Coors Now Really, Truly Leaves Draftfcb (Updated)

We had no idea there were remnants of the Coors account still lingering at Draftfcb since it was reported last summer that MillerCoors moved its entire account out of said agency and into the newly created, Chicago-based WPP entity called Cavalry. Yet, a memo we received that was sent from Draftfcb Canada president to staff yesterday evening says otherwise, though as you’ll see after the jump, the relationship between the brew brand and DFCB now truly appears to be over.

Along with the Coors biz now fully aligning with Cavalry (which sources familiar with the matter have confirmed), Mead’s note, which is essentially a recap of a Draftfcb Canada town hall meeting yesterday, mentions the departure of longtime VP/management director, Darrell Hurst as well other management mentions. We’re getting some further clarification and/or official comment on the matters at hand, but from talking to sources, Mead’s note appears to legit. Read verbatim after the jump (FYI, the “John” that Mead refers to in the memo is Draftfcb Canada COO, John Boniface).

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Venti, Venti Annoying: So How Does Starbucks Misspell Your Name?


A few weeks back I spotted a jpeg on image-sharing site Imgur with the caption “Told the barista my name was ‘Bryan, with a y.’ This is what I got back.” It showed a Starbucks cup with a hastily scrawled “Briany” on it. Ha! When I shared the image on Twitter, I heard back from plenty of folks who also thought it was funny — and were eager to share their own tales of Starbucks name-mangling. I just checked the stats on that image and it’s been viewed 489,502 times as of this writing.

Coincidentally, around the same time I happened to publish a post on AdAge.com with a video embed of a “Saturday Night Live” commercial parody that also focused on Starbucks name-mangling — within the larger context of Starbucks-employee incompetence. The faux spot was for the Starbucks Verismo home-brewing system and it showed a nice lady patiently trying to use her machine in her kitchen, only to have it botch her order and refer to her as “Amorfa” (instead of “Marsha”). My post about the commercial parody dominated AdAge.com’s Most Read chart for a couple of days and has been one of the most-viewed things on our site so far in 2013.

This is comforting to me, because it suggests that my unhealthy obsession with Starbucks is a common condition. I mean, obviously plenty of people are obsessed with Starbucks — people talk all the time about needing their “Starbucks fix” — and of course it’s normal to think a lot about drugs (like caffeine) before, during and after using them. But I’m not a big coffee drinker, and I actually rarely go to Starbucks (I’m not a fan of their roasts), which makes my obsession perhaps particularly unhealthy. You see, my fixation on the chain has more to do with Starbucks as a sort of inescapable, free-floating meme by virtue of its omnipresence in our lives and its unique status as the no-rent headquarters of millions of laptop-toting media-makers across the land.

Continue reading at AdAge.com

Three assume o lado bobo da internet com The Pony

Pode até ser que uma parcela dos usuários da internet usem a rede para trabalhar ou estudar, mas o que a maioria busca mesmo é diversão. E foi nesse posicionamento que a rede mobile Three resolveu apostar com The Pony, uma campanha criada pela Wieden & Kennedy assume o lado bobo da internet ao exibir um pônei de Shetland, com uma crina que lembra o cabelo da Tina Turner, fazendo o moonwalk em uma paisagem bucólica. O filme foi produzido com a intenção de ser um viral – e parece que está conseguindo, já que ultrapassou os 2 milhões de views no YouTube em menos de uma semana -, mas também para permitir que os internautas interajam criando e compartilhando suas próprias versões do vídeo.

Isso pode ser feito no The Pony Mixer, onde é possível escolher estilos musicais e acessórios para criar um vídeo. Depois é só compartilhar.

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Northern & Shell hits the newsstands with TV Pick launch

The first issue of Northern & Shell’s weekly listings magazine TV Pick is on sale in more than 50,000 retailers from today.

The 14 Zaniest Subscription-Commerce Startups


The subscription-commerce industry has jumped the shark, as evidenced by the uproar caused yesterday by the arrival of HelloFlo, a new company that exists solely to mail Always and Tampax Pearl tampons to women around their period every month — since women in 2013 are apparently so busy they can no longer keep track of their menstruation cycles.

As the founder Naama Bloom told TechCrunch: “There are no good reminders that are also tied in with the product. There have been so many times when I’ve been caught off guard and needed to run out to the drugstore at an inconvenient time.”

It’s a sad state of affairs really, that one of our group’s thinks we women are so lazy that we can’t hit the nearest Target or Walgreens — even better yet, stock up and buy bulk on Amazon.com or Drugstore.com. What’s maybe scarier, though, is that it’s hardly the first service. Many others came before it, like Juniper and Trinket Women were already sending feminine products.

Continue reading at AdAge.com

RAC splits media account between Mindshare and Unique

RAC, the breakdown service, has appointed Mindshare and the digital media specialist Unique to handle its estimated £10m planning and buying duties, ending its relationship with ZenithOptimedia.

Havas Dusseldorf, fiftyfifty Open Curtain on Homelessness

In Germany recently, moviegoers got more (or less) than their money’s worth when a trip to the theater turned into a lesson on empathy. Havas Dusseldorf and fiftyfifty, a magazine for the homeless, teamed up to increase awareness about how those less fortunate struggle to survive in the cold. Customers sat in freezing movie theaters and were given blankets, so they could experience firsthand how the homeless spend nights and winters. On screen, a short documentary played, where homeless people were interviewed about the simulation. As you’ll see in the clip above, the temperature in the movie theater dipped to 46 degrees Fahrenheit, which one homeless interviewee describes as “cosy.”

The campaign, titled “Frozen Cinema,”  is meant to inspire donations–we all know the homeless endure the harshest of conditions, but just experiencing some of what they go through for an hour could change anyone’s perspective. Think about it the next time you go to the movies and absently destroy a bag of popcorn and say something like, “it’s too cold in here.”

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Three: The Pony

Advertising Agency: Wieden + Kennedy, London, United Kingdom
Creative Director: Ray Shaughnessy, Dan Norris
Creative: Freddie Powell, Hollie Walker
Production Company: Blink
Director: Dougal Wilson

Em defesa da real beleza, Dove mira nos profissionais que retocam fotos

Já tem alguns anos que a Dove tem incentivado as mulheres a reconhecerem e assumirem sua beleza real, em vez de ficarem perseguindo um ideal absurdo estabelecido pelas indústrias da moda e entretenimento, por meio da Campanha Pela Real Beleza. Basta dar uma olhada na trajetória da marca nos últimos 10 anos, mais ou menos, para ver como essa ideia tem sido abordada de maneira ininterrupta. Desta vez, entretanto, eles resolveram mirar em um público diferente, falando diretamente com diretores de arte e designers responsáveis por retocar as imagens, escondendo a mensagem em um lugar que apenas eles poderiam encontrar: no Photoshop.

Divulgando em diversos sites especializados um arquivo que, quando baixado, aplicava um efeito especial nas imagens com apenas 1 clique. Só que, na verdade, quando o usuário clicava no aplicativo, a imagem voltava ao estado original, desfazendo todas as modificações, e trazendo a seguinte mensagem: “Não manipule nossas percepções de beleza real”. É claro que era possível recuperar o trabalho feito depois disso, mas com certeza deve ter feito muita gente pensar antes de seguir cometendo alguns dos absurdos que a gente vê por aí.

De certa maneira, essa ação criada pela Ogilvy Toronto me lembrou aquela da Africa Health Placements, do anúncio audível apenas com um estetoscópio. Simples e eficiente.

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Circus Festival: Smart, Scared, Idea

The elite of Australian marketing. They’re a tough crowd. As their governing body, it’s the role of The Communications Council to remind them every day not to fall into habit’s vicious cycle.So Leo Burnett, Melbourne sent them a piece of mail too big and too precious for the wastepaper basket. A mantra designed by the great immortaliser of words, Anthony Burrill, to take pride of place in their workspace. This was a message we should all live and work by: to constantly challenge the way we think.We invited CMOs to send the most innovative members of their team to Circus Festival, where even the most experienced marketer could be rewired to think like a Circuit Breaker. These invitations became objects of desire, displayed proudly in offices across the country, including ours.

Advertising Agency: Leo Burnett, Melbourne, Australia
Chief Executive Officer: Melinda Geertz
Executive Creative Director: Jason Williams
Creative Director: Andrew Woodhead
Copywriter: Jono Aidney
Art Director: Rob McDowell
Account Director: Chris Ivanov
Photographer: Derek Swalwell
Retoucher: Johnson Diep
Typographer: Anthony Burrill
Account: Jacquelyn Whelan
Printer: Adams of Rye

Volkswagen: Harlem Shake

Advertising Agency: Memac Ogilvy, Dubai, United Arab Emirates
Creative Director: Sascha Kuntze
DoP: Irfan Ghani
Designer: Christopher Hunt

Scotch: Soldier, Baby

Advertising Agency: Pro publicidad, Santiago, Chile
Creative Director: Gastón Morales
Art Director / Illustrator: Rulo Menjibar
Photographer: Rodrigo Vega

Alliance Française: Bubbles, Dandelion, Water, Candles

“You may not know but you always had a knack for french.”

Advertising Agency: Jbis Propaganda, Belo Horizonte, Brazil
Creative Director: Fred Bandeira
Creative Supervisor: Gustavo Passos
Art Director: Charles Alvarenga
Copywriter: Mateus Martins
Executive Producer: Renata Quintão
Photography: Stock Image

To Goose TV Audience, Scripps Uses the Web


The people behind Food Network and HGTV would rather hack off their fingers than allow current episodes of “Chopped” to surface online — even if today’s TV audiences have a taste for it.

To satisfy their appetites — and still preserve the quality of their programs’ TV ratings — executives at Scripps Networks Interactive are reviving an old-school idea: They’re creating ancillary material related to their viewers’ favorite programs and making it available for web viewing and mobile use, while keeping the program itself in its original boob-tube environs.

With so many TV shows being made available for online streaming, viewers “could stray and go someplace else,” said Kathleen Finch, general manager of Scripps’s HGTV and DIY cable outlets, “and we don’t want them to.”

Continue reading at AdAge.com

It Appears We Were Right About a G2, Ogilvy Union

This looks like a pretty legit report from the London newswires and it confirms what we first speculated on last week, that G2 was separating from Grey and aligning under Ogilvy. Well, this just adds to what’s already been a busy week for Martin Sorrell and the gang at WPP. Here’s what appears to be the official announce, verbatim:

“LONDON—WPP (NASDAQ:WPPGY), the world’s leading communications services group, announces that its wholly owned subsidiaries, OgilvyAction and G2, will come together in a joint venture to form a company within the Group that becomes the largest and most geographically complete activation agency in the world.

The new entity marries the skill sets of two successful global businesses, which will operate in more than 100 offices in 56 countries. They bring complementary expertise in consumer activation, trade marketing, shopper marketing, one-to-one marketing and digital activation.

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Lincoln Barbour Photo: Words, Making sense, Looking beyond

Ad campaign to promote architectural and interior photography services of Lincoln Barbour. The intentionally misspelling of the headlines is meant to be a humorous visual to show how important good photography is.

Art Director / Copywriter: Craig Skinner
Photographer: Lincoln Barbour
Additional credits: Tim Kamerer

Advertising Association boss hits out at ‘reckless’ attacks from health lobby

Tim Lefroy, the Advertising Association chief executive, has slammed health lobby groups’ recent attacks on advertising as “reckless” and has called for their claims to come under closer scrutiny.

Jack Daniel’s: Legend

Advertising Agency: Arnold, USA
Chief Creative Officer: Pete Favat
Group Creative Director: Wade Devers
Global Marketing Director: Carmen D’Ascendis
Art Director: Travis Robertson
Copywriter: Todd Mitchell
Producer: William Near
Assistant Producer: Alex Saevitz
Business Affairs: Maria Rougvie
Marketing Producers: Paul Nelson, Shannon Coletti, and Nate Stewart
Production Company: Milkt Films
Production Company Executive Producer: Lindha Narvaez
Director: Danny Clinch
Cinematographer: Vance Burberry
Editorial Company: Lost Planet
Editor: Max Koepke
Colorist: Fergus McCall / The Mill
Sound Designer: Max Koepke, Rex Recker
Music Recording: Artist: Yellowbird
Sound Engineer: Rex Recker / Audio Engine
VFX: Tim Farrell / Black Hole

Flight Tag Prints

Inspiré par de vieilles étiquettes de voyage, le graphiste anglais Neil Stevens a imaginé des posters stylisés, inspirés de ces éléments, reprenant ainsi quelques unes des plus grandes destinations comme les capitales Paris, Londres ou Barcelone. Un résultat réussi à découvrir en images dans la suite de l’article.

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Ray-Ban Ambermatic App: o Instagram da vida real

Aproveitando a obsessão por fotografia analógica, a Ray-Ban criou um aplicativo para smartphone que funciona como o Instagram da vida real.

Brincando com a ideia de como você veria uma imagem através dos óculos da marca, eles lançaram o iPhone app Ray-Ban Ambermatic. Diferente de qualquer outra ação, a mágica do filtro não se aplica digitalmente.

Ao fotografar com o aplicativo criado, a foto é enviada via web à loja principal da Ray Ban em Londres, no Covent Garden. A foto, então, é projetada em uma tela e uma câmera analógica a fotografa novamente, usando como filtro as lentes de um Ray-Ban Ambermatic posicionado à sua frente. O resultado é a foto do usuário com uma verdadeira estética vintage, e não um efeito pré-programado.

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A galeria de fotos que já passaram pelo processo podem ser vistas aqui. E o aplicativo pode ser baixado gratuitamente.

Abaixo, o vídeo de como o projeto funciona:

 

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