Epic Spec Ad For Beans Has Major Flaw

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This spec ad from effects studio Cinesite is pretty awesome. Several astronauts on the moon are suddenly attacked by a monstrous creature who, it seems, has been awoken from a slumber and isn’t too happy about it. The creature violently slams three astronauts into the ground while a fourth hides behind a rock.

This being an ad for beans, you can basically guess what happens next. However, in space, where there’s no air to carry sound, astronauts can unleash all manner of gaseous output without fear of anyone (without a radio connected to said astronaut) hearing anything…let alone the body-crushing sound effects.

Funny ad. But we’re calling a technicality.

Filmmaker Shows Us How to Truly Sell a Crappy Car

Recently, Orlando-based Ikonik Studios filmmaker Luke Aker created a luxury car ad to sell his 1996 Nissan Maxima, as reported over at HappyPlace, and it’s pretty clever and hilarious.

Utilizing pitch-perfect voice-over, the ad begins by declaring that “the most iconic monuments seem to be those that stand the test of time.” It isn’t until about twenty seconds into video that the object of the ad is revealed: a used 1996 Nissan Maxima GLE. The ad then begins touting the vehicle’s features, bragging that the Maxima is “fully loaded with an engine, wheels, tires, and an automatic transmission: a thrilling combination that has lasted over a decade.” The Maxima can “guarantee that it will get you from point A to B — most of the time.” The video manages to be simultaneously a perfect satire of the typical, ridiculous luxury car ad and an ode to shitty used cars.

If you’re interested in purchasing the vehicle (and who wouldn’t be after a sales pitch like that?), it appears to still be available, as Aker’s Craigslist ad is still up. On Craigslist, Aker mentions a few extra features, such as “steering fluid that has been designed to leak out from underneath the car when it has been exhausted from the majestic work that it has done.” He’s asking for $900, or best offer. That’s right: this majestic ride that is “as smooth as a Pegasus’ backside” can be yours for under one grand. What a steal.

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Can ‘eBay Now’ Really Hope to Compete with Amazon Prime Air Bakery?


Remember when greed, covetousness and extreme impatience were considered bad things? Yeah, me either. But according to historians, in earlier times they were known as vices, not virtues. Go figure, right?

Fortunately, we live in an age of gratification so nearly, literally instantaneous that the window of our collective suffering — that awful and intolerable stretch of time when we want a thing, but don’t yet have that thing, and therefore have to wait for that thing (so degrading!) — is diminishing more and more with each passing day.

Amazon, as you know, recently made headlines with its announcement that it’s working on creating a fleet of unmanned drones that could deliver your Amazon order in as little as 30 minutes. Of course, it turns out that to achieve that kind of delivery time, Amazon may have to build a lot more warehouses a lot closer to a lot of U.S. households.

Continue reading at AdAge.com

RAPP Crafts Charming Animated Holiday Card via Vine

The folks over at full-service agency RAPP, have created a charming animated holiday card using Vine.

Its elegant simplicity (a short animation of ornaments climbing up a Christmas tree) makes it simultaneously one of the best uses of Vine and one of the more tasteful agency holiday cards of the season. Even Vine-haters may come around on this one (okay, probably not). It’s worth a quick view (above) as it won’t take more than a few seconds. Short, tasteful and to the point: what’s not to like? If you’re having trouble getting into the Christmas spirit, with a little over a week to go, it just may help nudge you over the edge. Thanks for keeping it classy, RAPP.

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Artworks made of Packaging Tape

Focus sur Mark Khaisman, un artiste ukrainien né à Kiev. Ce dernier utilise du scotch et ruban d’emballage pour composer sur des panneaux transparents éclairés des portraits impressionnants. Des références à des classiques du cinéma hollywoodien nécessitant des heures de travail.

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Mock Commercial for Beans Is Better Than Almost Any Real Commercial for Anything

Visual effects studio Cinesite produced this crazy-good mock commercial as a way to show off its creature animation skills. And one hell of a creature it is—a marauding beast who takes umbrage at being awoken from its cave by some astronauts, who take a serious beating for their transgressions. Except one guy gets away … or does he?

The spot was written and directed by animator Alvise Avati. Read more about it here. Credits are below. Via Disco Chicken.

CREDITS
Client: Cinesite
Written and Directed: Alvise Avati
Producer: Eamonn Butler
VFX Supervisor: Richard Clarke
Art Direction: Jean-David Solon
Concept Art: Andrea de Martis
Modelling and Rigging: Grahame Curtis, Royston Willcocks, Richard Boyle
Animation: Alvise Avati, Eamonn Butler, Peter Clayton, Tom O'Flaherty, Adam Bailey
Texture Artists: Nicolette Newman, Gary Newman
FX Animation: Andreas Vrhovsek, Luke Wilde
Lighting and Compositing: Zave Jackson, Nikos Gatos, Jonathan Vuillemin, Dan Harrod, Joel Bodin
Editorial: William Marshall-Wilkinson
Christopher Learmonth


    

Erwin Penland, Saint Nick Team Up to Create ‘Klaus Score’

It appears Santa is keeping up with the times and has embraced social media. Erwin Penland (which of course took over ad duties on Denny’s a few months back) has teamed up with Old Saint Nick himself (and, we suspect, the NSA) to create the “Klaus Score” (which we assume is inspired by Klout score), a new social media metric measuring naughtiness/niceness.

To determine if you’ve been naughty or nice this year, “Santa factors in your Twitter, Facebook and Instagram activity to his complex algorithm” and determines whether you’ll be getting a lump of coal or a bunch of bright, shiny packages. Watch the video above to learn more about the magical algorithm Erwin Penland and Santa developed to measure social media niceness. If you’d like to find out your own Klaus Score, head over to getyourklausscore.com. It may be the best way to discover whether you’ve landed on the naughty or nice list this year. With only nine days until Christmas time is running out to change your status.

My Klaus Score is a 60, making my current status “Master of Merriment.” Let us know your own Klaus score in the comments section. We suspect a few of you may have been naughty.

New Career Opportunities Daily: The best jobs in media.

Guardian marketer David Pemsel promoted to deputy chief executive role

David Pemsel, the chief commercial officer of Guardian News & Media, has been promoted to deputy chief executive of GNM, as the chief executive of Guardian US, Michael Bloom, exits the company.

David Pemsel promoted as the chief executive of Guardian US exits

David Pemsel, the chief commercial officer of Guardian News & Media, has been promoted to deputy chief executive of GNM, as the chief executive of Guardian US, Michael Bloom, exits the company.

The 7 Most Inspiring Ad Campaigns for Women in 2013

It's been a great year for women-empowering ads. Brands tackled everything from gender stereotypes (Pantene) to sexism (UN Women) to cultural repression (Tanishq), encouraged women to be kinder to themselves (Dove), got girls to celebrate their own strength (GoldieBlox, Mercy Academy), and even made a this-is-for-real ad about periods (HelloFlo).

Below, we've collected the seven most popular campaigns of the year. Popular doesn't necessarily mean universally loved; none of the work was received without some backlash or criticism. You can vote for your favorite with a tweet. Not seeing your favorite? Let us know in the comments.

UPDATE: The runaway winner is Mercy Academy. Congratulations!


    

And Now, an Atmosphere Update from its Own Chief Exec

andreas_1Over the weekend, we obtained what those in the know say is a legit memo from Andreas Combuechen, chairman/CEO/CCO of Atmosphere Proximity who co-founded the agency as part of Omnicom/BDDO Worldwide nearly 15 years ago.

Combuechen’s state of the union to staff perhaps most notably mentions a consolidation next year of Atmosphere’s creative technology, project management and production teams under one unit to be led by chief creative technologist/executive director of integrated production, Michael Moroney, who’s been with the agency for approximately 18 months. Along with Combuechen’s memo, sources tell us that come 2014, specifically in mid-January, New York-based Atmosphere, which also helps spearhead The Big Ad Gig, is launching new Visa work around Sochi (we’ve been told that the agency was also behind this recent effort for the brand). Anyhow, read on.

“All,

Concepting and producing  brilliant creative is the lifeblood of our agency success.  And getting to brilliant work requires a highly collaborative environment and contributions from every team member within every department in the agency.

In 2013, we have wide ranging creative product to be proud of.  We developed a breakthrough brand campaign for Cognizant.   We’ve developed a cutting edge  experience for Visa through an app to allow you to experience the athlete perspective in a  360 interactive way.   We developed an innovative HP social media product idea called Inkable.  We re-architected and re-built the Johnson & Johnson DepuySynthes global web platform and digital ecosystem.  We also won new business on the back of great creative thinking for Emirates North America and the Dubai Tourism and Commerce Marketing Group.

While we can be proud of our accomplishments, we have to challenge ourselves to do better.

The first step to better was taken this past year when we introduced Michael Moroney and the Creative Technology group into the agency. This group of people have had a very positive effect on the work –  expanding the quality of creative thinking, prototyping ideas and identifying interesting technologies to use in production.

Because the type of work we’re developing includes more video, mobile applications, live event technology and web/social platforms, we are now producing integrated creative that requires the creative technology, project management and production teams to be coordinated and led in a new way.

To that end, in 2014 we are going to consolidate the current team of experts in creative technology, project management and production under a single group led by Michael Moroney.  Michael will spearhead these efforts and take on the title of Executive Director, Integrated Production.  Susanna Graves, will play a pivotal role guiding the project management team within the group and will take on the title of Director of Project Management.  In addition David Quinta will take a lead role for the Production team within, taking on the new title of Executive Producer of Integrated Production.

In another change relative to this move, we’d like to inform everyone that Ali Pulver will be moving on to a great new opportunity within Omnicom.  She is taking on the position of VP Commercial Operations at DAS as of January 1st. We’d like to thank Ali for all her contributions over the last couple of years to help scale the agency and wish her the best of luck.

We believe the new structure outlined above will lead to a more agile way of deploying expert resources on given assignments, enable better knowledge sharing and lead to an even higher caliber of collaboration.  As an end result we also believe the quality of creative work will be lifted.

There will be further dialogue about how this group will be operationalized next year.  In the meantime we’re excited about the potential it will bring.

Best,
Andreas Combuechen
CEO, Atmosphere”

 

New Career Opportunities Daily: The best jobs in media.

Britney Spears Purfume: Ad or Heartfelt Emotion?

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We haven’t written about Brittany Spears in years. There was a time she dominated the pages of Adrants. Both because she was very active as a spokeswoman for many brands and because, well, we always had a thing for Britney. She is kind of hot after all, right?

Anyway, she’s back in the news. This time for her recent video, Perfume, that, well, comes off as if it were a perfume ad instead of a video about, well, perfume. But really, who cares? It’s all content marketing now anyways.

So…ad or heartfelt outpouring of emotion from a woman facing a visit from her boyfriend’s ex-girlfriend?

Clip-On Mobile Stands – The Awake Smart Click is a Small Smartphone Stand (GALLERY)

(TrendHunter.com) The Awake Smart Click is a small smartphone stand that lets your device rest in an angle. The one-click design allows you to use it as a multi-angle stand for simple viewing pleasure. All you need…

Diving into the Black Hole

Jacob Well’s au Texas est l’un des endroits les plus incroyables sur Terre, mais aussi un des plus dangereux. Chaque année, des amateurs viennent à la recherche de sensations fortes en plongeant dans ce trou submergée, même si cela peut couter la vie de certains téméraires. Plus d’images dans la suite.

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$28,000 Hotel Suites – The Mandarin Oriental in New York Has Unveiled the Suite 5000 (GALLERY)

(TrendHunter.com) If you’re planning a very exuberant trip to the Big Apple then the Mandarin Oriental, New York has revealed their newest suite just in time.

Located in New York, New York this hotel has…

JWT Brazil Raises Cancer Awareness by Surprising Audience with Unexpected Choir

This one is tough to take, but that’s kind of the point.

JWT Brazil created another attention-grabbing event raising cancer awareness for A.C. Camargo Cancer Center. After crafting a graffiti intervention for breast cancer last month, the agency set it sights on raising awareness for larynx cancer. As you may know, the main risk factor for larynx cancer is smoking, so this came complete with an anti-tobacco message.

Even more so than with the graffiti intervention, JWT Brazil uses the element of surprise to their advantage. A packed audience at MASP’s auditorium was waiting diligently to see the famed São Paulo University Choir. Instead, they were met by a very different kind of vocal ensemble: the Sua Voz Choir, made up of larynx cancer patients. The choir used “esophageal voice, prosthesis, electronic larynx (vibrator), oral speech and sound’s articulations” to make their way through Beatles classics “All You Need Is Love” and “She Loves You.” Their performance serves as a harrowing reminder of the dangers of larynx cancer, and the choir concluded it by unrolling an anti-smoking banner. Say what you will of the campaign (although you have to admit that JWT Brazil did a good job delivering their message in a unique way while catching their audience off guard), but you have to admire the bravery of the Sua Voz Choir.

 

New Career Opportunities Daily: The best jobs in media.

Denúncia, a melhor defesa contra a violência doméstica

A gente já mostrou por aqui diversas campanhas de combate à violência doméstica. Apesar de todo mundo saber que qualquer pessoa pode ser uma vítima – mulheres, homens, crianças, idosos -, o filme The Phone, que a W&Cie criou para a Fédération Nationale Solidarité Femmes foca principalmente no público feminino.

A mensagem, entretanto, serve para todos: a denúncia, aqui representada por um telefone, é a melhor defesa para se combater os abusos e pelo menos tentar colocar um ponto final nesta triste história. Vale o play.

telefone

Brainstorm9Post originalmente publicado no Brainstorm #9
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Giving birth to the same idea / Y’a pas photo!

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THE ORIGINAL? 
Telia « Football (soccer) everywhere » – 2007
Source : Adsoftheworld
Agency : McCann Erickson Stockholm (Sweden)
LESS ORIGINAL
Olé Sports News – 2013
Source : AdForum, Cannes SILVER LION
Agency : Young & Rubicam Buenos Aires (Argentina)

Schwarzkopf to sponsor Loose Women

Schwarzkopf Color Mask will be the new sponsor of ITV’s daily chat show ‘Loose Women’ from January 2014.

Jeep: Upside Down Giraffe, Upside Down Elephant, Upside Down Doe

“See whatever you want to see.”

Advertising Agency: Leo Burnett, Paris, France
Executive Creative Director : Xavier Beauregard
Art Directors: Jerome Gonfond, Remi Lascault,
Copywriter: Hadi Hassan-Helou
Illustrator: Jerome Gonfond