Do You Work In A “Relatively Frivolous” Industry?

David Gianatasio of Adweek explores the rare art of moving from an agency leadership role to CEO on the client side.

Ironically, agency executives tend to suffer from, of all things, ‘a branding problem,’ according to Renée Richardson Gosline, assistant marketing professor at MIT’s Sloan School of Management. She says recruiters and corporate boards have long perceived agencies as second-tier organizations—useful and interesting enterprises but relatively frivolous and not on par with producers of durable goods and global services. By extension, agency heads are sometimes perceived—fairly or not—as lacking the gravitas and business skills to run a large corporation.

Agency heads are sometimes perceived as lacking the gravitas and business skills? That’s a little harsh, don’t you think?

By the way, “Gravitas was one of the Roman virtues, along with pietas, dignitas and virtus. It may be translated variously as weight, seriousness and dignity, also importance, and connotes a certain substance or depth of personality.”

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Personally, I tire of the “advertising is bullshit” framework. I know we earned it by piling mounds of crapvertising into every conceivable public and private space. Yet, there is another reality to advertising, one where what we do is a fundamental driver of economic growth. And the more we advocate for customers’ best interests while meeting client objectives, the more brand value and economic growth we will help create.

I work with a fair number of CEOs of small to medium-sized businesses, and I have also worked closely with agency owners and CEOs. Whatever business you’re in, you have to lead from a place of operational strength where number crunching, product engineering, hiring and talent development are all required. But to truly excel and take your company to a higher place, a CEO also needs to be a visionary planner and exceptional communicator of the vision. She needs buy-in from the team, and all the soft skills to acquire it. That’s where marketers get the job done over “engineers” or operators.

So, do you want an engineer/builder or a storyteller to lead your company? You want both. You want the poet to write the code, and the chef to wait on tables. We demand a lot from our leaders.

The post Do You Work In A “Relatively Frivolous” Industry? appeared first on AdPulp.

Should Foursquare’s Founder Help Company Morale by Using Foursquare Less?


Well, this is fun: Business Insider is out with a post titled — in typical overheated Business Insider fashion — "Foursquare Morale Hits A New Low And Employees Look For Ways Out." The gist of the piece is that, with Tumblr recently making a lot of its team rich by selling out to Yahoo, the non-acquired workers at fellow New York social-media start-up Foursquare are feeling a little down in the mouth. And maybe a little resentful of Dennis Crowley, Foursquare’s CEO and co-founder, because:

Crowley, who has always shared a lot about his personal life online, is continuing to do so despite his company’s struggles. While his twitter feed is made up of a lot of Foursquare content, it’s also dominated by pictures of Crowley running, relaxing or vacationing with friends. To some, it seems inappropriate.

"I think he lacks self awareness which is the issue ultimately," one person said of Crowley. "You don’t tweet about all your travels when things are hard. I’m not saying he isn’t deserving of a life but keep it private."

Continue reading at AdAge.com

Strongbow: Moments of Truth

Advertising Agency / Record Company: St Luke’s, London, UK
Agency Producer: Ben Catford
Creative Directors: Al Young, Julian Vizard
Copywriter: Al Young
Art Director: Kamlan Man
Director: Sam Brown
Production Company: Rogue Films
Producer: James Howland
Director of Photography: Tom Townend
Post Production: Moving Picture Company
Editor: Tim Thornton-Allen / ?Marshall Street Editors

Calor Soft Extreme hair removal: Sourires de femmes

A lot of women find hair removal using an electric epilator painful and many use alternative hair removal techniques that are known to be less painful but, unfortunately, also less effective. Thanks to its expertise and 5 years of research, Calor has launched the world’s 1st painless electric epilator. Based on unique technology that combines a desensitising function that stops the pain signal, and a refreshing function that soothes the skin, Soft Extreme is establishing itself as the painless solution for soft skin.

In order to prove to our target audience that Soft Extreme hair removal really doesn’t hurt, Calor is beginning its promotion and launching the “Sourires de femmes” campaign. Based on the idea that when a person is in pain, it shows on their face, Calor and Publicis Conseil have designed an original concept: turning a photo shoot into a real product torture test.

Advertising Agency: Publicis Conseil, France
Chief Creative Officer: Olivier Altmann
Creative Directors: Fabrice Delacourt, Olivier Desmettre
Copywriter: Mathieu Degryse
Art Director: Yves-Eric Deboey
Assistant Art Director: Fanny Chevalier
Account managers: Patrick Lara, Charlotte Baudry, Adrien Dumont, Marieke Gourdin, Imène Sellaoui, Julien Samarcq, Marina Chef
Photographer: Kate Barry
Art Buyers: Jean-Luc Chirio, Flore Silberfeld
Production: Elise Gangneux (Elysian Fields)

Powers Assumes Global CSO Role at McCann

Busy day on the IPG-related front, to say the least, as now McCann Erickson has announced that Suzanne Powers has joined the agency in the global role of EVP/chief strategy officer. Powers takes over for Daryl Lee, who was bumped up to global CEO of McCann sibling, UM. The new global CSO, meanwhile, arrives from CP+B, where she spent two-and-a-half-years in a similar position as global strategy officer.

In a statement, McCann Worldgroup chairman/CEO Harris Diamond says of his agency’s new hire, “We are pleased to have Suzanne join us. Suzanne has the energy, passion and skills to lead our incredibly talented group of strategic executives. She brings us a unique perspective on how to build global insights and ideas across our brands, geographies and culture.”

Prior to CP+B, Powers spent a decade at TBWA, moving up the ranks from account planner to global strategy director, working with brands including Mars, Nivea and GSK along the way.

New Career Opportunities Daily: The best jobs in media.

Twitter and Everyday Health Partner for Public-Health Alerts, Ad Packages


Twitter is partnering with publisher Everyday Health to deliver public-health alerts and to sell ad packages related to health topics.

The publisher, which owns a host of health-related properties like Daily Glow and Jillian Michaels, will be able to scour the 2 million health-related daily tweets in the U.S. to see if anything is overindexing in a region to suggest that there’s an impending outbreak (which could include mental-health issues). The deal is similar to host of partnerships with the likes of ESPN, A&E, Conde Nast and Major League Baseball.

It’s not the first time a tech giant has used its massive pool of real-time user data to provide a public-health resource. Google has a flu tracker that uses aggregated Google search data to estimate flu activity.

Continue reading at AdAge.com

Twitter and Everyday Health Partner to Deliver Public Health Alerts, Sell Ad Packages


Twitter is partnering with the publisher Everyday Health to deliver public health alerts and to sell ad packages related to health topics.

The publisher, which includes a host of health-related properties like Daily Glow and Jillian Michaels, will be able to scour the 2 million daily tweets in the U.S. that are health-related to find if anything is over-indexing in a particular region to suggest that there’s an impending outbreak (which could include mental-health issues.) The deal is similar to host of partnerships with the likes of ESPN, A&E, Conde Nast and Major League Baseball.

It’s not the first time a tech giant has used its massive pool of real-time user data to provide a public health resource. Google has a flu tracker that uses aggregated Google search data to estimate flu activity.

Continue reading at AdAge.com

Mercedes G-Class: All Terrain Banner

To show off the all-terrain capabilities of the Mercedes G-Class 4×4, BBDO Belgium got together with Adhese (who deliver ad serving technology for publishers and advertisers) to create a first in mobile and responsive advertising. They developed a leader board banner exclusively for tablets. The banner reacts to the position of the mobile device that it’s viewed on.

The leader board banner shows a G-Class 4×4 driving off-road. As soon as the tablet is turned, the website reverts to a horizontal position, while the banner doesn’t. Instead it stays in its original position, creating the impression that the Mercedes G-Class 4×4 is climbing an almost vertical slope. By clicking on the banner, the consumer can book a test drive instantly.

The banner can be seen here (tablets only) http://bit.ly/13RhUVZ

Advertising Agency: BBDO, Belgium
?Creative Director: Jan Dejonghe?
Copywriters: Michiel Baeten, Arnaud Pitz
?Art Directors: Frédéric Delouvroy, Sebastien De Valck
?Client Services Director: Valérie Bracke?
Account Manager: Marleen Depreter?
Agency Producer: Roxane Lemaire
Ad serving company: Adhese
Banner development: AdSomeNoise?
3D Production Company: GRID?

McKinsey Finds Social Buzz Can Affect Sales — Negatively, Anyway


Coca-Cola Co. may not have been able to find a direct sales impact from social-media buzz, but McKinsey & Co. has — on the negative side.

The consulting firm found bad buzz for an unnamed telecom client hurt signups by 8%, "offsetting their entire TV spend," McKinsey principal Jonathan Gordan said in a presentation Monday at the Advertising Research Foundation’s Audience Measurement 8.0 conference in New York.

Mr. Gordon’s remarks come a little more than two months after a Coca-Cola Co. executive at another ARF conference said the packaged-goods giant could find no statistically significant sales impact – positive or negative – from online buzz after an extensive cross-media study.

Continue reading at AdAge.com

Now TV on Demand: Robot

Free your movies.

Advertising Agency: Talent, São Paulo, Brazil
Executive Creative Director: João Livi
Creative Directors: Rodrigo Bombana, Alexandre Nego Lee
Art Director: Daniel Chagas Martins
Copywriter: David Romanetto
Photographer: Gustavo Zylbersztajn
Illustrator: Gelmi
Art buyer: Mário Coelho
Additional credits: Roberta Godoi, Ane Lopes, Erick Sobral, Douglas Ramos
Published: April 2013

Now TV on Demand: Monster

Free your movies.

Advertising Agency: Talent, São Paulo, Brazil
Executive Creative Director: João Livi
Creative Directors: Rodrigo Bombana, Alexandre Nego Lee
Art Director: Daniel Chagas Martins
Copywriter: David Romanetto
Photographer: Gustavo Zylbersztajn
Illustrator: Gelmi
Art buyer: Mário Coelho
Additional credits: Roberta Godoi, Ane Lopes, Erick Sobral, Douglas Ramos
Published: April 2013

Google buys Waze navigation app

Google has acquired Waze, the community-based traffic navigation app, for a rumoured $1bn to $1.3bn.

#A.I.L – artists in laboratories, episode 33: Sascha Pohflepp

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Sascha Pohflepp is an artist and designer interested in the myths and realities shaped by science and technology. During the radio show, we will be talking space exploration, and more specifically space gardening but we will also talk science fiction, complex science and impossible projects continue

Peter Thiel to Write Book on Building Companies

The co-founder of PayPal will write about forming companies of the future, and building “great things that have never existed before.’’

    

Apple Reasserts Its Identity with ‘Designed in California’ Film


It’s been a while since we’ve seen this side of Apple — bold, brash, and unafraid. But at yesterday’s WWDC, when the company introduced a suite of new products, it also reasserted its brand values with this design-minded and quintessentially Apple film that played at the end of the event.

"Intention," by TBWA/Media Arts Lab and animated out of Buck, is a sophisticated, but pointed jab at the company’s competitors, who are too busy "building everything" to ever really perfect one thing. A collection of dots and dashes make that point succintly, while poetic copy ("we start to confuse convenience with joy, abundance with choice") accompanies lilting piano music.

Accompanying this film is a TV spot, "Our Signature,” a more traditional, but still lovely commercial [below.] Directed by Derek Cianfrance ("Blue Valentine") of @radical.media, it showcases the various uses of Apple products, focusing on the way they make people film and the impact they have, while keeping the various iPads, iPhones and Macbooks in the periphery, firmly positioning Apple as a conduit to a better life instead of a company that expects your life to revolve around it.

Continue reading at AdAge.com

Twitter engagement boost for Pepsi Max with Beyonce campaign

Twitter has provided more evidence of the power of its paid-for Promoted Tweet service after Beyonce’s tie-up for Pepsi Max resulted in a 20.8% average engagement rate and more than 150,000 mentions.

Model and Mothers Series

En proposant à des mannequins de poser en compagnie de leurs mères, le photographe Howard Schatz propose une superbe série d’images qui cherche à trouver dans cette filiation un héritage de la beauté. Des clichés réunis sous le nom de « Model and Mothers Series » à découvrir dans la suite de l’article.

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Southwest Airlines Reviews Digital Agency Business


Southwest Airlines is conducting a digital agency review, according to people familiar with the matter.

WPP’s Kansas City-based VML is currently working on the airline’s digital business. WPP’s Wunderman also works on various digital tasks. Southwest and its digital shops didn’t immediately respond to requests for comment.

The review follows the appointment in April of Craig Maccubbin as Southwest’s chief technology officer and Randy Sloan in May as the company’s chief information officer. 

Continue reading at AdAge.com

Huggies: Dad’s Pregnant

Advertising Agency: Ogilvy & Mather, Buenos Aires, Argentina
Executive Creative Directors: Javier Mentasti, Maximiliano Maddalena
Head of Art: Diego Grandi
Creative Directors: Pato Elfi, Juampi Carrizo
Art Director: Bruno Franchino
Copywriter: Hora Sormani
Account Director: Constanza Archain
Account Supervisor: Luciana Dau
Head of Production: Valeria Pinto
Agency Producer: Viviana Simone
Head of BTL Production: José Cardelli
BTL Producer: Pedro Dufou, Facundo Lawrence
Production House: Oruga
Directors: Javier Nir, Pablo Fischerman
Edition: Javier Blaya
Executive Producer: Ioni Borisonik
General Production: Flor Carpaneto
Post-production House: Sin Sistemas
Post-productor: Santiago Travi
Photopraphy Directors: Diego Rovaldo, Martin Levi
Band: Música del Cuarto

Apple Wants to Make You Cry, Will Be as Cloying as Possible Until it Happens

“Designed by Apple” is the third and newest spot in TBWA\Media Arts Lab’s recent reinvention of Apple’s TV ads. The first two, “Photos Every Day” and “Music Every Day” offered a refreshing take on the iPhone, moving it out of Apple’s white world and into the real world. It seemed as though Apple was hitting its stride, until today.

Now, it’s difficult for tech companies to do sentimentality, but it’s not unprecedented (see Google). But, “Designed by Apple” is trying so damn hard to make you feel anything that it misses the mark by a mile. Perhaps it’s watching grown men absolutely lose their shit when Tim Cook mentioned “Finder windows” during yesterday’s Worldwide Developer Conference yesterday, or have the press react to Jonathan Ive‘s pastel-tinged redesign of iOS as though it was 2013′s answer to the ceiling of the Sistine Chapel. This is so saccharine that it’s silly.

Maybe the most misguided part is the tagline, “Designed by Apple in California” (check out the web video here). After all, as anyone who’s ever owned an Apple product knows, the words “Assembled in China” always immediately follow that statement on every device.

New Career Opportunities Daily: The best jobs in media.