This BMW Ad With a 'Crazy' Woman Has Angered Mental Health Advocates

Will a BMW commercial that’s come under fire from a prominent mental-health advocates get bounced from the NCAA men’s basketball tournament?

The controversy over the 30-second spot, which has been running during games in heavy rotation, should serve as a cautionary tale for marketers (and communicators) everywhere. At first glance, “Cute Cottage,” promoting the ConnectedDrive personal assistant feature, seems harmless enough. A couple in a BMW X3 SUV pull up to the secluded, overgrown “Sprout Brook Inn.” Noting an unkempt woman in a nightgown and sweater staring at them from the porch, the guy in the passenger seat says, “She looks crazy.”

That line—and the couple’s decision to seek other lodgings post-haste, using the car’s technology (after Siri informs them of “slayings” at the dilapidated hotel)—didn’t sit well with Linda Rosenberg, CEO of the National Council for Behavioral Health, which represents more than 2,000 groups nationwide. She fired off a letter to BMW demanding the spot’s immediate ouster from the airwaves, and offered a “Mental Health First Aid” course to client executives and staffers at ad agency KBS+P, which created the commercial.

“This went beyond just the word [“crazy”] for us,” she told CNBC. “It was saying that word, and then behaving as if someone who has a mental illness doesn’t deserve your help. … They’re just going to walk away.”

BMW responded to Rosenberg’s complaint with an apology, and a company representative sent this statement to AdFreak: “We are deeply sorry to anyone that was offended by this ad, as it was certainly not our intention. The ad was intended to spoof a horror movie.”

Asked if the commercial would in fact act be pulled, the rep said, “The ad is naturally starting to run out of our ad-buy rotation.”

“Cute Cottage” does have a thriller-parody vibe—muted colors, moody photography, desolate locale, the couple’s overreaction. It’s neither hateful nor overtly disrespectful, and certainly not malicious. Ten years ago, or even five, I doubt there’d have been a dustup. I choose to take the brand’s apology at face value. If BMW doesn’t feel the ad is objectionable enough to pull, so be it—though trotting out the “nearing the end of its rotation” line, even if it’s true, rarely helps in these situations.

In a broader sense, we live in an age of social hyper-awareness, and words that carry dual meanings or subtly negative connotations — like “crazy”—should, at this point, set off warning bells. Still, it’s a tough call. Lenny Bernstein, the Washington Post’s “To Your Health” blogger, offers a nuanced take: “None of this dawned on me … though I’ve watched a lot of basketball and a lot of this ad since the tournament began. I understand why it’s easy to overlook the offensiveness of these stereotypes, even as we’re enjoying a time of great change in attitudes about other previously stigmatized groups.”

Personally, I winced when I first heard the guy say “crazy,” but I cover marketing every day, so I may be more attuned to advertising’s potential pitfalls than a casual viewer, or health writer, would be. I must admit, however, that Rosenberg’s second point of contention—the couple’s speedy departure without seeking help for the woman on the porch—eluded me completely. After reading her quotes in other media, though, I can see where she’s coming from, especially given her heightened awareness of mental health issues.

Cultural tastes and sensitives are constantly evolving. Words and images, always powerful, have the potential to trip up content creators like never before. That’s something everyone, especially those of us in the media, should strive to keep in mind.

Perhaps we won’t even be calling it March Madness much longer, though Rosenberg isn’t focused on that particular phrase.

“We are not concerned about the use of ‘March Madness,’ although others might feel differently, and indeed the term might fade out over time,” she tells AdFreak. “We view ‘March Madness’ as referring to a ‘commotion.’ Language is important—but the behavior in the ad is of most concern.”



KBS+P Revisits Dawn of Internet for BMW in Super Bowl Spot

For BMW’s Super Bowl spot, “Newfangled Idea,” Kirshenbaum Bond Senecal + Partners look back at an entertaining (and slightly embarrassing) 1994 Today show clip with Katie Couric and Bryant Gumbel in which the hosts act more than a little befuddled about the whole Internet thing (and the “@” symbol).

The flashback functions as a setup to BMW’s forward-looking electric i3. Couric and Gumbel appear in the car, talking about how they don’t understand what they mean that there is “nothing under the hood” of the car or that it was made in a “wind-powered facility.” It’s a pretty clever way of illustrating how much people’s ideas can change about new technology in 20+ years, and making electric-doubters wonder if they’ll feel silly for their questions in another decade or two.

If you’re wondering how the pair feel about the clip, Gumbel offers some insight in a behind-the-scenes feature released by the brand. “People are inclined to ask, ‘Aren’t you embarassed by that clip?’ — or ‘Aren’t you angry about that clip?’ I say, ‘No! I’m not at all! I’m amused by it.’” He added, “I watched The Jetsons years ago, so I kind of thought we’d be in a jetpack, ya know, flying over things. I guess one day we’ll get there, but for the time being, the electric car is a great way to go.”

Child Slavery PSAs Contrast the Joy of Youth and the Tragedy of Stolen Innocence

To highlight the global tragedy of children being sold into prostitution and hard labor, agency kbs+ has released three new spots for World Vision Canada's "No Child for Sale" initiative. Each spot starts with a beautiful childhood scene and ends with the stark reality of life for a child slave.

The videos are beautiful, moving and completely heart-wrenching. The "Bedtime" spot depicts lovely scenes of children falling asleep and being tucked in bed, and ends with a painful shot of a young child lying on a bed under the gaze of a pedophile customer.

The juxtaposition of the two very different childhood experiences is brutally effective. These spots—as well as the additional creative assets on the website—provide the viewer with some eye-opening awareness, and hopefully encourage all of us to take action to help end human trafficking and child slavery worldwide.

CREDITS

Agency: kbs+

TV:
Director: Miles Jay
Production House: OPC/FS
Editor: Jackie Roda
Editing House: School Editing
Online Creative Credits: Fort York VFX
Color: Eric Whipp, Alterego
Music: Me&John, Pirate Toronto
Broadcast Producer: Clare Cashman
Chief Creative Officer: Matt Hassell
Executive Creative Director: Dan Pawych
Art Director: Travis Cowdy
Writer, Creative Director: Lyranda Martin Evans
Account Team: Marie Magnin, Chantelle D’Aoust

Print:
Photographer: Hasnain Dattu
Retoucher: Mark Jackson
Chief Creative Officer: Matt Hassell
Creative Director: Marketa Krivy
Art Director: Braeden Laverty
Writer: Alyssa Geffen
Account Team: Marie Magnin, Chantelle D’Aoust

Interactive:
Executive Creative Director: Dave Sylvestre
Senior Art Director: Matthew May
Art Director, Illustrator: Carlos Lopez
Senior Copywriter: Lynne Valeriote
Design Production: Matthew May
Senior Development Consultant: Pat Lam
Development: Lollipop
Producer: Camelia Jitariu
Account Team: Erin Abbatangelo, Tiffany To
Business Lead: Robin Whalen
Agency Account, Integration Lead: Erin Abbatangelo