SyFy Rebrand

Un élégant spot promotionnel de deux minutes pour la nouvelle identité de SciFi Channel : SyFy. Une publicité intitulée “House of Imagination”, ainsi qu’une post-production réalisée par le studio Moving Picture Company et dirigée par Brett Foraker.



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United Is Happy to Answer Your Complaints After You Humiliate Them


If companies did what was right in the first place, they wouldn't have to be publicly humiliated.

Facebook Launches Fan Box, Its First Official Widget


Yesterday Facebook launched the Fan Box, yet another way to extend what you're doing on Facebook to elsewhere on the web.

The Three Hardest Words to Say


Why is it that we always have to feel as though we know everything all the time? When we let go and just realize that we really don't know everything, new opportunity presents itself.

Ping Pong Door

Un intéressant concept et une exécution très réussie sur un design de Tobias Fränzel. En cas de besoin, cette porte peut se transformer en une table de ping-pong. Plus de visuels dans la suite.



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Stickercards: Simple Change May Change Biz Card Industry

guy K faceAs most know, I’ve been writing about innovation in the face of adversity; our industry’s changing, the economy’s sucking the breath out of  good companies, and, according to PricewaterhouseCoopers, the bubble won’t break until at least 2013. That’s four years of this. Tired of the bad news, we thought that we would task this highly creative industry to either show us your stuff, or keep your mouth shut. Talking the talk is easy. Prove to us, and the industry, that you’ve got the creative mojo and win some free publicity.

It doesn’t have to be “ads” or “campaigns.” It could be your business model, an engaging strategy, how you changed the way you purchase media, social media tactics, recession-proof tactics, or even a small, “Hmm, I wonder…” question that turn into a creative leap. Something like what Guy Kawasaki, owner of Alltop, just engineered.

Alltop gives its clients, prospects, vendors, and friends both business cards and business stickers. However, Guy admits that while he freely gives out cards, he’s reluctant to hand out stickers to promote the brands because they could be used to deface property; plus, he did not want to “burden” others with his branding efforts. And there is always the chance an Alltop sticker might end up plastered on the toilet of a rank rest stop on I-70. Can you say, “negative brand association?”

alltop-fullThen he had an “A-Ha” moment: could the business cards and business stickers be combined? He emailed one of his friends, who happened to own StickerGiant, to find out. He asked this friend, John Fischer, if a business card could be printed on the back of a sticker, and if anyone had done this before. John answered that, yes, it could be done but, no, it had never been requested. So, Guy requested his friend to check into it.

Writing on Open Forum, Guy describes his thought process:

“Psychologically, a stickercard is a powerful concept. By applying the teachings of Robert Cialdini, I hope that it engenders reciprocation and consistency. That is, since you’ve given someone a cool sticker, the person feels like they should reciprocate by sticking it somewhere visible. (Did you donate money to Hare Krishna because one of its followers gave you a flower?) Then, once the stickercard is stuck, the person is more committed to the company, product, or service. That stickercard on laptop is a declaration to the world that they like the what it stands for. To be consistent, they must stick to their positive opinion of your company, product, or service.

picture-2The process, or how the idea comes alive, doesn’t have to be a masterpiece. It’s the idea that matters, and whether or not it works.  At any moment, Guy Kawasaki could have stopped and said, “This is stupid.” Instead, he followed through. His tweet tonight stated that the stickercards was his best idea ever.

His best idea ever… and he’s had a lot of ideas. To take it a step further, the first thing he did with his new “invention” was share to it, which speaks highly of his character. He sent out the tweet and a link. StickerGiant made a video. And the stickercards went from idea to product in a week. Be warned though, StickerGiant charges $500 for 500 cards. At least Guy has character.

If your company has something that makes “the cut,”  send it my way. Until that time, leave a comment… it will raise your social media score.

Jeff Louis: A Strategic Media Planner and Brand Project Manager for both B2B and B2C accounts, he is fascinated by past participles, brands, and innovation. Please contact him on Twtter or LinkedIn.


Mamma Mia! / Un lien de parenté évident?

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THE ORIGINAL?
Popular Auto – 2006
“if you can’t move out, we can help you move around”
Source : Cannes Archive Online,
Agency : Saatchi & Saatchi (Puerto Rico)
LESS ORIGINAL :
Sony Playstation 3 “free yourself / Wireless connexion” – 2007
Source : Cannes Archive Online,
Agency : TBWA Madrid (Spain)
Inutile de le nier, ces deux idées sont reliées par un lien de parenté évident.
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Driving after smoking a canabis joint

In this video, the guy is high after smoking a canabis joint and take his car to drive… Advertiser: TAC

TAC: Swap

Advertising Agency: Grey, Melbourne, Australia
Executive Creative Director: Ant Shannon
Creative Director: Nigel Dawson
Art Director: Pete Becker
Copywriter: Nigel Dawson
Editor: Drew Thompson
Agency Producer: Jess Smith
Production Company: Soma Films
Director: Sean Meehan

Ariel: Namaste

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“Stubborn stains?”

Advertising Agency: Saatchi & Saatchi, India
Creative Directors: Suhas Parab, shormistha mukherjee
Art Director: Avinash Parab
Copywriter: Ira Gupta
Photographer: Amol Jadhav
Other additional credits: Chandrashekhar Shete
Published: December 2008

Dunlop Tires: Stolen

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Advertising Agency: Impact BBDO, Dubai, UAE
Executive Creative Director: Oliver Maisey
Creative Director:Jennie Morris
Art Director:Mark Held
Copywriter:Grant McGrath
Photographer: Tommy Morris
Retouchers: Amol Yadav, Byju Ravindran
Additional credits: Lisa Moylan, Ben Dover.
Published: January 2009

Pen Story

This is the PEN Story in stop motion – 60.000 pictures, developed 9.600 prints and shot over 1.800 pictures again. No post production!
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Fubiz Broadcast #46

Une deuxième partie et un nouveau mix par l’artiste Yuksek en exclusivité pour le 46ème numéro du Fubiz Broadcast. Une sélection électro de près de 30 minutes. Toujours disponible en streaming et téléchargement dans la suite.

Fubiz Broadcast 46



Playlist FB46A emporter ici

  • Adam Kesher – Local Girl (The Shoes remix)
  • Bot’ox – Rue de l’arsenal (Re-edit)
  • Yuksek – A certain Life
  • The Virgins – The good one (The shoes remix)
  • Ghostface Killah – Charly Brown (Yuksek remix)
  • The Krays feat. Ebony bones – We’re ready when you are
  • Yuksek – I like to Play
  • Yuksek – Dat’s Right
  • Metronomy – Heartbreaker (Discodeine remix)

Sélectionné par Yuksek. Durée Totale : 26:38
Abonnez-vous au podcast avec le flux rss Fubiz Broadcast.

Bonus / Précédent mix : Fubiz Broadcast #42

Fiat: See what’s really there

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“See what’s really there. Fiat Stilo with Xenon headlights.”

Advertising Agency: Leo Burnett Brasil, São Paulo, Brazil
Creative Director: Ruy Lindenberg
Art Director: Breno Balbino
Copywriter: Fabio Nagano
Published: June 2009

Sony Cyber-Shot Marine Pack: Family, Kids, Couple

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“Cyber-shot marine pack. Available for T and W series. Sony”

Advertising Agency: Saatchi & Saatchi, Sydney, Australia
Photographer: Stephen Stewart
Executive Creative Director: Steve Back
Creative Director: David Bowman
Art Director: Toby Pike
Copywriter: Daniel Barrett

Fisch Franke: Fish

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“Fresh as can be.”

Advertising Agency: Publicis, Frankfurt, Germany
Chief Creative Officer: Stephan Ganser
Creative Director (Art): Nico Juenger
Creative Director (Copy): Peter Kaim
Account Director: Sven Lohwasser
Art Buyer: Katja Bonnert
Photographer: Johannes Krzeslack
Architect: Thomas Breen
Released: February 2009

Axe Instinct

Un superbe spot tv pour la marque Axe, produit par le studio Blacklist, à New York. Basé autour de l’univers des corps et du cuir, il s’est déroulé en 2 étapes : un shooting avec de réels acteurs dans un lit, puis une post-production de la texture. A découvrir dans la suite.



Fuji Underwater Camera: Webbed fingers

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Advertising Agency: Ogilvy & Mather, Jakarta, Indonesia
Creative Directors: Gary Caulfield, Glenn Alexander
Art Directors: Leonardus Bramantya, Vito Winarko, Nicholas Kosasih
Copywriters: Ratna Puspita, Ken Priyahita
Photographer: Heru Suryoko

Kids in car: Are we there yet?

Advertiser: McDonald’s Agency: DDB Stockholm

X-ray Business Cards – 10 Clever Ways to Help You Stand Out in a Recession (GALLERY)

(TrendHunter.com) In a world a freelancers (yup the recession sure did increase their number…), business cards have become a great tool for self promotion. As one of the first impressions on possible future clients, your…