Latest ‘Behind The Cubes’ Highlights Land Rover Work from Marc Sobier

The latest from the “Behind The Cubes” series showcases Y&R New York executive creative director Marc Sobier and his work for Land Rover.

Sobier discusses working with a group of parkour experts in the “Roam Free” campaign, which takes the practice out of its urban environment and into a natural setting. “Roam Free” was designed to promote Land Rover’s “Terrain Response 2″ which “seamlessly adapts to nature.” So Sobier and crew brought on some of the world’s best parkour experts to do their own stunts and exemplify Land Rover’s new feature in as exciting a way as possible. Sobier marvels at the possibilities of advertising, asking, “In what other business do you get to randomly work with a bunch of cool, free running stunt men?”

Behind The Cubes also showcases Sobier’s “Race The Sun” campaign — also for Land Rover. “Race The Sun,” an “interactive suspense film” that mixed in gaming elements. When filming “Race The Sun” Sobier and crew ran into a rather large problem, the sun, thanks to smoke from nearby forest fires, was nowhere to be seen. Instead of giving up, though, the crew kept filming, and they were rewarded with an especially awe-inspiring sunset perfectly suited for the spot.

You can check out “Behind The Cubes: Roam Free” above and stick around for “Behind The Cubes: Race The Sun” after the jump. continued…

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Nesle, Blast Radius Parting Ways (Updated, Sorta)

stevenesleWe’ve received confirmation that Steve Nesle‘s time at Blast Radius has come to an end. No word yet on what lies ahead for the creative or if anyone’s replacing him, but Nesle has served as ECD/East for the WPP/Wunderman agency since late 2012. Prior to Blast, Nesle, you may recall, served in a similar role for two years at Deutsch New York and also held senior creative roles at what was then Tribal DDB as well as MRM Worldwide during his career.

Update: Wait, what? After getting direct confirmation from those in the know that “yes he is departing” a half hour later we get word from the same party involved that whoops, Nesle “continues to support Blast Radius accounts out of New York and Toronto.” Perhaps his  position has just changed within the network but this is quite the quick and confusing about-face. We’ll try to sort out this little mess as soon as we can and will update when we hear.

Update 2: Finally, we’ve received confirmation that Nesle’s tenure with Blast Radius is indeed up towards the end of this month.

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SapientNitro Adds to Exec Roster in Detroit

DetroitTigersD1Those idea engineers at SapientNitro have welcomed a pair of execs to their Detroit area office who, from what we’ve been told, will help the agency’s Chrysler business. First up to bat is Craig Daitch, who’s joined the agency as VP/digital marketing strategy after spending the the past few years at Ford, where he last served as communications manager for the technology/research/innovation division. The second exec to join SapientNitro is Chris D’Alessandro, who has assumed the position of VP/client services. D’Alessandro, who joins Sapiient after a brief stint as global executive director/digital for  Omnicom’s Nissan United collective, has also worked at the likes of MRM, Carmichael Lynch and Organic during his career.

SapientNitro, if you recall, has been working with Chrysler since 2010.

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TBWA Makes Leadership Changes in Canada

georgenhuyenWell, we’ve been hearing murmurs over the week about the status of George Nguyen, who has spent approximately the last eight months serving as managing director at TBWA\Toronto, which also works with the agency’s usual suspects including Nissan and Gatorade as well as several Canadian brands (as you’d expect). Well, Nguyen’s position has now changed as he’s assumed the role of chief strategy officer for the Toronto office (the managing director post is now obsolete). Prior to TBWA\Toronto, Nguyen spent four years as managing director of the network’s Vietnam branch. During his career, he’s also held planning posts at Arnold, Lowe and StrawberryFrog.

Along with Nguyen’s change in position, sources familiar with the matter tell us that Jay Bertram, who was running both TBWA\Canada and TBWA\Latin America, has returned to serve full-time as president of the former. From what we’ve been told, TBWA  closed the Latam regional office “a short while ago” and relocated those on accounts to LA or New York and central support staff to New York. Bertram has had two tours of duty with TBWA, the most recent one lasting a dozen years. During his career, he also spent a lengthy amount of time as an exec at Cossette.

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Happy Valentine’s Day, from the ‘Ideas Man’

floydhayesvalentine

It seems our coverage of Floyd Hayes has apparently been with some disdain over the years but the self-proclaimed “Ideas Man” decided to turn negative into positive in honor of Valentine’s Day. We’ll keep this short since Hayes has touched a nerve or two over time. The man has decided to transform the negative comments he’s received on this here site and create the image above, which we couldn’t help but resist posting. Do you feel the love?

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BBDO Releases New Olympics Visa Spot, ‘Night Swim’

BBDO has just released a new Olympics spot for Visa featuring U.S. Olympic Freeskier Torin Yater-Wallace.

The 45 second spot, “Nightswim,” follows Torin on one of his night runs through “an ocean of snow,” where “it’s only [him] and the mountain.” Torin explains that he skis at night because the days just aren’t long enough, and he can engage his passion in private at night, without the pressures and distractions he faces during the day. The spot closes with Morgan Freeman‘s narration that Visa has been “supporting Olympic athletes for over 25 years.”

Like a lot of the Olympic advertising we’ve been seeing, “Nightswim” is pretty straightforward, allowing the athlete involved and the idea of Olympic sponsorship to speak for itself. The most unusual thing about the spot would have to be the nighttime setting, which allows for some interesting visuals, but also some moments where it’s kind of hard to tell what’s going on. Credits after the jump.

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CU to Take on BYU in AdFight Smackdown

This past September, Brigham Young University challenged the University of Texas to an “AdFight.” When the University of Texas backed out, Brigham Young University challenged Colorado University, and now CU is letting BYU know that it’s totally on with the above video and accompanying website, which the Denver Egotist reports “students of the senior Portfolio Ad Class at CU — taught by Barrett Brynestad and Austin O’Connor” launched yesterday.

The AdFight will take place over a three day period, from briefing to presentation, although many details still need to be worked out. Date and time are still to be determined, but the schools hope to get “get a hypothetical brief from an agency, and be judged by a panel of CDs and other industry professionals.” We’ll be interested to see how this one plays out. Let the AdFight smackdown begin.

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Air New Zealand Team Up with Sports Illustrated for ‘Safety in Paradise’

To celebrate 40 years of flying to the Cook Islands, Air New Zealand has collaborated with Sports Illustrated (celebrating the 50th anniversary of their Swimsuit Issue) for a new safety video featuring swimsuit models such as Chrissy Teigen, Ariel Meredith, Hannah Davis and Jessica Gomes.

“Safety in Paradise” launches next week, but Air New Zealand has shared this behind-the-scenes video of the Cook Islands shoot in the meantime. Christie Brinkley, who was propelled to fame in large part thanks to appearing on three consecutive Sports Illustrated Swimsuit covers, also makes an appearance in “Safety in Paradise,” from her Hollywood home.

“Sports Illustrated Swimsuit has a massive worldwide television, online and print campaign to celebrate the 50th anniversary and we’re incredibly excited to feature in that activity.  The magazine alone has more than 61 million readers annually and the safety video shoot with Air New Zealand will feature in the special anniversary edition,” said Air New Zealand Head of Global Brand Development Jodi Williams.

Entertaining safety videos are nothing new for Air Zealand, who have been doing it for years, featuring folks like Richard Simmons, Bear Grylls, and Betty White, not to mention the Hobbit-themed one they released to coincide with Peter Jackson’s film. If Delta’s recent 80s-themed safety video is any indication, entertaining safety videos are now practically a requirement for airlines. The “Safety in Paradise” video will begin showing on Air New Zealand flights on February 11th, when some fear an epidemic of uncomfortable in-flight arousal.

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BBDO Creative Makes Leap to Directing Music Videos

BBDO associate creative director Diego Contreras (formerly of Anomaly) is making the jump to directing music videos with his cinematic video for Kool Head’s “Leon,” which he also wrote.

Contreras matches the late-night neon vibe of Kool Head’s dance-y, 80s synth laden track, while at the same time managing to tell a story over the course of the 5:30 video. To get the distinct visuals for the video, Contreras filmed in New York, utilizing “Lomo anamorphics on the Arri Alexa 4:3.”

The “Leon” video came about as a result of the friendship that developed between Contreras and Jason Nitti (producer/songwriter of Kool Head) while Nitti was an art director at Anomaly. When Nitti sent Contreras a folder of Kool Head tracks, Contreras loved the project so much he asked if he could shoot a video. Nitti told him to pick whichever track he wanted, and Contreras instantly gravitated toward “Leon.” As for the idea behind the music video, Contreras told The Music Bed it developed from “a weird TV spot for Converse [he wrote] about kids waking up in the middle of the night and sleepwalking to a basketball court to play ball. It was about loving something so much that you do it in your sleep. But like 98 percent of our work in advertising, it went into the horrifying black hole of dead ideas. So I brought it back out and used it as a starting point…which quickly evolved into a new story for the video.”

Initially funded via Kickstarter, Diego and producer Will Mahr “pitched in to double the budget” so that they could make the music video they wanted. Check out Contreras’ “Leon” video above, and stick around for credits after the jump. continued…

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Piers Yeld Moves On from Grey Group

peteyeldYes, there is a memo concerning this latest Grey announce and it comes from Grey Group chairman/CEO Jim Heekin, who says this regarding Piers Yeld, who has been with the agency network for nearly six years, serving in a top executive role on one of the agency’s largest accounts as you’ll see below. Here’s the note, ladies and gents:

“I wanted to share the news with you that Piers Yeld, our globe-trotting Global Chief Operating Officer on the P&G worldwide business, will be leaving Grey to conquer new worlds and have some family time.

In reflecting on his 30th anniversary at Grey which he just celebrated, Piers said few people can honestly say they have been fortunate enough to continue to grow professionally and personally at a single agency for so long.  That said, it is impossible to overstate the legacy of accomplishment he leaves us.

On Piers’ watch, Grey has achieved many milestones that have had an immense impact on the success of our global company:

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Hey, Welcome to Goodby, Eric Kallman

59_Eric_Kallman_thumbYes, San Francisco-based Goodby Silverstein & Partners has hired Eric Kallman as a creative director. In case you don’t recall, Kallman is one of the creative minds who was behind the now-ubiquitous, award-winning Old Spice “Man Your Man Could Smell Like” campaign who was poached by Gerry Graf and Barton F. Graf 9000 nearly three years ago. During his time at said agency, he helped win and worked with clients ranging from Little Caesar’s, DISH, Finlandia to Disney among others. Anyhow, he’s now headed to the Bay Area to join up with GS&P co-founder/co-chairman Jeff Goodby, who says in a statement, ““I think Eric will be an inspiration to our clients, to our people and, frankly, to me. I’m looking forward to watching how he sells such challenging, distinctive work.”

Along with his time with Gerry Graf and W+K Portland, Kallman served at TBWA\Chiat\Day New York. According to Goodby, the CD will work on accounts including fast-food chain Sonic and “got milk?” for California Milk Processor Board  as well as helping to lead various new business pitches.

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Swirl Creatives Ask, ‘Do Soulmates Exist?’

With Valentine’s Day less than two weeks away, a few creatives at San-Francisco based agency Swirl are releasing a video called “Less Than One” with an accompanying website.

The 5:30 “Less Than One” explores the question, “Do you believe in a soulmate?” as a couple wrestle with that question. The woman asks her boyfriend this at the beginning of the video, and he replies that it just doesn’t make sense. He then examines the likelihood, mathematically, of her finding the right guy, and by the end seems to concede that perhaps fate does play a role in finding the right person. “Less Than One” is well-produced, written, and acted enough to make all this watchable and slightly less cheesy than the synopsis I’ve just provided might suggest. The accompanying website allows users to input information about their location, age, and romantic preferences to calculate their own chances of finding a soulmate — although their calculations seem to ignore the possibility of finding someone outside your nearest city, kind of a big oversight in the age of Internet dating sites. Credits after the jump. continued…

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B-Reel Premieres Short Film at Gothenburg Int’l Film Festival

Living_Soul_5_550_1001Production company B-Reel recently premiered their film “A Living Soul” — directed by noted commercial and music video director Henry Moore Selder – at the Gothenburg International Film Festival, receiving an honorary mention from a jury who declared ““For a film with outstanding use of visual effects, it manages to visualize mind-boggling existential questions in a manner equally playful, hilarious and poetic.”

Selder was pleased with the film;s reception, stating that it was “great that the jury motivation highlights the seriousness of the questions that the film poses, while acknowledging the humour involved. This is the exact combination that drew me to the source novel in the first place!”

“A Living Soul” will make its international premiere at the Clermont-Ferrand International Short Film Festival in France this weekend. Based on P.C. Jersild’s controversial 1980s sci-fi novel, the film “follows the subjective perspective of Ypsilon, a human brain being kept alive artificially.” B-Reel is calling the film a “Novella Film” (which is not a term I’ve ever seen before, but I’m assuming means it’s longer than a typical shorter and shorter than a typical feature length film). The production company worked in collaboration with “Hungarian prosthetics and [animatronic] master-minds Filmefex Studios” and VFX production company Swiss and Chimney. Head here for the trailer, and stick around for credits after the jump. continued…

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Dan Fietsam, Energy BBDO Part Ways

danenergyAfter spending the last five-plus years at Chicago-based Energy BBDO, word has trickled down through the departments that Dan Fietsam is no longer with the agency. If you recall, Fietsam replaced Marty Orzio over a half-decade ago as EVP/chief creative officer at the agency. We were forwarded a note from Energy sent from Energy’s president/CEO, Paul Tonise. See below:

“From: Paul, Tonise
Sent: Wednesday, February 05, 2014
Subject: Thanks, Dan!

 

Team,

After 5-1/2 years, Dan is leaving the agency.  It’s been a good run, and we are thankful for Dan’s contributions to our collective success.

When Dan started, Energy BBDO was a smaller agency and, like the rest of America (and world), we were amidst one of most difficult macro economic downturns.  We continued to grow and succeed and Dan was a key player.

Under his leadership, we drove award-winning work and got recognition from the creative community. Most importantly, he brought in wonderful creative leaders.

In the “Next Phase for Fietsam”, Dan yearns to get closer to the creation of the work. And that’s what he’ll do in his last month with the agency. We are in a search for Dan’s replacement and, in the interim, will rely on our outstanding group creative directors to continue leading their businesses.

We are grateful to Dan for all he’s done to help make Energy BBDO what it is today. I know you will all join me in offering your personal thanks to Dan.

Tonise”

 

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Nick Moore Out at Wunderman

nickmoore1We’ve received confirmation from Wunderman that Nick Moore, who has been with the agency since 2006 and has served as chief creative of the New York office of the WPP Group/Y&R agency. From what we’ve been told, and as you see below,the parting is “amicable.” Here’s a statement from Wunderman below.

“After eight years, Wunderman has amicably parted ways with Nick Moore. We thank him for his contributions and leadership during his time as creative director for the New York office.  In the interim, Global Chief Creative Officer Lincoln Bjorkman will take up the reigns with the New York creative leaders reporting directly to him until the appropriate replacement is found.  We wish him well in his further endeavors.” Prior to his joining Wunderman, Moore helped build that was responsible for BBDO’s global Proximity network, worked at what became Tequila\London and won Cyber Lions among accolades in the process.

 

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Young Glory Team Launches Global Talent Agency

The team behind Young Glory, who this year added a design category to “the only industry awards program rewarding creative consistency” have launched a new, global talent agency called YG Talent.

Young Glory mines the best under 30 talent for a competition spanning 8 creative briefs over 8 months. Over the years, they’ve attracted talented creative directors such as AKQA’s Rei Inamoto, R/GA’s Nick Law and Wieden+Kennedy’s Jim Riswold as judges. This has positioned Young Glory’s organizers as the caretakers of an ever-growing database of well-tested young talent.

“We realised that we were sitting on a real goldmine of talent  – talent that was tested and vetted by some of the industry’s finest. So we thought why not allow agencies to tap into that? Through our monthly participations, we’re able to identify the next generation of  creative superstars before everyone else. And most importantly for agencies, before they become too expensive,” says Young Glory co-founder Rafik Belmesk.

YG Talent will offer agencies “the opportunity to hire young to mid-level art directors, copywriters and designers from the four corners of the globe, solving an ever-present issue on agencies’ agendas: hiring the talent that will keep increasingly digital and diverse creative departments brewing,” providing talent in North America, Asia, Australia, Europe and New Zealand. Check out the video above, and head on over to YG Talent for more information.

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Ogilvy Channels Paris ECD to Head Up East Coast Ops

chrisogilvySources familiar with the matter tell us that Chris Garbutt, who has been with Ogilvy & Mather for the past seven years, has joined up with the WPP-owned East Coast operations, has joined up to head up its East Coast U.S. operations. Prior to this time at O&M, Garbutt worked for several years at TBWA\Paris and South African-based TBWA\Hunt Lascaris. We’ll await for a statement soon from Ogilvy on the matter. From what we’ve been told, Garbutt will be moving to the agency by year’s end. Here’s a comment from those in the know:

“The multi- award-winning creative director of Ogilvy Paris would he desires elsewhere? If the rumor begins to swell in advertising world, it is because it is founded. According to our information , a transfer of the “chief creative officer” to Ogilvy New York is under consideration. It could be done ‘ by the end of the year ,’ said a spokesman for the agency , insisting on the “quite natural” character of this movement, in an international group where “offices in New York Paris and work closely in the management of brands”. In fact , functions and especially the title of Chris Garbutt in the New York cousin had not yet been determined, as well as the conditions for eventual succession in the Paris office. If this departure became effective – he is still there to manage teams, Ogilvy would have to work hard to find the equivalent of South African hunter Lions (18 in 2013, including a Grand Prix Outdoor) , like a fish in the water with the digital , which led twice Ogilvy France on top of Eurobest . It is for this young successor of Bernard Bureau that the function of “chief creative officer” for all of Ogilvy France had been specially created in mid-2012 . He knows O & M long : it started at Ogilvy and Mather MTSR , South Africa in 1995 , before joining France and especially TBWA \ G1 on Nissan budget. Then return Ogilvy in 2008 as Creative Director of Ogilvy Paris .

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CP+B Shares Domino’s Pizza Makers’ ‘Labor of Love’

Domino’s wanted to show that their pan pizza is “handmade, hand stretched and hand pressed” by real people with real hands, talented hands. So CP+B launched a new campaign for Domino’s highlighting talented Dominos employees, including a 30 second TV spot and accompanying microsite.

The TV spot “Labor of Love” showcases three Domino’s employees with three separate hobbies: muralist Diego G., painter Crystal S., and glassblower Chris P. Domino’s chose these employees to exemplify how Domino’s pizza makers “put as much care into the pizzas they make for customers, as the things they craft and create by hand elsewhere in their lives.” The campaign microsite tells these stories in ways the 30-second TV spot can’t, with in-depth profiles of Diego, Crystal and Chris from “Labor of Love” — along with several other highlighted Domino’s pizza makers, including various artists, a comic artist, and a carpenter. There’s also a space for talented Domino’s employees to submit their own story, so expect more content in the future.

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Gavin McInnes Explains Why Old Punks Make Good Dads

Gavin McInnessGavin McIness, the Rooster creative director who last November taught us all how to fight a baby, wrote an article explaining ten reasons why old punks make great dads, and it’s pretty convincing.

Among McIness’ arguments are that old punks are used to having roommates who puke on them, don’t mind looking like shit, are never embarrassed, understand insane ideas, and are better able to explain to their kids why drugs are bad: “Pot makes movies funny, but it kills your ambition. One Molly pill makes music better, but you’ll bad-trip when you get older. Adderall is just speed, and we saw what that did to Lemmy. Cocaine won’t kill you, but it will turn you into a paranoid douche. Oh, and don’t pour hard liquor up your ass. It will give you alcohol poisoning.”

McIness also mentions how “slamdancing prepares you for being attacked” by your kids, “skinheads are giant babies,” and the cacophony your children cook up banging on garbage cans and pans doesn’t sound all that different from, say, The Dead Kennedys’ “Government Flu.” He also shares the hilarious and disgusting story of when his infant daughter’s nose kept running so he “sucked out about a pound of snot before spitting it into the sink,” only to find out later that “the Swiss had invented a handy rubber tube” for that purpose. Head on over to Taki’s Magazine for the rest of “10 Reasons Old Punks Make Great Dads.”

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Miami Ad School Student Parodies Ridiculous Bob Dylan Chrysler Ad

Chances are you were watching Sunday night when Bob Dylan actually asked, in a Chrysler ad reaching over 100 million people, “Is there anything more American than America?”

It stands out, amidst stiff competition, as the most ridiculous line uttered during the barrage of Super Bowl advertising. The rest of the spot almost doesn’t even matter, since all people will remember is that one terrible line that begs to be parodied. And now it has been. A not as of yet identified Miami Ad School student created this parody using the footage from the Chrysler spot, dubbed with  their best Dylan impression waxing ridiculous on America. With lines like, “Cuz ‘American’ is America’s adjective, and sometimes it’s a noun for people in America” and “Being an American person? Well, that takes being a person in America” the parody does a good job at pointing out what’s so ridiculous about not just the specific Chrysler ad in question, but a whole genre of overly-patriotic advertising. Now if only we knew who was responsible…

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