Booking.com Follows the Crazy Life of a Booking Hero in W+K's New Campaign

Wieden + Kennedy Amsterdam goes big in its new work for Booking.com, with a 60-second spot that tells the epic story of a “booking hero” whose knack for finding the perfect accommodations helps him not enjoy have a great vacation—it helps him fulfill his destiny.

We follow the guy’s whole life, from a chance encounter with his future wife in a hostel through a romantic proposal at a chateau—and then through the downs, and mostly ups, of family life and professional success.

Four 30-second spots, with 15-second cut downs, will also roll out soon, along with five contextual online films that match user Google keyword searches.

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We spoke with Genevieve Hoey, creative director at W+K Amsterdam, about the campaign.

AdFreak: What made you choose the idea of heroism for this campaign?
Genevieve Hoey: It’s a relatable, human insight—which is our currency for Booking.com. We know people have a small amount of vacation days each year, so it’s vital to get vacation accommodation more than “just right.” Understandably, people want to absolutely nail their vacation, and that’s what this campaign is all about—how Booking.com helps people to get it booking right, leaving them feeling like accommodation heroes. Booking.com’s aim is to make every precious trip, booking right. And as you’ll see in this year’s work, the right accommodation can even be life changing.

Why follow one guy through a series of life changes?
Dennis is an everyman, likable and relatable. Following one guy allows us to dramatize the epic results of a lifetime of well-booked accommodations. We want people to see the potential for themselves to be accommodation heroes and embark on their own journey though Booking.com’s vast range of incredible properties.

How outlandish did you want to get with the plot?
We’re always writing and honing until the very last minute, working closely with our Booking.com clients. The work this year is definitely dramatized but not exaggerated—it’s all in the realm of possibilities. The idea behind each script is rooted in either a Booking customer review or an interesting Booking.com data point. Ultimately we’re hoping to delight our fans with the most relatable and entertaining Booking.com work possible.

What was the biggest challenge on this production?
We always shoot in Booking.com locations. The biggest challenge is choosing which ones from their 600,000 properties across the world. This year we wanted to show Booking’s wide variety—they have 25 different property types. So, to excite people with the life-changing possibilities at their fingertips, we shot in medieval castles, rustic log cabins, on rooftop infinity pools, in historic penthouse suites and so forth. We worked with A-list director Dante Ariola to create sweeping cinematic odes to vacation greatness, to show people the rewards of getting accommodation booking right, with Booking.com.



XO Mints Freshens Up Valentine's Day With Catchy Ballad for Ugly People

Beauty is in the eye of the … um … sorry, I lost my train of thought. While I try to remember how that saying goes, enjoy “The Ugly Couple Song,” a Valentine’s Day music video by RPA for XO Mints.

Unlike Cartier’s pretty posers, who pine for love, XO presents some hairy, less-than-hunky, socially awkward dudes who look like refugees from cover bands and sitcoms. (The guy with the curls resembles “College Ted” from How I Met Your Mother. He’s even got the “spectacles”!) They lip-sync along with the titular ditty, a folky number performed by Run River North, about finding that certain special someone no matter how unattractive you are.

“She’s got a heart that’s bigger than her hair/She might never be a model, but who cares?/She’s one cloud and some wings from being an angel/And who knows, we might make—something beautiful.” (Aww … isn’t that nice? #SomethingBeautiful is also the campaign’s hashtag.)

Frankly, the guys aren’t all that homely, and I expected a wacky payoff, like maybe they’d all marry each other. Instead, the clip stays minty sweet and low-key, gently poking fun at social stereotypes as it invites us to hum along.

Of course, fresh breath as a requirement for romance is also a stereotype. Still, it never hurts, and the brand’s heart is clearly in the right place.



Ikea Shows Off Its New Range of Beds in Cheeky Ad for Valentine's Day

Ikea often does humorously naughty ads around Valentine’s Day. Two years ago it did a fun promotion offering free cribs for babies born nine months after Valentine’s Day. And last year it stacked a pair of chairs suggestively in an ad with hot wood-on-wood action.

Now, Ikea Singapore continues the tradition with the BBH ad above, posted to social media—showing off the chain’s new line of “beds.” Pretty cute, though I’m not convinced that bench is up to the task.



Brands Are in Love With the #WhatIsLoveIn4Words Game, but They Only Love Themselves

Vanessa Bayer comes on to everyone in an elevator in Audi’s Fifty Shades of Grey spoof. http://adweek.it/17mGIgB

A Twitter hashtag game like #WhatIsLoveIn4Words is irresistible to brands. It’s easy, and the answer is simple: With only a few exceptions, they love themselves first.

Check out a slew of brand posts around the hashtag below. Beats by Dre gets our grudging respect for being so uncreative, they were actually creative.



Vanessa Bayer Comes On to Everyone in an Elevator in Audi's Fifty Shades of Grey Spoof

Last week, Trojan took the piss out of the BDSM-light hype around Fifty Shades of Grey. And now Audi is joining the party with a new parody ad.

Saturday Night Live’s Vanessa Bayer stars as a try-hard version of the book-cum-movie’s protagonist, Anastasia Steele. The spot, created with Venables Bell & Partners, mimics the famous scene in the elevator, where Christian Grey kisses Anastasia for the first time. But Bayer brings along a collection of sex toys and makes clumsy come-ons to anyone and everyone who happens along (kind of like she’s been eating too many Red Velvet Oreos).

The interplay between Bayer and her victims is pretty hilarious—tightly written and perfectly delivered. And while the brand tie-in might feel tacked on, it isn’t really.

Audi lucked into the storyline of the novel. Grey is an enthusiast, and gives Steele one as a gift. The automaker bought into the movie as well, with a product placement deal for five different cars. It’s juicing the connection—a separate German ad hawking the Audi R8 Spyder treats Grey like a sex symbol on par with George Clooney.

Given the official connection, Audi might get more credit than Trojan for poking fun at the movie—though both seem to be trying to make audiences feel better about being inept at bondage. Or maybe it’s making like the lead actors and hedging against what they apparently think will be a dud film.

Regardless, Audi certainly deserves points for bravery. Try to keep a straight face when Bayer starts twirling a set of Ben Wa balls around her finger. She can barely keep from laughing, too.



Gatorade Digitally Remastered 'Be Like Mike' After 23 Years, and It Looks Amazing

For those of us who’ve spent too many hours digging through YouTube trying to find good-looking versions of classic ads, this is quite a treat: As part of its 50th birthday celebrations, Gatorade has digitally remastered its classic “Be Like Mike” commercial with Michael Jordan after almost a quarter century.

And it really looks good. The old Bayer Bess Vanderwarker spot is completely cleaned up, so you can enjoy seeing Mike play cute pickup games with kids and laugh ridiculously with his actor-teammates like it’s 1992 all over again. (Except for that hashtag at the end!)

Gatorade is doing a whole bunch of “Be Like Mike” stuff around the NBA All-Star weekend, including a “live event experience” in New York featuring Dominque Wilkins and Horace Grant, who will “help visitors do their best impressions of Jordan by ‘Shooting like Mike,’ ‘Dunking like Mike’ and ‘Striking iconic poses like Mike.’ “

The sports drink will also be selling special bottles of Citrus Cooler (Mike’s favorite) with a retro label starting at the end of March.

In fact, the only thing missing from return of “Be Like Mike,” it seems, is present-day Mike.

The remastered ad is cool, though—almost as good as the 1979 Pabst Blue Ribbon spot with Patrick Swayze that was likewise cleaned up a few years ago. Can we do this will all the great spots from the ’70s, ’80s and ’90s, please?



Ikea Uses Poorly Assembled Billboards to Admit Its Furniture Is Hard to Put Together

Everyone else makes fun of how painful it is to assemble Ikea furniture, so why can’t Ikea? And the company does in these fun billboards, from German agency thjnk, that are themselves poorly assembled—to advertise the brand’s assembly service. Such a simple idea.

Thjnk has been doing eye-catching Ikea work for a while, including one of our favorite out-of-home ads of 2014—the RGB billboard that ingeniously turned nine square meters of ad space into 27 square meters.

Via Ads of the World.



Red Velvet Oreos Are a Delightfully Awkward Aphrodisiac in Quirky Valentine Cartoons

If regular Oreos don’t already put you in the mood for love, maybe try the cookie’s new Red Velvet flavor. The limited-edition Valentine’s Day product stars in a new animated campaign from 360i, and is presented as an awkward aphrodisiac for strangers.

The effects of Red Velvet Oreos might include a woman who looks kind of like a middle-aged Daria sliding her grip up a bus pole to touch the hand of the rocker hunk next to her. (In fact, the whole aesthetic seems inspired by ’90s MTV cartoons.) And let’s just say the dude is not moving his mitt away, either.

Irresistible cookie romance could also strike at the checkout counter, or 35,000 feet above sea level (because someone couldn’t resist a nod to the Mile High Club). In other words, Red Velvet Oreos are like the Axe of cookies. (Its advertising is just—appropriately—quirkier and more subtle than most of the body spray’s.)

There are six spots in total, with a new one rolling out each day this week. The brand says they’re meant for people who aren’t psyched about Valentine’s Day. That makes some sense, because while Red Velvet Oreos might be a dubious gift, it’s perfectly appropriate to shame-eat a pack while sitting alone at home watching rom-com marathons while everyone else is paired off and having a good time out on the town.

And whether or not Red Velvet Oreos will actually get you laid, one thing is for sure—more people should carry fanny packs with cookies in them.

CREDITS
Client: Oreo
Senior Associate Brand Manager: Kerri McCarthy
Senior Associate Brand Manager: Elise Burditt
Senior Brand Manager: Lauryn McDonough
North America Director: Janda Lukin

Agency: 360i
Chief Creative Officer: Pierre Lipton
Group Account Director: Sandra Ciconte
Group Creative Directors: Aaron Mosher, David Yankelewitz
Art Director: Kelsie Kaufman
Copywriter: Jessy Cole
Associate Producer: Ethan Brooks
Senior Producer: Amanda Kwan
Account Director: Josh Lenze
Senior Strategist: Maggie Walsh
Account Manager: Megan Falcone
Community Manager: Sarah Wanger
Community Supervisor: Namrata Patel

Production Company: Shadowmachine (LA) http://www.shadowmachine.com
Executive Producers: Alex Bulkley, Corey Campodonico
Director/Producer: Jed Hathaway
Lead Animator: Sapphire Sandalo
Animator: Iana Kushchenko
Animator: Sean Nadeau
Character Designer: Matt Garofalo
Background Designer: Emilio Santoyo
Storyboard Artist: James Gibson
Animatic Editor: Peter Keahey
Sound Design: Pendulum Music (Ryan Franks, Scott Nickoley
Commercial Rep: Honky Dory (Gisela Limberg, Ali Tiedrich)



Infographic: The Crazy Personalities of 5 Archetypal Agency People

Here’s an oldie, but new to us: The Anatomy of an Agency infographic from Grip Limited, offering pretty spot-on portraits of agency people (art director, copywriter, account person, developer, finance person) based on their peculiar tastes and habits.

This infographic was done by Julia Morra and Trevor Gourley. Via Design Taxi.



ESPN's New SportsCenter Ad Reveals the True Identity of Katy Perry's Sharks

Right Shark and Left Shark had great time at the Super Bowl in Arizona. (Well, one of them had a better time than the other.) But now it’s back to the grind. And that means returning to the ESPN offices in snowy Bristol, Conn., and getting back to their day jobs—next to every other athlete, mascot and halftime-show dance partner in the world.

And here, we even get to see who’s underneath those suddenly famous fish costumes.

Wieden + Kennedy New York’s “This Is SportsCenter” campaign is always pretty fresh and memorable, but it’s great to see them jumping on this topic—which fits the campaign’s goofy humor so well.



Snickers Took Over the Back of SI's Swimsuit Issue With a Ssssplendid 'You're Not You' Ad

Snickers and BBDO New York have followed up their brilliant “Brady Bunch” Super Bowl ad with an inspired print piece—taking over the back cover of Sports Illustrated’s new Swimsuit Issue with this fantastic “You’re not your when you hungry” ad.

Hannah Davis, of course, is on the front cover of the magazine. But on the back is a much less traditionally attractive female—Medusa, in fact, whom models apparently act like when they haven’t had a Snickers in a while.

Cynics will suggest models are always hungry, and wouldn’t be caught dead rectifying that fact by wolfing down a Snickers bar in public. But leaving aside the issues of verisimilitude, this is a pretty great ad and media placement. The recasting of Sports Illustrated as “Super Irritated” is a particularly nice touch.

See the front cover, and credits for the Snickers ad, below.

Front cover:

CREDITS
Client: Snickers
Ad: Medusa

Agency: BBDO New York
Chief Creative Office, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Gianfranco Arena
Executive Creative Director: Peter Kain
Senior Creative Director: Danilo Boer
Senior Creative Director: Grant Smith
Executive Art Producer: Betsy Jablow
Account Director: Josh Steinman
Account Manager: Dylan Green
Planner: Alaina Crystal

Photographer: Vincent Dixon

CGI: Parker & Biley
Production Company: Jake Mills Productions



Everything Is Painfully Awesome in Fifty Shades of Grey Trailer Remade With Legos

Fifty Shades of Grey, the movie based on the controversial book about BDSM and heavy breathing, apparently, comes out on Friday. Thankfully, Lego has one-upped the trailer (not that it would have been hard) by creating it scene by scene with Legos.

The attention to detail is perfect, from Christian Grey’s brooding face to the weird Skinemax scenes at the end. And it’s the second fan-made Lego recreation video in as many weeks, following A+C Studios’ Lego versions of Super Bowl ads.

A note from the creator, Antonio Toscano: “Lego Group is not even remotely involved in this video, except for the fact that I have bought a lot of their products during my life. Universal Picture is not involved in this, this video is not at all part of a promotional campaign for the movie, I am not getting any money for it and I don’t care at all for this movie to be an audience success or not.”

So, Lego’s not officially into recreating soft-core porn, I guess.



Mad Men Chops Its Pilot Episode Into 154 Clips and Wants Fans to Reshoot Each One

Ahead of Mad Men’s final episodes on AMC this spring, the series has launched The Fan Cut, a contest that lets would-be auteurs remake scenes from the show’s pilot episode in (almost) any way they see fit.

That first episode has been cut up into some 154 clips ranging from 8 to about 40 seconds long. Up to five fans can “claim” each scene, and they have 30 days to create and upload their own versions. Ultimately, the entire pilot will be re-assembled and screened online based on select submissions.

The rules warn us: “Any depiction of consuming alcohol or smoking tobacco should be simulated.” (The crew behind the camera, presumably, can get as sloshed as they like.) And just in case any wisenheimers get ideas about crashing this bash and bragging about it to the ad blogs, the inclusion of third-party brands is strictly prohibited. (But if you do manage to sneak in a plug for a real client, be sure to tell AdFreak about it first!)

On the one hand, The Fan Cut is a creative way to connect with the landmark show and puts a sort of reverse spin on breaking through the fourth wall, letting the audience do it instead of the cast. On the other, it’s a huge waste of time, just like the ad business itself!

Kidding, of course. The competition promises to be a ton of fun and should yield some intriguing, and possibly insane entries. Look for anime Don, emoji Pete and sock-puppet Peggy. I’m also expecting scenes featuring helium-voiced stand-ins for the regular cast, along with cuddly puppies and adorable babies.



Merrell Thrills and Frightens People With a Crazy Oculus Rift Mountainside Hike

You know you’ve designed a good Oculus Rift virtual reality experience when people emerge from it squealing in delight and with their knees trembling.

Hiking boot brand Merrell did one such activation at Sundance last month, partnering with Rolling Stone magazine to create the Merrell TrailScape—an immersive journey that had people feeling like they were walking around crumbling ledge and over a treacherous wooden bridge high in the mountains.

The experience—which Merrell says was the first commercial use of “walk around” virtual reality—was created by Merrell agency Hill Holliday and designed by Framestore. The latter is the Oscar-winning effects house that worked on Gravity and also famously did the Oculus activation for HBO’s Game of Thrones at South by Southwest last March. (It later opened up a whole VR and immersive content studio.)

Check out the experience below, which was timed to the introduction of Merrell’s most technical hiking boot to date, the Capra.

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Airbnb Turns a Ski Lift Above the French Alps Into a One-Night Crash Pad

For most people, spending a night in cable car 9,000 feet above sea level probably doesn’t sound that relaxing. But if you’re a ski buff or a sucker for a view, you might enjoy the prize in Airbnb’s latest sweepstakes—a stay in a tricked-out lift above a resort in the French Alps.

The hospitality company is turning a gondola at Courchevel into a bedroom for four (assuming they’re willing to pair off to share the two beds). The winners will arrive by snowmobile, enjoy a regional dinner in the cable car, and ride to the top of the mountain Saulire, where they’ll have access to the bathroom in the station, because—surprise, surprise—there isn’t one in the car.

The next morning, after breakfast, they also get first dibs on the slopes.

If that seems like your kind of thing, enter before Feb. 25 by making your case in 100 words over at the Airbnb listing. “Vertigo sufferers need not apply,” it helpfully notes.

If you’re selected, you’ll still have to get yourself there. But judging by some of Airbnb’s other willfully quirky promo digs, it may well be worth it. While it’s not as spacious as a commercial jet converted into an apartment, it almost definitely beats sleeping in an Ikea.



An Egg McMuffin Rises With the Sun on This Tasty McDonald's Billboard

You probably remember McDonald’s famous, Grand Clio-winning sundial billboard, created by Leo Burnett almost a decade ago, which used the sun’s shadows to suggest what you should be eating and drinking at certain times.

Now, here’s a kind of sequel—a McDonald’s billboard from Canada that’s likewise in harmony with the movements of the sun. It’s a digital billboard for the Egg McMuffin, which rises into view just like the sun in the morning.

Cossette in Vancouver created the board, and tells us it started out as an entry in an out-of-home contest called Carte Blanche. (Creatives propose ideas for real clients; the winning team gets a trip to Cannes, and the winning client gets $50,000 worth of free media space in their respective city.) The Cossette/McDonald’s team won the contest, and then executed the ad for real.

“The digital board was synced to sunrise times over the course of the buy, with each frame lined up as best as we could get it,” a Cossette rep tells us.

A bright idea, indeed.

CREDITS
Client: McDonald’s
Agency: Cossette, Vancouver
Creative Director: Michael Milardo
Art Director: Cameron McNab
Copywriter: Kate Roland
Director of Brand Services: Anne Buch
Brand Supervisor(s): Melissa Guillergan, Karen Babiak
Director of Production: April Haffenden
Production Supervisor: Sue Barteluk



Natalie Portman, a Runaway Bride, Gets a Helicopter Rescue in Miss Dior Ad

In this attractive new Miss Dior ad, Natalie Portman outdoes Julia Roberts’ runaway bride by nabbing a helicopter after she ditches her groom at the altar. Portman’s escape, soundtracked by Janis Joplin’s epic “Piece of My Heart,” has the actress running barefoot and shedding her handmade gown. 

Director Anton Corbijn, known for A Most Wanted Man, tells People magazine that his vision of Miss Dior was a feminist one.

“It’s interesting to see that these women are kind of worshiped by men, projecting what men want to see, and yet they say they are feminists,” he said. “For me it’s still coming from a man’s perspective. The great thing about Janis Joplin, for instance, is that the female perspective prevails.”

He notes that the team behind the spot was careful with the song choice. “It took a long time to find the music, and this choice seemed to fit perfectly from all angles, including the song’s meaning,” he says. 

Now, back to the gown: It took 600 hours to make and consists of hundreds of hand-cut fabric flowers which were dyed into shades of pink and white to create an ombré effect. 



Truth's Tinder-Themed Anti-Smoking Music Video Baffles, Delights and Terrifies

Truth is out with a new anti-smoking ad, and it’s a long way from stacking body bags outside the offices of tobacco companies.

“Left Swipe Dat,” created by 72andSunny, features a parade of young pop stars and YouTube personalities singing a novelty song about rejecting people on the dating app Tinder for featuring cigarettes in their profile pictures. Singer Becky G anchors the video, with X-Factor-born girl group Fifth Harmony handling backup. Comedians King Bach and Timothy DeLeGhetto act as hype men. Harley Mortenstein of Epic Meal Time, Grace Helbig of it’sGrace, and AlphaCat each spit a guest verse. There are also cameos from Anna Akana, Jimmy Tatro and Terrence J.

In other words, if you were born before 1992 and don’t spend all of your time on YouTube, it’s exactly the right thing to make you feel old and confused and terrified.

Back in the late ’90s and early ’00s, teenagers smoked even though they knew it was bad for them, because the cool thing to do was not caring that it was bad for them. In fact, this video is exactly the kind of thing that would have made a teenager want to smoke, because a distant slow and painful death would have seemed preferable to the shame of being in any way aligned with such an earnest train wreck of an attempt to make something seem cool or not cool. Teens used to be smart, and dumb, like that. So, putting piles of dead people on screen was, like the other melodramatic but statistically driven scare tactics of the classic Truth campaign, in those days a much better bet.

Now, who knows?

Over-the-top crazy antics, bubblegum pop and exploding rainbows are what the kids are into these days, right? Also smartphones and Tinder? Or is all that stuff passé? It goes almost without saying that any teen anti-smoking message is a good message (assuming it doesn’t send them running in the opposite direction). It’s good, even if it is a bald-faced play to make teens think smoking means they won’t get laid, which is probably pretty scary for a lot of teens, too. Though ostensibly this is also aimed at millennials? Or are they just like overgrown teens? Questions abound.

Some Becky G fans, and Fifth Harmony fans—Harmonizers, as they call themselves—seem to like the clip, when they’re not busy hating it, and each other, for the perceived slight that their preferred stars didn’t get enough screen time. Others seem baffled, too, but they watched, for their idols.

So it maybe the whole thing is pretty sensible. Or maybe it’s better described as Satan-spawned earworm with a heart of gold.

Either way, after watching it, you’ll need a drink.

CREDITS
Client: Legacy
CMO: Eric Asche
VP, Marketing: Nicole Dorrler
Marketing Director: Mary Dominguez
Marketing Brand Manager: Jasmin Malone
Agency: 72andSunny
CCO, Partner: Glenn Cole
GCD: Mick DiMaria
GCD: Justin Hooper
Writer: Rebecca Ullman
Designer: Sarah Herron
Group Brand Director: Judson Whigham
Brand Director: Kristine Soto
Brand Manager: Everette Cooke
Brand Coordinator: Chelsea Gilroy
Chief Production Officer: Tom Dunlap
Director of Film Production: Sam Baerwald
Senior Film Producer: Marisa Wasser
Film Producer: Esther Perls
Director of Business Affairs: Michelle McKinney
Group Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Amy Shah
Group Strategy Director: Matt Johnson
Strategy Director: Kasia Molenda
Strategist: Josh Hughes
Jr. Strategist: Spencer Adrian
Production Co.: DNA
Director: Director X
Partner: David Naylor
Executive Producer: Missy Galanida
Producer: Clark Jackson
DP: Omer Ganai
Casting: David Kang
Art Department: David Courtemarche
Editorial: Arcade Edit
E.P. Managing Partner: Damian Stevens
Executive Producer: Nicole Visram
Post Producer: Kirsten Thon-Webb
Editor: Nick Rondeau
Editor: Dean Miyahira
Assistant: Ryan Andrus
Post: Timber
Creative Directors: Kevin Lau & Jonah Hall
Executive Producer: Chris Webb
Managing Partner: Damian Stevens
Producer: Lauren Loftus
Digital Effects Supervisor: Nick Hiegel
Flame Artist: Miles Kinghorn, Lisa Tomei
Nuke: Josh Bolin, Krystal Chinn, Nick Hiegel
Roto/Tracking: Dylan Holden
Telecine: The Mill
Executive Producer: Thatcher Peterson
Colorist: Gregory Reese
Audio Mix: Lime Studios
Executive Producer: Jessica Locke
Mixer: Dave Wagg
Assistant Mixer: Adam Primack
Composer: Adam Schlesinger
Music and Talent Supervision: Jash
Executive Producer: Doug DeLuca
Executive Producer: Daniel Kellison
Executive Producer: Mickey Meyer
Executive Producer: Ty Braswell
Producer: Nick Veneroso
Producer: Celeste Hughey



Trojan Mocks 50 Shades of Grey with Ad About an Average Couple Trying to Get Kinky

Trojan is jumping on the 50 Shades of Grey movie hype bandwagon. But the condom brand doesn’t seem all that impressed by the franchise’s BDSM-light theme.

A new two-minute slapstick ad (directed by Laura Murphy, best known for her work on MTV’s Girl Code) pokes fun at a man and woman in couples therapy, discussing their misadventures trying to use the popular romance novel as a sort of Bondage for Dummies—even though the dude hasn’t bothered to read it.

Unsurprisingly, he’s the bigger doofus, though she also pulls her weight. And thankfully, she does kick him in the face, at one point. Eventually the therapist waves some magic word wand about feelings, and the couple rush off to bone in the car.

The takeaway, apparently, is that Trojan saves the day by making bad try-hard sex into good comfortable sex. “Get out of the grey area, into 50 shades of real pleasure,” reads the tagline.A 15-second teaser for the longer ad will also run in movie theaters—50 Shades of Grey, the film adaption, comes out Feb. 13, and the promotional push is in full swing, with rabid fans claiming they’re watching the YouTube trailer on repeat and Deadline Hollywood predicting a $60 million opening.

In other words, Trojan is making a play to charm people who are curious about the kink but ultimately deem it all too weird for their own enjoyment. (For what it’s worth, BDSM experts seem to think the book is nonsense, too.)

Regardless, everyone can agree that the guy in the Trojan ad should have picked another safe word.



Common Follows Up His Super Bowl Voice Work for Microsoft With This NBA Ad

Common is a busy man these days, winning a Golden Globe (for the song “Glory” from Selma), getting nominated for two Grammys and an Oscar (also for “Glory”), and providing the voiceover for two stirring Microsoft ads on the Super Bowl.

As if that weren’t enough, he also found time to voice this new ad promoting the 2015 NBA All-Star Game in New York.

Created by the New York office of DDB, the spot mixes live action and animation, with flashes of NYC landmarks like the Statue of Liberty and the Brooklyn Bridge. The ad goes up online today and will appear soon on those TV screens in New York City cabs and on your living room screen as well.

In an Adweek exclusive, here’s a first look:

Oh, and if you think Common is perpetually holed up in some recording studio, think again: He’ll also play in a celebrity basketball game in the runup to the All-Star Game, which takes place Feb. 15 at Madison Square Garden.

CREDITS
Client: NBA
Agency: DDB, New York
Executive Creative Director: Joseph Cianciotto
Creative Director: Rich Sharp
Creative Director: Mike Sullivan
Art Director: Mina Mikhael
Copywriter: Turan Tuluy
Producer: Tiffany Campbell
Account Executive: Jackie Schultz
Design and Animation: Transistor Studios