Cavalry Crafts ‘Anthem’ for Coors Light

Cavalry has a new campaign for Coors centered around a 30-second anthem ad.

The spot opens up with man with goggles on staring at a bottle of Coors, presumably at a bottling plant, accompanied by the message “Coors Light is always cold filtered.” Then the scene shifts to a group of friends out at a bar and the message continues, “Because Friday” and the scene shifts again to a house party as we see “Leads to Saturday” on the screen. The spot goes on to suggest that “…every day deserves cold bottled” Coors Light. It’s all pretty straightforward and not a bad approach for a beer whose biggest selling point is how cold it is. Still, we can’t help but wish that they’d air this one as well. (more…)

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Ogilvy Shows Moms Their Beauty ‘Legacy’ for Dove

Ogilvy Paris has a new online spot for Dove examining how mothers’ insecurities about their bodies carries on to their daughters.

For the spot, Ogilvy Paris asked mothers to fill out a survey asking what they did and didn’t like about their own bodies. Then, they had their daughters fill out the same survey, which, unsurprisingly, contained many of the same answers. When the mothers were then presented with their daughters’ surveys, they realized how they were passing down their feelings about their bodies, both positive and negative, to their daughters and resolved to be more confident and happy with themselves.

“Whether a mother, aunt, coach, teacher or sister, all women can set a positive example for the next generation by expressing their own beauty with confidence,” Jennifer Bremner, director of marketing at Dove, told Adweek“Dove has long been dedicated to fostering positive self-esteem in women and girls, and we invite all women to join us in making a difference to the next generation by ensuring their own beauty legacy is a positive one.”

Ogilvy has made Dove synonymous with empowerment through its advertising celebrating different ideas of feminine beauty, winning accolades for the viral “Real Beauty Sketches.” While the more recent “Patches” was criticized by some as condescending and inauthentic, even receiving its own parody, “Legacy” marks a nice return to form, with its positive message reminiscent of the success of “Real Beauty Sketches.” The spot, which was uploaded today, will have an uphill battle to reach the same level of viral success as that ad, but its shareability all but ensures it will reach millions of views before long.

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BBDO NY Teams Up with Tim & Eric, Jeff Goldblum for GE Lighting

BBDO New York has received a fair deal of attention for its recent work for GE, including an Emmy nomination for wistfully surreal “Childlike Imagination.” More recent spots like “Ideas are Scary” and “The Boy Who Beeps” followed in a similar tone, celebrating ideas and innovation in imaginative ways. So the agency’s fake infomercial for GE Lighting, directed by Tim Heidecker and Eric Wareheim (better known as Tim & Eric) and starring Jeff Goldblum, comes right out of left field.

The over two minute-long mock infomercial (mockfomercial?), entitled “Enhance Your Lighting” sees Goldblum playing “Terry Quatro, Famous Person” as he hocks the GE Link light bulb, which offers “successful guy lighting at normal guy prices.” It’s also so easy to install, you can do it while painting a portrait of yourself. It should come as no surprise that the spot is all over the place with random humor, but Goldlum plays the part perfectly and when it’s on it can be pretty funny. And while it may seem like an odd approach for the brand, especially coming off BBDO’s recent spots, it should garner some attention for the new product as the YouTube views (currently at around 115,000) inevitably pile up. (more…)

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Team Detroit Introduces Ford Transit

Team Detroit teamed up with production company King And Country for a new 30-second broadcast spot for Ford Transit employing a mix of 3D animation, design and live-action.

The spot introduces the new line of Ford Transit vehicles with an approach borrowed from Team Detroit’s “Rant” campaign for the Ford F150, ending with the “Built Ford Tough” tagline. “9 to 5?ers” tweaks the familiar formula to illustrate how a range of professionals who rely on their vehicles can utilize the Transit models. It was shot over the course of two days on a soundstage in Los Angeles, making use of both green screen and practical sets, including a room that was actually flooded with 3,000 gallons of water. The interiors and exteriors of the vans, meanwhile, were captured in-camera and later augmented with CG. (more…)

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Etcetera/DDB Launches ‘The People Network’ for TNT

Amsterdam-based international agency Etcetera/DDB has a new integrated campaign for TNT, introducing the new tagline, “The People Network.”

For a 50-second broadcast spot, Etcetera/DDB created a delivery truck made out of people. As traffic builds up heading into a tunnel, the people break away and run with packages through the tunnel, reassembling once the traffic dies down, as a boy looks on amazed. The campaign took 100 days for Etcetera/DDB to create, from ideation to execution, working closely with TNT. It rolls out in eight key markets this week, with the broadcast effort supported by digital, OOH, direct, promotion, print and radio components, eventually rolling out in 30 different European countries.

Dick van der Lecq, MD of Etcetera said, “Previously customers bought products or brands. Nowadays customers consciously buy a company. The DNA and the people behind the brand. Talking to dozens of TNT employees showed us the only way to express their attitude towards clients: the human transport company. A ‘human truck’ captures that belief in the TV-commercial in one sight.”

Stick around after a jump for a look at the making of the human truck in the spot. (more…)

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Erwin Penland Introduces Alaska to Verizon

Erwin Penland teamed up with production company Harpoon Picures for a visually striking tribute to Alaska, celebrating the network’s arrival in the 49th state.

The well-shot 30-second spot highlights some of the state’s natural beauty before concluding with the Verizon team showing up and saying, “We’re here Alaska.” The ad celebrates the fact that Verizon’s expansion into the territory has made the company Alaska’s largest and fastest 4G LTE network. Harpoon was able to assemble a team and put the spot together over the course of just several days.

“A project like this reminds us that it takes more than a great director to produce a great spot,” said Chris Miller, Harpoon’s director of new business development.”Harpoon put all our best problem solving skills to the test and our amazing production team deftly pulled off every challenge presented to them in an incredibly short amount of time.” (more…)

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Ogilvy, David Team Up for Spotify

Ogilvy & Mather New York teamed up with Miami sister shop David in a new campaign for Spotify entitled “#thatsongwhen.”

The campaign is built around the emotional impact of music and how songs become linked to certain life events and then trigger certain memories every time you heard them. In “Waterfalls,” for example, a man talks about TLC’s 90s hit and how he will always associate it with an unrequited crush from middle school whom he taped the song for. It’s a cute story, and one which many viewers will be able to relate to on some level, even if (like a lot of Spotify users) they have never actually used a cassette player.

Other spots in the campaign include a man walking out on a job he was just fired from to Whitesnake and a soundtrack to some good old-fashioned teen vandalism. Vine celebrities Vincent Marcus and Kenzie Nimmo get in on the action as well, through a campaign component on that platform. It’s a fun approach which makes a lot of sense for Spotify, and the campaign also includes a social extension via a hashtag people may actually feel compelled to use, (#thatsongwhen) since it offers a way for people to tell their own stories. The campaign just rolled out in the US and will expand to the UK and Germany, featuring localized content for each market.

“The realness of this campaign is the key point,” Adam Tucker, Ogilvy New York president, told Adweek. “We wanted to tap into the truth about music and it was really important to tap into real people and their feelings and the songs that inspire them.” (more…)

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The Richards Group Goes Minimalist for Prestone

The Richards Group’s latest campaign clearly operates under the “less is more” mantra, with a series of minimalist 15-second ads.

The campaign leans heavily on the brand’s product itself, without any bells and whistles. In “Beastly” for example, the visuals are restricted to a bottle of Prestone with an effect to make it look bulked up at one point as the voiceover says, “It’s like Prestone started working out, got buff…beasty.” Another spot, “Patented,” touts the company’s patented cor-guard inhibitors, asking who else has them before answering its own question with “Nobody…because they’re patented,” while displaying the actual patent numbers.

It’s an unusually restrained approach that emphasizes the product’s superior corrosion protection in a way that implies there’s no need for further discussion. By keeping the message simple and not dressing it up with storytelling or impressive visuals, The Richards Group hopes to lend that message a sense of authenticity. (more…)

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mcgarrybowen Celebrates ‘Mr. Amazing’ for Verizon

mcgarrybowen launched a spot for Verzion, entitled “Mr. Amazing,” which celebrates the company’s XLTE service and football season.

In the spot, some rather fantastical football leads into a man screaming “Yeah” at a field day type event, accompanied by the voiceover, “Don’t just dream about being the hero, make it happen.” The man, it is revealed, is streaming a football game at his daughter’s event, much to the relief of another father present. “So be that guy,” Verizon implores at the end of the spot, “with Verizon XLTE.” It’s a bit of an odd sendoff, as the phrasing of “that guy’ the way they use it usually has a negative connotation. It’s almost as if they can’t decide whether they want to make fun of the protagonist (who screams “Yeah!” after the initial fantasy segment) or celebrate him as “Mr. Amazing” and instead the spot attempts to do both. (more…)

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Grey London Unveils ‘The Swell’ for Volvo

Grey London has launched its first global campaign for Volvo since winning creative duties last December, which takes a different approach to automobile advertising.

In the 60-second “The Swell,” the first shot is from the passenger side perspective. As the camera zooms out (while panning around the car) we see that the door is open and the car is parked at a deserted beach. “To feel, to really feel, is a rare thing these days,” intones the voiceover as we see the car’s driver (presumably) riding a surfboard and taking in the surroundings. As the camera submerges into the water, we see the tagline, “Seek feeling.”

The unusual spot breaks today on Volvo’s YouTube account and website, and will broadcast in Germany, Australia, France, Turkey and Belgium at the end of this year, and the UK in 2015.

“The last thing the world needs is another overly-retouched car, hooning down a mountain road to a soft rock soundtrack,” Hollie Newton, Grey London’s global creative director told Campaign. “There’s a defiant, slightly renegade Swedish spirit to Volvo that simply doesn’t fit with the bland world of car advertising. And thank God for that.”

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72andSunny Want You to Join the ‘Mile High Club’ with Hardee’s/Carl’s Jr.

72andSunny has a suggestive new ad for Carl’s Jr./Hardee’s to promote the chain’s new Mile High Bacon Thickburger.

The Paris Hilton-free spot, entitled “Propositioning,” begins with Israeli model and actress Bar Paly asking her boyfriend if he wants to join the “mile high club.” When he replies, “Not right now, babe,” she turns to the guy across the aisle, who happily accepts. Then proceeds to hand him a Mile High Bacon Thickburger and they both chow down, accompanied by a voiceover effectively saying “see what we did there?”

The brand has such a history of demanding overtly-sexual advertising that it would be silly to expect them to “grow up” overnight. Still, given the controversial 2012 Kate Upton spot, “Propositioning” feels relatively tame. (more…)

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mono Introduces Honeywell’s Lyric Thermostat

mono teamed up with New York-based Hornet Studios to introduce Honeywell’s new Lyric thermostat with a new animated campaign.

In a 30-second spot, mono introduces the new smart thermostat’s geo-fencing capabilities, showing how the Lyric can use the location of your phone to determine when you’re away and go into power saving mode, and then sense when you’re coming home and return your home to your preferred temperature. To accomplish this, the animated spot presents the scenario of a man whose layover “turns into a stayover” as he’s forced to book a hotel room. This provides viewers with a good example of when Lyric’s smart features might come in handy. A 15-second spot (also animated) takes a similar approach, telling the story of a family who decide to go camping.

In addition to the broadcast spots, the campaign also includes digital, social, print and OOH properties. Like the broadcast spot, these components align “with moments when Lyric’s technology will be most useful, encouraging people to rethink the possibilities of a smart, money-saving thermostat that offers people the versatility to live their lives spontaneously.” (more…)

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Baldwin& Brings Burt’s Bees to TV

Durham-based agency Baldwin&, Burt’s Bees’ agency of record, is bringing the brand to television for the first time in its 30-year history with a new campaign promoting its line of flavored lip balms.

The campaign is built around one 30-second and two 15-second ads utilizing whimsical animation to illustrate the variety of flavored lip balms from the brand. In the the 30-second spot, bees drop a tube of the brand’s original mint-flavored lip balm and a mint parachute opens. We then see grapefruit butterflies representing Burt’s pink grapefruit variety, chased by a honeycomb net on top a tube of honey-flavor. The scene unfolds to represent all of the brand’s flavored varieties, followed by the new “Uncap flavor” tagline.

“Lip balm is becoming something more like a gum product that brightens up consumers’ day,” Tad Kittredge, associate director of marketing at Burt’s Bees, explained to The New York Times. So while lip balm has traditionally been marketed to treat conditions like chapped lips,”…recently you’re starting to see a lot more of what I would call personality-driven and lifestyle-focused advertising, and we’re focused on the flavors as a way to reinforce the fun aspect of the brand,” Kittredge said.

In addition to the brand’s first television spots, which break Monday, the campaign also includes a print component, which uses similar imagery to promote the brand’s variety of flavors in full-page print ads. (more…)

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McCann Paris Launches ‘Bra Cam’ for Nestlé Fitness

McCann Paris has a provocative new take on the breast cancer awareness PSA, launching the world’s first (according to them) “Bra Cam,” to remind women to check for breast cancer.

At the beginning of the spot, a woman fastens a hidden camera to her bra before heading out for the day in a somewhat revealing (but still plenty safe for work) outfit. The ad then brings up a counter recording each time her breasts are “checked out” over the course of the day. It’s an attention grabbing way to deliver a pretty clear message: Everyone else is checking out your breasts, so check them out yourself and self-examine regularly for breast cancer. The campaign comes complete with a social initiative asking women to post a #CheckYourSelfie, checking themselves out and inviting friends to do the same in an effort to raise breast cancer awareness and get more women to self examine regularly. (more…)

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Carmichael Lynch Gets ‘Distracted’ for Subaru

Carmichael Lynch has another new spot for Subaru, following the release of a campaign promoting the Subaru Outback just last week.

This time around, Carmichael Lynch has crafted a spot for the Subaru Legacy. In the 30-second ad, a teenage boy is distracted by girl-minded daydreams when the Legacy’s obstacle-detection technology comes to the rescue. While his daydreams are squeaky clean compared to what actual teenage boys fantasize about, it’s still a relatively realistic scenario which makes a lot of sense as an approach for a family car, whose customers are likely to have to lend to their adolescent kid at some point. So while there’s not enough truth here for a full laugh, there’s more than enough to effectively make a point about the Legacy’s safety. (more…)

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Publicis Seeks to ‘Stop the Violence’ for Nokia

Publicis, Italy has a new spot for Nokia which seeks to “Stop the Violence” of cut selfies.

The clever spot shows a series of badly cut selfies, followed by the message, “Every day thousands of people are victims of cut selfies. Stop the violence.” This is followed by the tagline, “Share life uncut,” which has some unfortunate (and unintentional) implications. That it becomes kind of hard to watch the procession of badly shot selfies only serves to underscore the spot’s message. That said, the pacing and editing seem pretty spot-on. (more…)

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FCB Gets Weird, Retro for Kmart

FCB Chicago has a new spot for Kmart that’s…unusual.

Modeled after an 80?s karaoke music video (as viewed and/or created by someone on hallucinogens), the spot aims to promote the brand’s “pay in store” option for online purchases. Because this is Kmart, it’s done in the strangest fashion possible.

There’s no effective way to prepare the viewer for this experience — let’s just say you can expect synths, retro filters, lyrics explaining the payment process, iPad faces and assorted randomness with a sort of Kate Bush/1984 flavor. Coming on the heels of “Shop Like A Boss” and the ubiquitous “Ship My Pants“, we can’t call it surprising.

That said, it definitely exceeded our expectations.

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W+K Portland Launches ‘Never Finished’ for Nike, Starring Richard Sherman

W+K Portland got Richard Sherman to star in its new spot “Never Finished” for Nike, following on the heels of Sherman’s recent appearances for Neff earlier this month and Campbell’s in August.

The new spot deals with the hype train surrounding Sherman, as he is constantly bombarded with media discussions of whether or not he is “the best.” “Never Finished” does a good job at finding humor in the situation, aided by a believably exasperated Sherman. The highlight is probably the made for TV biopic, starring Damon Wayans Jr.

Sherman’s roles in ads so far have mostly seen the Seahawks star not taking himself seriously and playing with his public persona. That definitely continues with “Never Finished,” but the schtick is much less over the top than some of his past roles, and the more nuanced characterization fits Sherman well as the spot, more than anything, mocks the media hype that surrounds star players. It makes for an entertaining ad, and Sherman’s most enjoyable performance by far.

The campaign, which runs until October 9th, also includes five additional videos, with special cameos from Johnny Manziel, Victor Cruz, Ndamukong Suh and Ken Griffey Jr.
(more…)

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DDB Debuts Skittles’ First Ever Halloween Ad

It seems odd that there’s never been a Halloween ad for Skittles. While the brand may not have the same kind of association with the holiday as, say, Reese’s, it still commands a good deal of exchange value for kids swapping trick or treat hauls. And yet DDB Chicago’s new Halloween spot, extending the brand’s “Experience The Rainbow” campaign, is the brand’s first foray into Halloween advertising.

As you might expect, the ad contains the level of weirdness associated with that campaign, and the brand’s advertising in general. When a boy finds himself stuck in a giant spiderweb, attempting to reach a bag of Skittles, his friend wonders what to do. Then a giant spider shows up, promising to help if he gets stuck, and thus begins a lifelong friendship…or does it?

The spot is rolling out as a 15-second broadcast spot and an extended, 45-second online video (featured above), and will run until Halloween. (more…)

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john st. Presents ‘The Lazy Environmentalist’ for WWF

Toronto agency john st.’s latest campaign for World Wildlife Fund Canada is based around the insight that people are lazy. Or, as Stephen Jurisic, co-ECD at john st. puts it, “This idea comes from the rather depressing truth that most people will only do things that help the environment if it’s really, really easy to do…So rather than try to change that behavior, we thought let’s just embrace it and show that it takes next to no effort to help our oceans and the sea life in it.”

In a 60-second spot, the agency promotes buying seafood with the MSC (Marine Stewardship Council) label on it to help protect our oceans by supporting sustainable fishing practices. The spot likens buying MSC-certified seafood with recycling (“Because it’s next to the trash.”) and buying organic, things that are “easy and practically unavoidable.” It’s an interesting change of approach from the usual call-to-arms, making the implication that there’s really no excuse not to buy MSC seafood, since it’s so easy.The campaign also includes two shorter how-to videos and a series of overtly simply online quizzes. (more…)

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