BBDO Unveils ‘Struck By A Rainbow’ Mockumentary for Skittles

BBDO Toronto continues the absurdist tendencies of Skittle’s advertising with one of the brand’s strangest ads in recent memory.

Entitled “Struck By A Rainbow,” the ad is a mockumentary about a man named David who is hit by a rainbow, changing his skin to Skittles. Directed by Conor Byrne, the video, while never laugh out loud funny, convincingly mirrors and parodies the tropes of documentaries about people combating adversity, getting the feel just right. The long running time (“Struck By A Rainbow” clock in at well over three minutes) is used to show most of the implications of David’s condition and show David’s journey from struggle to acceptance. In case you’re wondering, a doctor points out that “From a medical perspective, there’s nothing wrong with David. His skin is just now Skittles.” The spot saves one of its more obvious jokes for the end, as David’s wife leans in to kiss him on the cheek and bites off a Skittle. While over three minutes is a very long time to spend watching an ad, and the premise is stretched a bit thin by the long running time, this should still appeal to fans of the brand’s distinctly oddball humor, and anyone creeped out too much by the idea would stop watching immediately anyway.

“Struck By A Rainbow” debuted on YouTube and the brand’s Facebook page on December 8th, but the campaign also includes a digital buy featuring 30-second teasers to drive additional views. Media support for the spot will continue around four weeks.

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Droga5 Debuts ‘Home is in the Air’ for Air Wick

Droga5 is debuting a new campaign for Air Wick entitled “Home is in the Air,” the agency’s first work for the brand since adding it to its client roster back in May.

In a long-form spot, Droga5 and Air Wick recreate the smells of home — a baseball glove, apple pie and a fireplace  — for an American soldier stationed in Qatar. The video begins with the soldier, Kearen, and his wife, Cortney, explaining the hardships of spending so much time apart (at the time of filming, Kearen has been deployed for 11 months) and introducing the project. Air Wick experts then use an instrument called a solid phase microextraction device to capture, and later recreate, the scents that remind Kearen of being at home with his wife and six children. They then send a package of Air Wick candles imbued with the scents to Kearen, who says, “This, this smells like home.” He adds, emotionally, “It’s something so simple, but it means so much to me.”

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Filmmaker/Ad Vet Goes Epic for Lincoln

Here’s an interesting example of the cinematic aspirations of car promos via Bullitt, a “branded entertainment studio” founded earlier this year by the directors who brought you Captain America 2 and the Fast and Furious franchise.

For what is legitimately a “short film” promoting Lincoln, the studio tapped Diego Contreras, a freelancer and former art director who spent several years at CP+B Boulder and Anomaly before a stint at BBDO New York.

Here’s the spot, which is far more atmospheric than your average car ad:

The plot summary fills in a few of those empty spaces after the jump.

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BBDO NY Looks at ‘Monsters Under the Bed’ for Sandy Hook Promise

With the anniversary of the Sandy Hook Elementary School shooting coming up this Sunday, BBDO New York crafted a PSA campaign for Sandy Hook Promise, an gun violence prevention organization formed in the wake of that tragedy.

In the three-minute video “Monsters Under the Bed,” an interviewer has children draw pictures of monsters and then interviews parents asking them what they do to protect their children from these imaginary creatures, with parents offering up a range of responses. Then the interviewer changes the conversation, asking, “How do you protect them from gun violence?” Most of the parents just sit silently with a pained expression, and not one is able to offer a satisfying answer. BBDO New York drives the message home when text appears onscreen reading, “Last year, zero kids were killed by monsters under the bed. Let’s protect our kids from the real threats…so they can continue being afraid of the imaginary ones.”

The video ends by directing viewers to SandyHookPromise.org, where the organization offers parents, students and teachers tools and programs to prevent future gun violence, including mental wellness, social development and gun safety approaches.”Monsters Under the Bed” is being promoted on social channels including Facebook, Tumblr, YouTube, and Twitter.

Additionally, BBDO New York worked with director Tarik Karam and executive producer Stephen Daldry to create a short documentary film called What They Left Behind. The documentary tells the story of three children who lost their lives to gun-related violence: “from a 17–year-old girl who committed suicide with her father’s gun; to an argument among young teenage boys in Iowa that  ended in bloodshed; to the Barden family who lost their 7-year-old son in the Sandy Hook Elementary School shooting.”

“In the two years since I lost my son, I have been speaking with communities across the country to better understand the causes of gun violence,” said Nicole Hockley, communications director for Sandy Hook Promise and mother of six-year-old Sandy Hook victim Dylan. “What we have learned is that, as a nation, we can help to prevent tens of thousands of gun deaths, by first learning the warning signs of violent behavior and focusing on community-based programs to help and heal those most at risk.”

Stick around for the 35-minute What They Left Behind, along with credits, after the jump. (more…)

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Damian Lillard, ‘Rookie’ Tracy McGrady Star in New Foot Locker Spot from BBDO

Here’s another one from BBDO, which seems to be the only agency releasing major campaigns today. The agency continues its humorous approach for Foot Locker with the new spot “Rookie” featuring Damian Lillard and Tracy McGrady.

“Rookie” opens on the pair chatting about their Adidas kicks at a party, when McGrady drops the line, “Young guys like us, we can’t get caught looking old.” McGrady then informs a perplexed Lillard, “I play in China now, I’m a rookie” before having to deal with some unfortunate rookie responsibilities. BBDO has built a consistent and distinct humorous voice for Foot Locker, and while it’s not on par with the agency’s most memorable work for the brand, fans of the style should find plenty to like here.

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W+K New Delhi Celebrates ‘Warrior Princess’ for Forest Essentials

In international campaign news, W+K New Delhi collaborated with production company Gang Films Paris for this lavish “Warrior Princess” ad promoting Forest Essentials.

Directed by Carole Denis, the spot has a cinematic feel and scope that makes it truly ambitious. “Warrior Princess” tells the story of “the transformation of a warrior maiden sent to battle,” according to a press release. While not all viewers will pick up on that, the spot is beautifully shot and produced while also incorporating the product well. It depicts a woman bathing and having a Forest Essentials cream rubbed on her forehead before suiting up, sheathing a small sword and riding off with a small group. While it’s hard to say a lot more without knowing much about the product in question, this is certainly one of the most visually stunning ads we’ve seen in awhile. (more…)

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Dick’s Asks Strangers to Play with its Balls

Anomaly continues to “Spread Love” for Dick’s Sporting Goods, launching its “Holiday Hoops” extension of its “Gifts That Matter” campaign today on “Giving Tuesday.”

The ad follows on the heels of this heart-tugging spot and similarly explores how a basketball hoop can bring people together. This time around, though, Anomaly employs a “social experiment film” documenting people’s reactions when they leave basketball hoops, and a tray of balls with a “Play with me” sign, at various locations around Cleveland, Los Angeles and New York City. Naturally, the hoops caused strangers to bond over pick up games and Anomaly captured their genuine enthusiasm for the spot.

The video, however, is just the tip of the iceberg in terms of Dick’s “Spread Love” charitable initiative. Cleveland Cavaliers star Kevin Love teamed up with The Dick’s Sporting Goods Foundation today to surprise over 200 students at Scranton Elementary School in Cleveland with two new basketball hoops. The brand defines “Holiday Hoops” as a “‘pay it forward’ movement” which will ultimately donate over 100 hoops to organizations (all either schools or non-profits) across the country. Dick’s will select two such organizations every day, and then give them the chance to “pay if forward” to two of their own choosing, announcing the participants on social media with the #HolidayHoops hashtag.

“This holiday season, we wanted to enhance our “Gift That Matters” campaign by exploring the unique power a basketball hoop has to unite people and communities,” said Lauren Hobart, senior vice president and chief marketing officer, Dick’s Sporting Goods and president of The Dick’s Sporting Goods Foundation. “We believe that sports really do matter and Dick’s Foundation is thrilled to be able to provide 100 hoops to schools and communities across America.”

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BBDO and Foot Locker Bravely Defend Against Sports Cliches

BBDO New York and Foot Locker continue their extended winning streak with this just-released spot in which Oklahoma City point guard Russell Westbrook promotes the client’s new Air Jordan line:

We like that the spot plays on multiple sportswear ad tropes as well as the mistaken but long-held belief that the right pair of sneakers can actually make one better at basketball (which has always been the not-so-secret selling point behind the Air Jordan line and all other celebrity-sponsored shoes).

The Spike Lee cameo is a nice touch as well.

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FitzCo//McCann Earns it for Coca-Cola, Walmart

FitzCo//McCann created a holiday spot for Coca-Cola and Walmart entitled “Earn It” which features a sentimental twist designed to tug at heartstrings for the holidays.

The spot shows a teenager working odd jobs around the holidays to earn some extra money. After finally earning enough money he heads to Walmart to make his purchase, which is revealed in the next scene. Without giving too much away we can say that the spot is built around this reveal, which positions Coca-Cola and Walmart alongside some cute holiday sentimentality. Splitting an ad between two brands is no easy feet, but FitzCo//McCann manages to avoid shortchanging either party. In the opening shot, the protagonist is seen thumbing through a Walmart catalog while drinking a Coke. One of his money making schemes involves selling bottles of the soft drink for $1.25 each and he drinks a bottle again at the conclusion of “Earn It.” It also works surprisingly well with Coca-Cola’s larger “Open Happiness” campaign, albeit with the kind of sentimentality that might seem too much at any other time of year. (more…)

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DDB Promotes State Farm’s Other Services

DDB Chicago is taking a break from reviving old Saturday Night Live characters to remind viewers that State Farm offers financial services, life and home insurance.

Two weeks ago, DDB Chicago launched the campaign with the sentimental spot “Never” (featured after the jump), depicting a man who says he’ll never get married getting married, having kids, moving to the suburbs and buying a minivan. Now, the agency has unleashed the next ad in the campaign, the similarly-minded “At Last.” The spot continues aiming for the heart, depicting a second marriage between a man and a woman who each have children. “Sometimes at last doesn’t happen at first,” says a voiceover as the couple tie the know. “Your dad just kissed my mom,” says the daughter and hugs her new brother as the voiceover ties the scene to State Farm: “Turning two worlds into one takes love, helping protect that world takes State Farm.” The spot debuted yesterday on ABC.

“It’s important for us to shift the way people think about us instead of just reinforcing what they already think,” Patty Morris, director-marketing and brand content at State Farm, explained to AdAge. “It’s all about the balance.”

The campaign will continue to roll out over the next 6-8 weeks, with at least two additional ads planned. According to AdAge these include a spot about a young man leaving home and a woman retiring early thanks to savvy financial planning. “They show things working out, but not how you planned,” said John Maxham, chief creative officer at DDB. “Theres a great human truth to that. And State Farm is there with you to handle these twists and turns.” (more…)

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Langland’s Dogs Will Sniff Your Crotch for STIs

How funny does “dogs playing with dildos” sound to you? Your answer will help predict how much you enjoy this latest, most elaborate campaign from UK health-focused agency Langland.

This long spot was created to promote “home STI (sexually transmitted infection) kit” producer Randox, which is pretty much all you need to know:

That took a while, but we get it.

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Gwen Stefani Stars in McCann XBC’s ‘Priceless Surprises’ for MasterCard

McCann XBC teamed up with Gwen Stefani in a new 30-second broadcast spot for MasterCard directed by Wondros’ Sophie Muller.

The spot focuses on MasterCard’s integration with Apple Pay and the “priceless surprises” the company is giving away to customers using the new feature. Stefani works a rocket launcher, sending these surprises — including a hand bag, concert tickets (to see Stefani, naturally) and a “golf experience” represented by a golf kart — flying through the air toward unsuspecting MasterCard users. At the end of the spot, an unsuspecting fan rocking Stefani’s old haircut wins a chance to meet the woman herself.

It’s pretty basic stuff, with McCann XBC and MasterCard counting on Stefani’s star power to win over viewers and the potential prizes to get them excited for MasterCard’s Apple Pay integration. The choice of Stefani isn’t simply a nostalgic one for the brand, as the singer’s recent single “Spark The Fire” is used as the spot’s soundtrack and she has both a solo album and an album with No Doubt in the works.

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Apple Launches ‘Change’ for iPad Air 2

Apple has launched a new campaign promoting the iPad Air 2, entitled “Change.”

In the 60-second broadcast spot, billed (in DesignTAXI, at least) as a follow-up to the brand’s “Your Verse” campaign (and thus, presumably, like that campaign, created in-house), Apple shows all the different ways various types of people use the iPad Air 2. That strategy is very much a continuation of previous efforts, and while there’s not really anything new here, the spot is well-produced and stylish (no surprises there). Some of the more clever/unusual ways the tablet is used include a motorcyclist inserting it into his center console, a carpenter who blows stray wood chips off the tablet while utilizing it in his studio, a woman making a stop-motion animation video. One interesting stylistic choice in the spot is that it starts full-screen and becomes thinner and thinner to show off the iPad Air 2?s thinness, eventually culled down to representative width and rotating across the screen over a white background. The spot ends with the footage turning into the iPad Air 2 itself, followed by the tagline, “Change is in the Air” a clever attempt to talk up the tablet’s capabilities.

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BBH London Champions Sharing for KFC

BBH London tells the story of “The Boy Who Learnt To Share” for KFC in a 60-second holiday spot for the brand.

The ad shows the selfish nature of a young boy who refuses to share. He hogs up all the snow when making snowmen with his sister, won’t share an umbrella with his mother, writes his name on all the Christmas presents and, when cast as one of the wise men in a Christmas pageant, he won’t even give a gift to the baby Jesus. When the family gets KFC he initially holds his arms around an entire bucket, declaring it for himself. But when he sees the rest of the family happily sharing the rest of the meal, he finally decides to share, offering his sister a drumstick.

The whole “learning to share” angle is not a bad approach for a heartwarming holiday spot, and the spot is mostly put together well, but there’s one problem I can’t seem to get over with this one. At no point in the ad do we see the parents actually try to teach their son to share, something he should presumably have learned at least a little about from them. Instead, the parents seem to just ignore his bad behavior as if there’s nothing they can do and let him continue to act like a little snot. Wouldn’t the boy finally learning to share mean more if they had made attempts to teach him before? Understandably the spot is attempting to show KFC as the catalyst for the revelation, but this comes across as a bit random and forced since viewers aren’t really presented a window into his motivations or given the impression that the parents have done anything to try to change the son’s behavior.

“The Boy Who Learnt To Share” is supported by a social campaign in which KFC is calling on fans to tweet using the hashtag #KFCSharesies for the chance to participate in a campaign challenge and win a prize. (more…)

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M&C Saatchi Examines ‘Christmas at Home’ for The Silver Line

M&C Saatchi created a holiday spot called “Christmas at Home” for The Silver Line, “The only free 24 hour confidential for older people that offers friendship and support.”

The ad tells the story of an older man who wakes up on Christmas day and appears to be preparing for his family to arrive. He gets dressed and tidies up, the ad cuts to a family on the phone with relatives saying “We’ll be there soon, put the kettle on” as the man brews some tea. Then the family knocks on a door and the ad reveals that it the man’s next door neighbor receiving the visit, as he looks out the window dejected. It’s a clever way to put viewers in the man’s shoes and give an idea of the devastation he feels rather than just telling them about the cause. The ad ends with the message, “More than a million older people in the UK suffer the pain of loneliness, not just at Christmas but all year round.” While this is true, the message is likely to resonate with people all the more during the holidays.

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EVB, Victors & Spoils Give ‘The Gift of Giving’ for JCPenney

EVB and Victors & Spoils give “The Gift of Giving” in a holiday campaign for JCPenney which asks shoppers to give a gift to a complete stranger.

Filmed last month in JCPenney stores in Illinois and Indiana the video follows as customers are told to find someone in the store to give a gift to. That person then travels with them around the store and together they pick out a gift, with JC Penney picking up the tab. The gifts range from jeans and a jacket to a sofa and even an engagement ring as participants engage in tearful signs of appreciation and hugs. It’s designed to be a heartwarming affirmation that giving is better than receiving; in other words, the polar opposite of Harvey Nichols’ cynical “Could I Be Any Clearer?” spot from adam&eveDDB.

“The idea of having to give something to a complete stranger can be very scary,” JCPenney CMO Debra Berman told Adweek. “And it’s that vulnerability that made this experiment so real and interesting. It brought out emotions in both the giver and the receiver.”

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Sainsbury’s Does Complete 180 with New Holiday Spot from Gravity Road

Last month, Sainsbury’s unveiled a high-budget holiday ad created by agency AMV BBDO commemorating the famous “Christmas Truce” of World War I. Unfortunately for the brand, it didn’t find the reception it was looking for, with many in the British public finding the ad distasteful or even hypocritical (Sainsbury’s is planning to knock down a Bristol rugby stadium built in honor of World War I veterans to make way for one of its stores).

So now the brand has completely reversed course with an online holiday ad from Gravity Road entitled “Dads Pull Out Surprise Dubstep Dance for Christmas.” Whereas the “Christmas Truce” spot was clearly labored over with a large production budget, this effort was shot with a handheld camera in an attempt to seem like a homemade video. And while the previous ad was serious and somber, this effort couldn’t be more goofy and lighthearted. As the title implies, the spot sees some dads pull out a surprise dance routine. That the dads do so while wearing jumpers (sweaters as they’re known here in the states) seems an attempt to cash in on this year’s craze for the “ugly sweater.” Their dance is performed to a re-mixed version of Tchaikovsky’s “Dance of the Sugar Plum Fairy” from The Nutcracker.

“The piece was always designed as a piece of content that would live on Facebook primarily,” Pete Conolly, creative director at Gravity Road, told Digiday.

Since being uploaded around a week ago, the video has racked up over a million views on Facebook and YouTube, with at least one fan calling for it to be shown on television. The ad is unlikely to generate the same kind of backlash as Sainsbury’s previous effort, as its hard to get too offended over Christmas sweaters.

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Publicis Wishes You ‘Merry Beeping Christmas from Oral-B’

Publicis London turns to beeped out cursing in its irreverent holiday ad for Oral-B, entitled, “Merry Beeping Christmas from Oral-B.”

The spot opens on a woman stepping on an angel ornament while tip-toeing around the house barefoot carrying presents. She lets out a few bleeped out choice words, and quickly we’re on our way to the next profanity-inducing situation. These scenarios run the gamut from ugly sweaters to cooking accidents and trouble with the lights but each result in an expected torrent of profanity. The ad ends with the tagline “At least you don’t have to worry about your smile,” accompanied by the Oral-B logo. It may be a bit of a stretch, but tying oral care to the holidays isn’t the easiest proposition in the world and the spot is fun and clever enough to fit in with other cheeky holiday ads we’ve seen this year from brands in the UK. (more…)

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Deutsch LA Gets Aggressive for Verizon

Deutsch LA announces Verizon’s latest price offering in the new 30-second broadcast spot, “Cut Your Plan in Half.”

In the spot, Sprint promises customers who bring in an old Verizon or AT&T bill and turn in their phone that Sprint will cut their rate in half. It’s an ambitious (and/or desperate) offering from the struggling company, and Deutsch LA keeps the message simple and focused, while also following through on President/CEO Maurcelo Claure‘s promise that the company would be “more aggressive” in its advertising by directly calling out its competitors. Customers talk about their troublesome bills with AT&T and Verizon before announcing they’re switching to Sprint and (literally) cutting their old bills in half. The spot debuted this past Friday on national networks and cable during primetime, and will be supported by a Spanish-language spot and print ads.

Despite the launch of this spot by Deutsch LA, the agency’s preceding ad for the brand, and heavy rumors that Deutsch has already won the account, Sprint maintains that the creative review is still in progress, according to AdAge. Sprint spokesman Dave Mellin told that publication, “Deutsch L.A. did the creative work on this campaign.They are doing some work for us on a project basis.”

Sprint’s review was initially announced back in September, with the field narrowing to five agencies a month later. According to some sources, it then came down to a race between Deutsch LA and Arnold. Despite claims that Deutsch has been awarded the account, including a linked internal memo from Arnold  (which we reported on last month), Sprint continues to avoid making an official decision.

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CHI&Partners Celebrates Holiday “#ColourInvasion” for Carphone Warehouse

CHI&Partners launched a new holiday campaign for Carphone Warehouse enititled “#ColourInvasion” promoting the large number of color exclusives available in its stores for the holiday season.

The spot is set in a dark, gloomy seaside town that (as you may have guessed from the title) receives a sudden invasion of color. That color arrives courtesy of a group of bikers, all decked out in colorful clothing to create a kind of motorcycle chain rainbow. Keeping things on the minimalist side, the spot lets the color speak for itself, without any intrusion from voiceover. The campaign is running online on Carphone Warehouse’s YouTubeFacebook and Twitter channels, as well as the brand’s online content hub, The Lowdown. Yesterday the rband also launched a competioon across its social channels, affording customers the opportunity to win an “exclusively colored handset every day for two weeks” and the chance to win a grand prize of a Harley Davidson 883 Matte Black Roadster.

“The work is an epic, vibrant, dollop of colour hitting Britain’s shores with impact,” said Rob Webster and Alexei Berwitz, creative directors at CHI&Partners, in a press release. “Here, the team have created a campaign which is as joyously simple as the brief that inspired it.” (more…)

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