scotch whisky brand Bell's and ad agency King James might just lift your spirits with this South African ad with an elderly man struggling to overcome his illiteracy so he can celebrate a family milestone.

Director Greg Gray of Velocity Films employs a restrained cinematic style to show "The Reader" diligently practicing his A-B-Cs at every opportunity. There are some deft details: Our hero initially misspells "Kat" while playing Scrabble but gets it right later on, and he places cards reading "Kettle," "Oven" and "Taps" on corresponding objects around his home.

The literacy angle might sound like a stretch, but the idea of celebrating personal triumphs by toasting with Bell's feels on target, and the heartfelt acting and storytelling are strong enough to yield a potent emotional payoff.

Indeed, good scotch should leave you with a warm feeling inside.

Via Design Taxi.