Norway’s Pro-Gay Olympic Ad Is Cheesy and Absurd, but Also Kind of Incredible

Thanks to the country's anti-gay laws, the 2014 Winter Olympics in Russia have turned into a de facto platform for LGBT marketing. Earlier, we had the Canadian ad that said the two-man luge is "a little gay." Now, we have this crazy spot from Norwegian sports apparel retailer XXL.

It's an over-the-top, absurd blockbuster of an ad, with overly slick visuals, overly cheesy music and a "twist" ending you could spot from Moscow. And yet … somehow you have to love it. Its heart is generally in the right place, even if it plays out like a male fantasy. (And no, they probably wouldn't do the same ad with two men at the end.)

The ad premiered during Norway's broadcast of the Opening Ceremony last week.

CREDITS
Client: XXL

Agency: Schjærven Reklamebyrå
Account Director: Ole Marius Simonsen
Creatives: Jon Erik Skiælder, John Draleke
Agency Producer: Gard Andreassen

Production Company: Camp David, Stockholm
Producer: Kalle Wessblad
Directors: Bjørn Stein, Måns Mårlind

Location: Lleida Airport, Spain
Filming: Dec. 15-18, 2013
Line Producer: Dominic Bolus, Widescope Productions
Postproduction: The Chimney Pot, Stockholm

Music: Tommy Tysper


    



Entire Ad Break Is Made of Lego in Delightful Stunt for Toy Company’s Movie

Here's a fantastic ad stunt orchestrated by media agency PHD on Britain's ITV. On Sunday night, the TV broadcaster devoted a whole commercial break during an episode of Dancing on Ice to airing remade versions, done entirely in Lego, of four well-known British ads—to promote The Lego Movie.

See the entire ad break here:

The first spot was an abbreviated version of the famous 2012 Vinnie Jones CPR ad for the British Heart Foundation. That was followed by 30-second ads, remade practically shot for shot, for Confused.com, BT and Premier Inn. Short promos for The Lego Movie aired in between each of the spots, followed by a proper trailer at the end.

Check out the four original ads below. Via Creative Review.


    



Esurance Hands Out That $1.5 Million, Releases Mind-Boggling Stats From Twitter Stunt

Despite not actually airing a commercial during the Super Bowl on Sunday, Esurance had an extraordinarily successful night, thanks to its #EsuranceSave30 sweepstakes on Twitter.

The company snagged the first ad slot after the game, and vowed to give away the difference in price—it went for $1.5 million less than an in-game slot—to one lucky viewer who tweeted the hashtag #EsuranceSave30 within 36 hours after the ad aired.

John Krasinski, the brand's spokesman, helped to announce the winner Wednesday night on Jimmy Kimmel Live. You can see that video below. But also check out the social stats from the campaign, provided by Esurance agency Leo Burnett:

• 5.4 million uses of the #EsuranceSave30 hashtag 
• More than 200,000 entries within the first minute of the Esurance commercial airing
• 1.4 million hashtag uses in the first hour and 4.5 million in the first 24 hours
• 2.6 billion social impressions on Twitter
• 332,000 views of the Esurance commercial on YouTube
• 261,000 new followers on the official Esurance Twitter account—an increase of nearly 3,000 percent
• A 12x spike in visits to the Esurance website in the first hours of the sweepstakes

Safe to say it was a successful stunt. Cue the copycats.


    



Motel 6 Apparently Aired the Greatest Radio Ad of the 2014 Super Bowl

All this talk about the TV commercials on the Super Bowl, but who could forget about the radio commercials? Well, almost everyone. But not WestwoodOne, which aired the game on Sunday and just released a list of the five best radio ads of the night.

The big winner was Motel 6, which placed the top spot—an amusing ad from The Richards Group called "Autocorrect," narrated by Tom Bodett, the chain's spokesman for going on 30 years. The ads that placed second, third and fourth—for Tilted Kilt restaurants, Subway and Exergen—are honestly pretty wretched. Coming in at No. 5 is Taco Bell, whose ad will elicit some chuckles as well.

Check out the Motel 6 and Taco Bell ads below.


    



Progressive’s Flo Makes a Facebook ‘Look Back’ Video, and It’s Filled With Unicorns

Progressive spokeswoman Flo sat out the Super Bowl—"We're not trying to make the noise even noisier," the company's CMO, Jeff Charney, said late last week—but she's all over the whole Facebook Look Back thing.

Below, check out Flo's "Look Back" video, which is apparently a parody, unless Facebook approved the unicorn image at the end instead of the Like sign. In fact, Flo's whole video is about unicorns, which she's been associated with ever since a 2010 ad, when she exclaimed that homeowners and auto insurance, bundled together, is like "unicorns and glitter."

There's also a Unicorns & Glitter tab on her Facebook page, where you can get more intimately acquainted with all things Flo.


    



Young Bilingual Singers in Coke’s ‘It’s Beautiful’ Ad Aren’t So Conflicted About America

Using children in politically tinged advertising is often problematic. Some would say it's tantamount to propaganda. Still, the kids who sang "America the Beautiful" in other languages for Coca-Cola's Super Bowl ad are so charmingly innocent in these behind-the-scenes videos—and so optimistic about how the ad will be received—that it makes the whole ruckus seem extra ridiculous.

Of course, Coke isn't as innocent. It knew the ad, by Wieden + Kennedy, would be controversial. Even these clips from the recording sessions hint at that—why else would they ask the girls how people might react to the ad? And yet it's irresistible when Naomi, the girl who sings in Spanish, says: "They might feel joyful. They might feel like, 'Wow, America has all these different things.' And they might feel, like, really proud of their country, I hope. Cause I know I am pretty proud."

Coke released its own statement about the ad this week, saying in part: "For centuries America has opened its arms to people of many countries who have helped to build this great nation. 'It's Beautiful' provides a snapshot of the real lives of Americans representing diverse ethnicities, religions, races and families, all found in the United States. … We believe 'It's Beautiful' is a great example of the magic that makes our country so special, and a powerful message that spreads optimism, promotes inclusion and celebrates humanity—values that are core to Coca-Cola."

The ad's director, John Hillcoat of Skunk, has also spoken out this week. "We all know there are those kind of bigots out there, but I had no idea how deeply embedded it was. It seems that the divide in America has never been greater," he said in a statement.

Despite its optimism, Coke recognizes that divide, too. Tellingly, YouTube comments are disabled on all the videos featuring the girls—to protect them. Comments are enabled on the main ad, though, and are at 12,500 and counting. Wade into that debate at your own risk.


    



Esurance Buys First Ad After Super Bowl, Will Give the $1.5 Million in Savings to a Viewer

Esurance is doing a fun little stunt tonight that should get some attention.

The online insurance company has bought the first commercial slot after the the final whistle of the Super Bowl. The company says that cost $1.5 million less than running an in-game execution—and it's using the ad to announce a Twitter sweepstakes in which it will give that money away to a lucky viewer who tweets the hashtag #EsuranceSave30.

To keep as many viewers' attention from drifting as possible, Esurance has gotten The Office star John Krasinski, its voiceover talent since 2012, to appear on camera for the first time in this spot, created by Leo Burnett.

After the ad airs, you will have 36 hours to tweet #EsuranceSave30 for a chance to win. Krasinski will unveil the winner on Jimmy Kimmel Live! on Wednesday.


    



Here’s the Groovy Little Pepsi Ad That Will Launch Sunday’s Halftime Show

Pepsi famously dialed back its volume of TV ads for this year's Super Bowl to focus on its sponsorship of the halftime show. Here's the ad from Mekanism that will run right before the halftime show begins. It shows New York City springing to life with music, with its landmarks serving as instruments. NYC is such a rich, inspiring place for this kind of approach. Nothing revolutionary, but a nice little opening number for Bruno Mars.


    



Budweiser Gives a Single Soldier a Hero’s Welcome Home in Super Bowl Spot

UPDATE: Anheuser-Busch released the 60-second spot on Friday morning, along with a longer five-minute documentary. See both videos below.

Anheuser-Busch InBev is certainly personalizing its Super Bowl commercials this year.

While its Bud Light work will depict an elaborate prank on a single unsuspecting person, the brewer revealed Tuesday that one of its two Budweiser spots will feature a single U.S. serviceman, Lt. Chuck Nadd, receiving a surprise hero's welcome home—from Bud and his entire town of Winter Park, Fla.

"The festivities included a full ticker tape parade, complete with marching bands, antique military vehicles, the VFW motorcycle club and an appearance by the world-famous Budweiser Clydesdales—all a complete shock to Lt. Chuck Nadd, who expected only to see his family waiting for him," the brewer says.

A-B says it was originally planned as a 30-second spot, but expanded to a :60—bringing the company's total time in Sunday broadcast to four full minutes. Its other spot, "Puppy Love," also a :60 and a sequel to last year's "Brotherhood" ad with the baby Clydesdale, is expected to hit YouTube on Wednesday morning.

The 60-second version:

The five-minute documentary:

See the teaser for "A Hero's Welcome" below.


    



Anna Kendrick Isn’t ‘Beer Commercial Hot’ but Is Hilarious in Newcastle’s Super Bowl Campaign

Newcastle Brown Ale, which didn't buy airtime in Sunday's Super Bowl but is doing a wonderfully silly campaign about how it almost did, rolled out more content from Droga5 this week—including the hilarious endorsement below by Anna Kendrick.

Just like last week's Newcastle trailer was the year's best Super Bowl teaser, Kendrick's performance will surely be the funniest among this year's celebs.

Newcastle has done a lot of great stuff around this faux Super Bowl campaign, including a brilliantly self-mocking native ad on Gawker as well as bogus focus-group videos and another endorsement video starring Keyshawn Johnson.

"It seemed like the obvious thing we had to do, and unfair to the world if we didn't," Newcastle brand director Quinn Kilbury said of the Super Bowl ambush. "The Super Bowl is great. The game is amazing, everyone loves the game. But it's become much more about marketing in some ways, and the over-the-top ridiculousness that surrounds it. I saw a lot of that when I was doing the real Super Bowl marketing stuff over at Pepsi, so it's close to my heart, and it is a little ridiculous sometimes. For a brand that likes to poke fun at marketing, we had to poke fun at Super Bowl marketing at some point."

He added: "The brief to Droga5 was, essentially, hijack the conversation around Super Bowl marketing. We had a couple of ideas, but essentially that was it. At first I think we saw doing something around the game itself, but then we thought if you're going to do the Super Bowl, or the Super [Bleep], as we're calling it, you have to be true to the whole marketing show. You have to treat the commercial like it's a $100 million blockbuster."

See the rest of the content below.


    

Ellen DeGeneres Is a Dancing Goldilocks in Beats Music’s Super Bowl Ad

Ellen DeGeneres will be among the parade of celebrities in this Sunday's Super Bowl, as she dances with bears and wolves in a stylish and amusing Goldilocks and the Three Bears parody for Beats Music, the subscription-based online music-streaming service.

You can see the full spot—or at least a version of it, running longer than 60 seconds—within the clip below, which will air Thursday on DeGeneres's talk show. The Beats Music app is "something I absolutely love," she says in introducing it. "I had so much fun shooting the commercial. And you're really not supposed to see it until the Super Bowl, but it's my birthday and my show, so I get to do what I want."

Beats Music also aired a spot on the Grammys that was written and narrated by Trent Reznor, who serves as chief creative officer for the service.

See the 90-second version of the Reznor spot here.


    



See a Most Excellent Guinness Ad That Will Be Pulled Off YouTube at Midnight

BBDO New York is on a roll with Guinness. Following last year's "Basketball" spot, truly one of the best of 2013, here's a great new commercial starring U.S. biathletes Tracy and Lanny Barnes. If you don't know their story, just watch the commercial—it's remarkably affecting, given that it's mostly just a static image and some text coming and going.

The spot is on YouTube for now, but will be pulled off the site at midnight Wednesday (Jan. 29), Guinness confirmed. That's because Guinness is not an Olympic sponsor and cannot air advertising featuring Olympic athletes between Jan. 30 and Feb. 26.

Credits below.

UPDATE: The ad was made private on YouTube last night, but you can still see it, for now, at the non-YouTube embed below.

CREDITS
Client: Guinness
Spot: "Barnes Sisters"

Agency: BBDO, New York
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Tom Darbyshire
Associate Creative Director, Copywriter: Jon Yasgur
Associate Creative Director, Art Director: Jim Cancelliere

Director of Integrated Production: Dave Rolfe
Producer: Whitney Collins

Editorial, Animation: My Active Driveway
Creative Director: Steve Choo

Music: Andrew Knox Music
Music Producer: Loren Parkins


    



Mutant ‘Doberhuahuas’ Attack the World in Audi’s Super Bowl Ad

Audi's 2014 Super Bowl ad, like the mutant animal it imagines, is a bit of an odd beast.

Following two teasers, the automaker on Monday released the full spot, from Venables Bell & Partners and director Noam Murro. It features a man and woman looking in a pet store for the perfect dog. When they can't choose between a Chihuahua and a Doberman Pinscher, the store suggests they get both—a blended "Doberhuahua" breed. Sounds like a fine plan, until things go awry (in the couple's imagination, at least) and a pack of Doberhuahuas begins to chew up an entire city.

Turns out the whole point is not to compromise. "The all-new Audi A3. Designed without compromise," says the on-screen text at the end. (The couple end up not compromising by choosing a not-lethal mutt from a rescue shelter.)

The visuals in the ad are certainly amusing, and a Doberhuahua attacking Sarah McLachlan's guitar is a welcome sight. But it seems like a bit of a roundabout way to get to a message—#StayUncompromised—that could apply to almost anything.

Last year's "Prom" spot had a similarly vague message—"Bravery. It's what defines us"—but was well liked because of the winning storyline. This year's plot crosses over into such absurdism that the message about not compromising feels like a disconnect. (And speaking of crossing over, combining two animals to make a new one, in a car commercial, could make you expect a message about a crossover or a hybrid—and the A3 is neither.)

Dogs, violence and Sarah McLachlan. Like the Doberhuahua itself, it's an odd combination.


    



Yellow Gets the Starring Role in M&M’s Super Bowl Spot

A year after the Red M&M belted out Meat Loaf's "I'd Do Anything for Love (but I Won't Do That)," it's Yellow's turn to take the spotlight during the Super Bowl.

The Mars candy brand just released a teaser for its 30-second spot, set to air in the first half of the Feb. 2 broadcast. Not much is revealed, aside from some aerobics and an abduction via tranquilizer dart.

The spot, from BBDO New York, will promote peanut M&M's.

"It's about time we remind the world how irresistible M&M's Peanut really is," Seth Klugherz, senior director of M&M's Chocolate Candies, said in a statement. "Each M&M's Peanut is literally 1 in 100—meaning we have to sort through 100 different peanuts, just to find one that's lucky enough to make its way into a bag of M&M's Peanut."

CREDITS
Client: Mars/M&M's
Title: "Abduction"

Agency: BBDO, New York
Chief Creative Officer: David Lubars
Executive Creative Directors: Tim Bayne, Lauren Connolly
Senior Art Director: Eduardo Petersen
Art Director: Jamie McCelland
Copywriter: Roberto Danino
Senior Producer: Regina Iannuzzi
Producer: Sofia Doktori

Senior Account Director: Susannah Keller
Account Director: Carrie Lipper
Account Manager: Tani Nelson
Account Executive: Alyce Regan

Production Company, Visual Effects: Laika, House
Executive Producer, President: Lourri Hammack
Director: Kirk Kelly
Producers: Zilpha Yost, Julie Ragland
Editing House: PS260
Editors: Maury Loeb, Ned Borgman
Assistant Editors: Matt Posey, Colin Edelman
Senior Producer: Laura Patterson


    



Newcastle Brown Ale’s Super Bowl Ad Teaser Is the Best You’ll See This Year

God bless Newcastle Brown Ale. As much as we all enjoy advertising when it's good, so much of it—as Newcastle would say—is bollocks. The British brewer (with help from Droga5) has always excelled at skewering irritatingly transparent marketing tactics, and now it sets its sights on the Big Kahuna itself—the Super Bowl.

The faux teasers below launch an "If We Made It" campaign, celebrating the Super Bowl commercial the brewer would have made—if it had been able to afford one. The deadpan copy is spot on, and as ambush marketing goes, the whole campaign is hilariously done as it takes down the overblown process of Super Bowl ad rollouts.

Gird your loins for more content to roll out into the middle of next week.


    



Chocolate and Peanut Butter Try Couple’s Therapy in Butterfinger’s Racy Super Bowl Campaign

Sorry, Bart. It looks like Butterfinger's first Super Bowl ad will have a theme better suited to those over 18.

The Super Bowl spot, by ad agency Dailey and director Clay Weiner of Biscuit Filmworks, will launch Butterfinger Peanut Butter Cups. The Nestlé brand released a teaser on Tuesday showing peanut butter and chocolate going to couple's therapy in an effort to spice up their boring relationship (a not-so-subtle jab at peanut-butter cup market leader Reese's). The whole teaser is pretty suggestive, particularly when another couple, cheese and crackers, emerge from the therapist's office excitedly fondling a giant hard salami. Peanut butter and chocolate, meanwhile, begin to see the possibilities of a more satisfying union themselves by staring at the centerfold of a copy of Exotic Snacking magazine. "The cup is about to get crunchy," says the tagline.

The Super Bowl ad will be a different execution but with the same couple's therapy theme, the AP reports. For more, see the campaign site at www.butterfingercups.com.


    

Deaf NFL Player Derrick Coleman Tells His Story in Terrific Duracell Ad

As huge of an advertising juggernaut as the NFL is, commercials starring NFL players often feel interchangeable. Here, though, is a great piece of work from Duracell starring Derrick Coleman, the 23-year-old Seattle Seahawks fullback who happens to the be the first legally deaf player to be part of an NFL offense.

Bravely narrating the ad himself, Coleman tells his own story of being picked on as a kid, being told he could never make it—and being passed over by the NFL draft. "They didn't call my name, told me it was over," he says. "But I've been deaf since I was 3, so I didn't listen." That's a great line. The tagline: "Trust the power within."

Coleman seems enamored with that line. He tells the Sporting News of his Duracell deal: "They came to me, and said they liked my story, and I said OK, I want to join up. I just hope to inspire people, especially children, to trust the power within and achieve their dreams."

Agency: Saatchi & Saatchi, New York.

CREDITS
Client: Duracell

Agency: Saatchi & Saatchi, New York
Executive Creative Director: Peter Moore Smith
Creative Directors: Garrett Jones, Billy Leyhe
Chief Production Officer: Tanya LeSieur
Director of Content Production: John Doris
Senior Producer: Danny Miller
Senior Art Director: Nathan Wigglesworth
Senior Copywriter: Lincoln Boehm

Production Company: Park Pictures, Los Angeles
Director: A.G. Rojas
Director of Photography: Linus Sandgren
Executive Producer: Mary Ann Marino
Line Producer: Gabrielle Yuro

Editing House: Whitehouse Post, Los Angeles
Editor: Shane Reid
Assistant Editor: Keith Hamm
Producer: Jonlyn Williams
Executive Producer: Kristin Branstetter

Sound Design: 740 Sound Design, Los Angeles
Sound Designer, Mixer: Rommel Molina
Executive Producer: Kate Vadnais

End Animation: Mass Market, New York
Executive Producer: Louisa Cartwright


    

Cheerios Takes Home Dubious Honor of Most Hated Ad During the Golden Globes

Twitter is a tough crowd during any high-profile live TV programming, when snark levels always spike. Cheerios learned that the hard way during the Golden Globe Awards on Sunday when it aired a six-month-old commercial from Saatchi & Saatchi in New York that aimed for heartwarming but came off, to many, as depressing.

The ad shows a mom and her son having breakfast, when the boy pipes up and asks, "Did Nana ever give you Cheerios when you were a little kid?" This seemingly innocent question leads to an exchange that's supposed to be cute, though it leaves Mom practically in tears by the end—and got Twitter fuming.

Check out some of the reactions below. The spot is, of course, super manipulative—but that's hardly out of line with what Cheerios always does in its advertising. The General Mills brand blatantly manufactures emotion, sometimes more deftly than other times. We didn't think this one was actually that bad. (And in fact, a number of people praised the ad on Twitter last night, or at least said it made them teary.) But the difference is, during an event like the Globes, you're much more likely to get abused on Twitter for that kind of manipulation.

Makes you wonder what the brand is planning for its first Super Bowl ad next month.


    

Can Ad Agencies Teach Women to Love Their Bodies?

Female empowerment was a major advertising theme in 2013, particularly in the area of self-esteem—led by Dove's "Real Beauty Sketches." But freed of client constraints, can ad agencies alone get women to love their bodies?

Marie Claire Australia asked six shops to try—OgilvyOne, Publicis Mojo, M&C Saatchi Australia, Airborne, Whybin\TBWA and DDB Group Sydney. Each produced a print ad on the topic. You can see all of them here. OgilvyOne's entry, above, is probably the most striking and memorable. Several of the others are interesting, too, although as a whole, it goes to show how the topic is a tough one to tackle in a single print ad.

See the text from the OgilvyOne ad below.


    

See Denny’s Devilish Tweet to Auburn Fans After the BCS Title Game

Raise a giant Cherry Coke and toast Denny's for this great tweet after the BCS title game—offering distraught Auburn fans a road map for where they can comfort-eat their miseries away on the long drive back home to Alabama. It's great partly because it could have so easily been killed, for perhaps being a tad scornful and for sort of making fun of Denny's as well. In other BCS news, Charmin posted the tweet below—apparently having made peace with almost-profanity after getting spooked by its own famous "Asgard" tweet back in November.