Cannes-Winning McD’s Spot Only Ran in Obscure Australian Paper

We’re all aware that certain campaigns exist to move product and, more prominently, to earn attention for the responsible agencies during awards season.

A recent debate over a Cannes winner produced by DDB seems to further prove the point: as Australian media pub mUmBRELLA noted, the McDonald’s print campaign that went on to win a bronze Press Lion appeared on April 30–the very last day for consideration–in a local paper with a circulation of about 20,000.

DDB insisted that the spots, all of which appeared in the same issue of the paper, were part of the pitch that produced the TV ad after the jump.

The pub’s editors, however, didn’t seem so sure.

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New Career Opportunities Daily: The best jobs in media.

Nestea "Confession" (2014) :15 (Canada)

Find yourself in an awkward moment? Nestea has the answer. Just keep drinking.

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Commercials: 

Nestea "Scratch" (2014) :15 (Canada)

Dad just busted you for scratching his car? Just keep drinking. Nestea’s got you covered. It’s now in a can, dontcha know.

At least there’s no Nestea Plunge.

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Commercials: 

LG Smartbanners target competitor phones in-flight

To get people to switch to the new LG G3, M&C Saatchi Stockholm created some targeted Smartbanner ads on iPhone and HTCs. These mobile banner ads call out their battery performance, attempting to convince them to switch G3, because it has better battery performance.

These ads appeared when people were using in-flight wifi via Norwegian Air long haul flights.

Neat idea. But it’s also why I’m adding more and more ad blockers and do not track search engines.

Adland: 

Cube On Fire Table Sculpture

L’Atelier Amarist et l’artiste Alejandro Monge ont réalisé ensemble la sculpture « Too Much », qui a la forme d’une table. Ils remettent en question la valeur de l’argent en générant une flamme venant d’un cube rempli de billets au centre de la table. Les billets de 50, 20 et 10 euros sont bien évidemment faux. A découvrir.

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Alejandro Monge’s site.

Sci-Fi Streetcar Concepts – Russia's R1 Tram System Features a Futuristic and Sophisticated Design (GALLERY)

(TrendHunter.com) The Russian One or R1 tram is the nation’s latest prototype that was created by tank and train maker Uralvagonzavod. This public transit concept was debuted at an industrial trade fair in the…

Grip Limited Designs World’s Most Boring Arcade Game for Taco Bell

Taco Bell fans north of the border have been waiting patiently for Cool Ranch Doritos Locos Tacos to arrive in Canada. So to mark their arrival, Grip Limited designed an arcade game that made them wait a little bit longer.

They created a custom 8-bit “arcade game, called “The Waiting Game,” that “simulated all the excitement and high-octane action of patiently waiting in line.” Players could string together moves like “yawn,” “tap foot,” “check watch” or “chew gum.” The game was placed outside a Taco Bell location in downtown Toronto, and, soon enough, a line formed. To play a game about waiting in line. Since they aren’t complete sadists, Taco Bell rewarded players who made it through “The Waiting Game” by letting them be some of the first people in Canada to try the Cool Ranch Doritos Locos Taco, free of charge. You can see the promotion in action in the video above, and play on online version of the game here. Stick around for credits after the jump. (more…)

New Career Opportunities Daily: The best jobs in media.

NAIL Communications Threatens a Puppy to Make a Point

First, a disclaimer: the follow is NOT an ad, so adjust your critical standards accordingly.

This week brings news that YouTube officially surpassed Facebook in terms of overall users in the United States. It’s also the second-most popular search venue, yet its value to advertisers is limited by the dreaded preroll.

While we can’t guess as to the success of this conversation starter from Rhode Island’s Nail Communications, or AdAge 2013 Small Agency of the Year for the Northeast, we think you’ll agree that there’s a point to be made.

In the “about” section, Nail restates why we all hate preroll ads and proposes a sort-of solution…

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New Career Opportunities Daily: The best jobs in media.

Let's All Thank Weird Al for Turning 'Blurred Lines' Into an Anthem of Proper Grammar

Weird Al might not be the hero an illiterate Internet wants, but he’s certainly the one it needs.

His newest video, “Word Crimes” (a parody of “Blurred Lines”), is possibly the catchiest grammar lesson created since the days of Schoolhouse Rock. The song and kinetic-type video cover a wide swath of everyday errors, from “its” vs. “it’s” to abusing the word “literally.”

A few of my favorite lines:

“You should never write words using numbers, unless you’re 7 or your name is Prince.”

“Listen up when I tell you this: I hope you never use quotation marks for ’emphasis.'”

“I saw your blog post. It’s really fantastic. That was sarcastic. Cause you write like a spastic.”

He even squeezes in a PG-13 pun with his reference to the aid of “some cunning linguist.” Look at Weird Al, gettin’ scandalous.

This clip almost makes up for his practically unwatchable video for “Tacky,” a lifeless parody of Pharrell’s “Happy.” After seeing that one the other day, I was just about ready to write off Weird Al. But never underestimate his ability to get the last word.



The 10 World Cup Sponsors That Grew the Most in Followers, Fans and Subscribers


What did FIFA World Cup sponsors get out of their association with the global event? In some cases it’s obvious, as various video campaigns created for the tournament have racked up hundreds of millions of views. But then again, many of those views actually went to non-sponsors: Nike, not an official sponsor of the tournament itself, soundly defeated sponsor Adidas by that measure. So, as the dust settles, we’re taking a look at another measure of success: the growth in the brands’ social-media communities.

For this chart, Ad Age worked with ListenFirst, a New York social analytics and strategy shop, to examine the growth in Facebook fans, YouTube subscribers and Twitter and Instagram followers among the big brands that backed the 2014 World Cup. Scroll down below the graphic for more notes and context.

ListenFirst tracked both absolute and relative growth. First, it monitored each brand’s average social-community growth before the World Cup to establish as a baseline. Then the ListenFirst team measured how brands grew their social followings during the tournament relative to their usual, pre-World Cup growth rate to arrive at the weighted scores you see in our chart.

Continue reading at AdAge.com

Haunting Mental Illness Photography – This Bipolar Photo Series is Candid and Alluring (GALLERY)

(TrendHunter.com) Having suffered through mental illness personally, photographer Christina Riley decided to do something about the stigma that surrounds it by working on this mental illness photography series….

What's That Smell? The Mystery of Mr. Sketch Scented Markers Revealed


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Old Spice’s Mandroid takes to the beach in a spot that Creativity previewed and made an Editor’s Pick yesterday, while the Muppets sing a song of hospitality for Lipton. (Ad Age’s Jack Neff has background on the “Be More Tea” campaign right here.) And if you’ve ever wondered why Mr. Sketch scented markers smell so good, well, we don’t want to give too much away, but there’s a flatulent blueberry involved.

As always, you can find out more about the making of the best commercials on TV at Ad Age’s Creativity.

Continue reading at AdAge.com

JDate: Jewish parents

Advertising Agency: Terri & Sandy, USA
Production Company: SoulPancake

JDate: Matzo ball recipes

Advertising Agency: Terri & Sandy, USA
Production Company: SoulPancake

JDate: Jewish summer camp

Advertising Agency: Terri & Sandy, USA
Production Company: SoulPancake

Jordan: Re2pect

Advertising Agency: Wieden + Kennedy, New York, USA
Director:
Matt Aselton / Arts & Sciences

Cool Ridge: Puppets

Advertising Agency: BMF, Melbourne, Australia
Creative Director: Carlos Furnari
Art Director: Robat Jones
Copywriter: Kerem Sekerci
Planning: Simon McCrudden
Agency Producer: Fiona Gillies
Director: DogBoy
Post Production: The Pound
Production Company: The Pound
Editor: Gary Woodyard
Producer: Natalie Taylor
Music & Sound Production: Production Alley
DoP: Lachlan Milne
Account Director: James Bilaver
Senior Account Manager: Rhys Thomas
Graphic Design: Shannon Riches
Photographer: Adrian Lander

Outspoken Immigrant Advocate, Also Undocumented, Is Held in Texas

Jose Antonio Vargas, an activist who has said he is an undocumented immigrant, was taken into custody by the Border Patrol in McAllen, Tex.



Dispute Is Settled Over Broadcast Rights to Golden Globes

The Hollywood Foreign Press Association had claimed that Dick Clark Productions improperly renewed broadcast rights to the show with NBC.



Modernist Bird Houses

Le studio polonais Zupagrafika a voulu concevoir une maison pour oiseaux qui aurait la forme et la façade similaires aux immeubles préfabriqués qu’on trouve en Pologne. Fait avec des techniques d’impressions et du bois, « Nesting Blocks » est un nid original à découvrir en photos dans la galerie.

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