New York City FC's First Brand Spot Is a Gritty Paean to the City It Calls Home

When Major League Soccer began play in 1996, those of us who lived in New York City had only one team to root for—the New York/New Jersey MetroStars. But despite their odd hybrid name, they were pretty solidly a New Jersey team. They played out at Giants Stadium, and those of us coming from Manhattan would often arrive late to games, as they never scheduled enough buses from Port Authority. Intentional or not, the indifference to fans east of the Hudson was palpable. 

That franchise has since cleaned up its act, and become the formidable New York Red Bulls. They still play in Jersey, though, at the Red Bull Arena in Harrison (which is, admittedly, a lovely stadium). But luckily for New York City fans, there’s been another option over the past two seasons—New York City Football Club, a new MLS franchise that plays its home games at Yankee Stadium. 

NYCFC clinched its first-ever MLS Cup playoff berth this past weekend, and is celebrating with a gritty new spot from Johannes Leonardo, its first-ever brand commercial.

The poetic spot, called “Along These Lines,” is as much a tribute to the city as the team—rallying New Yorkers to get behind their soccer team, using a theme of connection that’s both literal (the subway system connects everyone, and of course stops at Yankee Stadium) and figurative.

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Andrew Dawson Joins Johannes Leonardo as CSO

Johannes Leonardo, Adidas and Pharrell Take on Haters

Co-ECDs Left Johannes Leonardo

Today in Things We Missed, the two ECDs behind Johannes Leonardo’s recent work for Playstation, adidas and other clients left the agency to return to their native Australia.

This isn’t “news” because it ran in Australian media way back in April when the pair announced plans to take partner positions with Sydney’s Cummins&Partners. But it is relevant as Johannes Leonardo gets more press and prepares to make headlining hires.

The two, who seem to come as a package deal, spoke to Campaign Live last month to explain why they left. First, they say that “we had a very similar creative approach as the [Johannes Leonardo] founders Jan Jacobs and Leo Premutico,” which lead them to move from Australia a year and a half ago.

Why did they leave JL? Martin says, “we would’ve loved another year or two living and working in NY” but the partnership offer was simply too good to pass on. He adds, “we found if you surround yourself with amazing people and have a distinct creative voice you can succeed anywhere.”

We do hear that Johannes Leonardo is very close to making an executive hiring announcement, and we assume that it involves whoever will replace recently departed CEO Mike Duda.

In the absence of these ECDs, the agency will also need to expand its creative department. Updates to come.

Johannes Leonardo Hypes PlayStation Vue

“If you had a button that could reverse time, you’d use it, wouldn’t you?” asks a young man in a blue business suit at the beginning of Johannes Leonardo’s 60-second spot promoting PlayStation Vue, Sony PlayStation’s streaming TV service which was announced in March. A series of other hypothetical questions regarding theoretical technology follow, including a magnetic force field, robotic legs giving you extraordinary strength and a real-life save point. It all leads up to the question, “If you had a TV experience better than you ever imagined just waiting for you inside your PlayStation, you’d use it, wouldn’t you?”

The answer to all the questions, obviously, is “Of course,” as the ad reminds viewers who already own a PlayStation that they already have access to the service, while presenting it as a selling point to those who don’t. It marks Johannes Leonardo’s first work promoting the PlayStation Vue since winning creative duties last fall. The straightforward nature of the ad and its “Start Vueing” tagline show a clear confidence in the service. The spot made its debut yesterday at E3 in Los Angeles, where Sony also announced that it will begin including certain channels unbundled beginning next month.

Credits:

Client: Sony

Agency: Johannes Leonardo
Chief Creative Officers: Jan Jacobs / Leo Premutico
Executive Creative Directors: Tom Martin / Julian Schreiber
Art Director: Verenice Lopez, Jerome Marucci
Copywriter: Devin McGillivary, Steven McElligot
Head of Production: Cedric Gairard
Executive Producer: Sevda Cemo
Producer: Tina Diep
Associate Producer:  Dustin Grant
General Manager: John McCarthy
Account Director: Marc Gellman
Account Supervisor: Adam Rubin
Planning Director: Jennifer Colman
Associate Strategist: David Ceng

Production Company: MJZ
Director: Fredrik Bond
Executive producer: Kate Leahy
Line Producer: Alicia Richards
DOP: Crille Forsberg
1st Assistant Director: Mark Taylor
Production Designer: Petr Kunc

Post Production Company: The Mill, Los Angeles
Exec Producer: Enca Kaul
Producer VFX: Will Lemmon
Producer Color: Antonio Hardy
Shoot Supervisors: David Lawson, Becky Porter
Creative Director: David Lawson
2D Lead Artist: Becky Porter
3D Lead Artist: David Lawson
2D Artists: Andy Dill, Daniel Lang, Anthony Petitti, Narbeh Maridossian, Patrick Munoz, Tara DeMarco, Steve Cokonis, Tim Robbins
3D Artists: Phil Mayer, Majid Esmaeili, Steven Olson, Matt Longwell, Martin Rivera, Mike Di Nocco, Aldrich Torres, Monique Espinoza, Itai Muller
Matte Painting: Andy Wheater
Motion Graphics: Justin Demetrician, Greg Park, Andrew Marks
Colourist: Adam Scott
Art Department Coordinator: Daniel Midgley

Production Company in Prague: Unit & Sofa
Exec Producer: Fady Saleme
Line Producer: Nikola Mohorita

Radio Production Company: Sonic Union
Founder/Engineer: Stephen Rosen
Executive Producer: Justine Cortale
Producer: Melissa Tanzer
Casting Director: Maria Pappalardo

Editing House: Union Editorial
Executive Producer: Caryn MacLean
Senior Producer: Susan Motamed
Editor:  Patrick Ryan
Assistant Editor: Andrew Droga
Cutting Assistant: Melissa Geczy

Music House: Q Department
Composer: Drazen Bosnjak
Producer: Zack Rice
Assistant Producer: Guin Frehling
Mixer: Steve Rosen

CEO Leaving Johannes Leonardo

New York’s Johannes Leonardo confirmed what an anonymous source told us this morning: CEO Michael Duda will soon be leaving the agency.

JL, which most recently made headlines for winning marketing duties for Playstation’s Vue streaming TV service, hired Duda to fill the chief executive role back in November of 2013.

While he spent the nearly five years leading up to that hire at marketing management consultancy Consigliere Brand Capital (which he co-founded), he will be best known to our readers for the years he spent within the Deutsch organization.

After joining Deutsch in 2001 as SVP/director of business development, he worked across the shop’s New York and LA offices, eventually rising to the position of partner/chief corporate strategy officer.

Here’s the statement from JL founders/CCOs Jan Jacobs and Leo Premutico:

Johannes Leonardo has gone through a tremendous period of growth, but more importantly, the right kind of growth. So we will celebrate the work we accomplished together with Mike and wish him the best in his next chapter, as we look to scale and expand our offering with our new management team.

We don’t know where Duda is going, though our sources tell us he’s accepted an executive position elsewhere and that the agency will soon announce his replacement.

We reached out to Duda directly for comment but have yet to hear back from him.

Johannes Leonardo Celebrates ‘#OriginalSuperstar’ for Adidas

Johannes Leonardo explores the meaning of the term “superstar” and celebrates Adidas’ original Superstar shoe from 1969, while trotting out a slew of celebrities, in a new 90-second spot entitled “#OriginalSuperstar.”

Those celebrities aren’t just current and former athletes; NBA player Damian Lillard makes an appearance, along with David Beckham, but so do Pharrell Williams and Rita Ora. It’s a sign of the brand moving away from an athletic-wear image and hyping up its fashion cache. “If you think a superstar is standing on stage, filling up stadiums, and selling out concert halls,” Ora begins at the opening of the spot, and the rest of the 90 seconds follows the same basic formula. Each celebrity begins their own “If you think a superstar…” statement before passing it on to the next, until Pharrell finally concludes, “…then I am not a superstar.”

Over the course of the 90 seconds the repetitive, onanistic approach becomes a little grating. The self-congratulatory statements hint at the question “What is a superstar?” but, ultimately, the ad doesn’t say anything of substance on the (rather facile) subject. This would be a bit more excusable in a quick 30-second spot, but ninety seconds of celebrities musing about nothing in particular begs the question, “Where have we seen that before?”

New Career Opportunities Daily: The best jobs in media.

Johannes Leonardo Has Your Vacuuming Needs Covered

Johannes Leonardo, the fashion-savvy New York agency most recently noted for winning the Estee Lauder account, has now picked up the vacuuming business. Like, all of it.

This week TTI Floor Care chose JL as its AOR, which means that the agency will handle creative for Hoover, Dirt Devil and Oreck. The review involved at least a dozen agencies, and TTI CMO Alan Gravely told both Adweek and AdAge that he was “blown away” by the JL pitch.

Johannes Leonardo CEO Michael Duda writes that he was attracted to the new client’s “visionary aspirations and a passionate commitment to change the category”, and the agency will create unique campaigns for each of the three brands.

But will they produce anything as elaborate as last year’s Exorcist parody?

New Career Opportunities Daily: The best jobs in media.

Estée Lauder Chooses Johannes Leonardo for Global Creative Assignment

Estée Lauder has chosen Johannes Leonardo for global creative assignment, including both traditional and digital ads, Adweek reports.

The decision follows a creative review in which Sid Lee was also identified as a finalist, and also included McKinney in initial presentations. While global spending figures were not available, Adweek reported the brand spent around $100 million in media last year in the U.S. alone. Estée Lauder has historically opted for regional campaigns, but looks to create global campaigns going forward. While “Johannes Leonardo referred calls to the New York-based Estée Lauder,” and Estée Lauder refused to comment, Adweek sources “said that the company had told the finalists of its decision.” Johannes Leonardo will not be responsible for global media, which will remain at Omnicom Group’s OMD.

New Career Opportunities Daily: The best jobs in media.

Do You Like This Incredibly Bubbly Ad for Coca-Cola Light, or Do You Love It?

Coca-Cola is really having a go at social media this week. Earlier, we had the Coke video that offered a fashionably questionable solution to social-media addiction. And now we have this ultra-peppy new global Coca-Cola Light commercial from ad agency Johannes Leonardo.

Its point is that "liking" things just isn't enough. You have to love them. And you have to love them enough to roll around in them, swing on them, set fire to them, dance with them, kiss them (with gold teeth, preferably) and float away to heaven with them.

Ambivalence toward the "like" is hardly a new stance for marketers, but here it's aggressively communicated with broad, boundless energy as well as other, smaller details—you'll notice there are no computers or smartphones anywhere, and someone is even (gasp) seen reading a book. (The song is "Love Me Again" by English artist John Newman.)

It's a fine message for Coke, really, although it makes the 79,691,932 people who like the brand on Facebook maybe look a little foolish.


    



Advertising: Plans Call for Reinforcements at Johannes Leonardo

Johannes Leonardo in New York is hiring a new chief executive, Michael Duda, and bolstering its creative team as well.

    



Sprite Gets Weird for ‘Obey You’ Campaign

It’s hard to remember a Sprite TV spot that didn’t feature pro/amateur athletes playing street ball and squirting liters of lemon-lime soda into their mouths after a big dunk. In fact, “Obey Your Thirst” ran as Sprite’s tagline for over a decade, and only in 2007 did the brand cut it down to “Obey” because Shepard Fairey speaks to a younger generation or something.

But, when parent company Coca-Cola tapped Johannes Leonardo to lead Sprite’s global creative duties last May, it became clear that a change was imminent. With “Obey You,” Johannes Leonardo is taking Sprite out of Rucker Park and putting it on a much stranger course. It’s become somewhat clear that the younger generation no longer idolizes professional basketball stars like they once did. That is, unless that star is Blake Griffin, and that star is being weird.

“Obey You” seems to be employing the strategy of “weird sells to 18-49.” Are the antagonistic voices in your head going to sell more Sprite than street-ballers? Or is the younger generation getting weary of the weird?

New Career Opportunities Daily: The best jobs in media.