Fubiz Awards – Photography

Fubiz est fier de vous présenter jusqu’au 10 février le site des Fubiz Awards 2012 et vous propose de voter pour vos créations préférées. Petit tour d’horizon aujourd’hui avec les nominés de la catégorie Photography des Fubiz Awards. L’ensemble est à découvrir dans la suite de l’article.



Tomasz Gudzowaty – vote

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Ruins of Detroit – vote

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Rainbow Gathering – vote

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Haru & Mina – vote

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Children Series – vote

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Body Motion – vote

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Back to the Future Series – vote

Art of Clean Up – vote

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Previously on Fubiz

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Fubiz Awards 2012

L’équipe de Fubiz est fière de vous présenter son nouveau projet digital pour ce début d’année : les Fubiz Awards 2012. Ils récompensent le meilleur de la créativité durant l’année en proposant un appel aux votes pour tous les internautes.

Avec 64 nominés à travers 8 catégories, nous vous encourageons à élire vos projets dès maintenant.



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Les Fubiz Awards présentent le meilleur de la créativité, sélectionné parmi tous les articles diffusés sur Fubiz durant l’année écoulée. Vous avez plébiscité ces nominés par vos visites et vos commentaires sur le site, maintenant, c’est à vous d’élire les lauréats des Fubiz Awards 2012.

Les Fubiz Awards comportent 8 catégories :

– Music Video
– Advertising
– Photography
– Design
– Animation
– Graphism
– Architecture
– Movie





Previously on Fubiz

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AICP Southwest Awards

Une réalisation du studio Corgan Media Lab pour la remise de prix du AICP Southwest. Un générique basé sur l’univers de la nature, afin de célébrer les publicités les plus réussies et produites durant l’année. Une vidéo à découvrir dans la suite.



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Previously on Fubiz

Vanity and Pride on Full Display at Cannes (if You’re Lucky!)

newsImg_20090108145230“We’ve created a system that rewards work that is increasingly unknown to anyone outside the business. We have become connoisseurs of esoterica. And in the process, we’re becoming more about us, and less about changing the world.

“We are becoming irrelevant award-chasers.” -Jeff Goodby, in AdAge

There was a comment on my blog, Gods of Advertising, from an anonymous person that said, “awards shows (such as Cannes) are for people who like the smell of their own farts.”

A revolting notion but is it a criticism? First off, I believe people do secretly marvel at the odor they are capable of emitting! That’s the lesser point, however. What’s interesting about the comment is whether or not the idea of celebrating one’s own work is bad or not. Religious persons consider pride and vanity sins. But are they?

Here are my definitions of the two. Pride is regarding one’s self in high esteem. Vanity is hoping that others do. By this measure, then, it seems vanity has more potential for causing trouble –both to one’s self and to others. Vanity seems closer to the uglier sins of greed, lust and envy.

Advertising awards shows, particularly Cannes, are ripe with both pride and envy. By definition, all awards shows are. Something is being touted above all others in its category. Therefore there are losers. And losing breeds envy, which begets vanity. In order for we losers to avoid the sin of vanity we must process losing with humility, which is difficult, maybe even saintly. Most of us cannot help but feel humiliated when we lose. Sad but true. In theory, and sometimes practice, better men than I say, “there are lessons in this. I will take heed and be better for it next time around.” Unfortunately, my first reaction is usually more akin to this: “What do they know? The whole thing is rigged anyway!”

Winners, however, experience pride. And depending on how one handles his or her pride this can be a good quality. Obviously, boasting is pigheaded and most winners are rightfully careful about coming across as braggarts. But I venture we all hoot and holler a little bit among our peers, behind closed doors. Yet when we display our trophies back at the agency they instill a sense of pride within the company: We are good at our craft. We have value! This cannot be a bad thing, right? Yes, as long as it doesn’t go to our heads. Even the best-awarded agencies make their fare share (the Lion’s share!) of mediocre advertising. Often it is these accounts that pay the bills, allowing the agency to pursue sexier but less financially lucrative clients.

Pause for caution, then, especially during times of recession and layoffs. Perhaps the better comment, equally telling, would be to advise certain winners that their shit does, in fact, stink. Consider the Cannes trophy –the Gold Lion. Was not the Golden Calf a pagan symbol of man’s false pride?

The theme for my blog is “We make you want what you don’t need.” The tension of trying to do the next right thing (be it for agency, client and even oneself) is hugely important. I fail as much as I succeed. And I suspect I am not alone. Especially at Cannes. Here pride and vanity are on full display, both from creations and creator.

Steffan Postaer, Chairman and CCO of Euro RSCG Worldwide Chicago. He just completed a novel about God and Advertising and posts regularly on his blog, Gods of Advertising.

We Don’t Need No Stinkin’ Awards

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It’s that time of year again – Cannes is coming. Does the lure of hardware, sunshine, and glamour call you like a siren song? Are you dying to add a trophy to your office or brag to clients that you were nominated the umpteenth time for an award? If so, perhaps you’re in the wrong business.

Don’t get me wrong – I love awards. I have a box in my basement, full of old trophies and ribbons from high school standing as a monument to a time in my life when I lived for my work (at the time, my work was drill team, but you get the idea). There is nothing I like more than being singled out for being the best. Now that I’m a lot older and, hopefully, a little wiser, I’ve finally gained some perspective and would like to bring you back to reality, even if for just a moment:

  1. Is the client happy? We must never forget that this business is always about “them” and never about “us.” What good does it do your client if the critics like your creative, but the client is not seeing much of a return on his/her investment? Clever is good. Profitable is better.
  2. Are you doing good work on all of your campaigns, or on just one spot? It’s so easy to focus on only one commercial or campaign and pull out all the stops. Are all of the clients in your portfolio receiving the same consideration? If not, then it’s time to stop playing favorites and get back to work.
  3. When pitching clients, how often do awards come up? Be honest. Do you spend more time talking about yourself than about what you can do for the client?
  4. Define good work. I’ll bet if you ask 20 different ad professionals what good work is, you’ll get 20 different answers. Yet, we let a panel of, say, 10, determine what the best work is? No thanks.
  5. Awards don’t always equal good work. I believe that for every award-winning agency, there are at least 10 non-winning ones that are doing as good, if not better, work. I had the great fortune to work for a small shop that routinely churned out great work. We never won awards for it, though. Why? We never entered. We knew that we turned out kick-ass work that got results for our clients, and that was all we needed to know.

Sara Barton is a copywriter, social media strategist, and avid blogger who is in search of her next opportunity. Contact her via twitter, LinkedIn, or her blog.


Hydrogen Advertising Bags Seattle Show Award

h_logo_blk_artHydrogen Advertising was awarded the 2009 Merit Award for its Family Services “Army of Kids” campaign. The Seattle Show (www.seattleshow.org) recognizes the best work created in the region, with more than 750 entries judged by creative experts.

Hydrogen’s work for Family Services (www.family-services.org), a Seattle-area non-profit helping King County families achieve self-sufficiency, was designed to raise money and awareness for the organization. The non-traditional campaign featured life-sized cutouts of children, strategically placed in high-traffic Seattle venues, drawing awareness to the plight of homeless families. More that $455,000 was raised through the campaign.

“Our Family Services work continues to win accolades because it is more than just visually striking and an exemplary demonstration of the power of guerrilla marketing, but it really connects with people,” said Tom Scherer, vice president and executive creative director, Hydrogen Advertising.

(Source) Press

Slumdog Millionaire Scripter Continues Award Romp

_mg_7090_adj_eOne would think that winning an Oscar for best script is enough to gain attention. However it seems that the people behind the Slumdog Millionaire are far from over as far as awards are concerned. In fact, they just got awarded another one, taking the top honors at the USC Libraries Scripter Award ceremony.

Simon Beaufoy, who accepted the award from Curtis, selection committee chair Naomi Foner, and Glenn Sonnenberg, president of the Friends of the USC Libraries, said, “There’s nothing like this in Britain to honor the writers. This event is wonderful because it takes the contributions of screenwriters seriously.”

Directed by Danny Boyle, Slumdog tells the story of a chai wallah from the Dharavi slums of Mumbai who captivates all of India with his improbable string of correct answers—all based on his life experiences—on the Indian version of Who Wants To Be a Millionaire? A fable set in India during the age of outsourcing and global call centers, Slumdog has so far garnered 4 Golden Globe Awards, 10 Oscar nominations, and 11 BAFTA nominations.

(Source) Press

Great Place to Work Videos

I just found the IAB Australia Youtube channel with the Great Place to work videos. Google and Yahoo! battle it out for the most produced video while the others go home made. I’m not sure if the winners has been announced but you can view the entries here for yourself.

Farts in the Wind

Five years ago interactive was still an exotic discipline. One that lacked respect from traditional creatives reared on print, radio and TV. Of course, that’s changing and fast, for even the most entrenched people in advertising know how to follow the money.

Brian Morrissey of Adweek, reminds us that the transition is still underway, particularly when it comes to award show recognition.

The issue, long a point of contention among the digital shops that bring traditional agencies’ concepts to life, blew into the open in Cannes when BBDO took top honors in several categories, including a gold Lion in Cyber, for HBO “Voyeur.” The crux of the issue: The HBO “Voyeur” site was created by Big Spaceship, a small Brooklyn digital shop. The lack of credit given to Big Spaceship caused jury chair Colleen DeCourcy, chief digital officer at TBWA, to mention the forgotten partner when giving the award to BBDO. Still, the snub riled Big Spaceship CEO Michael Lebowitz, who served on the Cannes Cyber jury. He maintains that BBDO did not deserve all the credit for something it didn’t create.

“The era of everything being based on the great idea is over,” he says. “Other things have risen to a common level of importance.” Without interactive experts to bring ideas to life, he adds, the big ideas are like “a fart in the wind.”

Big Spaceship Wants To Beam Up More Credit

To be perfectly honest, I don’t know much about the HBO “Voyeur” thing that won a lot of Lions last week. Seems that it involved a lot of production in all kinds of media. But apparently, an agency that worked with BBDO to produce the idea thinks it deserves more credit. From Ad Age:

In an interview, Michael Lebowitz, co-founder and CEO of Big Spaceship, one of the shops instrumental in executing “Voyeur,” criticized both BBDO and the awards system for not giving due credit to his firm for its role in a campaign that crossed from outdoor to digital to film. The campaign picked UP a number of awards at festivals this year, and in Cannes it earned two Grand Prix trophies in the outdoor and promotion categories, five Golds, a Silver and a Bronze in media, cyber, design promotion and film, with the bulk of the credit attributed to BBDO, New York.

In an e-mailed statement, [BBDO CCO David] Mr. Lubars said his agency, as “the source of the idea,” deserves the credit it received.

“Ideas are timeless,” the statement read. “Ideas are what inspire people. Ideas are the root of all execution. On ‘Voyeur,’ BBDO thought of the idea, shot the idea, then brought in Big Spaceship to do what they do. They did a great job (and we’ve made every effort to acknowledge them). What’s the issue? Maybe Cannes should consider the idea of a Palme d’Or for digital production.”

Many shops, particularly interactive ones, partner up with big agencies to execute ideas. So is there a proper way for everyone to get credit? Because it’s all about recognition, it seems.

I’d Like My Reward Now

American Copywriter left a telling comment on Gods of Advertising.

Let’s take a look:

There are light and dark sides to everything. It’s good celebrate exceptional creative. But there’s no perfect way to do it. And without results attached, well, it’s really about what’s wonderful in and of itself, yes? Are scams a sin? Without question. But unlike poaching no one dies. And, while it’s easy to shake your head about the whole thing (particularly from the seat of a mid-sized indie shop) we have to consider what motivates the creation (and sweaty anticipation) of this kind of work. I believe it has less to do with ego and more to do with money. Awards (and the bigger the better) equal better paychecks, more career options, more sex and, yes, more weeks in France with the agency credit card. Follow the money. Clients pay for award-winning agencies (even if they might complain later that it’s all the creatives really care about). Agency CEOs and ECDs pay for award-winning creatives (even though they might later grouse about attitude). The truth is no creative is born with a need for hunks of metal and lucite. Creatives indulge in producing this work because they get “paid” to do it. We may not like it but, as agency leaders and clients, we need to acknowledge our responsibility for it. If we start paying for some other measure of success and we’ll see a change.

Steffan Postaer, the site’s host, agrees and says we ought to start calling awards, “rewards.” I’m in. From now on, I’ll rail against the inanity of Reward Shows.

Back from Cannes

11 Days in Cannes and I’m exhausted! This is what Paris Hilton must feel like partying every night. But a great time was had by all and compred to what you normally see outside a bar at 4am the atmorephere was one of happiness.

2,757 entries in Cyber were submitted this year and as always a few good entries feel through the cracks and some not so special ones were chosen. There was also a slew of trends and themes from this years entries.

I’m going to give my round up that will go a little more in depth than my twitter feed did. I’m so glad to not have to Twitter anymore. It’s one way to make any occasion a chore.

Lost Tribe Looks for Meaning In All the Wrong Places

Adweek’s Brian Morrissey and Eleftheria Parpis note the difficulty ad pros in Cannes had distinguishing between “the idea” and the myriad executions for a given idea.

The awards are not keeping pace with the infinite ways in which brands reach customers in today’s fractured media landscape. Rather than honor holistic systems built for brands to reach consumers in many places, Lions are given to objects created within those systems. This is a situation that many complain is untenable.

On another front, “scam ads or “ghosts” are more plentiful than exposed breasts on the French Coast,” says Steffan Postaer, President and Chief Creative Officer of Euro RSCG/Chicago.

Cyber Lions Winners Announced

The 2008 Cyber Lion winners have been announced. I’m going to do a bit of visualisation when I get back to graph the trends of entries as there were some real big trends that came out this year.

Webcam, crazy characters, blow into webcam, upload face (still going strong), PR and live events.

Your Cannes Press Grand Prix Winner

Here’s one print ad in a campaign for Energizer, courtesy of DDB South Africa.

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See the rest here.

Working Hard To Better The Awards Show Experience

Wrath of Cannes is the right kind of award show. That is, one that doesn’t take itself too seriously.

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Hosted by Woods Witt Dealy, the announcement is plenty cheeky.

This week, what will you be doing while Madison Avenue’s crème de la crème are soaking up sun and sipping rosé on the Riviera during the Cannes International Advertising Festival?

Why not join the rest of us outcasts, exiles and undesirables at Cha-Cha’s Club Atlantis on Coney Island’s boardwalk this Thursday, 6/19 for the 2nd annual Wrath of Cannes Awards Show! Because, really, Cha-Cha’s is the new Gutter Bar.

It’s a juniors-only show, where participants are encouraged to bring one great idea on a thumb drive. The judges will select the winner in real time. The lucky winner will receive a brand new bike from IRO Cycle, along with the one and only Grand Coney, a trophy of a man with his head up his ass.

The Tarantinos will perform and there’s open bar from 6:00 to 8:00 pm.

What’s The Carbon Footprint on This Back Slap?

This year, total entries at this Cannes International Advertising Festival grew 10.2% to more than 28,000. Every category is up, and the new design Lions attracted about twice as many entries as expected — 1,126 — so the festival had to scramble to add more judges to the jury.

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Americans aren’t deterred by the weak dollar that has pushed delegate fees above $3,000 and room rates at the beachfront hotels such as the Majestic and Carlton to close to $500 a night. It’s estimated up to 800 of this year’s 9,000 or so attendees will be from the U.S., up from almost 700 last year.

Apart from the beach, the ads and the parties, Cannes has evolved into a major business opportunity. That’s why the company that sends the most people to Cannes isn’t an agency like TBWA (175 festival goers) but Microsoft (which won’t give a number but is believed to be sending at least 300).

[via Ad Age]

Cannes Twitter

I’ll be twittering from Canees for News this year. Keep up to date with every detail here. More info and links to the other jury’s Twitter accounts here.

Smokin’ Marshmallows

I’m pleased to announce that our friends at Greenville identity shop, Brains On Fire, won a Golf Effie last night for their state of South Carolina anti-tobacco efforts.

Here’s a wallpaper from the RAGE AGAINST THE HAZE site:

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[via Spike’s tweet]

Plugged In To A Higher Reality

Fusebox, a brand communications studio in Lincoln, NE doesn’t believe in entering its best work in award shows. And believe me, they’d win awards if they did enter.

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Learn more about Fusebox principal, Tim Siedell, at Ban Banana Blog or via his Twitter feed.