LONDON – As the effects of the recession bring dinner parties back into fashion, Channel 4 is jumping into the mix by developing a Facebook app modelled on its hit show Come Dine With Me.
Todas essa toneladas de eventos sobre comunicação vivem discutindo como uma marca pode se conectar com seu público. Você ouve várias teorias, várias pretensas receitas do bolo, e um case atrás do outro. Mas aí chega em casa, cai o abacaxi do cliente no seu colo, e como aplicar tudo aquilo que ouviu na palestra do gringo CEO de alguma coisa na vida real?
Campanhas integradas, comerciais multimilionários, ações digitais, promoções, quantidades imensas de GRP, e mais uma quinzena de modalidades, cada com seu papel e importância, de se fazer propaganda, são escolhidas no cardápio. Mas conexão mesmo com o público é isso que a Nike fez na Inglaterra:
Um túnel ferroviário desativado foi transformado na pista dos sonhos para os amantes e profissionais de BMX. A Nike construiu o lugar, chamado de Tunnel Jam, e promoveu um campeonato dividido em 10 equipes, convidando só quem interessa. Até por isso, a localização exata do túnel, que fica em uma área rural, ainda não foi revelada.
A ideia é nos mesmos moldes do clássico Tylenol Bowl, construído pela marca de analgésicos no Brooklyn, em NY. Ações isoladas e pertinentes que falam diretamente e profundamente com uma comunidade, seja de BMX, de skatistas, futebolistas ou qualquer outra que você imaginar. Pergunta agora pra galera de BMX o que eles acham da Nike…
LONDON – Topman has signed a partnership with NME Radio to create a series of shows, the Topman Takeover Show, which will be broadcast live from the chain’s newly refurbished flagship store at London’s Oxford Circus.
Dédié à la création digitale et numérique, le festival Offf propose des conférences, performances, projections, workshops et concerts durant 3 jours. Après Lisbonne et Oeiras, OFFF 2010 s’installe à Paris en Juin à la Grande Halle de la Villette. Fubiz est partenaire de l’événement.
(TrendHunter.com) ShoeDazzle is to shoes what Hipstery is to t-shirts (just to refresh your memory, a little while ago Trend Hunter covered Hipstery, a company that selects tees for its customers). ShoeDazzle provides customers…
This week, Fox Sports and Burger King drew ire for an offensive animated segment poking fun at Jessica Simpson’s weight. The segment, aside from being in bad taste, was beyond insulting to women of all ages. Both Fox and Burger King have issued apologies to Simpson, but it may be too little too late, pointing out, yet again, that making fun of a woman’s weight is still acceptable, especially when done in a chest-thumping manner.
It doesn’t stop there. Ralph Lauren was also under fire this week for a print ad that was photoshopped to ridiculous proportions — the model’s head appears to be about twice the size of her pelvis. When called to the carpet, this is what Lauren had to say:
“For over 42 years we have built a brand based on quality and integrity. After further investigation, we have learned that we are responsible for the poor imaging and retouching that resulted in a very distorted image of a woman’s body. We have addressed the problem and going forward will take every precaution to ensure that the caliber of our artwork represents our brand appropriately.”
Apparently, quality, integrity, and brand standards are quite slim – the model, size 4, 120-pound, 5-foot-10 Filippa Hamilton, claims that she was fired in April for being “too fat.”
Meanwhile, German magazine “Brigitte” announced they would only use “realistic” women in their magazine from now on instead of professional models, prompting Chanel uberdesigner Karl Lagerfeld to pronounce that no one wanted to see “curvy” women and that only “fat mothers” object to thin models, despite the overwhelming approval of American fashionistas to plus-size model Lizzie Miller’s nude photo in Glamour last August, as well as the success of Dove’s “Campaign for Real Beauty.” To me, as well as many other women, healthy always trumps skeletal.
It bothers me that it’s 2009 and we’re still talking about body image distortion in advertising. True, I could point out how these ads contribute to eating disorders and low self esteem, but what bothers me more than anything is that this standard is still only applied to women. These archaic standards still say that fat (ie: larger than a size 4, which is a standard sample size) equals lazy, sloppy, and unworthy of respect and basic human dignity, despite studies showing that an average American woman wears a size 14. There has to be a balance somewhere between art and commerce – a size 16 woman’s money is just as legal tender as a size 2’s, is it not?
Apparently, quality, integrity, and brand standards are quite slim. The model, size 4, 120-pound, 5-foot-10 Filippa Hamilton, claims she was fired in April for being “too fat.”
Meanwhile, German magazine Brigitteannounced they would only use “realistic” women in their magazine from now on instead of professional models, prompting Chanel uberdesigner Karl Lagerfeld to pronounce that no one wanted to see “curvy” women and that only “fat mothers” object to thin models, despite the overwhelming approval of American fashionistas to plus-size model Lizzie Miller’s nude photo in Glamour last August, as well as the success of Dove’s “Campaign for Real Beauty.” To me, as well as many other women, healthy always trumps skeletal.
It bothers me that it’s 2009, and we’re still talking about body-image distortion in advertising. True, I could point out how these ads contribute to eating disorders and low self esteem, but what bothers me more than anything is that this standard is still only applied to women. These archaic standards still say that fat (ie: larger than a size 4, which is a standard sample size) equals lazy, sloppy, and unworthy of respect and basic human dignity, despite studies showing that an average American woman wears a size 14. There has to be a balance somewhere between art and commerce; a size 16 woman’s money is as legal tender as a size 2’s, is it not?
Sara Barton is a copywriter, social media strategist, and avid blogger in search of her next opportunity. Contact her viaTwitter, LinkedIn, or her blog.
(TrendHunter.com) Damn! Sweet fashion line names makes great clothes that much better. Enter the Stolen Girlfriends Club Fall 2010 collection. Featuring fresh designs and retro details, this offering has something for everyone.…
LONDON – The Central Office of Information has shortlisted three agency collaborations to battle for the Government’s £250m media buying requirements, the biggest media account in the UK.
Enel doesn’t provide just traditional energy. It also provides the energy of contemporary art through Enel Contemporanea. This year they commissioned a piece to a major american artist: Doug Aitken. To promote the initiative, we created a blog that will keep people up to date of everything that’s going on backstage, from the organising phase right up to the unveiling. The blog interacts with a huge wall of light: the first TWITTER-LEDWALL in the heart of Rome, where everyone can read the work’s updates and tweet back in real time.
Advertising Agency: Saatchi & Saatchi, Rome, Italy
Creative Directors: Alessando Orlandi, Agostino Toscana
Art Director: Manuel Musilli
Copywriter: Laura Sordi
Additional credits: H Films
Published: October 2009
LONDON – The Press Complaints Commission is to break with its own procedures and investigate Jan Moir’s column in the Daily Mail about the death of Stephen Gately, in part because of pressure from Twitter users.
A Paramount está gastando uma mixaria para promover o lançamento do DVD/Blu-Ray de “Transformers 2: A Vingança dos Derrotados”, marcada para amanhã, 20 de outubro. NOT!
Na corrida da NASCAR do último sábado, 17 de outubro, o estúdio contou com dois carros temáticos ao filme de Michael Bay. Um representando Optimus Prime e outro Megatron, pilotados por Ryan Newman e Jeff Gordon, respectivamente.
Nenhum dos dois chegou em 1º lugar, mas o chefão dos Decepticons chegou na frente do herói Autobot. A ação ainda contou com apoio da ESPN, que realizou uma enquete com a audiência para escolher o carro favorito.
LONDON – Historic Royal Palaces, the charitable trust which manages Britain’s unoccupied royal palaces, has appointed Omnicom agency M2M to handle its £1.5 million media planning and buying account.
A ideia você já viu em 513 comerciais de automóveis, “aquele que sonha ser outro”, mas a execução dessa ação é divertida. Balões de pensamento distribuídos em um estacionamento.
O Maxlist é um aplicativo criado em torno da plataforma do Youtube, melhorando a experiência de compartilhar e assistir vídeos online. Ele torna possível que o usuário crie uma lista de vídeos, enquanto vê e procura por outros (uma funcionalidade que, até então, o Youtube não nos proporciona). Depois de criar uma lista de vídeos (ex: my 5 greatest fun videos), seu Maxlist é fácil de compartilhar pelas redes sociais (através do Twitter, Myspace, Facebook, blog, e-mail, etc). Curtiu a idéia? Então dá uma olhada no vídeo tutorial:
Esta foi a idéia encontrada pela DDB Oslo para aumentar a presença substancial da Pepsi Max no universo digital tão consumido pelos jovens noruegueses.
Ao lado dos Estados Unidos, os países escandinavos, dentre eles a Noruega, são os campeões no uso de novas tecnologias como celulares, computadores e internet.
Foi se o tempo em que o Simpsonize Me era a maneira mais legal de criar seu próprio “Simpson“. É que a Fox criou um concurso super interessante para dar continuidade nas comemorações dos 20 anos da família amarela.
Em um episódio próximo, será incluído um personagem criado pelos fãs e selecionado através de um concurso que começou na última sexta-feira, aqui.
A competição dura apenas uma semana e o vencedor também vai para Los Angeles encontrar os produtores e o diretor de animação da série. As inscrições vão até o dia 24 de outubro em: www.thesimpsons.com/character/
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.