Cooper Hewitt Reopens on the Upper East Side With Ads Tweaking Other NYC Neighborhoods

There’s always something fun about site-specific ads in New York City. The richness of every neighborhood makes the place especially promising for that kind of outdoor work, as 72andSunny’s work last year reminded us.

Now, Wieden + Kennedy in New York has done a fun campaign for the recently reopened Cooper Hewitt, Smithsonian Design Museum that points the rest the city—perhaps counterintuitively—to the Upper East Side for world-class design.

“When the thrill of fashion models finally wears off, we’ve got this enameled porcelain collection you should probably come see,” say ads going up in the Meatpacking District, for example. “There are no croissant-doughnut hybrids in our design museum, but we do have things that were really popular once, and then the trend completely moved on, and then some other new things came along and took its place,” say the ads in SoHo.

The ads will appear on the Upper West Side, Lower East Side, Chelsea, Meatpacking District, Williamsburg, Greenpoint, Bushwick, the West Village, SoHo and the Upper East Side itself (where ads take a shot at the Guggenheim).

“Put simply: Leave your neighborhood and come to ours!” says David Kolbusz, executive creative director at W+K New York.

Check out some of the creative below. Click the images to enlarge.



New Belgium Beer Is Just What the Doctor Ordered (From His Weird Bike-Couch Contraption)

New Belgium Brewing peddles its Slow Ride Session pale ale in a series of silly Web shorts created by production house Strike Anywhere.

Dr. Don, a mellow therapist with a bushy upper lip, advises patients to relax and enjoy life as he serves them beer during slow rides on a fantastical bicycle-couch contraption. Is this guy licensed? To practice therapy or drive that thing? It’s probably best not to ask.

The pleasingly perky films, which began appearing a few months back, top out at around three minutes, and the performances by sketch comedy vets, at times clearly ad libbing, give the spots an extra kick. Ditto the retro elevator/lounge soundtrack (like something from an oh-so-groovy ’60s romp) and the rear-projection effects, which are goofy but not intrusive.

Still, it’s a thin concept, and after episodes with a bickering couple on their first date, bickering roommates and a millennial bickering with his boomer boss, the comedy starts to fall a bit flat. Also, Dr. Don’s chill-out mantra, while on-brand, wouldn’t feel out of place for a purveyor of the wacky tobacky. (What exactly are you hopped up on, dude?)

Ah well, it’s all about the “mobile therapy couch,” which steals the show every time. There’s even a laid-back video that shows you how to build one of your own. Alas, the instructions make assembling Ikea furniture look like child’s play. (It’s also difficult to follow what the hosts are saying in the clip shot outdoors on a windy day).

After attempting that DIY project, you just might need therapy. Or a couple sixes to take the edge off, at the very least.



Wheaties' Latest Champion Is a Trick-Shot Bowler From the '40s

Wheaties is cementing its status as the breakfast of old people with a blustery new campaign featuring 1948 footage of bowling star Andy Varipapa, who died more than 30 years ago.

Six black-and-white ads, each 15 seconds long, show Varipapa throwing impressive bowling tricks, while a smug voiceover offers pointers on how much better it is to be a grandpa than some modern-day pansy.

They’re charming in a grating sort of way—Varipapa’s on-screen persona is great, hammy without being too cheesy. But then one of the spots has to come along and rant about $5 microwave turkey bacon egg wrap frittata. (Whatever those are. Is that supposed to be a dig at Starbucks? Doesn’t Wheaties know McDonald’s is the breakfast villain du jour? Also, the whole no-allergies thing makes Grandpa seem like some kind of proto-Scientologist).

The ads have been airing on ESPN as part of a sponsorship of a Professional Bowling Association tournament, so it’s not much of a stretch that the audience might want to be like Varipapa (high-waisted, pleated pants and all). And he is a nice alternate to higher-profile champions like Michael Jordan and Tiger Woods, even if the clips take throwback smarm to new heights (cheerful grandpas are, in general, pretty easy to love, even when rough around the edges).

Unfortunately, they make us want black coffee more than Wheaties.



Inspiring Nike Golf Ad Shows How Rory McIlroy Grew Up Idolizing Tiger Woods

In “Ripple,” the latest Nike Golf ad, we witness the journey of a way-back-when Rory McIlroy, following the career of his idol, Tiger Woods.

The young boy watches Woods play, puts his posters up in his room, and experiences his own victories and losses as he plays the game himself. The film culminates with a scene of current-day superstar McIlroy teeing off after Woods at the start of a round.

Created by Wieden + Kennedy, the spot is lovely and inspirational. It’s also not the first time McIlroy and Woods have appeared in a Nike Golf ad together. This follows the funny and very popular “No Cup Is Safe” spot from 2013, although with a completely different tone.

After signing McIlroy, 25, to a five-year contract in 2013, it’s clear Nike wants to position him as the heir to Woods, 39. And McIlroy is showing signs of living up to that hype—he’s won four majors now, though of course it’s a long way from Woods’ 14.

“It’s been an incredible journey for me, going from massive fan to competitor,” McIlroy said in a statement. “To think that not too long ago I was that little boy watching him on TV to where I am now. It’s been a cool journey and I’m very lucky I get to compete with and against him, because he inspired me as a kid and he inspires me now. He’s the best player I’ve ever seen.”

CREDITS
Client: Nike Golf

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Chris Groom / Stuart Brown
Copywriter: Brock Kirby
Art Director: Derrick Ho
Producer: Jeff Selis
Interactive Strategy: Reid Schilperoort
Strategic Planning: Andy Lindblade / Brandon Thornton
Media/Comms Planning: Alex Dobson / Jocelyn Reist
Account Team: Alyssa Ramsey / Rob Archibald / Heather Morba / Ramiro Del-Cid
Business Affaires: Dusty Slowik
Project Management: Nancy Rea
Executive Creative Directors: Joe Staples / Mark Fitzloff
Head of Production: Ben Grylewicz

Production Company: Biscuit Filmworks
Director: Steve Rogers
Executive Producer: Holly Vega
Line Producer: Vincent Landay
Director of Photography: Nicolas Karakatsanis

Editorial Company: Joint Editorial
Editor: Peter Wiedensmith
Post Producer: Leslie Carthy
Post Executive Producer: Patty Brebner

VFX Company: The Mill
VFX Supervisor: Tim Davies
Flame Artist:
VFX Producer: Will Lemmon
Titles/Graphics:

Composer: Ludovico Einaudi
Song (if applicable): Nuvole Bianche

Digital/Interactive:
Agency: Wieden + Kennedy, Portland, Ore.
Creative Director: Chris Groom / Stuart Brown
Copywriter: Brock Kirby
Art Director: Derrick Ho
Producer: Jeff Selis
Interactive Strategy: Reid Schilperoort
Strategic Planning: Andy Lindblade / Brandon Thornton
Media/Comms Planning: Alex Dobson / Jocelyn Reist
Account Team: Alyssa Ramsey / Rob Archibald / Heather Morba / Ramiro Del-Cid
Executive Creative Directors: Joe Staples / Mark Fitzloff
Agency Executive Producer: Ben Grylewicz
Digital Designer: Rob Mumford
Exec Interactive Producer: Patrick Marzullo
Content Producer : Byron Oshiro
Broadcast: Jeff Selis
Art Buying: Amy Berriochoa
Photographer: Luke Delong



Is This Weird Hostess Tweet for Opening Day a Home Run or a Strikeout?

Now that spring has sprung and March Madness is nearly at its dramatic conclusion, baseball season is upon us. And a few brands have begun to celebrate by creating their own style of Twitter fodder—for better or worse.

Enter Hostess, purveyor of snack cakes, which topped all the other brands this morning with what many are calling a bad-on-purpose “slam dunk” of a tweet. It shows cupcakes decorated like baseballs and the word “Touchdown.”

Which left many people scratching their heads at the mixed sports phrasing.

It stands to reason this was completely intentional. It’s been more than three hours, and the tweet is still up. And anyway, no one can be that dumb, right? Lots of people seem to think it was a straight-up gaffe, though Hostess’ lone tweet since then—a reply to Sports Illustrated—seems to imply the opposite:

I’d argue that in our hoax-driven, faux-viral culture, this was a genius move. Showing genuine excitement would have gotten lost pretty quickly, while this stands out. And it makes more sense to be the butt of the joke intentionally, rather than accidentally. 

Check out some other reactions below.



Apple Watch Gets a Series of 'Guided Tour' Videos Showing You Exactly How It Works

Thump-thump, thump-thump, thump-thump…

Will your heart beat faster for the Apple Watch after you’ve previewed its hotness in four “guided tour” videos the company posted on Friday?

Probably. Especially if, like me, you’re counting the seconds until April 24, when the high-tech timepiece goes on sale, and you can finally use it to send a pulse signal—that’s your heartbeat—to other wearers of the device.

That feature is among many explored in the “Digital Touch” and “Messages” tutorials. “Faces,” meanwhile, is all about customizing the home screen. (Add the current temperature or a calendar—go nuts!)

In addition to these clips, each running less than two minutes, there’s a nearly five-minute “Welcome” overview. It’s chock full of information, including details on how to use various interactions—like swiping up or down on the screen—to access apps and control content. Apple even explains why some technologies that work for its iPhones, such as pinching to zoom, are impractical on a watch display—hence the need for a “digital crown” dial, which you can use to manipulate magnification, among other things. (More Apple Watch videos are on the way. Topic include “Phone Calls,” “Maps,” “Music” and “Siri.”)

Of course, the company discussed a lot of this stuff during its March product announcement, and the watch has been widely profiled in the press, so there are no stunning revelations. Even so, the guided tours concisely cover a great deal of material and serve as both practical how-tos and effective advertising.

In fact, given the nature of the product in question, such detailed demonstrations seem especially on point. The company bills the watch as its “most personal device yet,” designed to engage the tactile senses in novel ways and function almost as an extension of our physical selves. That sounds grandiose, but consider: Along with heartbeat messaging, it monitors your pulse rate, “taps” you when messages arrive and springs to life when you raise your wrist (going dark when you reverse the gesture).

That’s a fairly high level of casual intimacy—of human/machine rapport. Fittingly, these videos transcend product specs and glossy style pitches to give users a feel for the technology and explain how it can touch their lives.



SNL Gloriously Spoofed Scientology in This Hilariously Spot-On Music Video

A five-minute 1990s-era Scientology sing-along video doesn’t need a parody to be funny. But that hasn’t stopped Saturday Night Live from making one anyways—and the results really don’t disappoint.

Everyone’s favorite crazy celebrity cult is enjoying (or not) a renewed place in the popular consciousness, thanks to the buzz around the HBO documentary Going Clear. So is everyone’s favorite kitschy decade, thanks to BuzzFeed. That means NBC’s live sketch comedy show was able to topically spoof the clip, which resurfaced online in 2011.

There’s ample opportunity for skewering. The lyrics include excellent couplets like “Religion and science intertwined/aliens live inside of our minds.” Pop-up annotations list the sinister fates of faces gleefully bobbing on the screen. Bobby Moynihan shines as L. Ron Hubbard.

Titled “Neurotology Music Video,” it’s packed with references that will tickle anyone who’s been following the scandal around the church—even if the reality is unsettling. (Anyone who hasn’t been keeping up can find an excellent, hefty primer in the 2011 article “The Apostate,” by Lawrence Wright, who went on to write the book Going Clear, on which the HBO documentary is based.)

It’s too bad SNL couldn’t also work in an extended parody of Tom Cruise raving about how great it is to be Tom Cruise, the Scientologist. Though in that case, it’s hard to imagine anything beating the real deal.



Grey Treats Iodine Deficiency Through the Decorative Dots on Indian Women's Foreheads

Iodine deficiency is a huge issue in rural India, and here’s one unusual way to help solve the problem—iodized bindis.

The Neelvasant Medical Foundation and Research Center, a non-profit group based in India, worked with ad agency Grey to create and distribute the medically enhanced versions of the decorative dots that women in India commonly wear on their foreheads.

Named the “Life Saving Dot,” the product has slight shades of sci-fi, with recipients soaking up their daily dose of the nutrient through their skin (though it also seems similar in concept to, say, a nicotine patch).

The nonprofit and agency cite breast cancer, fibrocystic breast disease and complications during pregnancy among the health issues linked to iodine deficiency (an insidious form of malnutrition that has historically been associated with goiter and cretinism, but in recent decades has been tied to a broader set of physical and mental problems).

With help from Talwar Bindi, the iodized dots have been distributed in four areas, so far—Badli, a village near New Delhi, and three parts of the Maharastra state: Niphal, Peth and Kopergaon/Sinnar.

Sure, it might not be as classic a solution as dispensing iodized salt, but it’s definitely more colorful … and if it works, who cares?

CREDITS
Grey Group Singapore
Chief Creative Officer: Ali Shabaz
Copywriter: Ali Shabaz / Karn Singh
Art Director: Cinzia Crociani / Sudhir Pasumarty / Sandeep Bhardwaj / Giap How Tan
Designer: Cinzia Crociani / Sudhir Pasumarty / Sandeep Bhardwaj
Illustrator: Sudhir Pasumarty
Project Manager: Sandeep Bhardwaj
Account Director: Gaurav Arora
Account Manager: Marie Tan
Regional Director, PR & Corporate Communications: Huma Qureshi
Regional Corporate Communications Executive: Yanrong Pang

Greyworks
Producer: Jacinta Loo
Editor: Timothy Lee
Editor: Bobby Aguila
Sound Designer / Composer: Marco Iodice

Director: Giovanni Fantoni Modena
DOP: Matte Chi
Production House: Hfilms Milan



Waiting for Pitch Perfect 2? These Girls Singing About Leg Hair Will Tide You Over

There’s still about a month before Universal Pictures’ Pitch Perfect 2 opens. But don’t worry, aca-awesome fans, here are some fetching young things with bright smiles, legs for days and great voices to enjoy in the meantime.

And like the original sleeper hit from 2012, there’s a dash of camp in this song-and-dance video, which doubles as a promotion for the May 15-debuting sequel and an ad for Schick and Skintimate brands.

The movie’s stars don’t appear—instead, it’s a college a cappella group called Basic Pitches—but actress Brittany Snow will be involved in a larger tie-in campaign that includes product placement in the flick, new product launches, contests and giveaways.

The video comes from JWT New York, Adam Shankman (Hairspray, Rock of Ages) and Oscar-winning cinematographer Mauro Fiore (Avatar), with cheesy lyrical twists that turn Icona Pop’s “I don’t care—I love it” into “My leg hair—I shaved it” and the diva theme “Bang, Bang” into an ode to bathroom selfies and personal grooming.

That’s how you rock your legs, ladies.

CREDITS
Client: Energizer Personal Care – Schick Hydro Silk, Schick Intuition and Skintimate
Project Name: Schick & Pitch Perfect 2 present “Ready, Shave, Shine”

Agency: JWT New York
Executive Creative Director: Sarah Barclay
Creative Directors: Matt Zavala, Suyin Sleeman
Copywriters: Erin Copithorne, Kate Carter
Head of Production:  Lisa Setten
Executive Producer: Jason Way
Director of Music: Paul Greco
Music Producer: Matt Nelson
Account Team: Claire Capeci, Ariel Stern, Erik Wagner, Amy Achenbaum, Angela Gonzalez
Client Team: Charles R. King, Camilla Medeiros, Kathleen Shanahan, Mike Sherman, Christine Engelhardt, Stefanie Weintraub, Anne Eddinger

Director: Adam Shankman
Production Company:  Independent Media
Editing House:  PS260 (Editor – JJ Lask)
Colorist: Tim Masick @ Company 3
Music House:  Wojahn Music and Sound Design
Audio Engineer – Tom Jucarone @ Sound Lounge
Media Agency: MEC



Grey Channels Abba in Absurdly Epic Music Video for Jim Heekin on His 10th Anniversary

Who knew Grey’s global CEO Jim Heekin could be comedy gold?

Well, none other than his creative partner, Tor Myhren, who, when not making ads for DirecTV, Febreze and Gillette, spoofs pops stars and their videos.

First came “Nothing Compares to 2,” Myhren’s Sinead O’Connor-like plea to get all of Grey’s creatives on the second floor. Then he and friends dressed like Hall & Oates to skewer nasty anonymous comments on blogs with “Agency Spies.” Now, the Weird Al of chief creative officers has channeled Abba to comically celebrate Heekin’s 10th anniversary at Grey.

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Set to the tune of the ridiculously infectious “Fernando,” the video includes digs about everything from his boss’ baldness and “hairy hands” to his gold bracelets and bicep curls. There’s even a jag about Adweek—a nod to positive press that’s delivered with a twist.

“Jim Heekin” is Myhren’s biggest production to date, with costume changes, backup dancers and even a singing partner, Ivy Mitchell, who in her day job works for Suresh Nair, Grey’s strategic planning chief. Oh, and as in “Agency Spies,” the normally bald Myhren dons another shoulder-length fright wig, this time to ape the hirsuit guys in Abba.

Keep ’em coming, Tor, and thanks for the laughs.



Clever McDonald's Ads Show Classic Characters Getting the Best Deliveries Ever

Here’s a simple and fun McDonald’s campaign from Leo Burnett Dubai promoting the fast-food chain’s delivery service, showing various characters receiving exactly what they love in a McDonald’s bag. (Not McDonald’s food, mind you, though you get the point.)

And that’s a key that the robot is getting, people. A key.

Via Adeevee.

More ads and credits below.

CREDITS
Client: McDonald’s
Agency: Leo Burnett Dubai, United Arab Emirates
Executive Creative Director: Andre Nassar
Creative Director: Rondon Fernandes
Art Director: Daniel Salles, Robison Mattei, Victor Toyofuku
Copywriter: Wayne Fernandes
Head Of Art: Bruno Bomediano



This Bank Found a Way for Men to Browse Pinterest Without Feeling Ashamed

How tough is it to scout for pillow shams and window treatments, Mr. New Homeowner, while keeping your manhood intact? Extremely difficult, if not downright impossible, on chick-dominated Pinterest.

FirstBank of Lakewood, Colo., wants to help you unleash your inner Martha Stewart while disguising the whole House Beautiful jag as a much more manly exercise. Just download a browser extension—themes include sports, meat and power tools—and “manoflage” your Pinterest page. So, while you’re actually considering color schemes and area rugs, it’ll appear to nosy friends or coworkers that you’re shopping for drill bits or ogling raw beef. Instant stamp of approval from anyone mired in gender stereotypes!

The digital campaign comes from ad agency TDA_Boulder, and its intro video will run as paid pre-roll on sites like Hulu and YuMe. There’s a dedicated man-o-flage.com site for the free software, which is also available at the App Store.

Decorate to your heart’s content, dude.



Here's What the Bible Would Look Like Full of Product Placements

Advertising veterans George Logothetis and Graham Clifford are celebrating Easter in a bit of a blasphemous way this year by unveiling The Product Placement Bible—a tongue-in-cheek (or at least turn-the-other-cheek) website that imagines verses of scripture sponsored by some of the world’s top marketers.

Placing products into TV shows and movies is commonplace. This satirical project takes the concept to its logical extreme by inserting marketing messages, logos and products into the most popular and widely read publications ever written, not counting the Ikea catalog.

The results are amusing—and Logothetis, a copywriter, and Clifford, a designer, hope you aren’t offended.

“It’s a not-so-subtle reminder for us to preserve our most sacred institutions,” they said in a statement. “There’s a time and a place for marketing messages, and it shouldn’t be in our most revered work of scripture. We came up with this far-fetched idea, sensed its potential as a content platform, and simply followed it to its logical conclusion. We mean no harm to anyone and want people to know that this is nothing more than a parody intended to be laugh out loud entertainment. And, of course, serve as a cautionary tale.”

Check out more examples below.



Get a Real Friend, Because Yours Suck, Say Pedigree's Great Ads for Dog Adoption

Here’s a great little campaign for dog adoption by Pedigree and French agency CLM BBDO. Because a dog really will be your best friend, and a loyal one—unlike human best friends, who are constantly letting you down.

Click the ads to enlarge.

CREDITS
Client: Pedigree
Client Representatives: Philippe Mineur, Yann Aubourg
Agency: CLM BBDO
Campaign: “Add a Real Friend”
Art Director: Anthony Lietart
Copywriter: Sébastien Duhaud
Creative Director: Matthieu Elkaïm
Agency Representatives: Laurent Duvivier, Mélanie Marchand, Romain Bruneau, Alisson Cotret
Art Buyers: Marie Bottin, Sacha Pereira Da Silva
Photographer: Alex Murphy
PR: Lauren Weber



Is This Strange Russian Ad With a Man Drowning the Perfect Metaphor for Social Media?

If you saw a man drowning on social media, would you save him? That’s the metaphor at the heart of this bizarre ad for Mainpeople, a new Russian app designed to make charity more central to social media.

In the spot, half a dozen people stand on a dock watching and yammering while some poor guy flails around and swallows half the lake.

The cast of characters nicely skewers a range of clichés—there’s the paranoid conspiracy theorist, the smart-ass teenage boy, the cutesy teenage girl, the grown nerd spouting advice and statistics, the smarmy professor praising other countries, the indignant rich woman who blames the government.

Eventually, a sleazy contextual advertiser shows up and elbows his way into the conversation—flanked by two models in bikinis and rubber ducky life preservers (which are pretty awesome, I wouldn’t mind having one).

Nobody, though, can be bothered to actually lift a finger to help. And at the end of the parable, it’s clear, if not explicitly shown, that the victim actually drowns. (Though, in a clever bit of editing, an alternate reality shows the app quite literally saving him—someone pushes a button on it, and another man pulls him out onto the dock.)

The clip is, in a vacuum, amusing, playing on the perhaps too-obvious truth that there’s a lot of self-indulgent noise on networks like Facebook (and presumably VK), not to mention in a lot of the conversations anyone’s ever had about anything.

As for the apparent point—that people should be talking less and doing more to end suffering, broadly defined—it’s hard to argue the merits, but the mechanics are pretty fuzzy. There’s already no shortage of opportunities to donate to various causes via Facebook, for those who want them. Mainpeople’s website seems to suggest the app will streamline the process, making it easy to donate even when posting about unrelated subjects, and increasing the visibility of posts that come with a contribution (because it’s always smart to appeal to everyone’s vanity).

The brand’s name itself refers to people who are actually doing the heavy lifting of the charity work, and the app is supposed to let lazier types help simply by putting their money where their mouth is.

But even downloading another app seems like a lot of work.

CREDITS
Production: Stereotactic Moscow
Script: Pavel Karykhalin, Michael Lockshin
Director: Michael Lockshin
DOP: Ivan Lebedev
Executive producer: Pavel Karykhalin
Produced by Natalie Yurchenko, Lev Maslov
Composer: Oleg Karpachev



This BMW Ad With a 'Crazy' Woman Has Angered Mental Health Advocates

Will a BMW commercial that’s come under fire from a prominent mental-health advocates get bounced from the NCAA men’s basketball tournament?

The controversy over the 30-second spot, which has been running during games in heavy rotation, should serve as a cautionary tale for marketers (and communicators) everywhere. At first glance, “Cute Cottage,” promoting the ConnectedDrive personal assistant feature, seems harmless enough. A couple in a BMW X3 SUV pull up to the secluded, overgrown “Sprout Brook Inn.” Noting an unkempt woman in a nightgown and sweater staring at them from the porch, the guy in the passenger seat says, “She looks crazy.”

That line—and the couple’s decision to seek other lodgings post-haste, using the car’s technology (after Siri informs them of “slayings” at the dilapidated hotel)—didn’t sit well with Linda Rosenberg, CEO of the National Council for Behavioral Health, which represents more than 2,000 groups nationwide. She fired off a letter to BMW demanding the spot’s immediate ouster from the airwaves, and offered a “Mental Health First Aid” course to client executives and staffers at ad agency KBS+P, which created the commercial.

“This went beyond just the word [“crazy”] for us,” she told CNBC. “It was saying that word, and then behaving as if someone who has a mental illness doesn’t deserve your help. … They’re just going to walk away.”

BMW responded to Rosenberg’s complaint with an apology, and a company representative sent this statement to AdFreak: “We are deeply sorry to anyone that was offended by this ad, as it was certainly not our intention. The ad was intended to spoof a horror movie.”

Asked if the commercial would in fact act be pulled, the rep said, “The ad is naturally starting to run out of our ad-buy rotation.”

“Cute Cottage” does have a thriller-parody vibe—muted colors, moody photography, desolate locale, the couple’s overreaction. It’s neither hateful nor overtly disrespectful, and certainly not malicious. Ten years ago, or even five, I doubt there’d have been a dustup. I choose to take the brand’s apology at face value. If BMW doesn’t feel the ad is objectionable enough to pull, so be it—though trotting out the “nearing the end of its rotation” line, even if it’s true, rarely helps in these situations.

In a broader sense, we live in an age of social hyper-awareness, and words that carry dual meanings or subtly negative connotations — like “crazy”—should, at this point, set off warning bells. Still, it’s a tough call. Lenny Bernstein, the Washington Post’s “To Your Health” blogger, offers a nuanced take: “None of this dawned on me … though I’ve watched a lot of basketball and a lot of this ad since the tournament began. I understand why it’s easy to overlook the offensiveness of these stereotypes, even as we’re enjoying a time of great change in attitudes about other previously stigmatized groups.”

Personally, I winced when I first heard the guy say “crazy,” but I cover marketing every day, so I may be more attuned to advertising’s potential pitfalls than a casual viewer, or health writer, would be. I must admit, however, that Rosenberg’s second point of contention—the couple’s speedy departure without seeking help for the woman on the porch—eluded me completely. After reading her quotes in other media, though, I can see where she’s coming from, especially given her heightened awareness of mental health issues.

Cultural tastes and sensitives are constantly evolving. Words and images, always powerful, have the potential to trip up content creators like never before. That’s something everyone, especially those of us in the media, should strive to keep in mind.

Perhaps we won’t even be calling it March Madness much longer, though Rosenberg isn’t focused on that particular phrase.

“We are not concerned about the use of ‘March Madness,’ although others might feel differently, and indeed the term might fade out over time,” she tells AdFreak. “We view ‘March Madness’ as referring to a ‘commotion.’ Language is important—but the behavior in the ad is of most concern.”



Butterfinger Bets a Million on Manny Pacquiao to Beat Floyd Mayweather

There’s going to be some heavyweight marketing around the May 2 welterweight title fight between Manny Pacquiao and Floyd Mayweather. And Butterfinger is jumping early into Pacquiao’s corner.

The Nestlé brand on Wednesday sent out an April Fools’ Day press release saying its Butterfinger Cups brand was betting a million on Pacquiao. Now, AdFreak confirms (as Pacquiao will do in a tweet shortly) that the bet is actually a million Butterfinger Cups. If Pacquiao emerges victorious on May 2, Butterfinger will offer 1 million of its peanut butter cups in a nationwide payout at ButterfingerCups.com.

The announcement kicks off a month-long “Get In Our Corner” campaign.

“We’re such fans of what Manny represents and love that he has such a great sense of humor to join us in our April Fools’ Day fun and launch the ‘Get In Our Corner’ campaign,” says Fabiola del Rio, Butterfinger brand manager. “We want fans to get in our corner with Manny and help us celebrate this different kind of competitor.”
 



Wieden + Kennedy Turns Its Website Back 30 Years, but Not for April Fools' Day

April 1 is known most places for pranks. But at Wieden + Kennedy it has a different meaning. The agency was founded on April 1, 1982, and celebrates Founder’s Day on that date each year.

This year it’s done something fun with its website, which might be mistaken for a prank. The whole thing has been recast as a throwback to the agency’s earliest years. Check it out here.

The “Work” section includes 33 pieces of creative from the ’80s and early ’90s (Nike, Speedo, Memorex, Honda). “People” features vintage portraits of W+K staff. “Clients” includes a roster from when the agency had offices in Portland and Philadelphia. And “About” has a great early promo video from the agency’s archives, featuring a young Dan Wieden, David Kennedy, Dave Luhr and Susan Hoffman.

Check out that video below, too.

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Homeless People Read Mean Tweets in This Heartbreaking PSA

People reading mean tweets is turning into a PSA genre.

Last month, the Canadian Safe School Network took Jimmy Kimmel’s hit comedy bit, usually featuring celebrities, and repurposed it as a potent anti-cyberbullying ad. Now, Raising the Roof Canada has upped the ante even further with a stunning and heartbreaking spot about the homeless.

In a perfect world, it would be hard to imagine anyone seriously saying (or typing) the things repeated in the clip. But once again Twitter proves its brief format is the perfect platform for bad wannabe comics and self-absorbed asses (whereas Instagram is the favored choice of glib, blithe fashion editors).

The clip is all the more powerful given that, compared to an in-vogue issue like cyberbullying, homelessness is less visible (at least, online). This ad, created by Leo Burnett Toronto, simply put, succeeds in humanizing the homeless population, and gives at least a small handful of its members a bigger platform. For anyone interested, the campaign website has more videos delving deeper into each person’s reaction, as well as some of their backstories.

Luckily, Twitter, as a company, is doing its part to address the broader issue in San Francisco, too—by planning to teach the homeless to code as part of a tax break obligation.



Miss Cleo Is Standing By to Take Your Call to Benefit Cosmetics

Between 1997 and 2003, you probably fell asleep to psychic Miss Cleo telling you, in her upbeat Jamaican accent, that she could predict your future during her infamous Psychic Readers Network infomercials. Now, this April Fools’ Day, the pitchwoman is back. But instead of reading tarot cards, she’s trading makeup tips.

Miss Cleo is now apparently shilling for the Benefit Cosmetics Flawless Friends Network, a hotline that compliments your look. And this time, your calls to her number, 1-844-SO-FLAWLESS, won’t cost you $9.95 a minute. While she gets it makes fun of her most famous role, she’s totally on board with the prank. 

“Laughter is truly the best healer,” she tells AdFreak. “It’s the best way to celebrate. I love to laugh. I think that if anybody takes themselves too seriously, you run the risk of missing out on a lot of wonderful things.”

Don’t believe her? You can also hear testimonials from Shannen Doherty and Joey Lawrence, who make cameos in the ad. (As for me, I’m a firm believer in Miss Cleo’s predictive power. The psychic told me I’m a sensitive soul on my third life, which gives me the ability to take a concept and make it happen at top-level quality. Totally true.)

CREDITS
Client: Benefit Cosmetics
Vice President, Brand, Digital Marketing: Nicole Frusci
Executive Producer, Director: Claudia Allwood
Creative Director: Adriana Parada
Audio Producer: Laurin Hicks
Talent Casting, Management: The Eighth Floor Communications

Video Production Team
Producer: Danny Skarka
Scriptwriter: Brandon Snider
Postproduction Supervisor: Blake Padilla
Motion Graphics: Jimmy Giliberti
Los Angeles Director of Photography: Lew Abramson
Los Angeles Audio: Tom Curley
Miami Director of Photography: Gianfranco Bianchi
Miami Audio: Jeff Alex Thomas
Editor: Loren Sorensen

Hotline Production
Scriptwriter: Janie Stolar
Sound Engineer: Dexter Paulino

Talent: Cleo Harris, Shannen Doherty, Joey Lawrence

Hotline created by IfByPhone, Chicago
Recorded at Aesthesia Studio, Los Angeles; Graphographics, Miami
Edited at DigitalCore, San Francisco