Seibundo Shinkosha: Monkey
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Kanamono Art
Advertising Agency: Cosmos, Tokyo, Japan
Art Director: Yoshiki Uchida
Designers: Yoshiki Uchida, Atsushi Sugiyama
Kanamono Art
Advertising Agency: Cosmos, Tokyo, Japan
Art Director: Yoshiki Uchida
Designers: Yoshiki Uchida, Atsushi Sugiyama
Advertising Agency: Interface Communications, Mumbai, India
Creative Director: Robby Mathew
Art Director: Vipul Salve
Copywriter: Rakesh Menon
Photographer: Cocktail Art Co.
The post Mahindra Powerol appeared first on desicreative.
TECHO, a volunteer-only organization that builds emergency housing for the poor was losing a lot of young members because they are not too aware of poverty around them. TECHO decided to make this problem visible so they created Pandora. A visual artist with a not-so-sensitive way to fight poverty: hiding it. They used social media to spread Pandoraâs artistic proposal. Everyone criticized her work. TECHO came out and announced it had created this fictitious artist. Negative comments were replaced by positives ones. Media coverage and free press increased, and volunteer call-ins increased.
Advertising Agency: Circus, Lima, Peru
Creative Director: Juan Carlos Gomez de la Torre
Art Director: Ifel Barrenechea
Copywriter: Jorge Puccini
Account Director: Ivana Chavez
Account Manager: Viviana Bedoya
Production Manager: Vanessa Diaz
Directors: Bacha Caravedo, Daniel Higashionna, Alvaro Luque
Digital Project Manager: Hugo Campodónico
Published: November 2012
Advertising Agency: SapientNitro, Boston, USA
Creative Director: Alan Pafenbach
Senior Art Director: Micah Whitson
Senior Copywriter: Dave Kuhl
Production Company: @radical.media
Agency Producer: Jerry Izzo
Director: Zach Merck
DP: Ketil Dietrichson
Editor: Brittany DeLillo
Musician: Devon Dawson
Song: “Beautiful Texas”
Aired: March 2013
Advertising Agency: Pereira & O’Dell, New York, USA
Chief Creative Officer: PJ Pereira
Executive Creative Director: Dave Arnold
Managing Director: Cory Berger
Creative Director: Frank Anselmo
Art Director: Josh Yeston
Producer: Jessica Friedman
Copywriter: Jake Dubs
Planner: Blair Williams
Production Company: Rooster
Executive Producer: Saxon Eldridge
Executive Producer: Sebastian Eldridge
Director of Photography: Robert Gilbert
Line Producer: Kaitlin Del Campo
Editor: Dave Rothstadt
Aired: April 2013
Advertising Agency: BBDO, Guatemala
Creative Directors: Diego Lanzi, Federico Russi, Héctor Cruz
Art Director: Juan Carlos Ajche
Copywriters: Federico Russi, Héctor Cruz
Illustrator: Juan Carlos Ajche
Additional credits: Jorge Pineda, Francisco Chang, Manner Taracena
Aired: December 2012
Niall Ferguson, a Harvard history professor, had suggested that the economist John Maynard Keynes was indifferent to the implications of his theories because he was gay.
From Adbusters #107: The Epic Story of Humanity: Part 1, Spring
It’s the again and again and again. It’s the over and over and over, and always more of the same. Another military operation, mini-war, war. Once again the rough generals, again our correspondents reporting live from the scene, again the wondrous Israeli solidarity – always stored up for just these wartime moments, again, the home-front residents displaying readiness, the reserve soldiers itching to join the battle, again Roni Daniel, Israeli television’s broadcaster, delivers violence from the offices of the war cabinet direct to our TV screens, and once again our finest hour is repeated ad nauseam.
A day before the conclusion of Operation Cast Lead in 2009, an esteemed journalist spoke with a woman from Sederot who had been carefully selected to be a “representative” interviewee during the days of the battle. “So, what’s your opinion: should it end now or would it be a grave mistake to stop at this point?” asked the veteran reporter, couching the answer in her question. Without missing a beat, the impassioned woman replied: “Why in the world stop now?” – even as the bodies in Gaza were piling up and the morgues had run out of space to house the dead.
“Hit them as hard as possible,” she said. “Do not grovel before these animals. We must finish the job once and for all!” “Tell me,” whispered the broadcaster, in a sultry voice, as though confiding some illicit secret, “I want to ask you something very personal. Is it true that you feel very, very Israeli right now?” Thus did the veteran broadcaster, with the help of a “representative” interviewee – who always speaks in the name of all of us – capture the essence of Israeliness: “Jonathan/Jonathan,/a bit of blood,/just a bit more blood/to top off the honey.”*
Thus, over the decades, politicians, generals, and their faithful mouthpieces in the media construct the paradigm of power and the demise of an alternative. Thus, over the decades, thousands of hours of orchestrated broadcasting construct a defensive shield of consciousness. So deep is this paradigm, and so monolithically aggressive the military discourse, that no Iron Dome could succeed in interrupting it. The veteran broadcaster doesn’t ask, “Why did we enter into this awful war to begin with?” (or the previous war, or the one before that). She asks only, “Why stop now?”
“The falcon cannot hear the falconer.” Regardless, Campbell Ewald of Warren, Michigan can see two adult peregrine falcons on its roof, and thanks to a live webcam installed by a raptor curious staffer, so can you.
The falcons are about to give birth to baby falcons. In an effort to capture this birthing event in real time, the agency has created #CEFALCONS, a campaign dedicated to this act of nature.
One social media aspect of the campaign that I particularly appreciate is the use of MemeGenerator.net.
Meme Generator is a conveyor belt for silly memes, also known as highly contagious digital content. You find an image you like, one that conveys an emotion for instance, and then you write your own headline for it. If it’s any good, or perhaps if it just bad enough to be considered good, you might have a chance in hell of seeing it spread across the Inters.
Back to the falcons on top of Campbell Ewald’s roof. It makes me think agencies could benefit from a mascot. Seriously, would you rather think of Campbell Ewald as Campbell Ewald or as The Falcons?
The post Campbell Ewald Lets Falcon Meme Fly appeared first on AdPulp.