These Are the Top 18 Names That People Really, Really Want on Their Coke Bottles

Sparking people to collect, hack and do all kinds of things with them from earnest to cynical, Coca-Cola’s #ShareaCoke promotion has taken on a life of its own. And now there is some interesting data on which names are most sought after. 

Terapeak, an eBay analytics firm has scoured the site to uncover behavioral trends behind this campaign. Aron Hsiao, copywriter and consultant for social media operations at Terapeak, tells AdFreak that his team used several sophisticated search techniques to identify auctions of named Coke bottles.

“Across all #ShareaCoke bottles, just around $32,000 in eBay sales have occurred since the start of the campaign,” he says, “with individual bottle sales valued at an average of between $7 and $8 but going as high as $80—significantly higher than retail price.”

Take a look at the results below, and see if your name made the list. 



Iceland's Police Have One of the World's Cutest Instagrams

What is it about law enforcement that makes it so delightful when they actually try to have fun in social media? It’s probably just enjoyable to see the softer side of people who are trained to use deadly force and deal with the bleaker aspects of society.

The Seattle police set in the bar in this regard, of course, with their fascinating and amusing Twitter account. But now, the Instagram account of the Reykjavik, Iceland, police force has been brought to our attention—and it’s a real mosaic of cute.

It’s full of fun pics of animals and kids and people on the force doing goofy things. “Police kitty in training,” says the caption on the photo above, along with the hashtag #copcat.

Sure, humanizing any police force can lead to better relations with citizens, and a safer community overall. But this is also just about being real, not taking things too seriously and delivering useful information in a more entertaining package.

More pics below. Via Demilked.



MLB Rolls Out Its Derek Jeter Tribute Ad, and It's Amazing in Its Own Way

This ad from Major League Baseball honoring Derek Jeter is perhaps the simplest, least epic tribute we’ve seen to the Yankees captain, who, barring an unlikely postseason appearance by the team, will play his final game this Sunday against the Red Sox in Boston.

But for my money, the spot, from BBDO New York, is also the most poignant and moving Jeter tribute of the season, because it eschews grandeur and hype to focus on the future Hall of Famer’s most important legacy: the generations who grew up idolizing No. 2.

They’re embodied here by California Angeles outfielder Mike Trout, the most complete player in baseball today, along with college and high-school stars, right down to Little League phenoms Mo’ne Davis and Marquis Jackson.

In the low-key 30-second ad, we see youngsters copy Jeet’s mannerisms in the batter’s box and at shortstop, intercut with footage of the man himself, followed by the words, “A model of greatness. Thanks, Derek.”

Your browser does not support iframes.

During his storied 20-year career, Jeter has always given 100 percent on the field—and in an era when so many professional athletes capsize in controversy, agents of their own destruction, the Captain has sailed above the fray, celebrated for his dignified demeanor and respect for the game.

Sure, it’s an image. But that’s the whole point. It’s an image worth emulating, a model for success that transcends Jeter’s many roles—team leader, five-time World Series champ, media celebrity—and gives kids hope that if they follow his example, they can overcome their struggles and achieve something great, whatever that may be.

The Jeter paeans from Gatorade (made with his input) and Nike’s Jordan Brand are each 90 seconds long and stand as suitably heartfelt, dazzling farewells to a player who’s meant so much to so many for so long.

The MLB spot goes deeper. It reminds us why heroes are important in an increasingly complex, confounding and cynical world, and gives Trout and his superstar peers a lofty standard—beyond wins, stats and multi-year contracts—to swing for.



Cheerios Tugs at the Heartstrings Again With a Dad Working the Third Shift

Oh man, grumpy dad who’s working weird hours in this new Cheerios ad from Saatchi & Saatchi. Don’t get mad at your kid. Take a lesson from Peanut Butter Cheerios dad, and be cool. Hang out for a minute and laugh with Junior. It’ll be nice before you head off for however many grueling hours of whatever it is you do.

Judging by your rugged appearance and attire, and that clocking in at midnight is even an option, it’s presumably something blue-collar. Dock worker? Warehouse worker? Auto worker? You are in the Cheerios demo. You should be eating lots of Cheerios at 11 p.m.

Sure, Cheerios might being mimicking your frustrating but also beautiful existence right back at you just to sell more breakfast cereal, because times aren’t just tough for salt-of-the-earth people with families to support, they’re tough for cereal brands, too. Nobody wants to eat cereal with their kids at any time of day these days.

So, also don’t get mad at Cheerios, because making ads that use children to pander to your heartstrings is what they do. Indeed, sometimes manipulating your love for sentimental family moments really does work well … so Cheerios is probably going to keep trying.

Oops! One of the First People in the World With an iPhone 6 Drops It on Live TV

Unless you’re living under a rock, you know the iPhone 6 hits stores today. And if you’re one of the souls brave enough to endure insane lines to get your new bleeding-edge item—congratulations on your achievement!

Since Australians literally live in the future, they were the first to get a crack at Apple’s new device, which has amazing new features like a free U2 album no one wants.

Well, as Australian Jack Cooksey was being interviewed by a Perth television station to get a first look at his new prized possession, well—take a look below at the dramatic conclusion.

Via Daily Dot.

 
And here it is from another angle:

Guinness Takes You Inside Its Storied Dublin Brewery in Almost Mystical New Ad

By celebrating its Irish roots, Guinness subtly sails into the mystic with “In Pursuit of More,” a campaign that bows with this 90-second spot from Philadelphia agency Quaker City Mercantile.

St. James’s Gate, the brand’s 255-year-old Dublin brewery, is the inspiration for a meditation on its heritage. We learn something of its history, meet current employees and get a feel for the brewing process. “We’re only 255 years into a 9,000-year lease,” Irish actor Cillian Murphy says in a lilting, raspy voiceover. “We have a lot more beer to make.”

In fact, the lease is no longer valid, as Guinness purchased its Dublin site long ago. Even so, that historical detail fits the overall thrust of this broadcast and online initiative. Developed mainly for the U.K. and Ireland, with more short films to follow, the work creates a timeless, almost mythical aura around the brand.

“We felt it was time to open the gates and let the world see the people who make our beer special,” says Guinness marketing director Stephen O’Kelly. Fair enough. But Philip Montgomery’s smooth direction, with visuals that are muted, gauzy, and at times slightly over-bright, give the piece an ethereal, quasi-spiritual vibe.

For example, the spot opens with a guy cycling to work at the brewery. As a moody piano piece by Alain Francois Bernard plays in the background, he turns down a narrow cobblestone street—it resembles a tunnel—and rides up to St. James’s Gate. The huge doors are dark and imposing, like freshly pulled pints of Guinness stout. As he slips inside, it’s no stretch to imagine he’s entered a holy place where past, present and future blend into a heady brew.

The approach seems on brand for a company emphasizing its ties to Ireland, the land of legends and strong beliefs, and particularly appropriate for Guinness, which has a devout cult following worldwide.

Photo via.



As Scotland Counts Votes, Groundskeeper Willie Offers Himself Up as the Nation's Leader

Should today’s vote lead to an independent Scotland, the country will need a fearless leader to represent it on the world stage. Obviously, Groundskeeper Willie of The Simpsons is that man. It’s the latest bit of genius from the Fox show, and expect a lot more of it very soon.



Travel Ad Features Singing Fart Bubbles, and That Might Be Its Least Crazy Part

OK, you world-wise travel people. Ever been to Wotifia? Never heard of it? It’s right next to Freedonia, that fake country invented by the Marx Brothers in Duck Soup.

Wotifia is actually the brainchild of ad agency M&C Saatchi in Sydney, which borrowed a page from the Marx Brothers—and early Terry Gilliam’s work for Monty Python—to help rejuvenate the image of Australia’s largest online travel site, Wotif.com.

The agency created a short buddy movie that features two clueless looking dudes literally falling into surreal travel adventures in an animated world called—what else?—Wotifia.

The adventures are set to a ridiculous music track with ridiculous lyrics that sound like a mashup of Barry Manilow and Lionel Richie after you’ve taken a whopping dose of hallucinogens.

The boys encounter dancing llamas in South America, a soil-your-swimshorts experience with sharks, a bone-breaking ski trip to the Alps, a run-in with a 100-foot bikini clad beauty who emerges from the sea like Godzilla, and a lazy Susan full of Chinese food like it’s a merry-go-round.

Michael Betteridge, Wotif’s general manager of marketing, says the campaign, which launched last month, “is designed to reach the ‘next generation’ of travelers and introduce them to our brand, our range of travel products and experiences, and to our irreverent and fun approach to travel.”

Irreverence is certainly the theme. Credits below.

CREDITS
Client: Wotif.com
Agency: M&C Saatchi, Sydney
Executive Creative Director: Ben Welsh
Creative Directors/Art Directors/Writers: Gary Dawson, Shane Gibson, Andy Flemming
Digital Art Director: Glenn Christensen
Account Management: Karlee Weatherstone, Emmanuel Spiropoulos, Kristy Schwind, Charlotte Rijkenberg, Marcella Nigro
Planning Director: Mark Vadgama
Agency Producers: Jules Jackson, Sue Hind
Production Company: World Wide Mind
Director: Rocky Morton
Executive Producers: Will Alexander, Ben Nott



How 9 Brands Used Twitter's Sign Bunny Meme to Make Little Billboards

Watching brands fail at Twitter has become cliché at this point. And just when you think they’ve gotten the idea, it’s fail whale all over again.

Still, they keep trying.

Earlier this week, a fun meme spread through Twitter starring a cute ASCII bunny holding a sign. If you were on Twitter that day, you couldn’t miss it. If not, few explainers will bring you up to speed.

Amber Gordon, a creative strategist at Tumblr and former community manager at Denny’s, is credited with starting the meme and has since seen it go viral.

Of course, brands—ever vigilant to real-time trends online nowadays, quickly noticed. And many of them whipped up little corporate bunnies of their own, brandishing pithy little branded signs.

We spoke with Gordon about the phenomenon and what it was like watching big brands attach themselves to a meme in real-time. And she also has some advice to the community managers of the big brands, too.

How does it feel to see big brands joining in the fun?
Seeing brands use these types of silly Internet trends is so exciting. Using a native language that’s become relevant to your audience is exactly what more brands should be doing, but in an authentic way. Meaning, research it before you post! (knowyourmeme.com is a great resource.)

Will it break the Internet if @Energizer does one?
If Energizer does one, I might cry tears of joy.

Does it feel weird that the bunny signs have now basically become little billboards for corporations?
I love them. Twitter itself is just words, and ASCII art makes them visually interesting. Honestly I think a message has a stronger impact (for me personally) when you can associate an image with it.

Below, check out nine brands that have given the sign bunny meme a shot:



This Dog's Road Trip Stretching Routine Might Be the Best Reason to Buy a Citroen

Citroen puts on the dog once again in this commercial with an anthropomorphized mutt who charmingly works out the muscle kinks and stiffness of a long drive when its owner pulls in to a desert gas station.

The spot, from Les Gaulois in Paris, promotes Citroen’s BLUEDi engine, which, according to the title card, allows drivers to “stop less often at the pump.” Some versions of the ad substitute the line, “Next stop is in 1,520 km.” That’s a whole lot of miles in dog years.

Directed by Control’s Joachim Back, the lonely, sun-baked locations succeed at suggesting a winding, hours-long journey where the stops are few and far between. So does the use of “Sixteen Tons” on the soundtrack, which will now be rumbling through my head for the duration of my lifespan.

Your enjoyment of the spot—a companion to Citroen’s canine love story (I mean, woof story) from last year—will probably hinge on your attitude about ads where special effects are used to make animals and babies act like adult human beings. In my view, this puppy’s a winner by any stretch of the imagination.



Stunning PSA Shifts Time to Undo the Killing on a Syrian School Playground

Martin Stirling already directed one powerful PSA about Syria—Save the Children’s incredible spot from last spring, which imagined if the crisis were taking place in London. But the Unit 9 director wasn’t finished.

With the United Nations General Assembly meeting next week, the world’s leading NGOs—Oxfam, Save the Children, Care, Amnesty and a hundred more—have banded together for a new PSA, directed by Stirling, that attempts to capture the horrors being endured by ordinary Syrians on a daily basis.

See the spot here:

The stylistic choice of using reverse footage almost becomes a moral choice here—it’s the hook that makes the piece haunting, and shareable, and thus capable of making a difference. The film is the centerpiece in the NGOs’ #WithSyria campaign, which drives viewers to a petition asking the UN Security Council to take next steps to protect civilians.

ISIS is dominating the headlines today, but the plight of ordinary Syrians remains critical. The death toll in Syria is now close to 200,000. Most of the civilian deaths are caused by “barrel bombs”—oil drums filled with explosives, chemical weapons and rusty nails, dropped from Syrian regime helicopters into populated areas. The same areas are often hit twice in quick succession in order to kill first responders.

“I really had no choice about whether or not to make this film,” Stirling says in a statement. “I was swamped by a couple of projects, and I tried my best to walk away but found it impossible. Whenever I thought about not making this film I was haunted by the images and stories I had come across in preparation for the ‘Most Shocking Second A Day Video’ earlier in the year.

“This film felt like an appropriate follow-up to that first one—it was creatively and stylistically different in a way which would hopefully capture the attention of a wide audience and the hearts of influential policy makers.”

Credits below.

CREDITS
Production Company: Unit 9 Films
Director/Writer: Martin Stirling
Producer/Exec Producer: Michelle Craig
DOP: Carl Burke
Focus Puller: Jonny Franklin
Researcher: Harry Starkey Midha
Production Partner: Atlantik Films
Editor: Alex Burt
Grade: Un1t Post
Colorist: Simon Astbury
Sound Design: Jon Clarke
Post-Sound Producer: Rebecca Bell
Factory
VFX + Post: Cherry Cherry
VFX Supervisors: Nico Cotta, Tony Landais
Compositors: Ergin Ishakoglu, James Cornwell, Doruk Saglam, Utku Ertin, Mertcan Ag, Nico Cotta, Otis Guinness-Walker
CG Artists: Bogi Gulacsi, Ceyhan Kapusuz, Zeynep Onder, Tony Landais
Digital Matte Painters: Stuart Tozer, Richard Tilbury
Executive Producer: Chris Allen
Line Producer: Sezen Akpolat
Music: ‘Youth’ Daughter
With Thanks to Matt Brown and Steph Hamill



Old Spice's Man-Robot Sits Down with Drew Brees, and It's Awkwardly Amusing

If watching Drew Brees talk to a hyper-awkward robot for six minutes is your kind of thing, then Old Spice has an ad for you.

The New Orleans Saints quarterback keeps his cool during “4th and Touchdown,” a fictional sports news show hosted by Old Spice’s new mascot, who in the recent past has been doing well with human women, despite his total lack of social skills.

Absent that context, the moral now seems to be that viewers should act like Drew Brees, not like a hyper-awkward robot, which is pretty sound advice regardless. Even if the robot claims to have great hair thanks to Old Spice, he’s not the most reliable narrator.

The pair’s antics range from fairly grating to pretty amusing, with some sharp writing and and a lot of waiting between the high points (see: roughly 4:15, Brees pretending to be a brass instrument). In a way, the finale rewards your patience, though may not be quite enough to compensate (perhaps a shorter edit would be in order?).

Anyway, the whole thing deserves credit for trying to send up the tradition of senseless televised sports coverage, even if the pass doesn’t quite connect. That robot does a solid impression of a smug anchor.

And if you do like it, stay tuned for more. The brand is promising appearances from Kansas City Chiefs running back Jamaal Charles, Cincinnati Bengals wide receiver A.J. Green and Seattle Seahawks defensive back Earl Thomas.



Benedict Cumberbatch Gets Wet, Mr. Darcy Style, for Charity Campaign

There are moments in cinema when a collective wetting of panties results in an advertising ripple heard through the decades, as marketers struggle to give the people what they want.

One such moment was when Colin Firth exited a lake in a dripping-wet white shirt during the BBC’s 1995 remake of Pride and Prejudice. The moment so captured the minds and eyes of the viewing public that just last year, a 12-foot-tall statue of Firth’s wet torso was erected in a British lake and summarily moistened.

Now, in a genius move, Benedict Cumberbatch, today’s No. 1 British heartthrob, has been talked into recreating the Mr. Darcy scene and is about to win a bazillion pounds of awareness for his chosen charity, the anti-cancer initative Give Up Clothes for Good.

The photographer was Jason Bell. He’s a guy whose photos you’ve seen even if you’ve never heard of him. He was the official photographer for Prince George’s christening, and you might also know him as the guy who took that picture of Kate Winslet that GQ Photoshopped into controversy back in 2003.

Boy, did he do a most excellent job capturing a grumpy wet Cumberbatch. You almost get the impression that you’ve dumped him in the lake and when he gets out he’s going to be very PUT OUT. You might also imagine that inspiration for the execution came from Cumberbatch’s recent viral Ice Bucket Challenge video, in which he got soaked in not one, not two, but three various states of undress. Or the cut shower scene from Star Trek Into Darkness, which also went viral.

It’s like a Russian nesting doll of surly wet Cumberbatches—a batch of ‘Batches, if you will. Also, we may have found something to rival cats in Internet ad stardom. Shirtless torsos of hot dudes. Also known as Cold. Hard. Abs.

The Give Up Clothes for Good campaign of getting celebrities to take off some clothes, all PETA style, is going on its 10th anniversary, and there are a bunch of other celebrities lined up to remove their clothes to celebrate this year. But who cares?



People in Japan Are Making Tiny, Adorable Beds for Their Wallets and Purses

Here’s an odd slice of weird from Japan. As seen on Japanese blogs, people are putting their purses and wallets into tiny beds before going to sleep themselves. The resulting pictures are strangely charming.

Kazuyo Matsui

TV and Internet personality Kazuyo Matsui recently made the following statement on air: “We sleep to recharge ourselves, don’t we? Well I believe that if we don’t let our purses and money sleep and recharge, they won’t have any power.”

This has inspired several people to start photographing their tiny little sleeping money holders in the hopes that the next morning their wallets or purses won’t be tired, and perhaps good luck will follows the.

If you’ve got a little extra cash in your pocket, and you’re not really feeling the DIY thing, you can order one of these restful creations from Matsui’s blog for ¥2,800 (which is about $26). Take a look below at some of these perfect little sleepy bundles of Yen.

Via Rocket News 24.

Sleepy guy. But that poor little iPod left out in the cold!

Butterflies and floral patterns inspire wealth, apparently.

But real flowers might just inspire more.

This is probably what Donald Trump’s wallet sleeps in.

Either that pencil is huge, or that wallet is tiny.

For the woman with several different options:



See How Droga5 Actually Made the Insanely Intricate Sets for Moto's New Ads

Who needs CGI when you can build your own outlandishly complex ad props by hand?

Clearly Droga5 is up to the challenge, as illustrated by the behind-the-scenes video just released by the agency to recap how it created four new spots for Motorola Mobility. 

The ads—for the Moto X and Moto G smartphones, Moto 360 smartwatch and Moto Hint wireless earbud—slowly reveal their interconnected prop designs, showing the complete set in the closing frames.

Despite sharing one large sound stage and production crew, the ads each feel completely unique, with the unifying factor being a flowing sense of shot planning and craftsmanship. It’s a nice continuation of what we saw in the agency’s earlier spot for the Moto E, which turned a 3-second drop into an epic 60-second journey.

Check out the behind-the-scenes photos and videos below, followed by the finished product and credits.

CREDITS

Agency: Droga5 NY
Creative Chairman: David Droga
Chief Creative Officer: Ted Royer
Executive Creative Director: Neil Heymann
Creative Directors: David Gibson and  Nathan Lennon
Art Director: Andrew Wilcox
Copywriter: Spencer LaVallee
Creative Mutant: Jen Lu
Chief Creation Officer: Sally-Ann Dale
Head of Broadcast Production: Ben Davies
Broadcast Producer: Bill Berg
Group Brand Strategy Director: David Gonzales
Brand Strategy Director: Dan Wilkos
Global Business Director: Bryan Yasko
Account Directors: Ben Myers and  Amanda Chandler
Account Manager: Stephanie Thiel
Associate Account Manager: Jennifer Mott

Client: Motorola
Marketing Director: Barry Smyth
Brand Marketing Managers: Lindsay Dahms and  Magno Herran

Production Company: 1stAveMachine
Director: Asif Mian
Director of Photography: Manuel Ruiz
Partner/Executive Producer: Sam Penfield
Executive Producer: Melinda Nugent
Head of Production: Lisanne McDonald
Line Producer: Jason Taragan
Production Supervisor: Don Coppola
Postproduction Producer: Mike Sullo

Editorial: Rock Paper Scissors
Editors: Dan De Winter and Christopher Mitchell
Assistant Editor: Alex Liu
Head of Production: Justin Kumpata
Executive Producer: Eve Kornblum
Producer: Kristine Polinsky

Postproduction: 1stAveMachine
Head of Production: Lisanne McDonald
Postproduction Producer: Mike Sullo
Postproduction Coordinator: Patricia Burgess
Visual Effects Supervisor: Ed Manning

Color: Ricart & Co.
Colorist: Seth Ricart
Producer: Marcus Lansdell

Music: Search Party Music
Executive Producer: Eric David Johnson aka DJ Bunny Ears
Music Producer: Winslow Bright
Composer, Moto G: Paul Hammer
Composer, Moto X: Luke Adams
Composer, Anthem: Brian Englishman
Music: Moto Hint Egg Music
Songwriter: Erik Appelwick
Producer: Brack Herfurth

Sound: Sonic Union
Mixer: Rob McIver



Bryan Cranston Acts Out Baseball's Greatest Moments in Fantastic Ad For the Postseason

As the Baltimore Orioles became the first Major League Baseball team to clinch a division last night, baseball fans, fairweather and hardcore alike, are gearing up for the most exciting time of year—the postseason. 

And TBS, which plays a major part in bringing the games into our homes and sports bars, has tapped Bryan Cranston to star in this amazing tribute to baseball’s big dance. 

Clocking in at almost six minutes, this extended ad is a delightful watch as Cranston impersonates some of the game’s great players in a comically earnest one-man theater show—citing his muse to be everyone’s favorite cartoon rabbit: “You never know when inspiration will hit you … the Bugster … Mr. B. Any actor that tells you that he is not inspired by Bugs Bunny is a liar, frankly—or just a hack.”

As an added bonus, Misty Copeland and Pedro Martinez make cameos, too, as we follow the former Walter White in his entertaining rollick around the diamond. 

Check it out, and someone please start a petition to get this on Broadway. 

Via Bleacher Report.



Strange Prada Storefront in the Middle of Nowhere Can Remain, Texas Decides

It’s the world’s oddest Prada store. And now, it looks like it won’t be torn down.

Prada Marfa, an art installation 26 miles northwest of the West Texas town of Marfa—featuring a fake Prada storefront containing luxury goods—is not an illegal advertisement and can remain on its site off U.S. Highway 90, the state decided this week.

The installation, by artists Elmgreen and Dragset, has been up since 2005. But it came under scrutiny last year, when Playboy built Playboy Marfa—which was deemed to be illegal advertising.

This week, arts organization Ballroom Marfa reached a deal with the Texas Department of Transportation to have Prada Marfa designated as an art museum site and the building as its single art exhibit.

An Adweek colleague who has been to Prada Marfa tells me you can see bullet marks in the bulletproof glass, as the stuff inside is indeed real Prada.

Photo via.



Awesome Beer Cans Show the Pantone Color of the Brew That's Inside

If you always suspected that a pale ale would rate a shimmering, golden 604C on the Pantone color system, have a pint on me.

Spanish agency Txaber matches brew types with their Pantone hues in this stylish package design exercise. It’s reminiscent of last year’s “Beertone” cards that provided the exact color values of various beers in RGB, CMYK and HTML code. Here, however, we get simple, gorgeous cans and bottles that really let the shades of the suds inside shine through.

See the whole collection on the Txaber site.

Beer packaging has been a powerful muse in the design world, inspiring some impressive work. The comeback of the can, particularly among craft brewers, “opened up a 360-degree canvas for label designers typically restricted to the few stickers on a beer bottle,” according to my AdFreak colleague David Griner. That’s true, though some creative types have made heroic efforts to sass-up humble glass containers and do that medium justice, too.

I like Txaber’s restrained, elegant approach. You get lots of color and, in tiny typeface (HipstelveticaFontFamily, which is free to download), the beer names and Pantone designations. That’s all you need. The results are especially compelling when the cans and bottles are grouped together. Their hues play off one another like the bands of a rainbow, ranging from pale ale’s carefree vibrance through the playful, almost purplish tones of the porter’s 1817C to the dark grandeur of imperial stout at 426C.

Though, as we’ve learned, nothing represents the vibrant soul of “black” quite like Guinness.

Via Design Taxi.



Blake Griffin Slams Poetry, Not Basketballs, for Vizio

Slam poetry nights can be awkward, but Los Angeles Clippers star Blake Griffin makes it look easy—his specialty in any environment—in a new series of videos for Vizio.

The ads, by David&Goliath, have the basketball star waxing poetic about his bobblehead, his tearaway pants and even his mouthguard. He’s got the requisite pauses and sighs down to an art. Still, he probably shouldn’t quit his day job.

The clips are part of Vizio’s slam dunk poetry campaign, which also includes a nifty feature on its microsite where it will compose a Griffin-esque poem based on your name and an item of your choice. Unfortunately, the power forward isn’t available to recite these ditties. (He is available in gif form on this Tumblr, though.)

So, grab yourself a seat at a dimly lit table, order a stiff drink and appreciate these works brought to you by Griffin.

Credits below.

CREDITS
Client: Vizio

Agency: David&Goliath
Founder & Chairman: David Angelo
Chief Creative Officer: Colin Jeffery
Group Creative Director: Ben Purcell
Group Creative Director: Steve Yee
Art Director: Mike Cornell
Copywriter: Andy Sciamanna
Head of Production: Carol Lombard
Agency Executive Producer:  Curt O’Brien
Agency Executive Producer: Christopher Coleman
Group Account Director: Jennifer Mull
Account Supervisor: Kammie Dons
Assistant Account Executive: Karolyne Crowe
Director of Business Affairs: Rodney Pizarro
Associate Business Affairs Manager: Camara Price

Production Company: RSA Films, Inc.
Director: Jordan Vogt-Roberts
Director of Photography: Mike Berlucci
President: Jules Daly
VP/Executive Producer: Marjie Abrahams
Executive Producer: Philip Detchmendy
Line Producer: Alejandra Quesada
Head of Production: Elicia Laport
Sales Representative: Shortlist

Editorial House: Spinach
Editor: Tony Orcena
Producer: Jonathan Carpio

Online & Color: Fell VFX
Flame Artist: Russell Fell
Executive Producer: Rachel Koch

Music: Human Music
Sound Design & Mix: Margarita Mix
Sound Engineer: Nathan Dubin



Costumed Man Sexes Up a Giant Ear in Very Strange Ads for Headphones

After an inexplicable quite period, we have a resurgence of giant ears in advertising, thanks to this incredibly silly McKinney campaign for Sennheiser’s Urbanite headphones.

A scraggly-bearded guy with a German accent (the brand’s from Germany) who calls himself “the Urbanite” dons a headphone costume and gets romantic with … a giant ear.

“Unt no pleasure is verboten,” he explains in a 90-second introductory spot that shows tender caresses, a sensual oil massage and a candle-lit bath. The tagline is, “Let your ears be loved,” and the salient product benefit—that Urbanite headphones lovingly pamper your ears, providing an incredibly enjoyable listening experience—resonates with crystal clarity.

Giant ears skateboard through a park and hang out in bars in a second video promoting a New York City scavenger hunt. Our smitten hero finds them “erotish.” (Thankfully, he’s not wielding a giant Q-tip.) Through this Sunday, folks who find one of 1,000 golden ears secreted around town will receive free headphones.

The self-consciously wacky approach is designed to get away from technical descriptions and focus on real-world benefits to appeal to millennials, client exec Stefanie Reichert tells MediaPost. It recalls ESPN Radio’s hideously overgrown anthropomorphic ear from a few years back, and follows closely behind this exceedingly abnormal spot for Normal’s 3-D printed earphones.

In Sennheiser’s spots, the theatrical black backgrounds and minimal props enhance the inspired lunacy. Amusingly daft and highly sharable, the work speaks volumes about the brand proposition, and I hope we’ll hear more from the Urbanite soon.