Infographic: The Incredible Taxonomy of Almost Every Beer in the World

Pop Chart Lab makes some impressive taxonomy charts. Following last year's complete taxonomy of college sports mascots, the poster company has turned to everyone's favorite subject—alcohol—for its latest mind-boggling creation: The Magnificent Multitude of Beer.

Click over to the site to zoom in and scroll around the comprehensive chart. It's organized by varieties of beer, with examples of brands for each type. Says the company: "This wall map is the most complete charting of beer ever, breaking down ales and lagers into over 100 delicious styles from hoppy IPAs to fruity lambics, and including over 500 individual beers as notable examples of each style as well as glassware recommendations."

The 60-by-40-inch poster can be yours for $76.


    



Buses and Trains Are OK, but Mass Transit Could Use a Few Giant Waterslides

Artist Luke Jerram is turning one street in Bristol, England—specifically, Park Street—into a giant waterslide for a day. Sanitary issues aside (what happens when pigeons crap in it?), the stunt is meant to raise questions about urban planning and how to avoid the high costs of traditional infrastructure.

"Park and Slide will be a unique and memorable once in a lifetime experience and asks people to take a fresh look at the potential of their city and the possibilities for transformation," he writes on his website. "Imagine if there were permanent slides right across Bristol: linking Clifton with Hotwells; Cotham with Stokes Croft. This is our city, and maybe it's up to us to shape its future?"

I'd love to bring this guy to the U.S. just so he can freak out an entire country's worth of city councils that still think light rail is a left-field idea.

Jerram has raised £3,217 of his goal of £5,618 so far.

Via PSFK.


    



Erin Go Blah: Brand Tweets Won’t Make You Green With Envy This St. Patrick’s Day

It's that time of year again, folks. St. Patrick's Day! A day to commemorate something about snakes and a potato famine, or drinking green beer and singing a little ditty, or … what is it about, anyway?

Judging by today's branded tweets, it's about green clothes, shaming your pets with green clothes, and making green food—and if it's not green, adding green things to it.

Notably quiet are the alcohol brands, with nary a St. Patrick's Day mention from Guinness, Budweiser, Miller Lite … ahh, there you are, Coors Light. Way to come through. Check out some of today's branded St. Patrick's Day banality on Twitter below. Cheers!

 
Golden, Colo., is sort of like Dublin.

 
Cat-shaming, courtesy of the ASPCA.

 
Why, Rock & Rawhide, why?

 
Nokia tries a little flag-waving.

 
Come again, Tropicana?

 
Lucky Charms, this isn't magically auspicious.

 
Pillsbury, d'oh.

 
Brb, headed to JCPenney.

 
Nice try, Papa John's.

 
DiGior … no way.

 
At least you put a green M&M in there, Baskin-Robbins.

 
Kellogg's rocks the shamrock.

 
Charmin's potty humor might just top them all.


    



Colorado PSAs Advise Stoners to Act Stupid Everywhere but Behind the Wheel

Colorado is proud to be the first state to legalize recreational marijuana use. Ad creatives in Colorado are happy to have an opportunity to make stoner references.

Three new PSAs for the state's Department of Transportation (by Denver agency Amélie Company and HSI director Simon Cole) gleefully remind would-be weed smokers that they are free to act like idiots while doing many things—but not while driving. Get high and do a bad job installing your TV. Get high and do a bad job playing basketball. Get high and do a bad job cooking steaks. Don't get high and drive. It's pretty simple.

Everybody wins, except for maybe some viewers, who might find that after chuckling at the hopeless handyman spot, the joke burns out a little too quickly. Plus, that lady shooting daggers at the ill-equipped grill master clearly needs to mellow out. Really, it's hard to believe she hasn't already … especially when she's wearing that hat.


    



The Year’s Oddest Celebrity Endorsement? Shin-Soo Choo Pitches Korean Meat Bulgogi

What a load of bulgogi.

The grilled, marinated meat from Korea is suddenly on the media's plate after this strange ad was placed in The New York Times last week. Texas Rangers outfielder Shin-Soo Choo—a huge star in his native South Korea, but not so much in this country, where he actually plays—offers up a morsel with chopsticks. Copy begins: "Spring's here and I'm ready to play! And do you know what got me through training? Bulgogi. Try some at your favorite Korean restaurant. It's delicious!"

Thanks for the tip, Choo! Sure, the ad is random and goofy, but I'm surprised it has sparked so much attention. Maybe it's because it doesn't tout any specific brand, group or eatery, just the beef dish in general.

A Web address in the ad, ForTheNextGeneration.com, contains links to English-language news about South Korea, and holds a clue to the strange ad's origin. NPR, among others, investigated, and traced the placement to Sungshin Women's University visiting professor Seo Kyoung-duk—a passionate promoter of Korean food and culture—and restaurant chain Chicken Maru, which apparently picked up the tab.

Wade Boggs famously ate chicken before every game and wound up in the Hall of Fame. Maybe they should get Choo on that next!


    



Marketing Predictions for Season 18 Cast of Dancing With the Stars

By David Schwab, Octagon First Call

Season 18 of Dancing With the Stars kicks off Monday night with some big changes—most notably, Erin Andrews is the new co-host, replacing Brooke Burke. Like Burke, Andrews is a past competitor—she finished third on Season 10. Andrews has a strong (mostly male) fan base from her days on ESPN and current gig with Fox Sports, so this new role should make her more of a household name with women. She is already busy in the endorsement space, with current and past deals including Reebok, TruBiotics, Diet Mountain Dew and Ticketmaster. It's also worth noting that Burke is still incredibly relevant and popular with brands, especially with her ModernMom.com platform reaching women 25-54.

Here's a look at our marketing predictions for the new cast:

Drew Carey: Carey has been a TV mainstay for two decades, most recently as the host of The Price Is Right. His endearing humor and nice-guy image will garner him much fanfare and show success. Carey's awareness level among adults 25-54 is twice as much as the average celebrity comedic personality, and DWTS will only increase that. His inspiring 80-pound weight loss over the last few years was a big media draw and gives Carey added relevance in the health and wellness space. As DWTS draws back the curtain on Carey's off-screen life and interests, look for opportunities with brands and organizations in the photography (he is an amateur photographer), health/nutrition and literacy (he is a strong advocate for libraries) spaces.

Candace Cameron Bure: Bure played DJ on the ABC show Full House and has made several appearances in television and film since the show ended in 1995. A devout Christian and mother of three, she has written two books about her approach to juggling motherhood; her most recent sparked a minor controversy in regards to her family structure. Still, she will be of interest to wholesome, family-targeted programs, and there are always plenty of mom-driven PR campaigns popping up. Working in her favor is the fanfare surrounding Full House after John Stamos, Bob Saget and Dave Coulier reunited for an Oikos Super Bowl commercial. It would be fun to see them and other Full House castmates show up to cheer her on and further fuel cast-reunion buzz.

Danica McKellar: Another child TV star turned nostalgia icon, McKellar is still best known for her role as Winnie Cooper on The Wonder Years, but she has also authored four books on mathematics primarily targeted at adolescent readers (check out her "Pi Day" tweet from last Friday). A television veteran with a mass-appealing platform of youth empowerment and education, McKellar has all the makings of a fan favorite. Prime for the brand space, she is obviously great for education/academic-focused brands (LeapFrog, TI, Teach for America, etc.) or brands looking to activate with an intellectual spin (e.g., Gillette's "How Does Superman Shave?" campaign). Beauty, health and apparel brands should also watch closely as Danica is attractive, too.

NeNe Leakes: Leakes transitioned from The Real Housewives of Atlanta to a starring role in the short-lived NBC sitcom The New Normal and a continued recurring role on Fox's Glee. Her vibrant personality is sure to be a hit with viewers and will deliver some entertaining postperformance banter with the judges. She has participated in past marketing partnerships with Pretzelmaker and Sears. She made a smart choice to join DWTS, which could further incite interest from brands looking to activate campaigns that need a "larger than life" personality. More of a bump in marketing, not a mainstay.

Cody Simpson: At just 17 years old, Simpson is the youngest competitor this season. The Australian pop star is one of two cast members DWTS is likely banking on to bring in younger viewers this season. Unlike past teen stars on the show who hadn't resonated for brands yet, Simpson has already partnered with Bing, Jay Jays clothing and Teen Cancer America. His burgeoning music career sets him apart from past teen competitors who were associated only with Disney shows. Categories to consider would be soda, tech and shoe/accessory lines. Solid fan base of almost 6.5 million Twitter fans. 

Meryl Davis and Charlie White: We anticipated a surge in Davis and White's marketability following their Winter Olympics gold medal performance and even mentioned that competing slots on DWTS would be most advantageous for them. They are not completely new to the DWTS family, as pro Derek Hough choreographed their Olympic routine. Davis and White were prominently featured in Kellogg's, Visa and P&G TV ads around Sochi, and those brands should take advantage of this extended spotlight. I don't see many new marketing deals but definitely an increase of performance fees at skating shows around the country.

Amy Purdy: As a Paralympian (bronze medalist, snowboarding), Purdy is the best human-interest story in the field. She is a double amputee and also underwent a kidney transplant from her father at 21 years old. Her magnetic personality, undeniable athleticism and inspiring story have already attracted brands including Toyota, Kellogg's and Runway. An occasional actress, she's also comfortable playing to a camera and being on the national stage. DWTS will introduce her to a whole new wave of opportunities and a definite future in motivational corporate and public speaking.

James Maslow: Maslow, 23, is the latest in a long tradition of young stars competing on DWTS (see Simpson above). As Disney is the parent company of DWTS network ABC, most young competitors have come from Disney Channel properties, but Maslow launched his career on competing network Nickelodeon's hit show/boy band Big Time Rush. A run on DWTS could help propel him as a solo musician (the show ended last year, and the future of the band is still TBD).

Diana Nyad: After years of preparations and four failed attempts, Nyad in 2013 became the first person to swim from Cuba to the Florida Keys without a shark cage. Her endurance and no-quit attitude are obvious and should mitigate her advanced age (64) in terms of the competition. She is already an established motivational speaker, and the DWTS exposure will introduce her to further corporate speaking opportunities as brand execs tune in and track the cast throughout the season. However, she probably won't draw the same interest for marketing deals that her fellow competitors will.

Billy Dee Williams: At 76, Williams is the oldest competitor in this season's cast. He is rumored to be returning for the next installment of the Star Wars franchise, which could make this DWTS stint the beginning of a late-career renaissance for him. During his heyday, Williams was most famously the spokesperson for Colt 45 malt liquor, but we see few marketing opportunities for him post-DWTS. He probably won't be the one to do the typical PR runaround in New York or L.A., but his built-in sci-fi fan base and likable persona could potentially still be leveraged in digital content and marketing activations at sci-fi focused events (e.g., Comic-Con).

Sean Avery: Avery is a former NHL-er who spent the prime of his career with the New York Rangers and in the penalty box. He built a reputation as a bad boy during his hockey career, so expect him to carry that mantle throughout the DWTS season. Following his retirement from hockey, Avery modeled in campaigns for 7 for All Mankind (directed by James Franco) and Hickey Freeman. While Avery has tried to showcase the dynamics of his personality over the years, DWTS may not help his cause as he will be fighting an uphill battle to shine through a mix of personalities who are better known, have stronger and more positive backstories and/or have stronger marketability. He is the first hockey player to compete on DWTS, but that won't mean much to brands.

David Schwab is managing director of Octagon First Call, experts in aligning celebrities with brands to deliver a quantifiable return on objectives. Follow him at @david_schwab.


    



Terry Crews Can Shave Anything With His Old Spice Razor, Including Tiny Terry Crews

It's been almost a year since we've seen Terry Crews psychotically scream his way through an Old Spice sales pitch. So, to make up for lost time, we get twice the Terry in one spot. 

"Get Shaved in the Face" is the newest oddity from Wieden + Kennedy, which first tapped Crews in 2010 for a series of over-the-top spots directed by comedy duo Tim & Eric. In this installment, Crews faces the existential dilemma of whether to shave off a facial hair that appears to be his micro-clone.

While Isaiah Mustafa is still the most iconic Old Spice guy, Crews seems to be the brand's personality of choice over the long term. He's gone from advertising Odor Blocker Body Wash to shaving cream—and here he's fronting Old Spice's newest foray into grooming hardware. Thanks to a partnership with Braun, you can now buy an Old Spice Hair Clipper ($49.99), Beard & Head Trimmer ($49.99), Wet & Dry Shave & Trim ($59.99), Shaver ($69.99) and Wet & Dry Shaver ($79.99).

They're apparently the perfect devices for committing anthropomorphic follicide—you know, in case that's an issue for you.

CREDITS
Client: Old Spice
Project: "Get Shaved in the Face"

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Craig Allen, Jason Bagley
Copywriter: Andy Laugenour
Art Director: Matt Sorrell
Broadcast Producer: Jennifer Hundis
Director of Broadcast Production: Ben Grylewicz
Account Team: Georgina Gooley, Nick Pirtle, Michael Dalton, Jessica Monsey
Executive Creative Directors: Susan Hoffman, Joe Staples

Production Company: Gifted Youth
Direction, Editing, Visual Effects: Fatal Farm
Sound Mix: Charlie Keating, Joint Editorial


    



Taco Bell Brings the Sex Song ‘Afternoon Delight’ Back to Its Foodie Origins

If you think it's a stretch that Taco Bell is repurposing mid-day bang ballad "Afternoon Delight" as a metaphor for going to Taco Bell, you're really going to be shocked to hear this: That's almost exactly what inspired the song in the first place.

In the chain's new ad, we see co-workers, classmates and geriatric bingo competitors slipping off together to the tune of Starland Vocal Band's enduring 1976 classic. And despite all the furtive note-passing and conspiratorial up-nodding, we quickly learn they're just heading down to the local Taco Bell for a "Happier Hour" promo that runs from 2 to 5 p.m.

It's a cute ad and even features a cameo by 6-foot-tall America's Next Top Model contestant Laura Ellen James. But what's truly surprising is that the song actually was based on an afternoon food excursion.

According to band lore, singer Bill Danoff was amused by the fact that Clyde's restaurant in Georgetown featured a spicy happy hour menu called "Afternoon Delight," which he thought sounded like a metaphor for sex. (And thanks to him, it now totally is.)

So there's your odd fact for the day. I still don't recommend you refer to a Taco Bell visit as an "Afternoon Delight," though it sounds better than "Afternoon Grease-Beef Injection." Good luck inviting your supermodel classmate to that one.


    



Just About Every Brand Wants a Slice of Pi Day

If you've spent 3.14 seconds on Twitter or Facebook today, you probably know that it's March 14, or 3/14, or Pi Day. 

Ah yes, Pi Day, celebrating a mathematical constant, a number with way too many decimal places, a number used to calculate the diameter, radius and circumference of a circle.

It's also a number that seems to inspire brands to create a wide range of pi/pie-related social media updates. From the obvious pizza and bakery brands to the slightly more tangential tech brands, there's been quite a bit of fun and questionably topical output on social media today.

 
AT&T commendably tied its post back to actual science education:

 
Bing got pretty serious with its decimal dedication:

 
And even Red Bull was true to the math:

 
But a lot of brands just wanted to cover Rebecca Black's "Friday:"

 
Then there was a lot of the usual branded oddness:


    



Arnold Wants You to Drive Around in His New Tank, Crushing Stuff for Charity

Arnold Schwarzenegger has finally achieved his lifelong dream. No, it's not becoming a champion weight lifter/action hero/governator. It's his dream of owning his own "f–king tank."

Since it's only natural for a man who has been blowing things up since 1979 to want to pulverize things with his new toy, he's inviting you and a friend to join him.

In an effort to raise money for the After-School All-Stars program, the Terminator has created an instantly viral video offering you the opportunity to "come to L.A. and crush things in my tank!" Crush anything you want: pianos, taxis, bubble wrap. Hell, he'll even crush movies that make you cry. Wait, does Terminator 3 count?

Here's a clip of Arnold reminiscing about his tank time in the Austrian Army:


    



Coke Drops Unsuspecting Moviegoers Into Sex Scene for Real-Time Ad

What's more refreshing: A Coca-Cola, or a Coca-Cola ad poking fun at the brand's consumers?

To encourage moviegoers to stay quiet during a film, Saatchi Denmark filmed audience members milling around the lobby sipping soda through straws and pulling stupid faces, then quickly edited the footage into the background of a fake movie trailer. In the middle of the supposed preview, viewers suddenly saw themselves on the screen, ruining a perfectly cheesy sex scene with their odd expressions and obnoxious slurping sounds.

It's hard not to wonder if the stunt is staged, or if everybody who goes to the cinema in Copenhagen just happens to look like they could work at an ad agency. Regardless, the point—don't make yourself part of the movie by being a noisy jerk—holds up well enough, both in the case study and in a handful of related clips. The other spots, which you can watch after the jump, aren't real-time editing stunts, but they're still pretty amusing, especially when the young woman offers a perfectly smug deadpan, munching popcorn while she gets buried alive alongside a cop.

Of course, when it comes to customer-shaming ads that encourage considerate moviegoing, the gold standard will forever be Alamo Drafthouse's transcript of an ejected texter's irate voicemail. Because sometimes the truth is just too good to beat.


    



Olympic Skier Ted Ligety Chats With a Snowflake Depressed About Climate Change

Olympic skier Ted Ligety plays straight man to a sullen, animated snowflake in this 90-second spot from Al Gore's Climate Reality Project.

It's part of CRP's "I Am Pro Snow" campaign featuring winter sports stars. Ligety's side of the conversation was created from footage of the gold medalist chatting with a technician while shooting a segment for Warren Miller's documentary Ticket to Ride.

Copywriter Jim Heekin voices the snowflake, who's just not cool with global warming. "For me, 2013—not the best year," he says. "I had a lot of my friends, close friends, melt way before their time." The flake tries to get a grip, telling Ligety: "Sorry, dude. This is my stuff. I should be a better friend to you."

The absurdity continues as the skier provides thigh-drum accompaniment while the flake raps, "Yo, my name is snow/And my beats got flow/And, yo, these winters gettin' hotter/'Case you didn't know." (Climate change skeptics will, of course, point to the fact that early 2014 has been one of the coldest winters for most of the U.S.)

Props to CRP for taking an unconventional approach, though the spot might be a bit too flaky for its own good.


    



Mother London Makes Its Own ‘First Kiss’ Parody … With Dogs

The parodies of fashion brand Wren's super-viral "First Kiss" ad keep flowing in. Here's ad agency Mother London's entry—"First Sniff," starring a bunch of dogs.

Stranger dogs tend to get pretty intimate pretty quickly, and so all the hesitancy in the first half the video, I suppose, is the joke here. Before long, though, there are plenty of noses in butts and all is right with the world again.

The original "First Kiss" video, by the way, has topped 40 million views since Monday.


    



Remember When Burger King Ads Were Insane? In New Zealand They Still Are

It's been years since Burger King's U.S. advertising was truly weird. You have to go back to the Crispin Porter + Bogusky stuff from the mid-2000s—in particular, the deeply troubling "Eat Like Snake" ad from 2006.

Colenso BBDO, however, is keeping BK ads weird for the New Zealand market. Check out the three spots below from director Nick Ball, featuring the most unlikely BK patrons ever—Sir Roger Poppincock and Baron von Cravat, along with an elderly gent on oxygen and his young, pissed-off Russian bride.

Reaction, it's fair to say, has been mixed.

"Hey Burger King, just have to say I think your latest TV ads are dreadful," one Facebook commenter writes. "So much for a tasteful and family orientated pitch. Do you really think that people would find that funny? Old men with some young girl saying when are you going to die, apart from the obvious stereotypes, ageism and sexism, what about the cultural offense you cause by assuming that women from Russia only marry older men? Not impressed." (BK replied: "We are sorry you're not loving our ads. Thank you for taking the time to let us know your thoughts, we appreciate all feedback."

The chain also got some heat for advertising its lamb burger with a billboard that said: "Cute, cuddly & now delicious." In response to that, another Facebook commenter wrote: "I would like to complain on behalf of vegetarians and vegans about the morally and ethically offensive nature of the 'Cute, cuddly & now delicious' lamb burger billboard in Sandringham. Marketing should have been more considerate."

"Our advertising isn't intended to offend, just to get noticed," the marketer replied. "We hope that there was sufficient humour in this billboard to demonstrate our position and are sorry that this campaign upset you."


    



Is This Obscure European Sock Company the World’s Worst Advertiser?

There's dark humor, and then there's morbid humor. And then there are these French-made ads for Burlington socks, which likely don't qualify as any sort of humor whatsoever. 

The brand's newest ad opens on the deathbed of a weeping grandfather clinging to his last threads of life. When his initially sympathetic grandson notices the dying man is sporting some nice socks, he decides to mock Grandpa's suffering and then gleefully murder him.

"I've seen a lot of shock campaigns," writes veteran ad critic Marc van Gurp on his cause marketing site, Osocio. "But this French spot from sock brand Burlington exceeds all bounds of decency."

Sadly, the euthanasia ad isn't even the worst one created for the German brand by French agency Pain Surprises, which may or may not be creating these spots under a legitimate ad contract. (Burlington France's supposed Facebook and Twitter channels only mention the agency's work, which seems suspect, although several reports in the French press say it's a real brand campaign.)

Last October, they posted a spot that's one big joke about a mom appearing to perform sex acts on her young son. (Spoiler alert: She's not.) You can check out that uncomfortable oddity below. 

Then there's the ad from earlier last year that opens with a naked man saying, "Look at me, motherfuckers." There's more to it, but there's not really more to it.

Some will (logically) argue that we shouldn't give undue attention to ads that are this morally bankrupt. But sometimes it's good to scrape the bottom of the barrel to see what's festering down there and remind ourselves that American advertising's not quite as repugnant as it could be. Um, yay? 

Warning: Video contains NSFW language (and a naked guy).


    



Can an Ad Campaign for Women’s Rights Succeed by Only Featuring Men?

Women earn 30 percent less than men for the same work. Some 64 percent of the world's illiterate people are women. Almost 800 women die every day from preventable complications during pregnancy and childbirth.

These are just some of the mind-boggling global injustices cited by UN Women on a new website, HeForShe.org, intended to motivate men to act against gender inequality and violence toward women. Created by Publicis Dallas, the campaign asks men to upload YouTube clips of themselves speaking out in support of women. For further inspiration, it includes a simple but powerful video of well-known men—including activist Archbishop Desmond Tutu, UN Secretary-General Ban Ki-moon, Matt Damon and Patrick Stewart—sharing their perspectives.

It's not a risk-free approach for UN Women, which had a global hit last year with its Google autocomplete campaign by Ogilvy Dubai. Some might think that focusing on men somehow implies their opinions are of greater value. But Publicis says the unusual strategy is the campaign's strength.

"He For She is a unique women's rights campaign in the simple fact that we don't approach the problem from a female perspective, and that's what makes it so powerful," Brad Roseberry, the agency's chief creative officer, said in a statement.

The cause is made all the more pressing by the fact that it's gone underaddressed for so long. (The ad industry, of course, has plenty to do in fixing its own deeply ingrained gender inequalities.) As the new campaign so clearly expresses, the power to solve it often remains concentrated in the hands of men.

Credits below.

CREDITS
Client: UN Women
Agency: Publicis Dallas
Executive Creative Director: Brad Roseberry
Creative Director: Natalie Lavery
Copywriter: Jacob Latchem
Art Directors: Alex Pierce, Joshua Tovar
Producers: Lori Wallace, Desiree Townsend
Web Developers: Alex Pierce, Eric Taylor, Dennis Covington, Jason Awbry
Designers: Alex Pierce, Joshua Tovar
Account Directors: Susan Scott, Whitney Sprague
Editing Company: Republic Edit
Editor: Andy McGee
Producer: Jacklyn Sandoval Roman


    



Ad Campaign Seeks to Help Widow Whose Husband Had Hollywood’s Most Famous Scream

Sheb Wooley comes screaming out of the mists of pop culture into the commercial mainstream in FCB's new campaign for pay-TV channel Canal+ in Spain.

Wooley is the voice actor who performed the "Wilhelm scream," a ubiquitous sound effect that debuted in the 1951 adventure Distant Drum and has since been dubbed into more than 200 movies, including Toy Story and the Star Wars, Lord of the Rings and Indiana Jones series. It takes its name from Private Wilhelm, a character in the 1953 western The Charge at Feather River. (Modern auteurs like George Lucas, Quentin Tarantino, Peter Jackson and Steven Spielberg apparently use the scream in their productions whenever possible.)

The ad below, by FCB Spain and FCB Los Angeles, stars Wooley's widow, Linda Dotson Wooley, as "The Woman Who Can't Watch Movies"—because she's afraid she'll hear her husband's famous scream. The mockumentary points to a website that encourage folks to "donate" their screams and overdub Wooley so Linda can enjoy Hollywood films again. The site lets you record screams for up to three movie clips and share the results with friends. They'll really appreciate that.

Even though it's all a goof, I kept thinking that Linda could just watch something outside Wooley's filmography—like the Scream movies or Home Alone, in which, it seems, Macaulay Culkin handled the screamy honors himself.

CREDITS
Client: Canal+
Agency: FCB Spain; FCB Los Angeles
Campaign: "Leave Wilhelm Alone"
Client Contacts: Iñaki Martikorena, Bernardo Melero, Purification González
Executive Creative Directors: Pedro Soler, Eric Springer
Creative Team: Beatriz Pedrosa, Peio Azkoaga, Joao Freitas
Producers: Brendan Kiernan, Steve Devore, Thomas Anderson, Kate Borkowski, Kepa Vizcay
Production Company: Helo
Director: Alex Grossman
Lighting: Seamus Tierney
Sound: Sam Tornero Pulido
Web Developers: Carlos Lainez, Miguel Iglesias
App Developers: Joan Arbó, Jorge Cubillo
Social Media Strategy: Mauro Rodriguez, Jose Olivares
Poster: Beatriz Pedrosa, Marian de la Fuente
Planner: Manuel López


    



Unapologetic Fitness Mom Turns Her Polarizing Facebook Photos Into a Movement

When Maria Kang posted a picture of herself looking fit and trim while surrounded by her three young sons last year, she became a lightning rod for debate over realistic body images and "fat shaming."

But despite all the criticism it generated, Kang has remained unapologetic and even launched a site called NoExcuseMom.com. To raise awareness of the site, she once again created a Facebook image of herself, this time labeling different parts of her body with phrases like "works 8hr+ days" and "gave birth to sons in 2009, 2010 & 2011." 

The new photo generated more than 17,000 Likes and 1,200 comments, ranging from passionate praise to snide quips like, "Who watches your 3 kids as you work out?"

While Kang's physique is definitely the center of attention, it's worth taking a look at the No Excuse Mom website, where women of all shapes and fitness levels are featured and celebrated. But given Kang's highly personal, often polarizing approach, the "What's your excuse?" challenge is sure to continue garnering its share of blamers and believers alike.

Via AllFacebook.

New photo posted by Maria Kang:

2013 photo posted by Maria Kang:


    



Frozen’s ‘Honest Trailer’ Captures Everything That Made Viewers Hot and Cold on the Movie

Like many parents, I've been seeing (or at least hearing) a lot of Frozen lately. And while I enjoyed it enough the first time around, the film's odd logic doesn't always hold up under multiple viewings.

If you've faced similar skepticism, you'll definitely enjoy Screen Junkies' "honest trailer" for Disney's megahit, which the video creators accurately describe as "the feature-length music video for 'Let It Go.'"

Impressively, Screen Junkies even dubbed in its own versions of the movie's songs, recast as meta parodies of themselves, like "Do You Want to Build a Snowman?" becoming "Do You Want Some Exposition?"

Fair warning: Lots of spoilers in the clip below.


    



PETA Sues San Diego Airport for Rejecting Anti-SeaWorld Ad

Claiming that its anti-SeaWorld billboard was wrongfully rejected for display, PETA is suing the San Diego Airport Authority with backing from the ACLU. 

The billboard pairs actress Kathy Najimy's face with the message: "Welcome to San Diego! If you love animals like I do, please avoid SeaWorld." It's part of an ongoing campaign against the marine park chain, whose critics have been whipped into a frenzy since the debut of the hard-hitting documentary Blackfish about the park's alleged mistreatment of orcas. 

PETA also released a statement from Najimy (best known these days as the voice of Peggy Hill), who suggested other tourist attractions like Balboa Park and the Old Globe theater, as well as getting "naked at Black's Beach." I mean, it is PETA. Even if she hadn't said that, they'd probably add it in post.