FCB SF Teases ‘Battlefield Hardline’

FCB San Francisco teamed up with Imaginary Forces and directors Miguel Lee and Charles Khoury for the above teaser for EA’s Battlefield Hardline, which is slated for an October 21st release.

The team takes a minimalist approach to the teaser, eschewing voiceover in favor of close ups of the game’s weaponry while also teasing a clash between law enforcement and criminals. True to the teaser format, the spot reveals little, leaving viewers wanting more. To pull off the trailer, Khoury and Lee directed separate shoots on the same stage. While Lee’s crew “was responsible for filming all of the actors, vehicles, weapons, gear and paraphernalia in a sleek, action-packed fashion,” Khoury and his team “shot at high speeds to capture all of the slow-motion explosions and actual weapon fire including a submachine gun, pump shotgun and assault rifle.” While the teaser reveals little about the Battlefield Hardline‘s plot or gameplay, weapon-loving fans of first-person shooters should eat this right up. Credits after the jump. (more…)

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Commonwealth/McCann Highlight Chevy’s Tech Cred

You’re almost certainly aware that General Motors is currently suffering through a scandal created by its lack of tech savvy. Yet, even as the terrible PR is somehow increasing sales numbers for the automaker, a new spot created by Commonwealth/McCann indicates that Chevrolet wants customers to know that it’s moving on. In fact, we might say that the brand has begun “a new journey.”

This spot is ostensibly all about the 4G Wi-Fi available in new models, but in a larger sense it’s about how Chevrolet is moving forward on all cylinders and bringing its customers along for the ride.

The July 4th debut was no accident, either: as Chevy’s VP of Marketing puts it, “What better time than the Fourth of July to celebrate the new independence that Chevrolet provides”…via working Wi-Fi.

In order to reinforce this point, the team at Commonwealth/McCann Detroit adroitly make the sort of “that was then, this is now” juxtapositions that one sees in many campaigns for products with tech components.

Credits after the jump.

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CHI & Partners Sets ‘Amazing in Motion’ for Lexus

CHI & Partners latest for Lexus’ “Amazing in Motion” campaign is a visually stunning look at performers in LED suits exploring the Kuala Lumpur skyline.

The LED suits were created by costume designer Vin Burnham and technical director Adam Wright, with inspiration from Lexus’ “iconic spindle grille and LED headlights.” Director Adam Berg and his team then utilized a “purpose built computer system and complex DMX software” (which, we imagine, stops, drops, and opens up shop), “created to wirelessly trigger the suits to strobe on demand” and captured a group of stunt men and acrobatic performers as they made the Kuala Lumpur skyline their playground. It’s a simple concept, but it makes for a visually intriguing 60 seconds, even if viewers are left wondering what they’re watching an ad for until right before the “Amazing in Motion” tagline. Since it’s so hard to take your eyes off of, that might not even be a problem. Stick around for credits after the jump. (more…)

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BBDO NY Celebrates Fourth of July for Guinness

BBDO New York solemnly pays tribute to servicemen in their Fourth of July spot for Guinness, entitled “Empty Chair.”

The spot, the latest U.S. installment of the brand’s “Made of More” campaign, was created in collaboration with Biscuit Filmworks and director Noam Murro. Its patriotism-stoking approach is nothing new to beer advertising, as Anomaly’s “A Hero’s Welcome” Super Bowl spot for Budweiser this year (to cite just one example) also celebrated American veterans in a somewhat cheesy fashion. How you view the ad will depend largely on your opinion of such an approach (as either a welcome homage or emotional manipulation) but the 90-second “Empty Chair” is certainly well-crafted. It opens on a bartender pouring a Guinness and leaving it at an empty table, an act she repeats many times over the course of the ad, at one point even stopping someone from taking a chair from the table. A delayed reveal at the spot’s conclusion puts everything into perspective, followed by Guinness’ “Made of More” tagline, which syncs well with the ad’s message.

It’s worth noting that between this solemn spot from Guinness and the opposite approach taken by Newcastle, the most memorable ads of the Independence Day season came from non-American brewers. Stick around for credits after the jump. (more…)

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German Agency Thjnk Dares to Pitch Bono at Cannes…and Wins

Never underestimate the power of chutzpah.

Oddly enough, it took a German ad man to prove that point. One of the last stories from Cannes-Lions making its way into the headlines concerns the bold actions of Michael Trautmann, CEO of German-based Thjnk.

ICYMI, Bono was discussing AIDS awareness and his foundation (RED) when he brought Jony Ive, Apple Design SVP, on stage and gave the backhanded compliment heard ’round the hipster nation. Following the applause and passing of the Kool-Aid at Genius Bars, Trautmann did the unthjnkable.

And it worked.

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BSSP Combines Greyhound, Heavy Metal

With summer movie season approaching, BSSP created a cinematic preview spot for Greyhound featuring the fictional heavy metal band MüttonGüt.

The 60-second spot sees the tour manager for MüttonGüt (who bear more than a passing resemblance to Spinal Tap) booking the band for Greyhound’s dollar fares rather than their usual tour bus. Initially reluctant, the band soon appreciates Greyhound’s amenities while also enjoying interacting with other passengers. The drummer, for example, teaches his seatmate how to apply eye liner to get “that smoldering effect.” While not the most original approach, its lighthearted tone fits the brand and the summer blockbuster placement.

“When we can communicate a product benefit in a relevant and rewarding way for the consumer, we’ve succeeded,” said Creative Director Steve Mapp. “Who better to experience the expanded service and onboard amenities of Greyhound than a hard-working, continually touring metal band, like MüttonGüt? Besides, they’re really big in Japan.”

The spot will run nationally in cinemas starting tomorrow, and continue through the summer blockbuster season, and a “cinema poster touting the service and band will also run in over 90 theaters in top Greyhound markets starting in October.” A 30-second version of the spot will air online on channels including ESPN, YouTube, Xbox, Vevo and Hulu.

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A Vulgar Elizabeth Hurley Stars in Droga5?s ‘If We Won’ for Newcastle

Elizabeth Hurley gets vulgar in the latest addition to Droga5?s “If We Won” campaign for Newcastle, which imagines how much better America would be if Great Britain had won the Revolutionary War.

The campaign kicked off last week, with a humorous spot featuring Stephen Merchant. Hurley’s spot borrows a bit from that one, as it devotes quite a bit of time to how many great curse words we’d have at our disposal had we remained British, something Merchant touched on in the original “If We Won.” Still, we suppose the subject doesn’t hurt from further exploration, and the video has over 300,000 views since being uploaded earlier today as people seem to be amused by seeing Hurley stringing together British expletives. Hurley’s 39-second video is just part of the wealth of material put out by Droga5 for the campaign, which also includes Zachary Quinto in a pair of spots and a second appearance from Merchant, who explains how his British accent helps him appear intelligent and get laid. If you’re wondering what American actor Zachary Quinto is doing in this campaign, you’ll just have to watch the video, along with the second Merchant spot, after the jump. (more…)

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Bud Light Could Turn Your Town into ‘Whatever, USA’

We last encountered the #UpForWhatever tag in Bud Light’s spoof of the viral Mullen “World’s Toughest Job” ad (SPOILER: it was being a mom). That work came from Boston shop Relevant 24, but the newest sort-of-related spot comes to our inbox via BBDO’s Chicago and New York offices.

Here’s “Surprise Guest”:

You may notice that the spot is something of a tease: it’s only the latest in a series…

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Erwin Penland Remixes Classic Atari Games for Denny’s

Erwin Penland has a fun new campaign remixing classic Atari games promoting Denny’s “Greatest Hits Remixed” menu.

The agency worked with Atari on remixed mobile versions of the games Asteroids, Centipede, and Breakout. All three were reimagined to feature breakfast items, and reborn as Hashteroids, Centipup and Take-Out. The games come complete with bizarre, breakfast-related storylines, such as this one for Centipup, as related by Joystiq: “Once upon a time, a young boy named Danny came across a bottle of syrup and with just a slight squeeze the bottle’s sticky contents had the power to turn anyone or anything into a fried egg.”

The campaign aims to capitalize on the nostalgia of Gen-Xers, an oft-overlooked demographic as advertisers focus more and more energy on appealing to Millenials. It also marks the first partnership for Atari since filing for bankruptcy early last year. “We are excited to be partnering with Denny’s on this partnership,” said Atari CEO Fred Chesnais in Marketing Land. “Transforming our classic and beloved games into a retro, remixed promotion will be a natural way to expose our brand to a new generation and resonate with our long-time fans in a fun and unique way.”

You can check out a trailer for the games, which are available for iOS and Android devices, above.

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Burger King, DAVID Have Pride in Their New Gay Whopper

How gay does this Whopper look to you?

See, that was a trick question: packaging aside, it looks and tastes exactly like every other Whopper.

On that point, here’s the spot promoting it from DAVID, which premiered today:

This ties quite nicely into the brand’s new (contentious) “Be Your Way” tagline…

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Great Guns Filmtracks Santigold for Pepsi

Production company Great Guns mixes molotov cocktails and soccer in their filmtrack for Santigold’s “Kicking Down Doors,” part of Pepsi’s Beats of the Beautiful Game visual album.

For Santigold’s filmtrack, director Andy Morahan was inspired by “The Christmas Truce,” a soccer-fueled temporary peace that took place between English and German forces on Christmas Day, 1915. “The English and German soldiers put down their guns and played some football in No Man’s Land,” explains Morahan. “I was thinking of a way to try and tell that story in a modern light. Obviously I didn’t have the budget for a war scene, but a riot was more reasonable as a severe stand-off between people. It’s showing football, and sport by extension, as this beacon for humanity.”

In the film, a riot breaks out, with molotov cocktail wielding forces squaring off against riot police. A group of boys falls asleep at the edge of the scene. When one of their balls makes its way into the heart of action, both sides throw down their arms and beginning playing an impromptu pickup game. It’s not a bad idea for a World Cup spot, but seems a bit stretched out as an over four minute music video — although you may feel differently if you actually enjoy the song.

Morahan filmed the scene in Kiev, which has seen its share of rioting in recent history, although he insists the location was chosen purely out of convenience. “I was in Prague and wanted to shoot it there but the budget wouldn’t fit, so we were only an hour flight from Kiev and I’d worked there before so knew some people there who could help me out,” he explains. “Really, it was just close by and it fit the budget.” Stick around for credits after the jump. (more…)

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Saatchi & Saatchi NY Introduces Grumpy Cat to Buzz

Saatchi & Saatchi New York introduces Internet phenomenon Grumpy Cat to Honey Nut Cheerios in a new 30-second broadcast spot for the brand designed to appeal to younger audiences.

For the spot, entitled simply “Buzz Meets Grumpy Cat,” Saatchi & Saatchi teamed up with California-based production company Backyard and director Rob Pritts. If you count yourself among Grumpy Cat’s legions of fans, you’ll probably just be happy to see him make an appearance here. Otherwise, there’s not a lot going on beyond “Oh, you’re that Grumpy Cat,” as Buzz tries to make the feline crack a smile. His strategy consists entirely of talking about how much people like Honey Nut Cheerios.

Established brand + established meme = eyeballs.

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Grey London Touts Healthy Snacking for Go Ahead

Grey London get rather fantastical in their new 30-second spot for Go Ahead, featuring wrestlers, a brass band, lots of drummer, and men with jet packs, all set to a Backstreet Boys song.

In the spot, entitled “The Most Important Snack of the Day” a woman sits at her drab office desk and takes a bite out of her Go Ahead snack bar. Immediately she is transported to a bright, fantastical world where she is hoisted up above the crazy scene below. It’s old-fashioned glitz and cheese, without a hashtag or social initiative in in sight, which is kind of refreshing. Surprisingly enough, the elaborate production for the spot was purportedly shot in only one take. Stick around for credits after the jump. (more…)

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Hawthorne Direct Reintroduces :DentalPlans

Full-service brand response agency Hawthorne Direct has launched a new campaign rebranding entalPlans, “the largest dental savings plan marketplace.”

The result of “an intensive creative and customer insight research process performed by entalPlans over the past year,” the campaign includes a television spot and branded videos, as well as a new logo, tagline, and iconography. Their approach is perhaps a little too shaped by the insight research, as the video stretches well beyond the two minute mark in an attempt to squeeze in information. That the video is a bit on the dry side to begin with makes the extended duration a bit of an ordeal to sit through, although you may be glad you came across it if you are in fact in the market for a dental plan.

“The challenge of helping a company communicate their offerings while driving response is one that our team at Hawthorne excels at,” said John Pucci, chief creative officer at Hawthorne Direct. “This endeavor was made much more rewarding by the willingness of the entalPlans team to work closely with us as an active, engaged partner. Our goal here was to develop a contemporary TV campaign that would bring new life to the entalPlans brand. The commercials were created to be simple and uplifting. The look, feel and tone of the new brand are translated across all of the commercials and videos that Hawthorne created.” Stick around for credits after the jump. (more…)

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Sorcher Films Gets Emotional for SpeakingPhoto

To promote the new social sharing app SpeakingPhoto (available on Android and iOS), which sets “itself apart from youth-based social sharing apps by offering a way for consumers and businesses to document, keep and share important stories with their communities and customers,” Sorcher Films was tasked with telling stories with a real emotional payoff. Sorcher Films and writer/director Peter Sorcher responded with a series of branded content videos.

Sorcher worked directly with SpeakingPhoto to create an “interwoven, multi-character narrative to drive home an emotional connection to SpeakingPhoto.” He took a feature-film approach, creating back stories for all the characters, despite knowing that most of the footage would be cut from the final edit. This, coupled with quality editing (also from Sorcher), makes for the impression that the characters are more fleshed out than what we see onscreen, allowing for emotional moments that speak to the SpeakingPhoto’s uses.

“People see spots for apps with people engaged with screens and just tune out, so I wanted to create something that really makes the viewer take an active role to figure out who these characters are and what they are doing with SpeakingPhoto,” Sorcher said. Stick around after the jump for credits and another SpeakingPhoto spot. (more…)

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McCann NY Takes Unique Approach to Gun Safety PSA

You might not associate a sex toy battle with gun safety, but McCann New York ties the two together in a new 30-second video entitled “Playthings” that (finally) takes a different approach to the familiar gun safety PSA, created for gun responsibility organization Evolve.

In the spot, a woman goes to pick up her son at a friend’s house and finds him locked in heated sex toy battle with his friend. The friend’s mother, of course, looks horrified, and just when you thought things couldn’t get any more awkward one of the kids turns on the vibration feature. Around this time the voiceover intones the message, “If they find it, they’ll play with it. So always lock up your guns.”

The humorous approach is a welcome departure from the typical gun safety PSAs — which we see a lot of. “Playthings” is a lot more memorable than those efforts, and a lot harder to ignore, which makes it more likely to effectively communicate its message and even reach people who might just tune out the more serious, stern warnings of other gun safety PSAs. Of course, some of those people will just find the suggestive humor packed on “liberal propaganda” that much more offensive. But then McCann and Evolve didn’t really have any hope of reaching them anyway. While this isn’t the first time Evolve has employed humor in its PSAs — Saatchi & Saatchi New York’s February effort “The Bill of Rights for Dumbasses” took a similarly lighthearted approach — it is definitely the most effective. “Playthings” has already generated a fair share of buzz, approaching one million views since being released Wednesday and eliciting mentions in myriad media outlets.

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Disaronno Launches New Campaign in U.S.

Disaronno is launching a new campaign in the U.S. which will go global in November 2014.

The new campaign maintains the “Be Originale” tagline from previous years, but with a shifted focus “from cocktail creation (i.e. their famed “Disaronno on the rocks” advertisement) to celebrating originality in all aspects of life.” In a new 15-second spot, young Disaronno drinkers “shake originale,” “groove originale,” and “flirt originale,” demonstrating the new campaign’s approach of celebrating the brand as a lifestyle, at the risk of coming across a bit over-the-top. The spot was directed by Laurence Dunmore, who also shot the photography for the campaign’s print elements.

“From the unmistakable aroma to the warm, sophisticated taste and the unique hammered glass bottle design made by master glass craftsmen from Murano, Disaronno defines what it means to ‘Be Originale’,” said Augusto Reina, CEO of Disaronno. “With this new exciting campaign, however, we wanted to bring the spirit of Disaronno’s individuality to life and challenge consumers to constantly shake things up.”

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W+K NY Rolls Out Pair of Social Campaigns for Heineken

Wieden+Kennedy New York has rolled out two timely social campaigns for Heineken: “#BrazilianNoShow” and “Like for Love.”

“#BrazilianNoShow,” as you might have guessed, is a World Cup-related campaign. W+K New York and Heineken are “challenging CMOs, bosses, and people across America to give their employees time off to watch a game, with their new challenge #BrazilianNoShow!” The idea followed Team USA’s unexpected win against Ghana in their opening game, but is as relevant as ever following the team’s advancement past the group stage. Since game times coincide with the work day here in the U.S., Heineken CMO Nuno Teles appears (video above) to implore American workers and bosses to play hooky and support their team — after all, this opportunity only comes along once every four years.

“Like for Love” sees Heineken supporting Gay Pride Month by “encouraging consumers to ‘spread love’ through the ubiquitous double tap on Instagram, using six photos of real couples to create an interactive virtual Pride flag right in users’ feeds.” The real couple photos all have a single color background, but create an interactive, virtual Pride flag users’ feeds after they are liked. Stick around for credits after the jump. (more…)

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Modus Operandi Launches New Campaign, Website for Belvedere

Digital agency Modus Operandi has completed their first initiative for client Belvedere vodka, including both a new campaign and completely redesigned website.

The new website hosts the campaign brand videos, conceived by Modus Operandi and directed by Christopher Ferguson via sister company ModOp Films. Belvedere’s new site and brand videos implore viewers to “#knowthedifference” between terms like “dirty,” “wet,”and “dry,” as in the above “Luxury Vodka State of Mind,” which is set at an upscale pool party. Another video features Belvedere’s Claire Smith, “the First Lady of Vodka” celebrating the vodka martini, which we’ve featured after the jump.

“?The goal of the website redesign was to modernize Belvedere’?s digital presence as more of a luxury lifestyle brand,”? says Modus Operandi Creative Director Jay Gundzik. ?”We use creative social campaigns to activate and drive their consumers to the global Belvedere site. Once there, they can get a feel for the brand through a series of creative branded videos and short documentary-style films. Consumers can also find new cocktail recipes and take a deeper dive into Belvedere?s culture and character.?”

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Leo Burnett, Always Redefine ‘Like a Girl’

In case you missed it, “The Queen of Versailles” was one of the better documentaries released in recent years. Today its director Lauren Greenfield teamed up with Leo Burnett Chicago, Toronto and London (along with help from fellow Publicis shops Starcom MediaVest and MSL Group on PR) to launch a campaign addressing an age-old question: what does the phrase “like a girl” really mean? And why do we still use it?

The agencies involved frame the campaign as a “new social experiment” beginning with a survey that reported some unsurprising findings:

  • A majority of girls see a drop in confidence around puberty
  • Most think of “like a girl” as a general insult, particularly at that age

There’s a social media/UGC component to the campaign, too: the brand will use its various platforms to encourage young female followers to “join the movement and share what they proudly do #LikeAGirl” via pics and videos.

Unlike “Ban Bossy” and various anti-bullying efforts, this one doesn’t purport to have a specific goal; we take it as evidence that businesses and their agencies are learning. The message is nothing if not on-brand, and this documentary-style spot is more intimate and convincing for not involving Beyonce.

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