Dallas Pets Alive: Petstagram, #chickmagnet

from #lonelydog #nofood #mustbesick to #ilovemydog #socute #chickmagnet

Advertising Agency: Dieste, USA
Chief Creative Officer: Paco Olavarrieta
Executive Creative Director: Ciro Sarmiento
Group Creative Director: Ivar Rodriguez
Art Director: Ricardo Muñoz
Copywriter: Borja Eizmendi
Head of Art: Gustavo Zapata
Senior Account Executive: Elsa González
Art Buyers: Kaitlyn Cunningham, Candace Guittard
Published: April 2014

‘Mad Men’ Stars Tell Diane Sawyer What They’ve Stolen from the Set

Diane Sawyer’s interview with the “Mad Men” cast will air in about an hour and a half, so here’s your quick preview.

Turns out certain actors and actresses might be a little too fond of the period props on set…

There’s another teaser in case you’re curious; in the meantime, we have no word on the previous owner of Vincent Kartheiser’s beard.

New Career Opportunities Daily: The best jobs in media.

Romantic Fishermen Residences – The Vega Cottage House in Norway is a Haven Far from the City (GALLERY)

(TrendHunter.com) A house in Norway called the Vega Cottage has been recently redesigned by the Stockholm-based practice Kolman Boye Architects. Just off the coast of the Norwegian sea, the house offers spectacular…

Here Is the Game of Thrones Theme Screamed by Goats

It's always hard to find the best goat scream for the occasion (Doritos devoted a lot of effort to the task). But sometimes, with what sounds like a little bit of AutoTune and some well-chosen goats, and also what appear to be a sheep and and ibex, you can, for example, record the entire theme song to HBO's popular fantasy series Game of Thrones exclusively in goat voice.

This is the work of Marca Blanca, the Spanish-language comedy company responsible for such masterpieces as the opening sequence from Friends reworked with stock footage of high-ranking Nazis, and this amazing video of live-action footage substituted for Grand Theft Auto V gameplay. The latter is in Spanish, but it doesn't matter.

Game of Goats, however, knows no language, race or creed. It is simply there for you, on the cold nights, when the only thing that can cure your loneliness is a furry omnivorous quadruped shouting in a voice that reminds you of your fourth-grade teacher.

To all other parodies of Game of Thrones, I say: "Bah!!!"

 




Tell Everyone What You’re Doing This Sunday Night With Mad Men Out of Office

If you can't wait for Mad Men to return for part one of its seventh and final season this Sunday, and you're itching to declare your intention to watch it to all your social media friends, AMC would like to offer you a special opportunity to advertise on its behalf by customizing a picture of Don Draper so your name appears next to his face.

You can choose one of seven other characters, too. It's a fun tool for die-hards, and a smart way to drive the natural symbiosis between TV and social media. Dubbing it "Mad Men Out of Office" seems a bit of a misnomer (as much as posting to Facebook may feel like clocking in to some). If you were going to be in the office on a Sunday night, you should obviously quit and watch Mad Men.

Unless you work in advertising, in which case, of course, you probably are in the office on a Sunday night, and you won't be watching Mad Men, or having much use for AMC's widget. You can still drown your woes in Canadian Club, though—and catch up on the first six seasons in two minutes, to remember what you'll be missing.




Cut-Throat Barbers: Full Moon

The Blood Full Moon will rise this Tuesday. We will be expecting you.

Advertising Agency: iris Worldwide, Amsterdam, The Netherlands
Art Director: Glenn Doherty
Copywriter: Josh Stuart
Photographer: Marcus Koppen
Additional credits: André Westerveld, Tom Ormes, Rachna Dhall
Published: April 2014

Bose QuietComfort 15 Headphones: Cartoon Sound Effects, Blue

Advertising School: Humber College, Toronto, Ontario, Canada
Art Director / Copywriter: Marco Marone
Published: April 2014

Bose QuietComfort 15 Headphones: Cartoon Sound Effects, Red

Advertising School: Humber College, Toronto, Ontario, Canada
Art Director / Copywriter: Marco Marone
Published: April 2014

Bose QuietComfort 15 Headphones: Cartoon Sound Effects, White

Advertising School: Humber College, Toronto, Ontario, Canada
Art Director / Copywriter: Marco Marone
Published: April 2014

Luis DeAnda Replaces Carisa Bianchi at TBWA\Chiat\Day (Memo Included)

bianchi_detailIt’s official: after more than 24 years with TBWA\Chiat\Day–nine of which she spent as president–Carisa Bianchi is no longer with the agency. In her place, Luis DeAnda is acting president of the Los Angeles office as of…now.

Here’s the unsigned memo:

Carisa Bianchi, after nine years as President, is leaving TBWA\Chiat\Day. Let me take this opportunity to thank her. Carisa has been an integral part of our success over the past 20 years. Let me also share with you a few words from Lee about Carisa:

continued…

New Career Opportunities Daily: The best jobs in media.

Drone Painting by Katsu

Le graffeur Katsu a récemment présenté, à San José, une série de peintures bien particulières puisqu’elles ont été faites par un drone. Les drones contenaient des bombes spray remplies de peinture et le résultat donne des peintures très abstraites et insolites. Les photos sont à découvrir dans la suite.

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Recreio Volkswagen: 20 Years

Film
Recreio Volkswagen

They tried to make an institucional commercial for TV, but they can’t stop selling.

Advertising Agency:11:21, Rio de Janeiro, Brazil
Creative Director:Gustavo Bastos
Art Director:Leandro Barbosa
Copywriter:Gustavo Bastos
Production Company:MZ3
Director:Mario Barros

Campanha de desarmamento revela que monstros existem

Campanhas que defendem o desarmamento costumam ser brutais para mostrar seu ponto de vista, com raras exceções. “The Monster is Real” não é diferente. A animação criada pela Grey para a States United to Prevent Gun Violence mostra uma situação tão comum quanto absurda, uma criança vivendo em uma casa onde uma arma de fogo fica ao alcance de qualquer um.

Ao longo de quase toda a animação, vemos um garotinho com medo de um monstro que se esconde em um armário. Os pais do menino tentam convencê-lo o tempo inteiro de que monstros não existem. Quando ele finalmente resolve vencer seu medo e encara o monstro, a verdade pode não ser o que sua família espera.

A produção é da Hornet.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Luis DeAnda Named President at TBWA/Chiat/Day Los Angeles


Luis DeAnda has been named president of TBWA/Chiat/Day’s Los Angeles office, succeeding Carisa Bianchi, who is leaving the shop after 24 years.

Ms. Bianchi had been president of the L.A. office since 2005. She previously held the same title at TBWA’s San Francisco office, which shuttered in 2002.

Mr. DeAnda has been with the TBWA network for 12 years, joining TBWA in January as managing director after serving as managing director at TBWA/Media Arts Lab, the unit formed to handle the Apple account. He was previously chief operating officer at TBWA/Hakuhodo in Tokyo.

Continue reading at AdAge.com

Jay Benjamin Jumps to Saatchi & Saatchi as CCO

Jay BenjaminJay Benjamin has left Leo Burnett to fill the chief creative officer role at sister shop Saatchi & Saatchi, Adweek reports.

The transition should be smooth for Benjamin, with no shift in title and a move to a larger Publicis-owned agency. Benjamin joined Leo Burnett as an executive creative director for the Sydney office in 2008 and has held the chief creative officer title for the last four years. His work for the agency includes the Cannes Lion winning “New York Writes Itself” for the Village Voice. Prior to Leo Burnett, Benjamin served as executive creative director at J. Walter Thompson. He has worked for Saatchi & Saatchi before, as creative group head Saatchi & Saatchi New Zealand and Saatchi & Saatchi Sydney, respectively. He begins his new role on April 21st.

New Career Opportunities Daily: The best jobs in media.

And Now, Your Final ADC Fest Recap

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All good things must come to an end as they say and with that, here’s the final recap of the 2014 ADC Festival of Art + Craft that wrapped up yesterday in Miami. Once again,  here’s a quick snapshot of the third and final day of the festivities courtesy of ADC content manager, Brett McKenzie. As mentioned below, the big winners for at the actual ADC awards included Stockholm’s Forsman & Bodenfors, which picked up the almighty Black Cube for the Van Damme splits work for Volvo Trucks (full winners list here). Well, for our sake, there’s always next year. Take it away, B.

“The 2014 edition of the ADC Festival of Art + Craft in Advertising and Design is now in the history books, after the third and final day of intriguing workshops and meals, not to mention the finale of the ADC 93rd Annual Awards, the unveiling of Laser Cat and not one but two blowout after parties.
Beginning at sunrise with some beachside yoga and a breakfast open only to ADC Members, Day Three of the Festival featured some of the event’s most popular workshops. Attendees donned aprons and picked up knives and chisels to build guitar frames with Dick Boak, experimented with computer code with Sub Rosa’s Joshua Davis, unleashed imaginations and inhibitions with street artist Kazilla and peered into the unsettlingly bizarre mind if legendary illustrator Gary Baseman.
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The evening’s gala took place at the beautiful New World Center. If you are looking for the full laundry list of Cube winners, visit http://adcglobal.org/adc-93rd-annual-awards-winners-part-two/ but the one sentence version is that the night belonged to Forsman and Bodenfors, Volvo Trucks and Van Damme’s epic splits, whose checked luggage going back home to Sweden will likely be overweight.
Immediately after all the Cubes were handed out, Hungry Castle unveiled it’s much anticipated Laser Cat installment, beaming the personal projects of thousands of creatives onto the walls of the venue.
After Laser Cat’s reveal, Festival attendees danced the night away on the New World Center’s rooftop, and when the lights came on at that venue, they hurried on to a nightclub for several more hours of celebration.
This morning there were a lot of happily comatose Festival attendees, shaking hands and promising to keep in touch, already getting excited for 2015. We hope you’ll join them next year!”
More images after the jump.

New Career Opportunities Daily: The best jobs in media.

Video: CNN Gets Personal With CNNx


CNN is getting personal with the introduction of CNNx, a platform that allows viewers to control their live news experience.

Through CNNx, which is available now for the iPad and is planned to appear on set-top boxes later in the year, viewers can access 24 hours of program rundowns and select the segments they want to view. The experience pairs the segments with other real-time content culled from CNN’s network and website.

CNNx is available to cable and satellite customers by logging in with their TV provider.

Continue reading at AdAge.com

Ad Guys Make Popsicle Stick Jokes That Are So Sad, They’re Hilarious (GIFs)

You probably remember popsicle stick jokes as a fun, charming, innocent part of your childhood. Jason Kreher and Matt Moore are here to wreck those memories.

The pair of creatives at Wieden + Kennedy in Portland, Ore., have made a fake product called Schadenfreezers—popsicles with the most depressing jokes you can imagine. (For now, at least, they're just animated GIFs.) The tagline is: "The strawberry, blueberry and lemon-flavored joy derived from the suffering of others." When you read them, your sense of happiness drips away much like the sad melting treats themselves.

Kreher and Moore made the first GIFs last year. (Sample jokes: "How many lives does a cat have?" "Only one." "Why did the lifeguard wear pants?" "Because he was ashamed of his body." "Why did the clown go to jail?" "For his collection of child pornography.")

Now they're back with a whole new set. You can check some of them out below, and the rest over at schadenfreezers.com. There are 11 new ones, and more will roll out gradually.

We caught up with Kreher and Moore over email to ask them just what their problem is.

This is Round 2, but take us back a bit. Where did this twisted idea come from? Did neither of you have a happy childhood?
We honestly can't remember how these came about; it was probably just us wanting to visualize the awful things we think are funny. It's kind of like wagging your penis around in public when you're a little kid … it's the wrong kind of attention, but it's attention nonetheless.

Popsicle-stick jokes are generally corny. Why make them existentially bleak?
I don't think either one of us is particularly cynical, but it's fun to take something innocent and make it profane. There's nothing wrong with pondering life's greatest tragedies while enjoying a nice snack.

What's your joke writing process like? How do you know when you have a winner? And how do you know when you've gone too far?
We probably wrote around 200 of these to get to our final ones. I think they work best when the setup feels like it could be an actual popsicle stick joke, but then stabs you in the gut with the punch line. And with these, there's no such thing as too far. If we suspect one has gone too far that means it's probably going to make the cut.

What are your favorite jokes from the new batch, and why?
Jason: The janitor one is my favorite. It's probably the most dehumanizing and bleak thing that's ever occurred to me, which was kind of my bar for these.
Matt: That plane one feels like it's going to be some awful pun and then it ends up as an awful truth. Kids love that.

There was some outcry about the original round of jokes. Do you think people don't want to see innocent popsicle-joke humor messed with?
The only people who got really riled up were the few who thought this was an actual product, and that we'd somehow bribed the press to feature them. I like thinking of us as a corrupt, fat-cat popsicle corporation greasing the palms of the Huffington Post Arts & Culture editors.

The animations seem more sophisticated this time. Was that just a general improvement you wanted to make?
What a nice thing to say! Matt has been wanting to experiment with stop motion for a while now, and this new round was a great opportunity to make these stand out. We host the site on Tumblr for a couple reasons, but a big one is that Tumblr features a lot of funny stuff and a lot of artful stuff, but rarely do the two meet. These feel different because they're something you want to look at and also something you might laugh at.

Have you ever actually produced Schadenfreezers as a product? If not, would you be interested in that?
Sure. If any of your readers are popsicle manufacturers who secretly kind of hate themselves, please have them contact us at your earliest convenience.




Advertising Jobs: Agency 720, Benz Communications, The Ad Council

This week, Agency 720 is hiring an interactive social media designer, while Benz Communications needs a writer/copy editor. The Ad Council is seeking a public relations and social media manager, and Midan Marketing is on the hunt for a senior art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

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Find more great advertising jobs on the AgencySpy job board. Looking to hire? Tap into our network of talented AgencySpy pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

Floating Balloon Design

Le studio japonais h220430 nous invite à découvrir des objets au design pour le moins surprenant. Déclinée au format de banc et de chaise, la série Floating Balloon donne une impression de suspension, utilisant des ballons pour camoufler les fils retenant le siège depuis le plafond. Plus de détails dans la suite.

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